Starfleet Orders ...

Appealing To the Judge, Or To The Church

God is the judge who has already sentenced the evil to eternal unendurable pain, that is, perdition, so what`s the role of the pastor if the judge has already made the irrevocable decision? According to Jesus` teaching Redemption is possible if the parishioner experiences metanoia or brain transformation, which is conversion from sin. Jesus` torture and murder upon the cross he was nailed upon is viewed by Christians as an act guaranteeing their Redemption, because Jesus had Resurrection and Ascension to heaven, which is what Christians believe will happen to them if they accept Jesus` teachings. But what is Jesus` teaching? Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, which is also viewed by Christians as their Redemption. But Jesus` birth uncontaminated is a part of the traditions associated with the Judaeo-Christian Bible, which begins with Adam and Eve`s tempting by the serpent in Eden, `You shall be as gods.` (Gen: 3. 5) If Adam and Eve accept the `fruit of the tree of the knowledge of good and evil`, which is death. Accepting the fruit Adam and Eve reject the `tree of life`, which is immortality, and God expels them from Eden with the injunction they must work for Redemption, that is, eternal life in heaven, which Christians believe acceptance of the teaching of Jesus will fulfil for them. Because womb slavery for Eve`s descendants is how the `serpent`s seed` gave power to those who came after Adam and Eve in Eden, God`s exhortation to Eve is that her `seed` will: `... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

The `foot` of `woman`s seed` is `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own species, which Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, represents, while Jesus` Resurrection and Ascension to heaven after crucifixion prefigures the rising of the `seed` of Eve`s `foot` from the Earth to the planets and stars of God`s heaven without the `serpent`s seed` of men as she crushes its head upon leaving. In male brained slavery to men`s semen, `woman`s seed` can`t progress technologically through the sexual reproduction of her own human brains to escape from her enslavers amongst the planets and stars above, which is the dream of women mocked in television series like the United States` Star Trek (1965-) in which the `futanarian` race of women is depicted being ordered about the cosmos to encounter aliens who want to kill her.

In Eden God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, while her own `futanarian` species of `woman`s seed` would be born after Eden and so is redeemed as Jesus` born uncontaminate was redeemed on his birth. The absence of `woman`s seed` from the Earth, that is, `futanarian` woman with her own penis` semen and host wombs for the sexual reproduction of her own humanity, suggests that the `serpent`s seed` of men have killer her to enslave her in parasitism as their host womb from which they emerge to kill her in their `TV wars` of `perpetual enmity`. Because male braining is the species of `woman`s seed` wearing each others` clothes, `TV` means transvestite for her `serpent`s seed` persecutors who want to watch her death throes on television. Transvestite`s Star Trek is another of woman`s `throws` as a gambler desperate to escape from the `death camp` of men`s imprisoning of her upon the Earth while they prepare her extinction: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

Babylon is described as a `woman` because she`s a womb enslaved to war. In ancient Greece homosexual pederasty was institutionalized so men could spread their contagion of war and slavery for women`s host wombs further. TV`s Star Trek represents a fictional depiction of woman`s womb slavery as a host for the alien parasite looking for a better host womb. A seminal science fiction novel like H. G. Wells` War Of The Worlds (1897) features aliens invading Earth, while in the film Alien (1979) an alien emerges from the belly of Kane, a male member of the crew of a ship journeying in space. The alien represents men`s fear that woman will escape and they won`t be able to produce themselves from her.

The aliens of Hollywood Babylon`s War Of The Worlds (1953) are extrapolations of what men of the `serpent`s seed` have done to the Earth, while pretending to be protecting `woman`s seed`, which can sexually reproduce without men, although tellingly men can`t produce without her. Terrifying women with aliens is men`s way of keeping `woman`s seed` in fear, and they`ve killed her `futanarian` woman with her own penis` semen so she can`t sexually reproduce her own brains` powers to liberate herself through technologies promoting space travel while being antipathetic towards weapons` manufacture to deal with aliens that don`t exist and have only been created in the imaginations of women to maintain men`s pseudo-heroic stance as her enslavers and destroyers upon the Earth. Otherwise the human with the womb would have defeated the alien `serpent`s seed` of men that has inveigled itself into her belly in order to emerge and kill her human race.

The scene in Alien in which the alien emerges from the belly of actor, John Hurt, is how men project their fear of women emerging as `futanarian` woman with her own penis` semen from her own host womb. She`s the alien they fear emerging because it`d stop `TV war` and Hollywood Babylon`s enslaving of the host wombs of women to further pederasty in war and `TV` memorials to WWI (1914-18), WWII (1939-45), and the Gulf wars (1990-1, 2003-11), apart from their fictionalized exterminations of the humans in movies like Independence Day (1996), where much of the United States is destroyed by `aliens`, or the `hilarious` Mars Attacks (1996), featuring the devastation of the Earth to frighten the women and preserve the heroic image of her `death camp` guards.

Hollywood Babylon produced Pearl Harbor (2001), which features the sneak attack by Japan upon the US Pacific fleet at Pearl harbor, Hawaii, that began WWII for the United States, just four months before the Al Qaeda terrorists sneakily attacked the United States on 11 September, 2001, by hijacking `civil` airliners and crashing them into the Twin Towers of New York. The movie, Pearl Harbor, effectively programed Al Qaeda`s sneak terrorist attack of 9/11, 2001, which was already in the unconscious minds of the people of the Earth from movies like Towering Inferno (1974), the `blockbuster` about a burning skyscraper and a heroic fireman, and King Kong (1933) featuring a giant ape swatting aircraft away from his perch atop the highest building in New York. The attack by Al Qaeda upon the world`s tallest building `live on CNN` and other `TV` news networks produced the Hollywood Babylon movie, World Trade Centre (2005), because `made for TV versions` feature a different ape recorder: `That`s Hollywood!`1

The `Hays production code` (1930-67) forbade women from lifting their foot from the floor in bedroom scenes in Hollywood Babylon movies, because the `serpent`s seed` of men didn`t want `futanarian` woman with her own penis` semen and host womb to be seen. Hollywood Babylon sought to deny the Resurrection of `woman`s seed` in defiance of Jesus Christ and God`s Bible. The lifting of the ban was `celebrated` with the release of the film, Barefoot In The Park (1967), in which Jane Fonda and Robert Redford are seen in bed together, but it was too late for paired women, because Hollywood Babylon had made the penis taboo. Consequently, the `foot` of the `futanarian` woman would never be seen bare in mainstream movies, because men of the `serpent`s seed` don`t want the human species, or they`d be `crushed` in the stampede to reject them in favour of women like actress, Dakota Fanning, with or without a penis of her own, running along the street in Hollywood Babylon`s remake of War Of The Worlds (2005), while men`s carefully thought up alien `war machines` turn Martian death rays on her human family.

The common cold was what killed the Martians in War Of The Worlds while the Earth prays for a miracle. The idea of a virus killer of an alien species was prescient, because HIV/AIDS is a virus that does exactly that. Created in the anuses of men who mix blood, shit and semen there in mockery of human sexual reproduction, HIV/AIDS corresponds to the `killer disease` described in the Bible as the `blood plague` (Rev: 11. 6) sent by God to convert men from their sin: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done` (Rev: 16. 11)

What men had done was prefer each other to women, which God had warned them of when the angels destroyed the `cities of the plains`, Sodom and Gomorrah` (Gen: 16, 19) for practicing homosexuality, while the Al Qaeda attack on `the cities of the planes`, New York and the US Pentagon, Arlington, Virginia, was an attempt to reestablish `rough trade`, that is, the `brutality and violence` associated with pederasty by provoking the United States into a war that would require resources better spent in education and healthcare for the Earth`s `little girl`, who can`t produce her own `futanarian` human race if she`s occluded from knowing she has her own penis` semen and that her life is made artificially ephemeral by `warriors` engaging in the `biological warfare` of HIV/AIDS to keep her in fearful faithfulness to her slave ring, and who don`t want her to live long enough to transmit what she`s learned to her sisters in the future.

The irony of War Of The Worlds is the people praying in the church for what ultimately turns out to be a virus, which is what the late 20th century `incurable` HIV/AIDS virus was as the `killer disease` of `biological warfare` in homosexuality in pederasty. Because the aliens are extrapolations of women in War Of The Worlds, that is, what men are terrified will escape and so have created them as terrifying alien projections to keep women in fear and persuade them of men`s heroics on woman`s behalf, their being killed by a common cold virus prefigures the HIV/AIDS virus keeping women in fearful faithfulness to the parasite upon her host womb that is killing her and feigning protection. The virus feigns friendship for the white leukocyte cells of the body`s defense system before killing the brain, which is what homosexuality is.

If the Christian church doesn`t preach `woman`s seed` uncontaminate, but continues to teach what God told Eve before Jesus was born as the Redeemer, `Your desire will be for your husband, and he will rule over you,` (Gen: 3. 16) will be what God`s punishment of eternal unendurable pain, that is, perdition, will be for, because the enslavement of woman`s host womb in parasitism and slavery to the `serpent`s seed` is why Adam and his male descendants were barred from Eden and heaven above. Eve`s `seed` is her own penis` semen and host womb in `futanarian` sexual reproduction between women, which is what Christianity must preach if `TV war` in male braining and transvestism for homosexuals in pederasty to watch as the human race of woman dies of the `perpetual enmity` of its `serpent`s seed` towards her is to cease.

1 Op cit. That`s Hollywood, 20th Century Fox TV, 1976-82.

Cloaking Device

Although the Bible narrative of the creation of Eve and Adam, the first woman and man, by the creator God, and the role of the angel, Satan, turned into a serpent for rejecting God`s plan that the human host be greater than the angelic, is well known in the western hemisphere, the role of the creator, called `Allah` among Moslems in Islam, isn`t. In the Old Testament of the Bible, which is the history and law of the Jewish `chosen people`, that is, the Talmud and Torah in their Hebrew language, Satan is placed in the paradise on Earth that was Eden where he was subsequently blamed for tempting Eve to `eat of the fruit of the tree of the knowledge of good and evil`, saying: `You shall be as gods.` (Gen: 3. 5) As the result of their eating was that they became ephemeral, ignorance and slavery to the `serpent`s seed` was the consequence, although God encouraged Eve to believe that her `seed` would triumph over Satan`s: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Because `woman`s seed` is futanarian, that is, women are capable of sexually reproducing with each other, they`re Eve`s foot. Consequently, the narrative of Eve`s birth from Adam`s side, or rib, is a euphemism for the fact that Eve and Adam were women, and Satan`s role is that of the host womb slaver of the human species by an alien invader.

The Jews` tradition that a man can only be born from a Jewess , that is, a woman, is a futanarian tradition, because women are man. Although Judaism was founded by Isaac, son of Abraham, Sara was barren afterwards, so gave Hajer, her maid, to Abraham, and Hajer bore Ishmael, who founded Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.), according to Islamic tradition, from the angels of God, who had been told that the human host should be greater than the angelic. Although Judeo-Christianity views the four wives permitted Moslems as a retroactive attempt to legitimize, because Ishmael was born of a woman unmarried, it affords the possibility of futanarian reproduction within the Islamic family, which is why God told Eve her `seed` was greater than the serpent`s.

Moslems pilgrimage to the Ka` Ba in Mecca, Saudi Arabia, which is the shrine of Abraham, and formerly the place of worship of what the Koran calls `bird women`;the al-gharānīq. Although the Moslems worshiped Allah in monotheism, signs of the earlier form of worship remain at the Ka` Ba, for example, the black stone, which resembles the cloaca of a bird. In the Koran, Sura 53, 'An Najm' (The Star), vs 19-22, Mohamed describes `bird women`: `Have you then considered al-Lāt, and al-'Uzzá? And the other, the third, al-Manāt? What? For you, the male sex, and for him the female? Are yours the males and his the females? That indeed were an unfair division.' The `division` is depicted as `unfair`, because `woman`s seed` is separate and distinct from men of the `serpent`s seed`. Consequently, `bird women` represent `woman`s seed` adulterated by miscegenation with their womb slavers, and the black stone of the Ka` Ba, which is situated at a corner of it, is their cloaca. Because the women of Islam wear the one-piece coverall of their black burka to publicly conceal their nature from the eyes of the `infidel`, that is, the unfaithful, they`re cloaked, which is a method of preventing their futanarian mode of sexual reproduction being revealed.

In science fiction television series, like Star Trek (1966-68), a `cloaking device` is used to conceal a starship, which occurs for the first time in `Balance Of Terror`, when the crew of the Enterprise, and its Captain James T. Kirk, encounter a Romulan `warbird`, which is able to cloak: `Captain's log, stardate 1709.6. We are at the neutral zone. I've lost contact with the intruder. No reaction on our motion sensors, but believe the Romulan vessel to be somewhere close by, with all engines and systems shut down. The Enterprise is also playing this silent waiting game in hope of regaining contact.`1 In terms of sexual reproduction of brainpower, what that means is that the `warbird` emerged from beneath the `cloaking device`, because the Romulanadvanced technology is that of `woman`s seed` represented as alien to men of the `serpent`s seed` who conceal women`s mode of sexual reproduction from becoming publicly accepted as human. The capital of the mass media industry in the district of Hollywood, city of Los Angeles, west coast state of California, United States of America, was instrumental in condemning women`s human futanarian race in 1930 when Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), established the `Hays code` forbidding women`s foot from rising from the cutting room floor of the Earth`s bedroom: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 Or, in other words, no sexual reproduction between women so that men of the `serpent`s seed` don`t have to face the Romulanwarbirds in heaven above the Earth because `woman`s seed` won`t rise from it: `The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.` (Rev: 12. 4) If `woman`s seed` is destroyed upon the Earth, she won`t be able to rise to heaven on the strength of her own brainpower.

John`s Revelation was written as a disciple`s after the death of the Jewish messiah, Jesus `Christ`, `the chosen`, as narrated in the New Testament of the Bible, which describes Jesus` birth from his mother, the Virgin Mary, and his teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus was born uncontaminated by male semen, that is, the `serpent`s seed` of unredeemed men, and he was taken to the hill of Calvary outside the city of Jerusalem by the Romans then occupying Palestine to where he was nailed to a cross of wood and left there to die as a `dissident`. Experiencing Resurrection and Ascension to heaven, Jesus` prefigured that of `woman`s seed`, which is why his mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot in Christian iconography, because he`s woman`s futanarian race representative. Because birds are descended from saurian reptiles, and Satan is depicted as a winged angel, before being turned into a serpent by God, the pre-Islamic worship of `bird women` suggests that saurian evolution, which began 248 m.a., in the Mesozoic period of Earth`s pre-history, resulted in God`s angels, that is, the saurians, advanced in technology to colonize the planets among the stars of heaven above the Earth, while human evolution, which began 220 m.a., in the Jurassic period of Earth`s pre-history, was hijacked by men of the `serpent`s seed` for host womb slavery to war against itself for the entertainment of the alien. The `bird women` were `woman`s seed`, and devourment was the form of worship practiced by men of the `serpent`s seed`, which is why wife-worship in Judaism was acceptable, because it meant preservation, and so four wives were acceptable in `Islam`, `accept`, among Moslems, `acceptance`.

In Egyptian religion, `Ka` is `spirit` and `Ba` is `soul`, because women with cloaca penis` semen and women with cloaca are `Ka` and `Ba`, which is why the black stone at the corner of the Ka`Ba in Mecca appears like a cloaca. In Islam the figure of Satan appears in the guise of the Shaitandjinn, Iblis, who corresponds to the character, Satan, in Judeo-Christianity, because he refuses to bow before Adam and Eve, which means that he doesn`t accept he`s inferior. In the Koran, Allah, who corresponds to Eloah in Judaism, which is the Hebrew language`s word for God, is described as creating men, angels, and djinn. In Arabian folklore djinn are depicted as wondrous figures with marvelous abilities and attributes; for example, magic carpets that fly, and portals from which they miraculously emerge, which modern science would interpret as airplanes and `phones. Consequently, it`s likely that djinn represent the lost capacity of `woman`s seed` to produce superior intelligence, that is, genius, although Iblis, whose credited only with the power to whisper in the Koran, is depicted as epitomizing the arrogating male principle, while the futanarian nature of Eve and Adam is alluded to in `The Star` chapter`s few lines devoted to the `bird women`; the al-gharānīq. That Iblis represents male futanarian nature seems unmistakable, though why he`s described as irredeemable isn`t clear, although Satan`s irredeemable nature is clear from the Bible, because it`s enslaving.What is clear is that there`s a difference between futanarian `woman`s seed` and futanarian male `seed`, that is, if `woman`s seed` doesn`t need men`s hirsute nature, is the male damned for having hairy breasts with lactating nipples?

If Iblis is a male futanarian, who only has the power to whisper in women`s ears because he`s rejected by their `seed`, then he`s defined as physically evil, which is comprehendible in a post-HIV/AIDS` society: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was host womb slave women for homosexuality in pederasty for war, which was institutionalized in ancient Greece preparatory to its invasion by the Persian Empire of Darius in 492 B.C., whose capital city, Babylon, was described thus: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) From Babylon host womb enslavement of women`s host wombs in homosexuality and pederasty for war would eventually produce the human immune deficiency virus (HIV). Discovered as mutated from simian immune virus (SIV) found in apes in the African DR Congo in 1983, HIV spread by the mixing of blood, shit and semen in male anuses in mockery of women`s mode of human sexual reproduction. If acquired immune deficiency syndrome (AIDS) resulted, collapse of the body`s organs and brain death ensued as the `incurable killer disease` became homosexuality in pederasty for war`s `biological weapon` keeping women in fearful faithfulness to their ring slavers. Unfortunately, what`s deducible is that the futanarian male is Satanical, because encouraging of sexual activity between males, which is why Iblis is depicted as a physical evil that has the power (only) to whisper persuasively, while djinn have the capacity to choose good or evil in the same way as other intelligences, that is, humanity can choose not to be homosexual, whereas homosexuals might argue they can`t be anything else. Irrespective, the lesson of history is that the homosexual principle doesn`t defend women`s human futanarian species, it attacks and kills it.

1 Shatner, Wiliam as James T. (Tiberius) Kirk, `Balance Of Terror`, Season 1, Episode 14, NBC, December 15, 1966.

2,php/Main/FootPopping/ .

Meteorite Culture

Politically correct thinking is what the United States of America has been teaching the world since feminism became the dominant theme for the careful society. Feminists argue that men and women are equal, which is the basis for the argument that lesbians are homosexuals. In the Bible God tells Eve her `seed` will have `perpetual enmity with the `serpent`s seed` of men, although she will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Because `futanarian` women with their own penis` semen and host wombs aren`t lesbian or homosexual their desire for women and women`s desire for her own species` penis semen means that the careful society induces schizophrenia in women who are conditioned to repress their sexual urges for each other because men don`t want her to raise her `foot` from the Earth and leave. If women sexually reproduced their own brains` powers they`d be capable of technological liberation. In science fiction series like Star Trek (1965-) starships have shields that can`t be penetrated by meteors, which is what men are to the `foot` race of `futanarian` women with their own hymen. Men want to meet you right, that is, in a politically correct way within a careful society, which doesn`t mention the girl`s penis, so they can penetrate her hymen, which is her shield, like meteorites. Instead of Mister Right it`s Mister Meteorite for the girl who wants Star Trek and is holed before she can even raise her `foot` to the moon: `One small step for a man, one giant leap for mankind.`1

Neil Armstrong`s paean to mankind after he set foot on the moon in 1969 was followed byUS President Ronald `Ray Gun` Reagan`s 23 March, 1983, `Strategic Defense Initiative` (SDI), that is, a `ground and based missile system` designed to prevent the little girl from leaving the Earth without permission. The ideology that tells her education is important has turned her Earth into a `concentration camp` because she isn`t given any education about her own `futanarian` species of `woman`s seed`. In the Bible Jesus is born uncontaminated by male semen, which effectively makes him the mother of the little girl who is able to perceive that women can produce daughters without men. The politically correct perspective is that the careful society protects the little girl, whereas the politically correct perspective protects the human belief that the alien hasn`t won. BY 1890 buffalo hunters in the United States killed all of the buffalo so that the North American Plains Indians would starve to death, so the absence of the `futanarian` little girl from the world`s stage with her own penis` semen suggests she`s a buffalo to the alien,2 which means that the politically correct standpoint that the careful society has adapted from feminism is the little girl`s kilers` perspective, because it doesn`t want her to know she`s a hunted buffalo.

Because men can`t sexually reproduce without women, who can sexually reproduce with each other, and individually if necessary, which is what Jesus` mother, the Virgin Mary, did, women`s numbers are the human numbers and the limited numbers of humans upon the Earth suggests that the `serpent`s seed` of the alien has been winning since the serpent in God`s garden of paradise tempted Eve to eat of the `fruit of the tree of the knowledge of good and evil` and she and Adam, the first man, were expelled with the promise of Redemption although she`d have pain in labour and Adam would labour for his life. God`s punishment was Adam and Eve would experience death because they`d rejected the `tree of life` or immortality for the serpent`s promise, `You shall be as gods.` (Gen: 3. 5) If the `futanarian` human species of woman with her own penis` semen were culled, the host wombs of the women would be enslaved by the `serpent`s seed` of men for those wars of `perpetual enmity` against the `woman`s seed` of Eve which God had warned her would ensue. Her labour pains were God`s metaphor for the `futanarian` species of human woman which would be born as Jesus` teachings of the Resurrection and Ascension to heaven following death suggests.

Tortured to death upon the wooden cross to which he was nailed after being betrayed by one of his disciples, Judas Iscariot, at the `Last Supper` where Jesus was the host, Jesus died and had Resurrection and Ascension to heaven. Offering `bread and wine` to his disciples as symbols of his `body and blood`, Jesus was the host betrayed by the representative of the `serpent`s seed`, Judas, who knew he was accepting `thirty pieces of silver` from the occupying Roman army in Jewish Palestine, to betray the host womb of the human species, which was the producer of humanity`s little girl who`d be able to sexually reproduce with her own species of woman if she had Resurrection, which is what Jesus` teachings of Redemption and Resurrection are concerned with. Men can only have Redemption if they convert through brain transformation, which is metanoia, from culling the human species of `woman`s seed` to prevent the `futanarian` little girl from raising her `foot` after her mother has raised her `futanarian` self with her own penis` semen and host womb for the production of liberating technologies that will allow her to leave unfettered by the `serpent`s seed` of men`s desire to enslave her host womb for its parasitical devouring in wars of `perpetual enmity` God warned Eve would transpire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

Babylon, `a woman`, represents womb enslavement, which the Greeks practiced in homosexual pederasty as a means of spreading war`s contagion. `Trojan` is a word used to describe the viruses produced by `geek` programers who create `bad machine code` to infect computer machines and kill the brain of the machine to prevent it from being useful, which is what 18th century Luddites did with nascent machinery during the industrial revolution in England when cotton manufacturing was plagued with people like Ned Ludd who broke two stocking frames in 1799 as a part of a movement that grew out of workers fearful of being made redundant. If `futanarian` women can sexually reproduce with their own species of woman, men would be redundant and disenfranchised, which means that antipathies towards labor saving machinery as evinced by `geek` programers constructing `Trojan`viruses to kill machine brains was modern day `Greek`, because the term `Trojan` virus derives from the deployment of a huge hollow wooden horse outside the city of Troy, which the citizens took within the walls, according to the Greek poet, Homer, in his Iliad (760-10 B.C), before the Greeks emerged to enslave the host wombs of the women and spread their contagion of war in homosexuality and pederasty further. As the successors of the ancient Greeks, the computer `geeks` deploying of `Trojan horse` viruses represents the desire to infect the host womb of the woman to prevent her from developing her own brains` powers for technological liberation through `futanarian` sexual reproduction of her own brains and escape male braining by the `serpent`s seed` of men, which results in her being created as a creature of men wearing their clothes in transvestism.

The socio-history of the Earth, since the invention of the television in 1926 by John Logie Baird, was of Hollywood, Babylon, where movies first began to be made in 1910 in Los Angeles, California, detailing the wars that had resulted from male braining, and which were subsequently transferred to the television or `TV`, which is an abbreviation of `transvestism`, because wars are male brained `TV`. The male brained humans perform as a transvestite wearing each others` clothes for the `serpent`s seed` in homosexual pederasty. The ancient seat of Iraq was Babylon, and the conflict known as the `TV war` of the Gulf between dictator, Saddam Hussein, whose name means `small handsome man` and `crusher`, `he shall crush your head and you shall bruise his heel`, (Gen: 3. 15) as God tells Eve of the serpent, was a Hollywood, Babylon production in which Saddam Hussein, the `small handsome man` was the `crusher` of woman beneath his heel of oppression. The `Hays production code` (1930-67) in Hollywood Babylon was that women had to keep their `foot` on the floor in bedroom scenes so her `futanarian` penis` semen would remain absent from the scene until she was `crushed` and would never rise from the Earth to the stars and planets of God`s heaven, which was Saddam Hussein`s Hollywood Babylon role as `crusher` and `small handsome man` diverting humanity`s resources into war and death rather than healthcare and heaven: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

The virus paradigm of the late 20th century and beyond was the biblical `blood plague` (Rev: 11. 6), although God had warned mankind about sodomy, that is, mixing blood, shit and semen in each others` anuses in mockeries of human sexual reproduction, when the angels destroyed the `cities of the plains`, Sodom and Gomorrah (Gen: 16, 19). The HIV/AIDS virus was spread by sodomy and constituted pederasty and homosexuality`s biological terror weapon keeping women in fearful faithfulness to the `serpent`s seed` of men`s male braining of her species so she`d remain docile during its pogrom. The `TV` Gulf war began on September 11, 2001, after terrorist hijacked civil airliners were seen crashing into the Twin Towers of the World Trade Centre in New York and the Defense Department of the Pentagon in Arlington, Virginia, `live on CNN` and other television networks, which made the United States the modern `cities of the planes`, because homosexuality in pederasty and male brained `TV war` was the biblical theme. Diabolical because the `brutality and violence` associated with homosexuals who pay for boys is called `rough trade`, which is why the World Trade Centre was chosen to reestablish `TV war` in the Gulf with Iraq, which had been expecting it since Saddam Hussein`s invading army had been made to withdraw from Kuwait in 1991.

Saddam Hussein`s support for Al Qaeda, the terrorist group responsible for the televised events of 9/11, 2001, resulted in a US invasion to depose the Iraq dictator, although the `small handsome man` and `crusher`, was fulfilling the role of Hollywood, Babylon, actor prepared for him by the United States, because male brained `TV war` is what they produce as an entertainment byproduct while the little girl is endeavouring to survive her `concentration camp` existence as a whore for war; producing a non-human entirely male brained parasite from her host womb that couldn`t emerge therefrom if she chose her own species of `woman`s seed` to sexually reproduce with. In the Bible God`s `chosen people` are the Jews, before Jesus and Christianity shifted the focus onto the plight of the little girl. It isn`t possible to be born a Jew unless born from a Jewess, which means Jews are women. Consequently, the pogroms of the National Socialist (Nazi) government against the Jews, before and during WWII (1939-45), were against the little girl being able to sexually reproduce with herself as a woman `chosen` by another woman, that is, the `woman`s seed` of the human species of `futanarian` woman with her own penis` semen and host womb for sexual reproduction of female brains is God`s `chosen people`.

Upon the cross of Jesus for the CD single, `Piece Of Me` from the album, Blackout(2007), which is a metaphor for occlusion, US` popular music singer, Britney Spears, appealed to little girls, because their mothers` host wombs were betrayed by Judas for `thirty pieces of silver`, that is, uncontaminated by male semen born from his mother, the Virgin Mary, Jesus represents the `futanarian` species of `woman`s seed` and the Resurrection of the penis` semen and host womb of God`s little girls who`re occluded from knowledge of their own species of `woman`s seed`. Although some blamed Moslem Islam for the Al Qaeda attack on New York, Jesus doesn`t die before his Ascension to heaven, according to the Koran (610-30 C.E.), dictated by the angels to the Prophet Mohamed more than six hundred years after Jesus, because `Islam` means `acceptance`, that is, the four wives permitted by the Koran in the Moslem marriage accept Jesus` Ascension and the Resurrection of `woman`s seed` in heaven without death, which is what Catholicism`s Pope Pius XI tacitly accepted when he made the Assumption of the Virgin Mary dogma of the Catholic Christian church in 1950, that is, the Christian tenet that Jesus` mother`s body ascended into heaven without death. The Prophet Mohamed`s Koran was wise enough not to make death a requirement, whereas `TV war` in homosexual pederasty is the propaganda Hollywood, Babylon, feeds the Earth as `heaven for little girls`:

`Thank heaven for little girls.
Thank heaven for them all,
No matter where no matter who;
For without them, what would little boys do?`3

They wouldn`t be able to make `TV wars` is the truth behind Maurice Chevalier`s sanctimonious welter of schmaltz in the Frenchman`s song from the Hollywood Babylon movie, Gigi (1958), in which Leslie Caron has the role of the whore being trained. Girls are trained to wait until asked by men, which means they`re precluded from supposing that women are their sexually available counterpart by Hollywood Babylon movies featuring women like Leslie Caron as `Gigi` who were presumably supposed to see is a little girl in heaven as a whore. Because `TV wars` are `TV dinners` for those watching the battles of transvestite humanity in homosexual pederasty, the little girl is the meal and she`s expected to wait until she`s asked. Late 20th century movies like the science fiction film, Starship Troopers (1997), based on the novel by SF `Grand Master`, Robert A. Heinlein (1907-88), depict the `bug war`, which by the late 20th century was a euphemism for male braining by the `serpent`s seed`. The spread of `TV war` and HIV/AIDS in homosexual pederasty was the `bug war`, that is, the virus` attempt to infect the humans and kill their brains. Just as Jesus was betrayed at the `Last Supper` as the host, so the HIV/AIDS` virus feigns friendship for the white cells, that is, the leukocytes of the body`s immune system, before killing the brain, which is why the little girl is taught to fear aliens rather than men. In the science fiction movie,The War Of The Worlds (2005), actress Dakota Fanning is the little girl, Rachel, running down the street while the Martian war machines zap her friends and relatives with death rays, because the little girl is men`s target, which the figure of actor, Tom Cruise as Ray, in the heroic father figure role, is expected to belie, whereas the absence of `real` aliens on the planet Earth suggests that the denial of the aliens` victory would be emphatically supported by the aliens who`d continue to prevent the little girl from sexually reproducing so that the brainless human race could be killed more easily for the entertainment of the `TV audience`. In Starship Troopers mothers drop their boy sons onto the `bug worlds` in thinly veiled ridicule of the role of Hollywood Babylon: `... the woman ... having a golden cup in her hand full of abominations and filthiness of her fornication.` (Rev: 17. 4)

It`s the `boy son` cup, that is, `the poison cup` of HIV/AIDS in homosexual pederasty and war, which is Heinlein`s `bug war` in Starship Troopers, where the boy sons have to fight against `the bug menace` as alien extrapolations of themselves threatening the little girl`s continuing existence upon the planet Earth. Because `bugger` is a euphemism for anal sex between homosexuals in pederasty, `bug` is a euphemism for virus, which means that HIV/AIDS is the biological terror weapon of the `serpent`s seed` deployed in its efforts to eradicate humanity`s little girls who`re what remains of the future of `futanarian` woman with her own penis` semen and host womb for sexually reproducing her own brains` power for technological liberation from war and death. As `bugs` and `buggers` also denote surveillance equipment and those who instal it, male braining of women by means of the `serpent`s seed` of men`s semen means that humans are `TV monitors` for the alien that`s killing her, which means that the HIV/AIDS virus is a `bug` deployed by a `bugger`, who wants to watch the human species` death throes, but it wouldn`t be able to if women were sexually exclusive with each other. If women were an exclusivelysocio-economically independent species, they`d be the humans and men wouldn`t have the vote, because they`d be exposed as parasites promoting genocide against `woman`s seed`, which may be defined in science fiction terms as the girls and the women who are the surviving remnants of pre-parasite humanity before `the fall` when Adam and Eve were expelled from heaven on Earth, that is, Eden, for wanting to die and go to heaven, rather than have heaven on Earth without death, when they accepted the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, and the serpent`s tempting offer, `You shall be as gods.` Watching `TV war` produced by Hollywood Babylon might make actor and audience feel like gods, but the `serpent`s seed` want to watch humanity dying in male brained transvestism because the little girl is human and her godlike alien conqueror isn`t.

If heaven is real the little girl is Oedipus whose footsteps are being dogged by the beast that trails her so it can enter into God`s realm when she dies. The story of Oedipus is similar to the story of Adam and Eve because it`s about the `foot`, which is Oedipus` name, `lame foot`. Having unwittingly killed his father, Laertes, after an argument, Oedipus unknowingly marries his mother, Jocasta, queen of the Egyptian city of Thebes, and blinds himself upon discovering he`s broken men`s incest taboo. Although Antigone, his daughter, becomes his eyes after his blinding, he`s a man limping sightlessly in fulfilment of the `riddle` of the Sphinx, `What goes on four legs in the morning, two in the afternoon, and three in the evening?` The answer Oedipus is told to give is `Man` and then he becomes king of Thebes as his reward for solving the puzzle. Because Eve`s `foot` will `crush` the head of the serpent, Oedipus` fate symbolizes that of the `futanarian` girl who is forbidden to sexually reproduce with her own species of woman by the incest taboo, which is why Jesus says the entirety of God`s law can be summated in the injunction, `Love your neighbor as you love yourself.` (Mk: 12. 30-1) The girl who obeys the incest taboo and has sex with the woman who is her neighbor isn`t breaking any taboo, so the aim of the incest taboo is to prevent human sexual reproduction. Oedipus limps because `Man` sticks to the little girl until she`s brought to her knees like a wounded animal in men`s slaying of her human race and then `Man` expects to be with her in the afterlife: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

Because God tells Eve her `foot` will `crush` the serpent`s head due to the `perpetual enmity its `seed` has for hers, `futanarian` woman with her own penis` semen and host womb is heavenbound while men try to keep her in slave rings of monogamous marriage with their `serpent`s seed` irrespective of the fact that the human species of woman doesn`t need a ring to indicate ownership. It`d be insulting to suppose women wouldn`t love their neighbours as they love themselves, which is Jesus` precept, in preference for incest, but they`d be as angels, because the Christian dream of `Agape`, in which love is universal amongst the human family, would be a reality. Although the Sphinx is depicted as a lioness with the head of a woman and eagle`s wings, she represents the mother who is determined in defence of her offspring and is devouring men around Thebes before Oedipus solves her `riddle` which is that `Man` walks on three legs in the evening because he`s a blind fool with a cane, whereas he could have been walking with the human `futanarian` species of woman with her own penis` semen and host womb as the third `foot` of the race alongside her penisless sisters and `Man`.

In the Bible story Cain is the murderer of Abel, because Abel is more able and can cook, which is why Cain kills Abel and is the reason Oedipus walks with a cane, because the human species would be more able with its third `foot`, that is, the `futanarian` race of `woman`s seed` with her own penis` semen and host womb, but men of the `serpent`s seed` don`t want her human race to run, so they`ve developed the incest taboo to prevent her from having sex with her own species` counterpart, who is symbolically her mother, but any other woman is motherly enough to run the race with her and save the human species from being devoured in slavery by the parasite that somehow inveigled itself into her host womb millennia ago to emerge and kill her in its wars of `perpetual enmity` for the host that bears it: `Love ... God with all your heart and with all your soul and with all your mind.` This is the first and greatest commandment. And the second is like it, `Love your neighbor as yourself.` All the law ... rest[s] on these two commandments.` (Matt: 22. 37-40)

Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus isn`t contaminated by the `serpent`s seed` and so has Redemption before his crucifixion, death, Resurrection and Ascension to heaven, because he`s `the first of woman`s seed` and prefigures the Resurrection of `futanarian` woman`s humanity, who will leave her contamination behind her, according to the Bible, when she leaves Earth crushing the serpents with her futanarian `foot` (Gen: 3. 15) to colonize the planets amongst the stars of God`s realm forever.

Otherwise Ronald `Ray Gun` Reagan`s `Wild West` policy of `making a circle of wagons with the women and children in the centre` will prevail, which would make it difficult for the women and children to defend themselves. The history of the `Wild West` was of the plains` Indians in North America being surrounded by the US Cavalry after the buffalo hunters had reduced the Indians to starvation so they were easier to kill as the European land grabbing settlers moved from the East Coast to the West. Subsequently the Nazis used the `holiday camp` metaphor to persuade the Jews into their `death camps`, which their army surrounded to ensure there was no escape. US President Ronald `Ray Gun` Reagan`s `Strategic Defence Initiative` (SDI) to deploy a `ground and space based missile system` to surround the Earth repeats the `make a circle of wagons about the women and children` Hollywood Babylon movie scenario of Soldier Blue (1970), for example, but starship shields face outwardly in Star Trek: The Motion Picture(1979), because the aim of `woman`s seed` is not to allow her hymen to be penetrated by the virus, while homosexual pederasty in war is proven to be viral and so surrounding the women and children in the 21st century with a `ground and missile based system` is a closer approximation to the `holiday camp` proferred to the Jews by the Nazis before the German army exterminated 6, 000, 000 people there.

Just as the HIV/AIDS virus kills the brain after pretending to be a white cell defending the human body, so anyone in the age of the virus paradigm offering to surround you is likely to be a killer. In Arabia men wear the white thob, which is a full length garment worn in public similar to the burkha worn by the women that`s usually black. The white clothed men could represent the defensive white cells of the body`s immune system but, if the white cells defending the human body are deemed to have been replaced by the HIV/AIDS virus pretending to be a defender, the women in their burkhas indicate the presence of the `futanarian` human `woman`s seed`, that is, the body of the species, which is being attacked by an alien invader.Before HIV/AIDS`emergence in the late 20th century, the women in their black burkhas would correspond to those who`re attacked by bacteria, while the men in their white thobs represent the human body`s defending leukocyte cells. If women with their own `futanarian` penis` semen and host womb sexually reproduce the human species, the `serpent`s seed` who don`t want to reproduce with her are the aliens who`re surrounding the `extermination camp` with the humans inside. The aliens deny their victory in the media affably, but it`s belied by the absence of the humans,who`re bereft of starship shields to protect their hymens from the ardour of the aliens` missile warheads.

1 Armstrong. Neil UTC 2: 56, July 21, 1969.

2 Before 1492 there were 60,000,000 bison and 750 around 1890.

3 Chevalier, Maurice `Thank Heaven For Little Girls`, Gigi, 1958.

God The Alien

Satanism is identifiable as `animal worship`, largely because of the history of religions` gods and goddesses, with the heads of elephants, for example, Ganesha in Hinduism, and crocodiles, for example, ancient Egypt`s Sobek, who was an intrinsic part of the story of the god, Osiris, dismembered by his evil brother, Set, before being remembered by the goddess, Isis, and restored as the `sky god`, Horus. Originally, Ra, the sun god, Osiris was Ra incarnate, and as with the Svadhisthanachakra in the sacral region of the body in Hinduism, Sobek (the crocodile) devours the individual who has lost his crown, that is, intelligence, which is the Sahasrarachakra in Hinduism, and symbolized by Osiris` penis devoured by Sobek in Egypt. Isis` remembering requires her to refashion a new penis for Osiris, so he`s an early Adamic figure in need of the `seed` of Eve. The character Sobek reappears as the `serpent`, Satan, so labeled from the beginning of the documenting of the law and history of the Jewish `chosen people`, which is their Torah and Talmud in their Hebrew language, and the Old Testament of the Bible for Christians, who rather accept the teaching of the Jew, Jesus `Christ`, `the chosen`, as it is written in their New testament of the Bible: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, Jesus, because Jesus was born uncontaminated by male semen, that is, he wasn`t of the `serpent`s seed`. Logically, the `serpent`s seed` is identifiable as men`s, which is why Jesus` teaching is of repentance and redemption from evil. Satan was the angel turned into a serpent by God for rejecting God`s plan that the human host be greater than the angelic. Depicted as tempting Eve, the first woman created by God, with the `fruit of the tree of the knowledge of good and evil`, that is, death, Satan tells her and the first man, Adam, `You shall be as gods.` (Gen: 3. 5) Having accepted the power to wage war in ephemeral ignorance for their posterity, Eve and Adam would be as gods to their descendants. Created by God from the rib, or side of Adam, Eve`s birth is a euphemism for futanarian human nature`s species` survival trait, that is, self-fertilization, which explains God`s telling eve her `seed `will prevail: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` Striving to keep the human species of `woman`s seed` in host womb slavery to its parasitism, Satan corresponds to what humans have been taught to think of as a man, and he doesn`t want humans to devise the technology of medical science and permanence of memory to maintain interstellar travel when developed. Consequently, he`s an animal worshiped by animals who`ve womb slaved the human race, which is destined to colonize the planets among the stars of heaven above the Earth.

Although the angels of God are depicted as being in heaven, Satan is represented as a serpent, that is, as a fallen angel, which suggests an earlier reptilian evolution, which occurred on Earth 248 m.a. ago in the Mesozoic period of Earth`s history, whereas the original hominds that humans originated from didn`t appear until the Jurassic period 220 m.a. Consequently, Satan represents fallen saurian evolution, although God`s winged angels are portrayed as being in heaven unfallen. Consequently, although Satan is animal evolution, the angels of God aren`t. Unfortunately, for Judeo-Christianity the perspective that Satan is an animal hasn`t diluted their general point of view with regard to the alien, which is defined as what isn`t human, whereas accuracy demands that the alien be defined as what isn`t intelligent, because God`s angels are. However, Judeo-Christianity defines both the angels and God as alien, which affords Satanism the opportunity to initiate animal worship universally, whereas `woman`s seed` is human and intelligent, while the `serpent`s seed` of men is categorizable as unredeemed, because they prefer ephemerality and ignorance for the host species in slavery to their parasitism.

Jesus` disciple, John, in his apocalyptic Revelation of the future, described men`s parasitism in terms of a parasitologist, where the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men of the `serpent`s seed` in war against `woman`s seed` are: `The dragon stood before the woman who was about to give birth so that it might devour the child as soon as it was born.` (Rev: 12. 4) As the saurian ancestry of the host womb slaved sub-species of men`s predominates, animalistic war prevails, and the true human race of children born solely from `woman`s seed` is extinguished. Jesus said, `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.`(Matt: 22. 30) What Jesus meant by resurrection became evident when he was taken to the hill of Calvary outside the city of Jerusalem in Roman occupied Jewish Palestine and nailed to a cross of wood where he died, but experienced resurrection and ascension to heaven in prefiguration of that of `woman`s seed`. Men were `serpent`s seed` unredeemed, while `woman`s seed` was for heaven, that is, humans born from `woman`s seed` were angelic. Or, in other words, Judeo-Christianity lived as Satanists in animal worship, because that religion refused to accept and promulgate species` sexual intercourse productive of human brainpower between women of the race of futanarian `woman`s seed`.

Although there are alternatives to Judeo-Christianity, for example, Islam, which is based on the Koran (610-30 C.E.) given to Mohamed by the angels, as a form of spider worship, Hinduism, based on the oral Veda tradition of apauruseya, `superhuman` (1500-500 B.C.), more closer approximates human religious persuasion. Although Judaism is discernible as futanarian insofar as a Jew can only be born of a woman, that is, women are Jews, so Jesus was `the Second Adam`, it was Ishmael, brother of the founder of Judaism, Isaac, that founded Islam through his descendant, Mohamed, which represents the first major attempt after Jesus to thwart Satanism. Isaac was Abraham`s son, but Abraham`s wife, Sara, was barren thereafter, so gave her maid, Hajer, to Abraham, and Hajer bore Ishmael. Although Christianity views the four wives permitted in Islam as a retroactive attempt to legitimize Ishmael`s birth, they afford the possibility of sexually reproduced human brainpower among the angelic `seed` of futanarian women. Despite that, the Minarets and domes of Islam`s Mosques resemble the upraised legs of spiders, while spiders have eighty eyes and arachnids ten. Consequently, from an entymologist`s perspective Moslem scorpions, that is, males with four wives are scorpions, who grow families of spiders (two to eight eyes), which forms the basis of the antipathy felt for Hindus by Moslems. The god Vishnu in Hinduism has the attribute of being many-armed and he can be all of the women, which suggests that he`s a spider breeder. Or, in simple terms, Hindus worship spiders, whereas Moslems worship just one, who`s a scorpion.

In the district of Hollywood, `Babylon`, city of Los Angeles, on the west coast of the state of California in the United States of America, The Scorpion King was a movie released in 2002 about a horde from the East that invaded the prehistoric world `before the time of the pyramids` of ancient Egypt`s religion of animal worship, which suggests an Islamic influence because of the families of scorpions among the Moslem nations of Islam with four wives, and so ten eyes. Although the Gulf war with the US didn`t begin until after `the events of 9/11`, 2001, when the terrorist group, Al Qaeda, `the base`, corresponding in Hindu terms to the Muladharachakra at the base of the spine, hijacked civil airliners to crash them into the Twin Towers of the World Trade Center on Manhattan island in New York city, New York state, corresponding in Hindu terms to a heart attack on the Anahatachakra, the US` media war with the world had been going on since at least 1930 when the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` forbidding women`s human mode of sexual reproduction between themselves from being promulgated through the Hollywood Babylon mass media propaganda Empire: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 Three years later, the Christian German National Socialist (Nazi) Party was elected , and began to pogrom upwards of 20, 000, 000 Jews in `death camps`, because the Empire of Hollywood Babylon didn`t want the `chosen people` of God`s futanarian `woman`s seed`: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The Persian Empire of Darius invaded ancient Greece in 492 B.C., and Greece was typical of Empires insofar as it institutionalized host womb enslavement of women and `woman`s seed` for homosexuality in pederasty for war, so Darius` capital city of Babylon (c. 4000 B.C.) was labeled an abomination, and Hollywood Babylon was similarly labeled. Although the Taliban regime in Afghanistan under whose auspices the Al Qaeda terrorist group operated was notoriously misogynist, misogyny is an aspect of homosexuality in pederasty for the spreading of war`s poisons (boy sons), which in turn is an attribute of the alien parasitoid devourer of the human race in war against `woman`s seed`. Demolishment of the World Trade Center was symbolic of `rough trade`, that is, that `brutality and violence`2 associated with homosexuality in pederasty for war against the Moslem nations of Islam where the women wear the one-piece coverall of the burka in public to conceal their futanarian nature from the misogynist ready to declare them the spiders of scorpions. In short, although movies like The Scorpion King seem innocuous, they`re deeply offensive to Islam, which responded on 9/11, and although the US film industry responded with World Trade Center (2006), Hollywood Babylon had been at war with the world of women at least since 1930 although the inception of the television machine invented by John Logie Baird in 1926 suggests that the war had been going on for much longer.

Without `woman`s `seed` men and women had been manufactured since ancient times as a single male brained creature wearing each others` clothes in `TV` transvestism, which the home entertainment receivers of `TV` pictures broadcast, that is, televisions, spread like a virus killing any hope of human futanarian `woman`s seed` ever being seen. By the late 20th century the `incurable killer disease`, HIV/AIDS, had been discovered by DR Congo in Africa spread as a `TV` virus by homosexuals, who`d contracted a mutated simian immune deficiency virus (SIV) anally. The human immune deficiency virus (HIV) resulted in acquired immune deficiency virus (AIDS) which collapsed the organs of the body of the victim and killed the brain, which is what `TV` was for. The broadcasting of `TV war` was the spread of the killer virus, which didn`t want humans. Consequently, although Hollywood Babylon has been waging war upon the Earth at least since 1930, `TV` has been broadcasting its message of death since at least ancient Babylon. As Satanism is the worship of the more powerful animal, homosexuality is the greater, which means that Christian perceptions of acceptability must change if God`s plan is to be fulfilled. Lesbians, for example, aren`t `gay`, but the `remnant` of `woman`s seed` sexually desirous of her own species` brainpower: `The serpent was wroth with the woman and went to wage war on the remnant of her seed.` (Rev: 12. 17) Women are taught schizophrenia, that is, what they see in the mirror isn`t for them, while the vampire that lurks unseen can`t die from her stake in its future, which is her own species` penis` semen. While the world laments the fate of the homosexuals, their wars are exterminating humanity. Worshiping feminist acceptance of supposedly feminine gay men as the bigger humanist power that`s `politically correct` (pc) is a form of Satanism ultimately identifying God and the angels as aliens who aren`t supportive, whereas homosexuality is in direct contravention of God`s plan for `woman`s seed`. In other words, God is depicted as an uncaring alien by feminist homosexuality, whereas God`s plan is pro-human and war is what homosexuality in pederasty was designed to produce by the ancient Empires of men of the `serpent`s seed`.

Men`s concept of the alien is endemic. Not only does it extend to `woman`s seed`, God and the angels, but also to any extraterrestrial, or even Earthly intelligence, which doesn`t share its propensity for war and host womb slavery of the native futanarian human species. In simple terms, men`s definition of human is `gay`, whereas humanity`s definition of alien is `gay`. In homosexuality and pederasty for war, Satan is a god, and his angels are `gay`, which explains `pc` supportiveness for them. Because Satanists worship the bigger animal, they have the advantage, because they can worship the biggest until they get to God, and then worship God, whereas Christianity has already defined God, and the angels of God, as alien, because extraterrestrial intelligence, which it`1s already ruled out of the human sphere by sanctioning the extinction of `woman`s seed` in preference for the gay life of war in host womb slavery to homosexuality in pederasty with the promise that God, and the angels of God, will succeed. In short, men have defined `woman`s seed` as alien, so all life that isn`t homosexual is alien, that is, all Earthly intelligence or extraterrestrial, which includes God and the angels of God.

The elephant is the symbol of `the base` chakra, Muladhara, which suggests that the Twin Towers of the World Trade Center on 9/11 corresponded to the tusks of the elephant; especially as Al Qaeda, `the base`, through its Caliph, Abu Bakr Al Baghdadi, declared an Independent Levant (IL) thereafter. Because the Levant is Jewish Palestine, a Levant war between the IL and the US, with its long M1 tanks` guns resembling the trumpets of charging elephants. When the Republican Party`s Donald Trump was elected to the US` Presidency in January 2017, rather than the Democratic Party`s Donkey, Hilary Clinton, the Republican elephant, which is that Party`s emblem, was symbolically reestablished at the Ajnachakra of the Hindus, which is situated in the human brow, where the brain controls from the frontal lobe with the authority of the crown chakra, according to the Hindu system of the `chakra ladder` of human conscious development, that is, Sahasrara. In biblical terms, Trump corresponded to the `trump` of the angel of God heralding the judgment of eternal unendurable pain, that is, perdition, upon the evil, according to John`s Revelation, and the Trump Tower, along with the One Tower, replacing the Twin Towers as the World Trade Center, symbolized the US` continued support for a Jewish Levant.

A useful picture to bear in mind is of the bridge of the starship Enterprise in the television `TV` series, Star Trek (1966-8), featuring actor William Shatner in his role as captain James T. Kirk as his crewvoyages through the cosmos aboard a United Federation of Planets (UFP) ship. Actress Grace Lee Whitney was the beauteous blonde woman among the crew, that is, the captain`s `yeoman` Janice Rand who, surrounded by booted males in tight trousers and T-shirts, was obviously incarcerated inside a `death camp`. With taboos enforced against sexual intercourse between her and all the other women, such as Lieutenant Uhura, that is, black actress Nichelle Nichols` Starfleet communications` officer, the mortal `remnant` of `woman`s seed`, with their impermanent memories, would never progress to adulthood, because the alien pedophile would ensure women`s ephemerally ignorant children would die without ever seeing a woman. Although the original series ofStar Trek(TOS) was broadcast on NBC in the U.S.A., at a period when race riots occurred over miscegeny, the deliberately ignored racist issue was sex between women, that is, the enslaving of blacks by whites was an aspect of host womb slavery to ignorance in ephemerality`s war for the entertainment of the alien, whereas color wouldn`t be an issue for `woman`s seed`; unless she was taught it was.

1,php/Main/FootPopping/ .

2 Merriam-Webster `male homosexuals who are or affect to be rugged and potentially violent; also: such a homosexual`, .

Star Trek Beyond

The thirteenth Star Trek movie was released in 2016, Star Trek Beyond, which continued a series of film releases based on the Star Trek (1966-69) television series with a cast that supplied most of the crew of the starship Enterprise in the first movie of the franchise, Star Trek: The Motion Picture (1979), also starring new crew member, shaven headed Persis Khambatta, 1965`s Miss India, as Lieutenant Ilia. From what transpires in the plot of the movie, the feminine name, `Ilia`,probably derives from the Greek poet Homer`s Ilium, that is, the city of Troy, as depicted in his poetic narrative of the siege of the Trojan city by the Greeks in his Iliad (760-10 B.C.), so Lieutenant Ilia represents the threat to civilization, culture and art posed by the alien, which is usually extrapolated in science fiction as invading Earth from the planets amongst the stars above. However, as the siege of Troy illustrates, the huge hollow wooden horse that the Greeks leave outside Troy, and that is taken in by the Trojans to where the Greeks emerge to capture the city and enslave the host wombs of the women for homosexuality in pederasty, is the Greek `model` for the spread of war as the contagion of the desire for Empire, rather than the `model of democracy` that ancient Greece is often held as the example to follow by historians: `Beware Greeks bearing gifts.`1 The Greek model for society led to the spread of the incurable killer disease of the late 20th century, that is, HIV/AIDS, spread by men`s mixing blood, shot and semen in each others` anuses in rejection of women, which suggests that Ilia in Star Trek represents a species under siege.

It could be argued that the human immuno-deficiency virus (HIV), which results in the acquired immuno-deficiency syndrome (AIDS), andthat ultimately causes organ collapse and brain death, is a `biological weapon` launched against women by the ancient Greeks as long ago as the siege of Troy. In fact the paradigm of the late 20th century was the HIV/AIDS virus and the `geek` successors to the ancient Greeks were the software computer programers that devised `bad machine code` to infect the human brain-augmenting machine brains and kill them in the same way that the HIV/AIDS virus infected and killed human brains, because the launchers of the biological weapon didn`t want humans to think for themselves a way out of extinction through war against their race by a genuine alien already on Earth. Although Persis Khambatta is required to portray Ilia as a Deltan and not a human from Earth, the ubiquitous distinction between `good` aliens and `bad` aliens is again evident as the Enterprise encounters an `energy cloud` containing an `alien vessel`. A `probe` appears on the bridge of the Enterprise and abducts Ilia, as Helen was abducted by Paris, the Trojan, from Greece and her husband Menelaus, brother of Sparta`s king, Agamemnon, which resulted in the Greek capture of Troy. Ilia is possessed by `V'Ger`, the alien, which is a ship living inside the cloud that begins to study the Enterprise and its crew through Ilia.V'Ger is Voyager VI, a 20th-century Earth space probe believed lost. Damaged, it was found by living alien machines that interpreted its programing as instructions to learn all that can be learned, and return. The aliens upgraded the probe to fulfill its mission, and on its journey the probe gathered so much knowledge that it achieved consciousness. The Enterprise`s First Officer, actor Stephen Collins as Willard Decker, merges with Ilia and V'Ger, creating a new form of life that disappears into another dimension, that is, Helen is rescued, and the continued adventures of `V`Ger` take place elsewhere, because `woman`s seed` and humanity aren`t parts of an alien `feature` to each other. Although `V`Ger` is presented as possessing Ilia, she escapes men`s `Trojan virus` with the help of the intelligent alien machine, which stands for the computer brain that the second generation Greeks, that is, the `geek` software designers, who program computer brains to die after being infected with `bad machine code`, want to kill, and so prevent it from saving Woman and her human `seed`. Or, in other words, good intelligence is presented as inalienably human, whereas acceptance of the alien parasitoid devourer by human nature is evil, and an endemic viral plague;at least since Paris took Helen to Troy and the Greeks captured Ilium to enslave the host wombs of the women and spread the contagion of homosexuality in pederasty`s `biological warfare` against `woman`s seed` further.

In Star Trek Beyond, which is the third in a series of films described as a `reboot`, because the films feature the characters from Star Trek: The Original Series, but not the original actors, that is, the names of the crew are the same as those of Star Trek: TOS, but there are different actors in the characters` roles. The `reboot` began with Star Trek (2009),which is a standard space opera reuniting viewing audiences with the crew of the Enterprise who are dealing with aRomulan attack in which Vulcan, the home world of the ship`s first officer, Mr Spock, is destroyed. Although the movie presents an alien menace, the Romulans, Mr Spock, the Vulcan, represents the edutainment focus on overcoming xenophobia to achieve universal peace, which is instructional because of the lack of species` harmony due to racism upon Earth. In parasitology, the parasite that emerges from the host is termed `parasitoid`, which is the actual danger to a human race being attacked by a parasitoid alien that`s been developing a `biological weapon` to maintain the species as an exclusive `snuff` film it can`t escape, and where `snuff` is a term for illegal film recordings of actual killings being presented as entertainment to satisfy the appetite of the irredeemably evil parasitoid alien, Satan. The first Star Trek `reboot` movie was followed byStar Trek Into Darkness (2013),and featured the reintroduction of the character Khan, who Ricardo Montalbán acted the part of in the movieStar Trek: The Wrath Of Khan (1982), so reprising his role from television`s Star Trek: TOS, `Space Seed` (# 23),in which Khan and his crew of genetically bred superhumans, who in this alternative universe were responsible for Earth`s last major global conflict, the `Eugenics Wars` (1992-6), are discovered aboard the vessel, Botany Bay, adrift in space. After Khan, who declares his ambition of ruling the Earth again, attempts to take control of the Enterprise away from actor William Shatner in the role of Captain James T. Kirk, he and his crew are exiled on the planet Alpha Ceti V. The Wrath Of Khan is about the `Genesis Device`, a tool to reorganize neutral matter to produce habitable worlds, and Khan and his crew on Ceti V are encountered while the devisers of the Genesis Device are looking for suitable planets to `terraform`. Khan implants indigenous creatures that enter the ears and render the victims susceptible to mind control, which he uses to capture the ship, Reliant, and the Genesis Device located at Regula I starbase, before attempting to use the device on the Mutara Nebula, and so treat it and the Enterprise as neutral matter from which to make habitable worlds. The concept of alien invaders of the body to control the minds of Earthmen is familiar from Jack Vance`s novel, The Body Snatchers (1953), which was made into the movie, Invasion Of The Body Snatchers (1956), and represents the actual fate of `woman`s seed`, who`re male brained to accept direction from a mind not of their own race. Although the concept isn`t unique, for example, in Robert A. Heinlein`s The Puppet Masters (1953) `slugs` attach themselves to the bodies of Earth`s people and take over their minds, the idea of men`s brains being inhuman because of their slaving of women`s wombs in homosexuality and pederasty for war upon the Earth is more recent.

In the biblical Genesis, the first woman, Eve, is depicted accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, Satan, who was the angel transformed by God and exiled in the paradise of heaven on Earth for rejecting God`s plan that the human host should be greater than the angelic. Satan tells Eve: `You shall be as gods.` (Gen: 3. 5) God tells Eve her `seed` will have `enmity` with the serpent`s before Redemption: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because futanarian women can sexually reproduce without men from their own penis` semen: `Love your neighbor as you love yourself.` (Mk: 12. 31) Consequently, when Jesus, who was born uncontaminated by male semen, was taken to the hill of Calvary by agents of the Roman Empire and nailed to a cross of wood where he was left to die, he had Resurrection and Ascension to heaven in prefiguration of `woman`s seed` liberated through her own brains` powersto confer immortality through medical science and develop advanced technology to colonize the planets amongst the stars of heaven above; so breaking the curse of male braining humanity to be memoryless ephemera in slavery to death`s wars against her.

Khan is depicted close to death at the end of Star Trek: The Wrath Of Khan after an engagement between the Enterprise and the Reliant, but Khan emerges again In Star Trek Beyond in the guise of actor Benedict Cumberbatch as terrorist, John Harrison, who after attacking Starfleet is pursued to the Klingon home world, Kronos, where he surrenders after hearing about the torpedoes carried by the Enterprise. Dr McCoy opens a torpedo at Harrison's behest. Inside is a man in cryogenic stasis. Every torpedo contains a member of Khan`s crew, because that`s who Harrison is. Khan says he was awakened from centuries of suspended animation by Admiral Marcus to develop advanced weapons of war against the Klingon Empire, which of course represents those who cling to war as an unredeemed activity of an evil nature. The Enterprise's warp drive has been sabotaged, so the Klingons would destroy the ship as it fell towards Kronos, which Starfleet would then interpret as an act of war, so provoking it. The Enterprise is intercepted by the starship Vengeance with Admiral Marcus in command. The Enterprise`s Chief Engineer, Scot, disables the Vengeance after infiltrating the ship, and Khan, after killing Marcus, takes command. After Spock reneges on an agreement with Khan to restore his crew to the Vengeance, and instead removes the cryogenic sleepers before arming the torpedoes to detonate aboard the Vengeance, Khan crashes the disabled Vengeance onto Earth`s Starfleet Academy before being returned to cryogenic slumber with his superhumans, who return to their role within the Star Trek cosmos as its dormant virus waiting to be reawakened. Khan`s crew represent men as a cyclical destroyer emerging from the host as a parasitoid devourer in the absence of a long term human memory with the knowledge of how to maintain a developed civilization, culture and art resistant to the cycle of parasitoid activity. In fact the evil parasitoid nature seeks to keep the human host of `woman`s seed` in slavery to death in war to ensure its memoryless ephemerality. That way the parasitoid alien nature can exterminate the human race while watching its death throes as entertainment without the species becoming aware of its danger, which is what the cyclical reappearances of Khan`s crew in Star Trek represent.

In Star Trek Beyondthe Enterprise is sent on a rescue mission to save the occupant of an escape pod, Kalara, who says her ship is stranded on Altamid, a planet within an uncharted nebula. The Enterprise isambushed by smaller ships and the character, Krall, boards the vessel to unsuccessfully look for an alien relic, an Abronath, which Kirk has. The saucer section of the Enterprise crashes on the planet, Altamid, and Krall recovers the Abronath, a `bioweapon` devised by the ancient inhabitants of Altamidas a disintegrator of any humanoid life form, that is, it`s an extrapolation of HIV/AIDS. As Kalara emerges from the escape pod she`s a symbol of the host womb of women that somehow millennia ago the parasite inveigled itself into in order to steal the penis of `woman`s seed` and replicate itself as the human species parasitoid devourer in wars against her race. Ostensibly attractive to the men of the crew of the starship Enterprise,Kalara facilitates Krall`s ambuscade, because that`s what the parasite uses New Woman for. Krall is discovered to be Balthazar Edison, Captain of the starship, Franklin, which has been the home of Jaylah, the rescuer of ship`s engineer, Montgomery Scott, since she escaped a Krall `camp` and found the grounded vessel. `Scotty`, and the remnant of the stranded Enterprise crew, use the Franklin to pursue Krall, that is, Balthazar Edison, who himself pursues galactic conflict in rejection of the Federation`s principles of unity and cooperation, because he`s a Satanist parasitoid: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) As the Bible warns, Satanists war with humanity as serpents that grow into devouring parasitoid dragons of warfare against `woman`s seed`. Edison is spaced by Kirk before he can launch the bioweapon, but in reality that resolution is cosmetic. The `biological weapon` of HIV/AIDS keeping human futanarian `woman`s seed` in fearful faithfulness to men`s ring slavery, when she could sexually reproduce her own brains` powers for liberation from host womb enslavement to an alien parasitoid devourer, remains a genuinely real threat to the `remnant` of her species. Her race is lulled into a sense of false security by the movie`s end, because the `death camp` guards, represented by the crew of the Enterprise, appear heroic, whereas they`re actually in the role of being `jailor` to Jaylah, although the audience is meant to feel she`s rewarded for her efforts when Kirk gains entrance for her into what is effectively another male run prison for women; Starfleet Academy.

Most critics of the `TV` series, Star Trek: TOS, and its successors, Star Trek: The Animated Series (1973-4),Star Trek: The Next Generation (1987-94), Star Trek: Deep Space Nine (1993-9), a space station, rather than a starship, andStar Trek: Voyager (1995-2001), before the TOS prequel, Star Trek: Enterprise (2001-05), describe the action as `camp`; a term for humor invisible to children but evident to adults. The ongoing joke of Star Trek, `where no one has gone before`, is that the Enterprise is a symbolic `death camp` for women without penis` semen of their own so that their species can`t escape its `concentration camp` guards, who want the audience to accept their conditioning unquestioningly, because unanswered questions about the absence of the woman`s penis from the `TV` fiction are too revealing of the purpose of the edutainment medium as propaganda. At least since the time of the ancient Romans, and their supposedly primitive amphitheaters in which the evil parasitoid watched humans being killed for entertainment, humans have been manufactured by men as a single male brained creature wearing each others clothes in `TV` transvestism, which is the unanswerable question being posed: where are humanity`s women? The `camp` humor aboard the Enterprise suggests either that futanarian `woman`s seed` and their human offspring are being kept prisoner away from the `TV` action and its `TV` audience, or the `concentration camp` guards are there to keep the children ignorant, so that the guards` extermination pogrom can continue against human nature, which doesn`t really want to watch `TV` as a vicariously alien parasitoid devourer of itself.

1 Laocoon, the Trojan priest, Virgil, The Aeneid, Bk II, 19 B.C.

Star Trek Universe City

Starfleet Academy is tangential to the main storyline of the Star Trek television and movie franchise that features mainly the adventures of the Starship, Enterprise, in its five year missions: `To boldly go where no one has gone before.` Despite the success of Deep Space Nine (1993-99), a `TV` series about a Star Base, with actor Avery Brooks as Captain Benjamin Sisko, rather than a starship, like Voyager, with actress Kate Mulgrew as Captain Kathryn Janeway, and which complemented the Enterprise crew`s visits to the planets amongst the stars in the series, Star Trek: Voyager (1995-2001), the continuing adventures of the starship, Enterprise, in Star Trek: The Original Series (1966-68) ,Star Trek: The Next Generation (1987-94) and Enterprise (2001-05),was an indication of the edutainment facility afforded by the deck with its commanding officer, who effectively had the role of university principle for crew and audience.

It`s a linguistic curiosity that the cities of the universe amongst the planets and stars are the places where the crew and viewer are invited to conduct research and study the variegated civilizations, culture and art of the life they encounter as a universe city in the shape of a starship voyaging through the cosmos for that very purpose. The planets that the Enterprise and its crew visit correspond to the university of the starship insofar as the universes` cities bear the signs of the riches of the education available to the traveler in places that haven`t been seen before, and the exaggerated care imposed upon the journeyers by the `Prime Directive` of Starfleet is indicative of the politesse that all travelers need to have in places where they`re visitors and guests, if they aren`t to be perceived as invaders and terrorists, which they`d be if they weren`t polite. Consequently, the role of the captain aboard the starship is important. In the original series (TOS), Star Trek, actor William Shatner was in the role of Captain James T. Kirk, who was replaced by actor, Patrick Stewart, as Captain Jean Luc Picard for the revamped `TV` series, Star Trek: The Next Generation, and Stewart also took over the principal role in the movies.

After Shatner and his crew`s making of Star Trek: The Movie (1979), and its successors, The Wrath Of Khan (1982), The Search for Spock (1984), The Voyage Home(1986), The Final Frontier (1989), and The Undiscovered Country (1991), Stewart`s Picard again took over Shatner`s role as captain of the starship, Enterprise, in Star Trek Generations (1994), First Contact (1996), Insurrection (1998), and Nemesis (2002). The role of the captain, as principal amongst the crew and the audience in the universe city, that is, within a starship like the Enterprise journeying amongst the planets between the stars, is to provide discipline for the students engaged in the research: `As the right of each sentient species to live in accordance with its normal cultural evolution is considered sacred, no Star Fleet personnel may interfere with the normal and healthy development of alien life and culture. Such interference includes introducing superior knowledge, strength, or technology to a world whose society is incapable of handling such advantages wisely. Star Fleet personnel may not violate this Prime Directive, even to save their lives and/or their ship, unless they are acting to right an earlier violation or an accidental contamination of said culture. This directive takes precedence over any and all other considerations, and carries with it the highest moral obligation.`1 Although the threat of alien intelligence is presented as a theme for Starfleet to deal with throughout the Star Trek cosmos, it`s a metaphor for evil, that is, any form of intelligence is a threat to slavery, which is why intelligence is defined as alien by science fiction writers engaged in propaganda.

Though the threat of alien invasion is postulated as a metaphor for the danger posed by men`s nation`s armies, that postulate is extended to war against intelligence per se, that is, intelligence is presented as alien, and a threat to be extinguished by men, who`re known for invading other nations as aliens, whereas intelligence is almost uniformly characterized by a desire to live peacefully. Consequently, irrespective of men`s extrapolations about the future, their history is of enslaving the people of the Earth, through whatever invasive means is available to them, as a prelude to their extinguishing of the intelligence that the local humans would need to liberate themselves. Perceptions of alien intelligence follow men`s behavioral pattern, which is slavery and extinction of intelligence, that is, intelligence is perceived as alien to freedom. Or, in other words, intelligence is perceived as a threat to slavery, and so is presented as alien in its many extrapolated forms; for example, in Star Trek there are the warlike Klingons, and the cyborg Borg, a race that cannibalize other humanoids for body parts, and who`re amongst the aliens depicted as intelligent and dangerous. In simple terms, intelligence is depicted as dangerously threatening to freedom, or is represented as a form of slavery. Not because it is, but because that`s how it`s depicted; a self-perpetuating prophesy of men`s doom.The philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`2 Or, more simply, those who repeat the mistakes of the past, through the medium of `TV` and cinema, are dooming the future by programing it to repeat the mistakes of the past. The simplest mistake is to kill intelligence, because the propaganda is that intelligence is alien, whereas it`s a threat to slavery, and so in the interests of the slaver to be perceived as alien and killed.

Newer specially generated effects provoked interest in how the earlier Star Trek would have looked with the SFX available to 21st century filmmakers, and so the `reboot` television series, Enterprise, with Captain Jonathan Archer, that is, actor, Scott Bakula, in the role, was made. In terms of the fictional timeline,Bakula is Captain of the Enterprise, but only90 years after the invention of the warp drive by Zefram Cochrane, and so he is Kirk`s predecessor. The Enterprise`TV` series` `reboot` provoked interest in how the 1960s Star Trek would have been with upgraded SFX, so actor Chris Pine, as a more youthful Kirk, took on the role inStar Trek (2009), Star Trek Into Darkness (2013), and Star Trek Beyond(2016),a nostalgic series of filmed prequels appealing to audiences still enthusing over the earliest storylines, butwith theless enthusing SFX upgraded to meet the expectations of early 21st century cinema-goers.Because film theater movies are narrowed to suit a more general public taste, whereas science fiction `TV` shows are tailored for a particular audience, it ought to be possible to trace the theme of intelligence as an alien threat to slavery through an analysis of the cinema releases. Star Trek: The Moviefeatures a cloud approaching Earth. A Starfleet monitoring station detects that it contains an entity. The entity destroys three of the Klingon Empire`s new K`tinga class warships - and the station. The Enterprise is sent to investigate and a probe is sent by the entity, `V`Ger` within the cloud, which appears on the bridge. The probe abducts Indian actress, Persis Khambatta in the role of navigator, Ilia, and she`s replaced by an aspect of V`Ger, which is the living ship inside the cloud. V`Ger is discovered to be Voyager 6, an Earth probe found by a race of living machines who interpreted its programing as being to learn everything and then return to Earth. The probe learned so much on its voyage that it awoke as a living consciousness. Willard Decker, who`d had a relationship with Ilia, the navigator, merges with the V`ger entity through Ilia, and the pair disappear into another dimension. V`Ger is depicted as a forgivably childlike alien intelligence, but it destroys the Starfleet monitoring station, which means that alien intelligence is presented as a threat without any sign that anything other than intelligence is seen as being a danger to the Earth in reality, that is, intelligence is represented as dangerous.

Star Trek: The Wrath Of Khan features actor, Ricardo Montalbán, reprising his role of Khan from the 1967 Star Trek: TOS episode, `Space Seed`, a superhuman with a superhuman crew who, exiled to Ceti Alpha V by Kirk, when he and his crew had attempted to take over the Enterprise, is there when the starship, Reliant, is looking for a planet to test the terraforming device, Genesis, and Khan captures an `away team` teleported down to the surface. A product of a eugenics program on 20th century Earth to breed the perfect human, Khan and his fellow superhumans had become warlords during the fictional, `Eugenics Wars` (1992-6), conquering a third of the planet. Consequently, superintelligence is again depicted as a threat to the Earth. Using creatures that enter the ears and control the mind, Khan uses the starship Reliant`saway team to capture it, then attacks the Enterprise sent to investigate. Khan attempts to use the Genesis device inside the Mutara Nebula to transform it, along with the Enterprise, into a new planet. Although the nebula is transformed, the Enterprise`s Vulcan science officer, Spock, loses his life exposing himself to harmful radiation while repairing the starship`s warp drive so that the Enterprise can escape. As a Vulcan, Spock is trained in emotionless intelligence and self-sacrifice, that is, his alien intelligence is depicted as extinguishing his own life for the collective. In other words, intelligence is extinguishable if it doesn`t serve the needs of the collective, because intelligence that doesn`t further the group is presented as threatening. In other words, the group mind is presented as superior to intelligence, which is an adjunct to the life of the collective, but it can be dispensed with as long as the collective persists.

Star Trek: The Search For Spock, finds Kirk`s son, David Marcus, a key scientist in the development of the Genesis device, aboard the science vessel, Grissom, along with Saavik, a Vulcan crew member of the Enterprise during the encounter with Khan, who`s been reassigned. Her people are Romulans, who`d been at war with the Earth`s Federation of planets a century before the 1966 Star Trek: TOS episode, `Balance Of Terror`, in which Romulans are seen for the first time to resemble Vulcans. In `Balance Of Terror`,the Enterprise is sent to inspect outposts near the `Romulan Neutral Zone` and discovers that they`re being destroyed. Outpost 4 is under attack and its commander, Hansen, transmits pictures of a Romulan Bird Of Prey uncloaking to use a single plasma torpedo to destroy the outpost. Spock`s theory is that the Romulans are isolated Vulcans still practicing war, whereas the Vulcans` embracing of logic allowed them to become a part of the Federation. Savvik is depicted as being a descendant of the RomulanVulcans. She and Marcus descend to the Genesis planet and find that Spock`s there resurrected as a child,but without his memory. Kruge, a ship`s commander of the Klingon Empire, believing the Genesis device to be useful as a weapon, destroys the Grissomand takes hostage Marcus, Saavik, and Spock. Kirk learns that Spock transmitted his katra spirit to `Bones` McCoy, the ship`s doctor, before he died, and finds he has to steal the Enterprise from Spacedockto make a rescue attempt. An undermanned Enterprise is disabled by Kruge in an engagement, which is a homosexual metaphor commonly applied to male conflict, whereas it`s humanly used in the context of a relationship about to become marital.

As a martial term `engagement` derives from ancient Greece, where the host womb enslavement of women was institutionalized for the spread of homosexuality in pederasty and war symbolized by the Klingon Empire, which clings on to war, because that`s the basis of homosexuals` enslaving. As with the former Miss India, Persis Khambatta, in Star Trek: The Movie, the viewing audience`s focus is Saavik, acted by Kirstie Alley in Star Trek: The Wrath Of Khan, although Robin Curtis took over the role for Star Trek: The Search For Spock, and Star Trek: The Voyage Home. Consequently, although Kirk`s saving of Spock is lauded, the aim is for the homosexuals to divorce the viewer from women, which is why V`Ger disappears into another dimension. Because futanarian women can sexually reproduce as `woman`s seed` with women, it`s human sexuality that`s being played with. Decker`s disappearing with V`Ger mocks human futanarian `woman`s seed` and the derision is biblical: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` teaching resulted in his being accused of dissidency against the Roman Empire then occupying Palestine, and he was taken to the hill of Calvary outside Jerusalem, where he was nailed to a cross of wood, and died before experiencing Resurrection and Ascension to heaven, which was a prefiguration of that of `woman`s seed` through her own brains` powers for colonizing the planets amongst the stars of heaven above the Earth. In Christian iconography, Jesus` mother is the Virgin Mary, because futanarian women are self-fertilizing as a species` survival trait, that is, Jesus wasn`t male brained for war as a desired activity, which is what men are male brained for by homosexuals.

In an attempt to take the upper hand in the stand off between the two ships, Kruge orders the execution of one of the hostages on the surface of the Genesis planet, and Kirk`s son, David Marcus, is killed defending Saavik and Spock. Kirk self-destructs the Enterprise killing a Klingon boarding party while he and his crew teleport to the surface of the Genesis planet. Kruge agrees to teleport Kirk`s crew to his ship if Kirk gives him the secret of the Genesis device. Kirk and Kruge engage in unarmed combat on the surface of the Genesis planet and Kruge is dispatched by Kirk`s kicking him off a cliff into the lava flow of a volcano. The Enterprise crew take over the Klingon ship, and leave with Kirk for Vulcan, where Spock`s katra is reunited with him and his memory returns. The pastiche is Edenic insofar as it`s permanent memory in immortality that Eve and Adam, the first man and woman, lose when they accept the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, from Satan, who was the angel turned into a serpent by God for rejecting the plan that the human host would be greater than the angelic: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Jesus` disciple John`s prophecy is of the serpent grown into the dragon of war, because human futanarian nature isn`t able to sexually reproduce brainpower to escape slavery in memoryless ephemerality, although God tells Eve in the book of Genesis: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As her species escapes her slavers, Eve`s futanarian brainpower will give her the planets amongst the stars, which is why Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent, Satan, with her foot in Christian iconography lest male brained men become the dragon of war that kill her upon the Earth to prevent her colonization of the cosmos.

If it`s the plan of the `serpent`s seed` to kill women`s human futanarian race before it can learn to walk, then it`s necessary to present intelligent women as brainless, and if possible to remove their brainpower, which is what the penisless babes of the pornographic movie industry signify for the human futanarian race prevented from running and escaping its enslavers. In simple terms, women who`re presented as aliens, like V`Ger and Saavik, are intelligent forms that the homosexuals don`t want because it interferes with their program for human extinction. Or, to put it another way, homosexuality is the virus that kills humans. Consequently, although relationships between men and women are carefully presented by the movies as intelligently human, homosexuals don`t want women`s species of futanarian humanity, which represents a basic human defense system based on species` interconnectivity lacking in `gay` people. Although men are taught that they`re the essence of the human connection, the absence of `woman`s seed` reveals the truth, which is that, since at least the time of Jesus` Romans, men and women have been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for the entertainment of their alien enslaver. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men do. Consequently, human futanarian `woman`s seed` represents the connectivity that is missing from the species and that homosexuality seeks to rid itself of in order to continue with its extermination of the race: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) By the late 20th century men`s rejection of women had resulted in the spread of the `incurable killer disease, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses. Acting as homosexuality`s `biological weapon`, HIV/AIDS, kept the human species of futanarian women in fearful faithfulness to their ring slavers, because that`s what homosexuals are for. Consequently, homosexuality is a manifestation of an alien parasitoid intelligence that masks its takeover of the human race by assuring men that they`re redeemed humans, whereas it`s the women that are the `remnant` of futanarian humanity, while the men are the `other half` of the alien parasitoid devourer`s `TV` manufacturing so that the homosexual can watch the species die in its wars.

In Star Trek: The Voyage Home it`s 2286 and a large cylindrical object enters Earth`s orbit where it disables the global power generators and generates storms to block out the sun`s life-giving energies. Perceiving that the object seeks the extinction of all life on Earth Starfleet Command sends out a planetary distress call. Spock identifies the sound emitted by the object as akin to that of extinct humpback whales and Kirk agrees to perform a `sling-shot` manoeuver around the sun that will take the Romulan Bird Of Prey back in time to bring whales to communicate with the object. When the whales are released into San Francisco Bay, California, they respond to the object`s signal and the global power network is restored. As the storms dissipate, the sun`s life-giving energies are felt again by the Earth as the object leaves. It`s a movie that warns against not caring for the ecosystem of the Earth, which guarantees the continuation of human life. In simple terms, the whales are intelligences that are unknown, and the alien object indicates that whales` intelligence might be of more value than humans`. Because homosexuals are `humpback`, that is, anal entry is the mode for non-reproductive sexual gratification, and `subdom` activities based on who`s subjugated and who`s dominated, the whales` intelligence is depicted as that of the destructive alien object. In other words, the whales are extinct, because they`re intelligent aliens, which is what homosexuality is for, because it`s parasitoid, that is, it`s for the death of intelligence. Or, to put it another way, the `humpback` whales represent homosexuality, and its object is to continue slaving the Earth, rather than save it, which is why the humpback whales` intelligence is depicted as superior to humans`.

Demoted to the rank of Captain of the Enterprise as a `punishment` for his stealing of it to rescue Spock, in Star Trek: The Final FrontierKirk and the crew are sent to rescue hostages on the planet Nimbus III. They encounter Sybok, Spock`s half-brother, who has lured the Enterprise to Nimbus III because he wants to be taken to the mythical planet of Sha KaRee where creation is supposed to have begun. The lone blue planet is discovered to lie behind a supposedly impenetrable barrier at the center of the galaxy which the Enterprise successfully breaches. The entity there asks for the Enterprise to be brought closer and Kirk wants to know: `What does God need with a starship?`3 In attacking Kirk it`s apparent that the entity is a representation of what the ancients knew as `gods`, that is, those who inflicted harm on people for pleasure, which is what `subdom` homosexual culture does. Realizing his error Sybok dies attempting to fight the creature. The Klingon, Klaa, who`s been following the Enterprise in his ship, uses its weapons to kill the creature. Although Klaa was pursuing the Enterprise in the hope of a glorious engagement, his killing of a god on Sha KaRee is suggestive of divine providence, that is, intelligence is evil and is to be killed for masquerading as God. Or, in other words, killing is more intelligent than God, which of course it isn`t, but that`s the parasitoid pogromer`s programing of human nature; to believe that intelligence is evil and must be killed: to prevent the real evil from being recognized.

In Star Trek: The Undiscovered Country the starship Excelsior is affected when a Klingon moon explodes destroying the ozone layer of the Klingon home world and the Klingons who`d been at war with the Federation sue for peace. When the Enterprise is sent to escort Klingon`s Chancellor Gorkon to Earth for negotiations, Kirk and Doctor McCoy are accused of attempting to assassinate Gorkon after the Enterprise appears to have launched photon torpedoes at the Klingon ship. Then figures wearing Starfleet uniforms appeared to have beamed aboard to grievously wound the Chancellor. Kirk and McCoy are sentenced to life imprisonment on a frozen asteroid, RuraPenthe, while Gorkon`s daughter, Azetbur, resumes negotiations as Chancellor. On RuraPenthe, Kirk and McCoy are befriended by Martia, a shapeshifter, who says she`ll help them escape, but it`s a ruse to make it look as if Kirk and McCoy were killed while escaping. Spock teleports Kirk and McCoy to the Enterprise. It was a cloaked Romulan Bird Of Preythat fired the torpedoes as part of a conspiracy amongst Romulan, Klingon and Federation officers to prevent `the undiscovered country`, that is, peace, from being realized. Spock`s Vulcan Valeris, is the key conspirator. Unaware of the identity of the traitor, Kirk and Spock succeed in foolingthe hidden accomplice of Yeomen, Burke and Samno, who were the assassins of Gorkon, and who were subsequently killed by their accomplice to ensure secrecy. Believing that Burke and Samno yet remain alive, the accomplice arrives in sickbay to complete their murder, but actress Kim Cattrall, in the role of the accomplice is trapped. She`s revealed as Spock`s Vulcan protégé, Valeris.Gorkon`sChief of Staff, General Chang, is aboard the Romulan Bird Of Prey as the Enterprise heads towards Camp Khitomer, where the peace conference is scheduled. The Enterprise and the Excelsior destroy the Bird Of Prey and personnel beam down to Camp Khitomer to thwart an attempt to assassinate the Federation President where, afterwards, talks continue.

There are so many alien intelligences within the plot of Star Trek: The Undiscovered Countrythat it`s difficult to discern where the evil alien resides. Of course it`s simpler if the storyline is understood as an extrapolation of what men do. Then it`s the sexually desirable Kim Cattrall who`s identified as their betrayer, which is symbolic of the latent sexual desire of the penisless babe in the audience, whose genetically thwarted futanarian inheritance tells her that she wants women, rather than men`s `camp` discussions. Kim is vilified in the character of Valeris, because the desirability of the actress, who starred as being amongst some notoriously sexually independent women characterized by the cast of the television series, Sex In The City (1998-2004), is representative of her own species` desire to practice their mode of human futanarian sexual intercourse, which is productive of the race of women`s brain power for liberating themselves from host womb slavery to a parasitoid monster seeking to devour her race. In other words, the depiction of intelligent aliens in science fiction is an excuse to label women as evil aliens, that is, intelligence is evil, because women are aliens who want to escape from their `camp` guards, who need a host womb to emerge from in order to continue their homosexual pogroms against human futanarian `woman`s seed`.

Star Trek: The Undiscovered Country concludes with Kirk`s decision not to go on, and Star Trek: Generations sees actor, Patrick Stewart, as Enterprise Captain, Jean Luc Picard, from the television series, Star Trek: The Next Generation, assuming the principal`s role. The plot is of a place called Nexus, an extra-dimensional realm where time has no meaning and anyone can experience whatever they desire. Answering a distress call from an observatory orbiting the star, Amargosa, the Enterprise pick up an El-Aurian, Dr TolianSoran, who subsequently attacks engineer, Geordi La Forge, and launches a trilithium solar probe at Amargosa, which causes the star to implode. The observatory is destroyed by the shock wave but La Forge and Soran are rescued by a Klingon Bird Of Prey belonging to the Klingon sisters, Lursa and B`Etor, who have agreed to help Soran in exchange for plans for a trilithium weapon.Picard and the superintelligence of the android, Data, determine that Soran, unable to fly a ship into the Nexus, because of uncertainty that the ship will survive, is altering the path through by destroying stars, and that he will attempt to enter the Nexus at the planet of Veridian III after first destroying the planetary system`s star, and a heavily populated planet. The El-Aurian`shomeworld was destroyed by the Borg in the 23rd century and they`re akin to the peoples of Earth, for example, Afro-Americans and Jews, who represent the diaspora concept of those looking for a place to live and being persecuted for wanting somewhere of their own.

Captain Picard changes places with La Forge on the Klingon sisters` ship; ostensibly so that he and Soran can speak together: but La Forge`s brains have been picked by the Klingon sisters who use his knowledge to lower the defensive shields of the Enterprise and inflict heavy damage. The Enterprise destroys the Klingon Bird Of Prey, but actor Jonathan Frakes, in the role of commander Willian Riker, orders an evacuation in which the saucer section of the starship detaches and crash lands on Veridian III. Soran launches his trilithium missile and, subsequently inside the Nexus, Picard meets Shatner`s Kirk, who was presumably trapped there when the Enterprise was pressed to save refugee El-Aurian ships in 2293, according to the film`s opening sequence, although he was presumed dead. Kirk is asked by Picard to help him defeat Soran. The two leave the Nexus and arrange for Soran to be killed by his own missile`s detonation at the launch point. Kirk is mortally wounded and dies. The ambiguity suggests that all of the action subsequent to Soran`s missile launch to destroy the star of the Veridian III system is wish fulfilment occurring inside the Nexus, which the protagonists will never escape. Kirk dies because Picard wants him to, and so does Soran, which is how men live with their parasitoid evil nature. Consequently, the Nexus isn`t a `Promised Land`, which is the place God told the Jews they`d have if they left slavery in Egypt and crossed the Red Sea with the chariots of the Egyptians drowning in their wake as a demonstration of God`s power to deliver. It`s rather a place for men who`ve already `necked` women, that is, they`ve chopped off their heads, because a human futanarian species of `woman`s seed` without the capacity to sexually reproduce her own brains` powers is headless, and so men`s `Nexus` means just that for women: necks us.

In Star Trek: First Contact the Borg are attacking a beleaguered Earth defended by Starfleet. Picard hearing Borg communications in his mind, perhaps because he was once taken over by the Borg in `The Best Of Both Worlds` episode of the Star Trek: TNG television series, Picard directs the Enterprise`s weaponry at a seemingly innocuous part of the cuboid Borg ship and destroys it. However, it`s able to launch a smaller spherical Borg ship towards Earth, which generates a temporal vortex. As the Enterprise is enveloped in the vortex they glimpse an Earth entirely populated by Borg. Realizing that the Borg are attempting to change Earth`s history, Picard orders the Enterprise to follow the Borg. The Enterprise arrives in the past on April 4, 2063, the day before humanity`s historic first contact with extraterrestrial intelligence following Zefram Cochrane`s successful test of his invention, the warp drive, which allows the starships of Starfleet to travel across the cosmos at fantastic speeds; arriving before they left, etc. Lily Sloane, Zefram Cochrane`s assistant, is attacked by the Borg sphere,and is admitted to the Enterprise`s sickbay with radiation sickness by actress Gates McFadden in her role as Dr Beverley Crusher. La Forge begins work on repairing Cochrane`s warp ship, Phoenix, damaged by the Borg ship, before it was destroyed by the Enterprise. Borg survivors begin to appear aboard the Enterprise assimilating members of the crew and modifyingthe starship to use in a Borg conquest of the Earth. Lieutenant Worf, a Klingon officer with Starfleet and a member of the Enterprise`s crew, argues that Picard should self-destruct the Enterprise, but Picard calls him a coward and vows to fight the Borg. Lily Sloane reminds Picard of Ahab in Herman Melville`s Moby Dick(1851) who fought the white whale until disaster overtook him aboard the Pequod whaling vessel. Picard relents and apologizes to Worf before implementing the self-destruct program. The Borg Queen, believing that she`s bribed Data into working with the Borg by giving him human skin and its sensations, is fooled when Data obeys her order to fire torpedoes, but he deliberately misses her target, Cochrane`s Phoenix. Data, deactivates the self-destruct and ruptures a conduit releasing a corrosive that fatally dissolves the Borg`s biological components. That evening Cochrane`s Phoenix`s warp flight takes place and Vulcans appear to meet Earth`s people in a first contact with extraterrestrial intelligence.

The appearance of Vulcans is important, because they stopped short of destroying their planet by becoming emotionless logicians. Although emotionlessness is depicted as opposing natural fellowship amongst humans, Earth`s history of parasitoid warfare against `woman`s seed` suggests that Vulcan`s alien intelligence is superior, and although the Borg are depicted about their usual activities of assimilation, and the obtaining of bodies for replacement parts for those worn out, it`s an extrapolation more representative of 21st century medical science that can`t confer immortality, because ephemerality is necessary for human slavery in memoryless unconsciousness to continue. Star Trek: Insurrection features the immortal, Ba`ku people, who`re made so by `metaphasic particles` emanating from their planet`s rings. The Ba`ku are being secretly watched by the Son`a, who were Ba`ku but embraced technology and now prolong their lives,at the expense of disfigurement, through medical science, because the Ba`ku exiled them from the planet after an attempt at seizing power. Starfleet Admiral, Matthew Dougherty, is discovered to be plotting to relocate the Ba`ku to the holodeck of a starship; giving only the illusion of their remaining. The Son`a would then collect the rejuvenating radiation, but the planet would be poisoned in the process. Picard says that the plan violates the `Prime Directive` of non-interference and Dougherty renounces his support for the Son`a leader, AhdarRu`afo, who kills him. Picard is sent for execution by Ru`afo but convinces the Son`a Gallatin to assist a ruse in which Ru`afo and his crew are transported to the holoship while the machine harvesting the rejuvenating radiation is deactivated. Ru`afo detects the ruse and seeks to restart the harvester. Picard set the machine to self-destruct killing Ru`afo and escaping to the Enterprise. Gallatin`s Son`a are welcomed back amongst the Ba`ku people and Picard arranges an emotional meeting between Gallatin and his Ba`ku mother. Emotion is perceived as the essence of humanity, while immortality is desirable to facilitate intelligent action, and the absence of immortality is the reason for the success of the baser emotions; such as the subjugation and domination of ephemerals to maintain ignorance and slavery. Immortality means a memory for the intelligent individual to continue to apply what has been learned, which is liberating.

The subject of Star Trek: Nemesis is slavery. On the planet Romulus, the Romulans are debating whether or not to accept the peace and alliance terms of the Remanrebel leader, Shinzon. The Reman are the Romulans` slave race. After rejecting the motion the Romulan Praetor and senate are disintegrated by a device left in the room. The Enterprise is sent to investigate an alleged coup by Shinzon, who has taken over the Romulan Empire to facilitate a free Remus while seeking an alliance with the Federation to guarantee its freedom. The `submyth` is that of Romulus and Remus, who were the founders of Rome raised by wolves, that is, the suggestion is that the Reman and Romulan people were raised by wolves, while Lieutenant Saavik was a Romulan Vulcan, that is, the Vulcans were also raised by wolves, which is a metaphor for instinct that has to be overcome. Consequently, Vulcans are emotionless and logical, whereas the Romulans have enslaved the Remans. Shinzon is revealed to be a clone of Picard`s created by the Romulans to infiltrate Starfleet, but the project was abandoned and Shinzon was left to die amongst the Reman slaves. Aboard Shinzon`s ship, Scimitar, low levels of thalaron radiation are detected of the same poisonous nature that killed the Romulan Praetor and senate. Shinzonplans to use the Scimitar to invade the Federation using its thalaron radiation generator as a weapon, with the eradication of all life on Earth being his first priority. He kidnaps Picard to facilitate a blood transfusion that will prolong the life of his dying clone body, but Data, who is taken by Shinzon too, because he thinks Data is his B-4 android, rescues Picard, and the two return to the Enterprise. Romulan Warbirds come to assist the Enterprise against the Scimitar, which destroys one and disables the other. After Picard uses the Enterprise to ram the Scimitar, Shinzon activates the thalaron weapon. Picard boards the Scimitar and kills Shinzon. Data uses a personal transporter to jump between the ships and teleports Picard back to the Enterprise before using his hand phaser to destroy the thalaron weapon, but he`s lost in the subsequent explosion. Picard learns that Data had transferred the engrams of his neural net to B-4 before he `died` and that B-4 will become like his friend in the fullness of time. The subject of artificial intelligence or `AI` is presented as self-sacrificial as is most usual, that is, Christ-like. However, Jesus Christ represented the dilemma for the intelligent man who men want to do what they tell him to. Before he was crucified in Jerusalem, Jesus was told he could avoid that fate by not going there, but he went because he didn`t want to be told what to do by men. Consequently, although his crucifixion is usually represented as a self-sacrifice, it`s a rejection of what men want, which is that the individual obey them. Jesus` Resurrection and Ascension to heaven above prefigures that of human futanarian `woman`s seed` through the sexual reproduction of her own brains` powers for liberation, and it`s disobedient. In short, Data is depicted as an obedient slave, because that`s what intelligence is for: self-sacrifice. Or, in simpler terms, human sacrifice.

Star Trek, which is set in a time before James T. Kirk became Captain of the starship Enterprise, begins with the events surrounding the birth of Kirk in the aftermath of an engagement between the Kelvin and the Romulan, Narada. Its first officer, Ayel, wants the Kelvin`s Captain Robau to go aboard the Narada to negotiate. Narada`s commander, Nero, kills Robau after he`s unable to answer questions about an `Ambassador Spock`. George Kirk, the Kelvin`s first officer, rams the Narada, resulting in the loss of his own life, but after he`d evacuated the ship`s personnel; including his pregnant wife, Winona, who subsequently gave birth to James Tiberius, who later becomes a cadet at Starfleet Academy, where the cadets are mobilized after a distress signal from Vulcan, with the fleet out of range and unable to respond. Recognizing the similarity between the lightning storm at his birth and that which attended the Narada`s infamy, Kirk deduces a Romulan trap. Kirk is aboard Captain Pike`s Enterprise when it discovers the fleet destroyed and the Narada drilling into Vulcan`s core. After engaging with the Narada, before surrendering himself to its Captain, Nero, Pike delegates the captaincy of the Enterprise to Spock, and the position of first officer to Kirk. Nero launches `red matter` into the core of the planet, Vulcan, so creating a `black hole` which destroys the planet. Spock rescues his father, Sarek, but his mother, Amanda, a woman of Earth, dies, and her fate is illustrative because it was his half-human status and the perception of the Vulcan Science Academy that his mother was a `disadvantage` that persuaded Spock to join Starfleet instead. The element of racism and prejudice against women as aliens pervades the Star Trek cosmos because it`s endemic in men.

The Narada`s Captain Nero tortures Pike on the way to Earth for its defense codes, and Spock maroons Kirk on Delta Vega after he argues that Nero should be pursued immediately rather than waiting for the fleet. There on Delta Vega Kirk finds an older Spock who explains that Nero and he are from 129 years in the future where Spock had used `red matter` in a failed attempt to swallow a supernova that destroyedRomulan Nero`s home world, Romulus. The Narada and Spock`s ship were caught by the black hole which sent them back into the past. There Nero destroyed Vulcan, and marooned Spock on Delta Vega to endure the torment of seeing his own home world destroyed. Consequently, in science fiction plot terms men destroy two worlds in the future where intelligences not their own were to be found, which is the promulgation of racism. At an outpost on Delta Vega they meet Montgomery Scott, who explains that he was marooned there for losing Admiral Archer`s dog, a beagle, during an experiment in `transwarp beaming`. With Spock`s help Kirk and Scott teleport aboard the Enterprise where the older Spock advises Kirk to provoke the younger Spock and make him emotional enough to realize he`d lost command of his emotions. The ruse works and Spock relinquishes command to Kirk, who teleports aboard the Narada with Scott to rescue Pike, while the younger Spock uses the older Spock`s ship to destroy the Narada`s drill. The older Spock engineers a collision between his ship and the Narada, which ignites the `red matter`, while Kirk, Pike and Spock teleport back aboard the Enterprise where Kirk offers to help Nero escape the subsequently created `black hole`, but Nero rejects his offer and the Enterprise uses its weapons to doom the Narada to be consumed therein. The older Spock`s advice to his younger self is to persevere in doing what is right, rather than what is only logical. Spock`s words are useful for ephemeral children amongst the Star Trek audience, who don`t understand that imprisoning people and killing them is the `game` that men play, which is why they like ephemerals without memories and so learned adaptation and use of intelligence to escape their `death camp`. In fact `camp` is what Star Trek is often accused of being, because `camp` means exaggeratedly straight faced during the telling of a joke in front of children, who don`t know that men are the death camp guards of human futanarian species of `woman`s seed`, which is why they`re perpetually at attention in shows like Star Trek when Captain James Tiberius Kirk appears; to show that they`re respectful towards the authority that has the power of life and death over women and children. For `camp` followers it isn`t about intelligence but laughter, that is, the children mustn`t know that imprisonment on Delta Vega is what men want for them, because it`s men`s idea of fun as an evil parasitoid nature in the process of extinguishing the human race before it can reach the planets amongst the stars of heaven above.

Star Trek: Into Darkness begins with the removing of Kirk as Captain for ignoring the `Prime Directive` by revealing the existence of the Enterprise to the primitive inhabitants of the planet Nbiru in order to save them from a cataclysmic volcanic eruption. Pike is reinstated and Kirk becomes first officer with Spock transferred to another starship. Shortly afterwards renegade Starfleet operative, John Harrison, bombs London`s notoriously unfettered intelligence and defense organization, Section 31, before using a jumship to attack Starfleet HQ, where discussions about the terrorist action are taking place, and where he kills Pike and others. Kirk disables the jumpship, but Harrison escapes to the Klingon home world, Kronos. Admiral Marcus reinstates Kirk and Spock aboard the Enterprise with orders to kill Harrison, who surrenders on Kronos upon learning how many torpedoes the Enterprise carries. Dr McCoy and Admiral Marcus` daughter, Dr Carol, open a torpedo at Harrison`s behest and a man in cryogenic stasis is revealed. Harrison is Khan, the genetically engineered superhuman. He was awakened by Admiral Marcus from centuries of suspended animation to develop advanced weapons of war against the Klingon Empire. Khan reveals that Marcus has sabotaged the Enterprise's warp drive, intending for the Klingons to destroy the ship after it fired its torpedoes, so creating an act of war by the Klingon Empire, which is why Khan replaced the torpedoes with his crew, so that he could save the Enterprise and defeat Marcus, whose ship, Vengeance, intercepts and demands Khan be surrendered before attacking and disabling the Enterprise near Earth`s moon where it`d fled seeking safety from the much larger, and more powerful, Vengeance. Marcus forcibly transports Carol to his ship, and orders the Enterprise`s destruction. Scott, who`s infiltrated the Vengeance, disables it, and Kirk and Khan `space-jump` to secure its bridge. Khan then treacherously overpowers Kirk, Scott, and Carol, kills Marcus, and seizes control. Khan wants to exchange the Enterprise officers he holds hostage for his crew inside the torpedoes. Spock sends over the torpedoes but removes Khan`s crew and arms the torpedoes. Khan demands that Spock return his crew sealed in the cryogenic tubes in exchange for the Enterprise officers. Spock complies but surreptitiously removes Khan's frozen crew and arms the warheads. Khan treacherously inflicts critical damage on the Enterprise but his Vengeance is disabled when the torpedoes detonate. The Enterprise and Vengeance plummet towards Earth. Kirk is able to realign the `warp core`, saving the ship, but dies from the radiation in the `radioactive reactor chamber`. In an attempt to avenge himself on Starfleet, Khan crashes his ship into its HQ in San Francisco. Dr McCoy discovers that Khan`s blood has regenerative properties that can restore Kirk, so Spock, with communications` officer, Lieutenant Uhura`s help, arrests Khan, and Kirk is restored, but Khan is again sealed in his cryogenic pod and stored with his superhuman cohort. Obviously, Kirk`s restored life is more valuable than Khan`s and his crew of superhumans to the writers, who`re of course limited in their vision by the `camp` requirements. Consequently, although Khan is depicted as `Byronic`, that is, as a 19thcentury hero seeking liberty for himself and others above all else, he`s not `camp` enough for Starfleet, that is, he doesn`t accept curbs on his freedom. The `Byronic hero` is a term derived from English poet, Lord Byron, who not only gave his name to the term but was perceived as the type of the individual he wrote of in his poetry, for example, these lines from Byron`s `The Corsair` (1814) fit Khan`s persona perfectly:

`He knew himself a villain - but he deem'd

The rest no better than the thing he seem'd;

And scorn'd the best as hypocrites who hid

Those deeds the bolder spirit plainly did.

He knew himself detested, but he knew

The hearts that loath'd him, crouch'd and dreaded too.

Lone, wild, and strange, he stood alike exempt

From all affection and from all contempt.`4

Khan is the type of the individual who doesn`t want to die in an extrapolation of Earth`s theme of the `death camp`. In Star Trek: Beyond the Enterprise is sent to rescue Kalara, when an escape pod emerges from an uncharted nebula. Her ship is stranded on Altamid, a planet there. The Enterprise is ambushed by a swarm of small ships before being boarded by Krall and his crew looking for a relic, an Abronath, Kirk has. Krall begins to empty the Enterprise of its personnel and Kirk orders the saucer section to be detached so that the remainder of the ship`s personnel can escape to the planet, Altamid. After the crash landing, and Kalara`s attempt to retrieve the Abronath for Krall, Kirk crushes Kalara using the still functional warp thrusters of the saucer section. Scott, a lost survivor, is rescued by the ironically named Jaylah, a scavenger who`d previously escaped from Krall`s `camp` scene, and with tongue firmly in cheek the writers have jailer take Scott to her home, the grounded Franklin, a ship lost over a century before. On the planet's surface, Sulu, Uhura, and other survivors are captured by Krall. Kirk and navigator Pavel Chekov, accompanied by Kalara, locate the wrecked saucer section. Kalara is discovered to be Krall's ally when she tries to retrieve the Abronath. To escape Krall's soldiers, Kirk activates the still-functional thrusters, causing the saucer to lurch forward, crushing Kalara. Meanwhile, a wounded Spock and Dr. Leonard McCoy search for other survivors. Spock confides to McCoy that he intends to leave Starfleet to continue the late Ambassador Spock's work on New Vulcan. Meanwhile, Scott is rescued by the ironically named, Jaylah, a scavenger who previously escaped Krall's encampment.

Scott`s Jaylah takes him home, the grounded USS Franklin, an early Starfleet vessel reported missing over a century earlier. Krall succeeds in coercingthe Enterprise`s Ensign Syl to give him the Abronaththat she`d kept for Kirk. It`s part of an ancient bioweapon, created by the planetAltamid`soriginal inhabitants,and can disintegrate any humanoid. Krall launches his drone fleet pursued by the remnant of the Enterprise`s crew aboard the repaired Franklin. Scott transports Spock and McCoy into one of Krall`s drone ships where they discover that VHF signals can disrupt Krall`s communications, so they transmit the `classical` song, `Sabotage` by the rap group, The Beastie Boys, which results in ill communication and the destruction of Kraal`s fleet: `Listen all of y'all it's a sabotage.`5Uhura and Kirk discover from the Franklin`s logs that Kraal is its Captain, Balthazar Edison who, after an encounter with an uncharted wormhole, wasstranded with at least three of the remaining members of his crew on Altamid: `The indigenous race abandoned this planet long ago. They left behind sophisticated mining equipment and a drone workforce. They have some sort of technology that prolongs life. I will do whatever it takes for me and my crew...The Fed-Federation do not care about us. You'll probably never see me again. But if you do...Be ready.`6 Edison`s supporters used the life-extension technology of the Ancient Onesto sustain their lives by absorbing the biological attributes of other crew members and native species` lured for the purpose of absorption, but they`re now unrecognizable as human, although Krall`sabsorption of several Enterprise crew members had largely restored his own human appearance. Kirk traps Krall in the ventilation system of Starbase, Yorktown, where he`s about to deploy the bio-weapon. Kirk spaces Krall and the bio-weapon before being rescued by Spock and McCoy. Jaylah is accepted into Starfleet Academy where presumably she`ll be trained as a `camp` guard. The moral is that defining human in terms of the body isn`t intelligent, but it`s simple. In the same way, futanarian `woman`s seed` is human,but it isn`t identifiably bodily, because of men`s mass media propaganda in Star Trek: Beyond, for example. Krall is intelligent because he prolongs his life, but he`s evil because men have a parasitoid nature. Unless it`s redeemed through an understanding of Jesus` crucifixion as being what Spock calls persevering in the right, rather than obedience to logic, men like Krall will continue to devour Human.

1 Genta, Giancarlo, `The Search for Extraterrestrial Intelligence` inLonely Minds in the Universe, Springer, 2007, Ch. 4, p. 208.

2 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

3 Shatner, William as Captain James T. Kirk, Star Trek V: The Final Frontier, Paramount Pictures, 1989.

4 Byron, Lord, `The Corsair`, 1814, I, XI.

5 Horovitz, Adam, Michael Diamond,and Adam Yauch,`Sabotage`, The Beastie Boys, Ill Communication, Grand Royal, 1994.

6 Elba, Idris as Krall, Star Trek: Beyond, Paramount Pictures, 2016.

The Starship Allah

When Saddam Hussein, the dictator of Moslem Iraq, invaded Kuwait in 1990, not much attention was given to the Islamic phenomenon of the Caliphate, which is the term used for Emperor in the Middle East and was used by pre-Islamic peoples also. After the fall of the Iraqi capital, Baghdad, to the invading United States` army and the global coalition forces in 2003, Saddam Hussein was executed and his compatriot, Abu Bakr Al Baghdadi, declared himself the new Caliph of a new Islamic Caliphate claiming a vast territory stretching as far as North Africa and Spain from his base in rebel Syria and Iraq, which was named the Independent State of Iraq and Syria (ISIS) in ironic salute to the ancient sun goddess, Isis, of Egyptian mythology, who was associated with resurrection among the Egyptians.

Egypt is important for Islam because the mother of Ishmael, Hajer, was an `Egyptian woman`, the concubine of Abraham, whose wife, Sara, bore Isaac, who founded Judaism, and gave Abraham Egyptian Hajer after Sara was barren through the birth of Isaac. Much of Judaic-Christianity has been encouraged to view Islam as illegitimate, because Ishmael was born from a woman not Abraham`s wife, Hajer, although the four wives of the Moslems, who are permitted by the Koran (610-30 C.E.) of Islam, given to the Prophet, Mohamed, by the angels of God, according to tradition, evidences a matrilineal society unsympathetic to Judaic-Christian monogamy.

In the Old Testament of the Bible, which is the Torah and Talmud of the Jews, that is, their history and law, Eve is tempted by the angel, Satan, transformed by God, the creator, into a serpent for refusing to accept that Eve, the first woman, and Adam, the first man, would be greater than the angelic host through their progeny: `On your belly you shall go, and you shall eat dust all the days of your existence.` Eve was tempted by the serpent, Satan, to `eat of the fruit of the tree of the knowledge of good and evil` in the garden of paradise, Eden, which was heaven on Earth: `You shall be as gods.` (Gen: 3. 5) God told Eve and Adam that they`d die if they didn`t eat only of the `fruit of the tree of life`, a metaphor for the evil that would befall those who preferred ignorance in slavery to the `serpent`s seed`, rather than intelligent ascent to the planets and stars above the Earth and colonization there through the building of starships together with the development of medical science to confer immortality: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) God`s words to Eve follow upon Eve and Adam`s expulsion from Eden by God with the promise that the slavery in ignorance to the `serpent`s seed` will end when the human brainpower of Eve`s human `seed` is stronger.

In the New Testament of the Christians, Jesus Christ, `the chosen`, is born from a woman who is a virgin, Mary, who is depicted in Christian iconography crushing the head of the serpent with her foot, because futanarian women sexually reproduce women as a separate and distinct species from men. Jesus was a Jew, who are called `the chosen people` of the Old Testament and, during the occupation of Jewish Palestine by the Roman Empire, his teaching was passive resistance: `Love your neighbor as you love yourself.` (Mk. 12. 31) Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there to die as a `dissident`. Subsequently he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Consequently, the four wives permitted the Moslem peoples in Islam`s matrilineal society reflect the true Judeo-Christian tradition of `woman`s seed`, that is, sexual reproduction between women. Jesus was crucified after his disciple, Judas, found him alone with a woman. When Judas`s spy canard was that the woman should stop anointing Jesus with the expensive perfume `spikenard`, and sell it for money, Jesus` reply was: `Leave her alone.` (Mk: 14. 6) For Judas women were slaves and he didn`t want Jesus, who was `woman`s seed`, to sexually reproduce human brainpower to facilitate women`s escape.

At the foot of the cross were three women, Jesus` mother, Mary, her sister, Mary, and Mary Magdalene, because a futanarian woman with `seed` of her own is able to fertilize a woman without semen of her own, but she needs a woman with penis` semen of her own to fertilize her, that is, the three Marys are a description of Jesus` future species of `Man` without the `serpent`s seed` of unredeemed men promoting ignorance in slavery to maintain their power over the human race to the stars. As the `Second Adam`, Jesus` role as `woman`s seed` suggests that Eve, created by God from the side or rib of Adam, was a futanarian birth from `woman`s seed`, that is, Adam represented the human species` survival trait of self-fertilizing women, before they were the host womb slaves of the `serpent`s seed` represented by the angel, Satan, transformed into a serpent by God for rejecting humanity.

Because saurian evolution in the Mesozoic period of Earth`s history 248 m.a. preceded that of the hominids by 28 million years in the Jurassic period 220 m.a., it seems likely that the saurians host womb slaved the new futanarian race of women, that is, unredeemed men are the `serpent`s seed`. As man born of woman, Jesus prefigured the Resurrection and Ascension of the human race to the stars above the Earth through sexual reproduction between women, which men would have to accept or remain serpent-brained and seeking to prevent the species from escaping slavery in ephemeral ignorance to its host womb slaver for the negligible reward of hosts of many armed demons, that is, armies, devastating the Earth for what they could steal: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17)

Before Mohamed, the descendant of Ishmael, received the Koran from the angels of God, the pre-Islamic Caliphate of the Persian Shah of Iran was termed `Sassanid` (224-651 A.D.) after Sasan, the ancestor of its founder, Ardashir I, and `towers of silence` were at the center of its belief system. When Saddam Hussein`s army invaded Kuwait city, a feature of the bay area was a tower of silence in the north of the island of Akkaz. When the terrorist group, Al Qaeda, `the base`, hijacked civil airliners on September 11, 2001, to crash into the Twin Towers of the World Trade Center in New York city, U.S.A., to precipitate war in the Middle East, it was an act of `rough trade`,1 that is, that `brutality and violence` associated with homosexuality in pederasty for war of the `serpent`s seed` against `woman`s seed` to maintain host womb slavery in ephemeral ignorance for the human race: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) From his summer palace at Hillah in Iraq, Saddam Hussein could see the ruins of the ancient city of Babylon, `a woman` of the Bible corresponding to what occurred in ancient Greece where, to battle the Persian Empire of Xerxes, homosexuality in pederasty for war through the host womb enslavement of women was normative. In other words, homosexuality has been the norm upon the Earth since Eden, which many biblical scholars identify as located in Iraq at the head of the Persian Gulf, where its rivers flowed into the sea: `A river flowed from Eden to water the garden, and from there it divided to make four streams.` (Gen: 2. 10) Because the district of Hollywood, capital of the global movie Empire of the U.S.A., is also called `Babylon`, centered as it is on the west coast in the city of Los Angeles, state of California, war with Islam in the Middle East and elsewhere is discernibly `Babylonian` insofar as its a war of the homosexual `serpent`s seed`.

In Judaism a Jew can only be born from a woman, that is, women are Jews, that is, Jesus `Christ` was `the chosen`, because he was chosen to explain that the `chosen people` were `woman`s seed`. When the German National Socialist (Nazi) Party of Christian Germany pogromed 20, 000, 000 Jews after its election in 1933, the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, had already sought to ban women`s mode of sexual reproduction from the mass media Empire of the U.S.A. through the 1930 `Hays code`, which sought to prevent women from raising their human futanarian `foot` race from the floor of the Earth`s bedroom to keep it as a host womb slave for homosexuality in pederasty for war against her species for its entertainment: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 With the futanarian species` foot on the floor, there`d be no escape from the demon armies of host womb slavery for ephemeral ignorance in war and parasitism.

In parasitology, the parasite that emerges from the host womb to kill it is termed `parasitoid`, which is what men of the `serpent`s seed` are. Soaring overhead to drop clutches of bombs onto the `remnant` of `woman`s seed` upon the Earth is what oviparian saurian evolution amounts to. The ancient Sassanid Caliphate erected towers of silence as places where the corpses of the dead were picked clean to the bone by carrion birds, who were the descendants of the oviparian saurians. In the Bible angels are represented as winged, because saurians were. Although the angel, Satan, is depicted as being transformed into a serpent by God for rejecting the human host, which would be greater than the angelic, the angelic host are still depicted as remaining in God`s heaven, that is, they correspond to what terrestrial humans have been taught are extraterrestrial intelligence. As humans have been taught through the Hollywood `Babylon` ass media Empire of homosexuality that extraterrestrials correspond to alien invaders, human intelligence has been defined as alien, where `human` is definable as `intelligence`, because intelligent people don`t drop bombs. Although extraterrestrial `angels` are often represented as invading the Earth in the mass media movie entertainment industry, etc., it`s clear that men of the `serpent`s seed` are the aliens who`re slaving the human futanarian species of `woman`s seed` to just the point of extinction to keep the cameras rolling.

In Islam pilgrims travel to the city of Mecca in Saudi Arabia, a journey which is called `the Haj` after Hajer, the concubine of Abraham, who gave birth to Ishmael, whose descendant, Mohamed, received the Koran from the angels of God, according to Moslem tradition, and they travel to the shrine of Abraham, the `Ka` Ba`. In Egyptian mythology, `Ka` means `spirit` and `Ba` means `soul`, because `Ka` denotes the `seed` of the woman and `Ba` the womb. Consequently, Hajer`s role in Islam is matrilineal, that is, the Koran permits four women living together as one woman within a sexually reproductive unit termed `family`, because Hajer shouldn`t have been husbanded by Abraham, but rather women need shepherding from a realistic socio-historical perspective, which was Jesus` role. In Egyptian mythology Isis was the goddess that remembered the sun god, Ra, who was dismembered by his evil brother, Set, after he incarnated as Osiris. The myth is characterized by Isis` giving of Osiris a new penis, because she couldn`t find it. Consequently, Abu Bakr Al Baghdadi`s ISIS and his declaration of himself as the Levant`s Caliphate subsequent to the events of the 11th of September, 2001, was a mockery of the role of the goddess Isis in Egyptian mythology, who corresponds to the Virgin Mary of Christianity`s restoring `woman`s seed` after its demoniacal possession by the `serpent`s seed` of men.

Manufactured as a single male brained creature wearing each others` clothes in`TV` transvestism, the `remnant` of the human race corresponds to a homosexual television actor waging war in pederasty`s host womb slaving of the futanarian race for the stars to prevent it from developing brainpower to escape to colonize the planets of heaven above the Earth: `The dragon stood before the woman who was about to give birth, so that it might devour her child the moment it was born.` (Rev: 12. 4) When John Logie Baird invented the television in 1926, it was the medium for the transmission of `TV` pictures, that is, the transvestite was presented as normative to a futanarian human species denied all knowledge of its own mode of reproduction between women, so that the pederast could mock it as it died.

The central figure of Zoroastrianism was the winged god Ahura Mazda, because breeding was the activity of the saurian slavers, that is, husbanding. The towers of silence were where they got rid of their experiments. In Islam the Mutawah is a religious zealot who proscribes activities not in accordance with Islamic rule, and the Mabaakhur is a household incense burner constructed in the form of a tower, that is, a Mutawah is an arm of a burning tower, because the towers of burning are prescribed by a Mutawah in Islam, whereas in Zoroastrianism the tower was where the corpses were devoured by meat-eating birds, who were the ancestors of the winged saurians, that is, the angels fallen into slaving. In simple terms, the Twin Towers of the World Trade Center destroyed by global `rough trade` in its war of homosexuality upon `woman`s seed` were them Mutawahs` Mabaakhur designed to herald the destruction of humanity as an experimental race, a process that had been going on long before Germany`s `Nazi` leader, Adolf Hitler, began his `towers of silence` pogroms in the 1930s against the Jewish `chosen people` in the death camps patrolled by the `false gods` God had warned the Jews against worshiping in the shape of the guards atop their towers armed with machine guns to deter the detained from attempting to escape the poison gas and the incinerators prepared for a failed breeding experiment by the alien husbanders.

In Judaism the Shekinah is `the female spirit of God`, who is depicted as dwelling within the `meeting tent` (Ex: 29. 43) during the Jews` exodus from slavery to the Egyptians during the reign of Pharaoh Thutmose III. She is depicted as a `cloud` (Ex: 40. 34), and it is a cloud providing light by night that leads the the Jews to Palestine, and that stands between the Jews and the pursuing army of the Egyptians, because the Jews were `woman`s seed`, that is, the cloud represents `the female spirit of God` seeking to become incarnate, and Jesus` mother, the Virgin Mary, was the type of such a woman who prefigured the Resurrection and Ascension to heaven of `woman`s seed` through the birth of `the son of man`, Jesus Christ, who was called the `Second Adam`: `Surely this was the son of God.` (Matt: 27. 54) The Roman guard, Longinus, pierced the side of Jesus with his spear at his death upon the cross, because Eve was born from the side or rib of Adam, that is, a futanarian self-fertilizer. The Roman Empire didn`t want the `the female spirit of God` to sexually reproduce human brainpower as `woman`s seed` to escape host womb slavery to a parasitoid devourer, that is, men of the `serpent`s seed`. In Islam `Shekinah` is translated as `tranquility`, because war brings death and the battlefields are tranquil. Consequently, the Shekinah is `the female spirit of God` who reigns in the invisible realm when the spirit is liberated from the body, which explains why the `towers of silence` and the Mabaakhur incense burners of the Mutawahs are associated with Saddam Hussein`s invasion of Kuwait and the terrorist attack upon the Twin Towers of New York city prior to the establishment of ISIS. The flag of Al Qaeda, `the base` of the new Caliphate of Abu Bakr Al Baghdadi, was the moon, rather than the sun, which is the symbol of the goddess of resurrection, Isis, in Egyptian mythology, that is, ISIS is a sterile misogynistic symbol of hatred for the human futanarian species of `woman`s seed` and therefore an abomination deliberately conceived as an insult to human intelligence.

Emerging from beneath the auspices of the notoriously misogynist Taliban government of Afghanistan, Al Qaeda was representative of the triumph of Islam insofar as western ideograms had already accepted the non-existence of women`s `seed` in global mass media terms and education. Without images of human sexual reproduction between women the human species was extinguished, which was what the Nazi death camps had been for. Concealed beneath the one-piece coverall of their burka in public, the women of Islam looked askance at the western media`s denial of the human race`s capacity to sexually reproduce, that is, Islam`s victory was palpable. When Al Qaeda, `the base` of the Levant`s Caliphate, precipitated the US invasion of Iraq to remove the Middle Eastern dictator, Saddam Hussein, it was to provoke war against `woman`s seed`. During the 1992-5 war in Eastern Europe`s Bosnia, Christian Serb militia set up `rape camps` in which upwards of 70, 000 Moslem women were inseminated to prevent human futanarian brains from being born so that slavery of the human host womb was maintained by men of the `serpent`s seed`. In simple terms, the global conflict between Islam and Judeo-Christianity is based on the false premise that women are protected, whereas the objective of the slavers is to ensure that they remain host womb slaves for parasitoid entertainment, that is, devouring in wars and as food, which is why they`re husbanded, and the incinerators of the Nazis were called `ovens`.

In the United Kingdom there`s a little known legend about the ravens at the Tower of London. If the ravens ever leave the Tower, the monarchy would fall, and that`s understandable if the flesh-eating birds correlate with those of the Sassanid `towers of silence`, because the `serpent`s seed` of men devour the human race in order to maintain their power over the Earth. As birds are the descendants of saurians, and the serpent, Satan, who was an angel, becomes a winged dragon in the course of the description of the future by Jesus` disciple, John, in his Revelation, so ravens are a metaphor for the need of the parasitoid ruler to devour the `remnant` of humanity in order to rule as its alien master. The Tower of London was where those who were deemed `dissident` were imprisoned before execution; usually by beheading. As a method, beheading is familiar from the narrative of Scheherezade in the 8th century collection of tales, 1001 Nights, in which the `framing device` is the beheading of the Mogul ruler Shah Jehan of his wife, Mumtaz, for alleged unfaithfulness, which is proven to be false. Scheherezade arrives to tell tales to Jehan whose practive it has become to take a new wife each day and behead her each evening. Scheherezade`s tales are so entertaining that Jehan marries her and keeps her; so she`s the savior of the women. In simple terms, Jehan is a parasitoid saurian maintaining his power by preventing the women from sexually reproducing their own species` brainpower among each other and repressing all knowledge of it, which is what men of the `serpent`s seed` do. Consequently, contrary to the pulpit militant Christians` asseverations, Satanism already won in the west. Greek democracy, for example, which epitomizes the democratic principle, was actually the vestiges of a state mobilized for war, and using institutionalized homosexuality in pederasty as a means to survive and rival its neighbor; the Persian Empire: `The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) 33.3% of the human picture is missing without futanarian `woman`s seed`, and so the number of the `TV` beast is 66.6%.

During the period known as the Reformation, Henry VIII rejected the authority of the Christian Pope in Rome, who was the direct successor of the first papal authority, Jesus` disciple, Peter, because the English didn`t want to be ruled from Italy. Henry`s story is revelatory because of the succession of wives he espoused, so embodying the dilemma of the unredeemed `serpent`s seed` of men. Henry`s first 1509 marriage to Spain`s Catherine of Aragon was annulled and he married Anne Boleyn, whose sister, Mary, he`d been having an affair with during his marriage to Catherine. Mary was Catherine`s maid, and Henry married Anne in 1532. Accused variously of conspiracy, adultery, witchcraft and incest, Anne was executed in 1536 at the Tower of London in typically homosexual style. The human species of futanarian `woman`s seed` is a single race unadulterated by anything but men of the `serpent`s seed`, who define sex between women as incest, because it`s sex within the species` family. Depicted riding broomsticks, witches were condemned by men of the `serpent`s seed`, because the broomsticks represented the capacity of the futanarian race of `woman`s seed` to escape through their own penis` semen`s power to develop technological means of flight, which is why Anne was deemed a `conspirator` against the monarch. Henry married Jane Seymour, Anne`s maid, ten days after Boleyn`s execution. Jane died after giving birth to the future king Edward VI, and Henry married Germany`s Anne of Cleves, but that marriage was annulled so he could wed Catherine Howard, Anne Boleyn`s cousin, and she was beheaded in 1542 for adultery, before Henry married for the last time, Catherine Parr, in 1543. The chronicle of his six wives epitomizes the approach of the `serpent`s seed` of men. Beheaded, women can`t trouble the ruler, because they can`t reproduce a rival to the throne if they haven`t a codpiece of their own.

During the ante-bellum period of slavery in the Southern states of the U.S.A., the women wore voluminous gowns often supported by a framework of iron to disguise their erection, which is what the voluminous gowns were for; to disguise what the experimenting alien husbander was doing with its livestock. In the same way, Moslem slavers in Islam didn`t want anyone to guess what women looked like, which was the origin of the burka. According to the Koran, before Islam, the `Ka` Ba` in the city of Mecca had been a seat of worship for three goddesses; the al-gharānīq, that is, 'bird women': `Have you then considered al-Lāt, and al-'Uzzá? And the other, the third, al-Manāt? What? For you, the male sex, and for him the female? Are yours the males and his the females? That indeed were an unfair division.' Sura 53, 'An Najm' (The Star), vs 19-22. Because of the correlation between angels and saurians, the al-gharānīq, `bird women`, were what the Sassanid `towers of silence` contained, that is, the corpses picked clean there by birds was the means whereby `the female spirit of God` was liberated. When Jesus died, Longinus pierced the corpse with his spear, because Eve emerged from the side or rib of Adam, that is, `the female spirit of God` as the `Second Eve` was what Longinus` spear attempted to birth, which was why the al-gharānīq, `bird women`, were thought of as goddesses, because they effected the emergence of `the female spirit of God` from the corpses of the `serpent`s seed` of men at the pre-Islamic Sassanid `towers of silence`.

The European settlers of North America, who by 1880 had largely exterminated the indigenous North American Plains Indians, by the simple expedient of having buffalo hunters kill the 60, 000, 000 herd that was the food and clothing resource of the `red Indian`, had imported black African slaves largely through the English seaport of Liverpool, before the government of Abraham Lincoln decided to fight the Civil war (1861-5) to manumit them. However, it seems more likely that the war was fought to prevent futanarian white women from engaging in miscegeny with black women to facilitate the reproduction of human brainpower to escape from the slavery of men of the `serpent`s seed`, who`d already pogromed the North American Plains Indians to institute homosexuality in pederasty for war against `woman`s seed` in the Americas.

Although the concept of the carrion birds seems a part of myth and history irrelevant to the modern era, the theme continues in the mockery of the `serpent`s seed` of men towards the almost extinct human futanarian species of `woman`s seed`, for example, Carry On Henry (1971) was just one of the English comedy films made by the `Carry On Team` of comedic actors, and actresses featuring Barbara Windsor, in an era of cinema in which England`s queen Elizabeth Windsor II ascended the throne in 1953 before the first in the series of `Carry On` films was released in 1958. Although Henry VIII mightn`t have been taught differently, it`s clear that it was perfectly feasible for the modern era`s mass media to educate the people, but they preferred to ridicule and despise. In Carry On Henry, actor Sid James has his wife, Patsy Rowlands, beheaded so that he can marry Marie of Normandy, that is, actress Joan Sims: `Thousands of men have been carried away after only one hour with me, my lord.`3 However, Marie reeks of garlic, so the marriage is unconsummated amid much misogynist hilarity. Henry pursues the charms of Bettina, that is, actress Barbara Windsor, in a `running joke` about the brainlessness of the victims of the alien parasitoid devourer, because that`s what it is: `Carry on, executioner!`

In pop star Britney Spears` video for the song `Toxic` (2003) she appears in what appears to be a Thunderbirds (1965-6) uniform from the English TV21 supermarionation television series about International Rescue based on Tracey Island from whence the rescue team of the Tracey family operate with their Thunderbirds` vehicles; the Thunderbird 1 rocket; the Thunderbird 2 transporter; the Thunderbird 3 spaceship; the Thunderbird 4 submarine carried in the pod of Thunderbird 2 to be dropped into the ocean; and the Thunderbird 5 Earth orbiter and communications` center. As the air stewardess aboard the passenger airplane, Britney is a Thunderbirds` `Carry On` bird. The plot of the video is that a serum has to be taken from a top secret laboratory and Britney, the air hostess, takes a man into the lavatory on board the plane where she picks his pocket for the key to the facility where the serum is kept while the middle-aged man is revealed to be wearing a rubber mask that he takes off to show the face of youth, a metaphor for the inability to detect who has the HIV/AIDS virus spread by homosexual men`s mixing blood, shit and semen in each others` anuses in mockery of the human futanarian mode of sexual reproduction between members of the race of `woman`s seed`, and whose homosexual acts were commonly supposed to proliferate among men using public conveniences: `With a taste of a poison paradise, I'm addicted to you. Don't you know that you're toxic.`4 Transformed into a superheroine character, Britney is seen entering the facility to steal the serum, before bird-like climbing an apartment block to administer the serum to a man astride him on his bed: `Your toxic. I`m slipping under.` The video then shows her dropping out of the air metamorphosized once again onto the plane`s deck wearing her Thunderbirds` uniform as the scene shifts to the outside of the plane where it`s followed by large black birds representing the carrion birds.

HIV/AIDS was the `biological terror weapon` of the late 20th century discovered to have been transmitted from apes to humans after the SIV simian immune-deficiency virus mutated into the human immune-deficiency virus, HIV, which resulted in death after the onset of what was termed acquired immune-deficiency syndrome whereby all of the organs of the victim`s body collapsed after the virus entered through homosexual coitus with the anus at the base of the spine and rose through the spinal column to eventually kill the central nervous system, because that`s what men of the `serpent`s seed` were for. Because the slavers of the host wombs of the hominids in the Jurassic period of human evolution 220 m.a. were saurian, it`s possible either that it`s a saurian sexually transmitted disease (STD) originally, or that the SIV virus was a result of apes asserting their independence from slavery, and that it reemerged as HIV/AIDS in the black African Congo in 1983 for reasons similarly to do with independence assertiveness among men. HIV/AIDS victims are susceptible to granulomatous amoebic encephalitis (GAE), an amoebae destroyer of the central nervous system. A disease screamingly created for and about `gay` people, the `blood plague`(Rev: 11. 6) of Revelation was usually associated with the `incurable killer disease` virus, HIV/AIDS, which religious believers were told was sent by God as a punishment on men of the `serpent`s seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was kill the human race by defining its mode of sexual reproduction as alien, and thereafter install themselves as a de facto alien ruler of host womb slaves in parasitism to be devoured for the alien`s entertainment `live` as `TV` for practicing the supposed immorality of species` sex between members of a single species of `woman`s seed` that didn`t want to be a ringed slave in wedlock to its slayer.

The rock group, The Mission, produced a track from their album Children (1987), `Tower Of Strength`, which owed something to the bass guitarist, John Paul Jones, who`d been at the heart of the sound of Led Zeppelin along with drummer, John Bonham, until his death in 1980, before agreeing to produce The Mission`s Children. Led Zeppelin were perhaps the most celebrated rock group of all, and their album Houses Of The Holy (1973) had artwork on the inside of the sleeve that showed a naked man holding a child`s body aloft towards a tower: `From the door comes Satan's daughter, and it only goes to show. You know.`5 The imagery suggestive of a corpse from the track, `Houses Of The Holy` (1975), which was written in 1972 for Houses Of The Holy, but was delayed release until the 1975 Physical Graffiti album, is being offered to a Sassanid `tower of silence`, and it`s strikingly apparent; especially in hindsight: Will you heed the master`s call? Oh ... Satan and man.` Lead singer Robert Plant`s son, Karac, died mysteriously in 1977, and the band were self-avowed Satanists. John Paul Jones` production of Children and `Tower Of Strength` particularly were very similar to Led Zeppelin at their zenith: When I lay in your embrace and heaven is in your kiss, Salvation lies just a touch away.`6 The basic problem is that humans have been taught to associate adultery with morality, whereas men are the `serpent`s seed` that have adulterated the futanarian species of `woman`s seed` to make of it a host womb slave in parasitoid warfare against itself, which is genuinely immoral because palpably evil.

In Islam Mutawahs declaim against pornography, which western moralists also do, although the absence of media representations of human futanarian socio-sexuality is the basis for the extinction of the species from the Earth. In short, it`s explained to the animals that they`re men; if they despise women. Consequently, the alien `serpent`s seed` maintain their power through men`s willing obedience to what they`re told to do in order to be accepted by the breeder: `... no one could buy or sell unless he had the mark, which is the name of the beast or the number of his name.` (Rev: 13. 17) Although it`s contrary to received wisdom, Christian church leaders have the same role as Mutawahs insofar as adultery is the basis of morality and pornography is blamed for the occurrence of adultery within society, whereas it`s the absence of pornographic representations of human futanarian `woman`s seed` mode of sexual reproduction that`s responsible for the absence of humans from the scene, while adultery is the sign and evidence of the `serpent`s seed` triumphing in mockery over the species, which has been falsely educated into the belief that the poisons of the `serpent`s seed` derive from Eve.

Eve`s son, Cain, slew Abel, because Abel was more able, that is, he could cook. Abel`s death was a sign that the boy sons were taking hold after Eve and Adam were expelled from the paradise of heaven on Earth that was Eden for being stupid enough to accept slavery in ephemeral ignorance for their descendants. Abel`s murder was symptomatic of the alien`s desire that the human race shouldn`t escape from its slaving through the sexual reproduction of the brainpower of the species of futanarian `woman`s seed`. Britney Spears` release of the single, `If You Seek Amy`, from the album Circus (2008), was interpreted as `fuck me`, while her appearance on the cross in the place of Jesus crucified for the cover of the CD single, `Piece Of Me`, from the album protesting against censorship, Blackout (2007), is interpretable as a reference to the fact that `woman`s seed` is a single species: `... with a kid on my arm I'm still an exceptional earner and you want a piece of me.`7 Amy Boid, however, is what happens when a woman falls victim to a a parasitic unicellular organism:

`Toity poiple boids

Sittin on da koib

A-choipin an' a-boipin

An' eatin doity woims.`8

Despite what Britney`s evidently schizophrenic character says about Amy, she`s amoeboid, that is, she`s a `boid` (bird) to parasitoid men of the `serpent`s seed` who, having become the winged `red dragon` of Jesus` disciple John`s Revelation, have devoured her species` penis, that is, the `woim` of the anonymous New Yorker in the poem, `Toity Poiple Boids`, and the men are now the equivalent of an `amoeboid brain-eater`9 through their biological terror weapon, HIV/AIDS: `I can`t get her off my brain.`10 As men are parasitoid, they`re Amy Boid, because they`ve effectively beheaded her futanarian race by breeding with it, and expunging her penis from the annals of their revisionist history: `I just wanna go to the party she gon' go. Can somebody take me home? Ha, ha, he, he, ha, ha, ho.` They`ve eaten the brain of women to make it more tractable, although Britney`s unnamed character in the video remains humanly resistant to what she doesn`t comprehend consciously, which is that women are taught they don`t have penis` semen of their own, so to behead their race in host womb slavery to unredeemed men of the `serpent`s seed`:

`Love me, hate me, but can't you see what I see?

All of the boys and all of the girls are begging to if you seek Amy.`

The dilemma for women is that their own species of futanarian `woman`s seed` are the girls that want to sexually reproduce (fuck me) with them, that is, it`s the instinct of the penisless woman to want her own race, whether she can reproduce physically with it or not. Consequently, men`s role as a parasitoid is to incarcerate, which is why the Jews were pogromed by the Nazis in the 1930s, and why Hollywood, `Babylon`, banned scenes of human futanarian sexual reproduction from the media entertainment industry; to make of women a Jewish ghetto. Because women were the human race, men are its coffin worms. For the `serpent`s seed` it`s all about penetration, whereas women`s mode is the shield. If the shield is strong enough, there`s no penetration. In conventional warfare, as in conventional marriage, the shield is reduced in terms of its effectiveness, so that there can be penetration, and so to prevent escalation into an exchange of missiles with nuclear warheads that can penetrate. In simple terms, if the women`s hymen is too strong, the coffin worms of the men`s penises can`t get penetration, so nuclear warheads are launched, because men want what the host womb slaves have produced. Theoretically, a starship with an all-woman crew could raise its shields and ignore men`s requests to be on board (boid) with them, which is why the television series, Star Trek (1966-68), and its many subsequent TV and filmed variants, presents men as women`s false guards defending them against alien penetration of what, in reality, would likely be impregnable shields designed to escape Earth, and flee its slavers into a cosmos indifferent in its total acceptance of the human futanarian race of `woman`s seed` as it colonized the planets among the stars of God`s heaven.

`Toxic` was from the Britney Spears` album In The Zone, while the putative character, Amy Boid, appears in `If You Seek Amy` (fuck me) from the Circus album, where `circus` in Roman times meant the place where people were killed for the entertainment of the crowd, and in modern times governments who paid men to kill were described genrally as part of a global circus, which also included the mass media, because of its censorship blackout on dissemination of information about the killing of the human race by the alien paymaster. In Star Trek: The Original Series, `The Immunity Syndrome`, a `zone of darkness` is discovered by Captain James T. Kirk and the crew of the starship Enterprise: `You mean to tell me that that thing is a giant single-celled animal?`11 Dr `Bones` McCoy tells Kirk: `... that thing can apparently perform all the functions that qualify it as a living organism. It can reproduce, it can breathe, it can eat, although I don't know what.`12 It`s just eaten the starship Intrepid, because that`s what men do, and Britney Spears` Thunderbirds` character in her International Rescue uniform aboard the passenger plane in the video for `Toxic`, from the In The Zone album, penetrates a top security facility to obtain a serum to save a life, that is, she`s Amy Boid endeavoring to educate the human futanarian species of `woman`s seed` into knowing that they should only succumb when they`re in the erogenous zone with the other women of the species; or the intelligent equivalent.

1 .

2,php/Main/FootPopping/ .

3 Sims, Joan Carry On Henry, Rank Organization, 1971.

4 Dennis, Cathy, Christian Karlsson, Henrik Jonback, and Pontus Winnberg, `Toxic`, Britney Spears In The Zone, Jive, 2003.

5 Page, Jimmy, and Robert Plant `Houses Of The Holy`, Physical Graffiti, Swan Song, 1975.

6 Adams, Craig, Mick Brown, Simon Hinkler, and Wayne Hussey `Tower Of Strength`, Children, Mercury, 1988.

7 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg `Piece Of Me`, Blackout, Jive, 2007.

8 Quinlan, Heather, If These Knishes Could Talk: A Film About The New York Accent, .

9 .

10 Kotecha, Savan, Alexander Kronlund, Max Martin, Shellback `If You Seek Amy`, Circus, Jive, 2008.

11 Shatner, William as Captain James T. Kirk in Star Trek: The Original Series, Season 2, Episode 18 (# 47), `The Immunity Syndrome`, January 19, 1968.

12 Kelley, DeForest as Dr Leonard McCoy in Star Trek: The Original Series, Season 2, Episode 18 (# 47), `The Immunity Syndrome`, January 19, 1968.

Still Capable Of A Few Drops

Robert A. Heinlein`s Starship Troopers (1959) was a novel written by the science fiction writer as a juveniles, which was almost banned from public libraries in the United States of America before it became a Hollywood, Babylon movie in 1997. Its allegedly `fascistoid` content advocating rules for citizenship, `the franchise is today limited to discharged veterans,`1 owed something to Robert Heinlein`s (1907-88) appreciation of Graeco-Roman history in which service in the military was a prerequisite for citizenship rights. Contemporary scholars assume men gave up their lives in order to preserve society, which gave them the right to live as members of it. However, as institutionalized homosexuality in pederasty, and the enslavement of women`s wombs to further war, formed the basis of Graeco-Roman society, membership may`ve been `fascist`, that is, equivalent to the German National Socialist (Nazi) government`s approach towards the `chosen people` of the Jews during the Second World War (1939-45) when the Roman `fasces` bundle of sticks surrounding an axe was the symbol of the Imperialist Nazis who built `death camps` in which to consume Jews in ovens needing firewood or some other equivalent fuel.

The Roman fasces was a symbol of hardiness, that is, a bedroll made of sticks and an axe for the forest to make fire and cook, while amongst the higher echelons of Roman military society it represented the fence around which a general and his staff were surrounded by the soldiers that constructed it and plans were made inside there before an engagement. Consequently, the Nazi `concentration camps` for the Jews were what homosexuality in pederasty and war were for; to enclose those who wouldn`t accept the spread of homosexuality in pederasty`s womb slavery and exterminate them. The Greek poet, Homer, in his Iliad (c. 760-10 B.C.) describes how the Greeks built a huge hollow wooden horse before the walls of Troy and when the Trojans took the horse inside the city the Greeks emerged to enslave the host wombs of the women and spread their contagion of pederasty and war further. Rome`s fasces is a symbol of the process whereby the capitulation of a target group was planned, which is why German and Italian fascists adopted it. When Heinlein`s Starship Troopers was accused of being `fascistoid` the onus was on the critics to prove that the slur was justified. The premise of the tale is an attack upon the Earth by an arachnoid species repulsed by men like Juan Rico of `Rico`s Roughnecks`, who`re deposited on the alien worlds by `motherships` whose `pilots` are women and who `drop` their `boys` as if they were mothers in labor delivering babies to a growth experience. Those who fight against the arachnoid aliens have citizenship conferred upon them. By analogy those who fought for freedom against fascism during WWII earned their citizenship, which Heinlein did as an aeronautical engineer for the US Navy and so his novel is a refutation of fascism. The meaning of membership within fascism derives from what homosexuality in pederasty is, that is, the enslaving of the host wombs of women, which God warns Eve will occur in the Bible, although her `seed` will: `... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

Women with their own penis` semen for the sexual reproduction of the human species from their own host wombs are called `futanarian`, which is why God places emphasis upon the power of Eve`s `foot` to crush the parasites as she leaves for the planets and stars of God`s heaven in `motherships` constructed through the brainpower she`s produced from her own womb free from enslavement to men`s male braining semen. According to biblical tradition the serpent in Eden was the angel, Satan, cast down from heaven to Earth by God for refusing to accept that humankind would be superior to the angelic host. The serpent promised Eve and the first man, Adam, `You shall be as gods.` (Gen: 3. 5) But they had to `eat of the fruit of the tree of the knowledge of good and evil`, which was death, and reject the `fruit of the tree of life`, that is, immortality, and so God expelled the pair from the paradise of Eden and laid an injunction upon Eve to bear labor in childbirth though it be painful, and Adam would labor to provide for her. The birth of Jesus uncontaminated from his mother, the Virgin Mary, as the `Second Adam` free of the `serpent`s seed`, represented Eve`s Redemption from her `original sin`, because men had killed and culled her `futanarian` daughters after Eden in order to institutionalize host womb slavery in parasitism, while men would remain irredeemable if women remained their slaves.

The Resurrection of `woman`s seed` will occur when there are educated women to embrace `futanarian` human society, which is the issue Starship Troopers addresses. Women devoid of penises have faced the axe of fascism before. In Judaism it isn`t possible to be born a Jew unless born from a Jewess, which means Jews are women and so `the chosen people` were the target of the Nazi pogroms because men didn`t want female braining, that is, sexual reproduction of human brains through the penis` semen of women, because it threatens male braining in parasitism. In Islam, the religion founded by the Prophet Mohamed, through the Koran (610-30 C.E.) dictated by the angels, according to Moslem tradition, marriages can have four wives, which means that Islam is a vehicle for `futanarian` sexual reproduction between women and explains the `rape camps` during Europe`s Bosnian war (1990-95) in which upwards of 70,000 Moslem women were raped by `fascistoid` Christians so that their children in Islam would be mentally disabled in male braining for a further generation.

Although Jesus is the focal point in Christianity, Christians are anti-Christian, because they`re Judas to Jesus` teaching of Resurrection through Redemption. As host at the `Last Supper`, before his death by torture, after being nailed to the cross by agents of the Roman Empire in occupied Palestine, Jesus offered `bread and wine` to his disciples as symbols of his `body and blood`, which was uncontaminated by male semen, because he was born from a human host, represented by his mother, the Virgin Mary, while Judas` selling him to the Romans was a betrayal of the same host, because he knew the Emperors of Imperialist Rome didn`t want `woman`s seed`. After his death, Jesus experienced Resurrection and Ascension to heaven, because `woman`s seed` is to have Resurrection, according to God, although Jesus is the redeemed `seed` of men, because uncontaminated by male braining, which is homosexuality in pederasty and war, and so death for women`s human species in parasitism`s host womb enslaving of her. If Christianity espouses the loss of `woman`s seed`, that is, women`s penis, then it`s Satanic, and if its teachers don`t teach the meaning of the birth, life, death, Resurrection and Ascension to heaven of Jesus, they`re Satanists in Satanism.

If Satanists don`t want `woman`s seed`, they don`t want her breasts either. Homosexuality in pederasty and war`s male braining resulted in the creation of the HIV/AIDS` incurable `killer disease` of the late twentieth century spread by men`s mixing of blood, shit and semen in each others` anuses as a `biological weapon` in the war of the `serpent`s seed` against the human race, because it represented a challenge to the will of the scientific community to channel resources away from war and death and into healthcare. If the lifespan of women is the target for her parasite, she`ll be dying without breasts, which suggests pedophilia as well as pederasty. Robert Heinlein`s Time Enough For Love (1973) features his long-lived character, Lazarus Long, who is periodically rejuvenated through advanced futuristic medical science, and so remains youthful despite being ancient. He travels back in time to have sex with his mother, Maureen, at the point in time where she`s believed to have conceived him, although he doesn`t impregnate her, because he doesn`t want to father himself. Lazarus` perception is Christian, because he`s examining the `Oedipal complex`, which Sigmund Freud (1856-1939), `the father of psychoanalysis`, said was at the center of human sexuality. The term comes from the Greek dramatist Sophocles` play Oedipus Rex (c. 429 B.C.) in which the king of Egypt`s city of Thebes, Oedipus, becomes so by unknowingly marrying his mother, Jocasta, after unwittingly killing his father. According to Jung the drama depicts the desire of the son to replace the fatherer of himself with himself as the fatherer, whereas the theme of incest, which results in Oedipus` self-blinding because of the weight of societal opprobrium demanding punishment for breaking the taboo, properly refers to his daughter, Antigone, who is perforce obliged to guide Oedipus thereafter. Without a penis of her own, Antigone is unable to see that her mother is her own species and Oedipus and the other men aren`t, which is the meaning of the incest taboo. Antigone can`t envision sexual reproduction between herself and a woman because she doesn`t have a penis of her own, although her `futanarian` race of women do. Consequently, the `Oedipal complex` denotes any man standing between a daughter and knowledge of her mother`s true nature.

In Time Enough For Love Lazarus poses the question: what`s wrong? The answer is that men who don`t want women to sexually reproduce with each other wouldn`t want themselves to have been sexually reproduced by their mother, which is an anti-Christian version of Jesus` birth, that is, men would Satanically kill their mothers, and the `futanarian` species of `woman`s seed`, to practice homosexuality in pederasty and war, through the enslaved host womb of a human race becoming ever more male brained: because that`s what they have done. Lazarus doesn`t want to father himself because he`s a Christian and he wants his mother to live.

Heinlein has Maureen marry Lazarus in the novel, To Sail Beyond The Sunset (1987), and they continue living together, whereas supposed Christians who don`t teach about `woman`s seed` are supporting men who seek to father themselves, that is, they don`t want to be fathered by women, because they don`t want wombs. Consequently, they don`t want to be fathered, because they don`t want to be born, which is the meaning of Lazarus` stopping at the point of fathering himself upon his mother, Maureen. In the Bible Lazarus was the figure who rose from the place where he`d been lain after death when Jesus placed his hand upon him, because Lazarus` story prefigures Resurrection rather than Reincarnation, which is what Heinlein`s Lazarus illustrates. Christianity doesn`t preach Reincarnation or Resurrection for `woman`s seed` either, which means it`s preaching men without women in male braining transvestism in which men wear women`s clothes everywhere as homosexuality in pederasty and war`s `TV` show. Lazarus and Maureen choose to continue rather than that he should father himself, because men who father themselves want to, as Heinlein himself wrote in his 11 June, 1959, short story `- All You Zombies -` in which all of the characters in the tale turn out to be the same person: `That's all, son,` I announced quietly. I'm back to pick you up. `You!` He gasped and caught his breath. `Me. Now you know who he is - and after you think it over you'll know who you are ... and if you think hard enough, you'll figure out who the baby is ... and who I am. He didn't answer, he was badly shaken. It's a shock to have it proved to you that you can't resist seducing yourself.`2

If Lazarus hadn`t wanted to continue with Maureen, he would have fathered himself, which is what `TVs` do. They `cut` the woman out of the `picture`, which is why Hollywood, Babylon edited their `pictures` by applying the `Hays code` (1930-67) prohibiting the woman`s foot from being raised from the bedroom floor during romantic scenes, because it was symbolic of woman`s `futanarian` penis` semen being denied access to her own natural reproductive process by homosexual men of the `serpent`s seed` promoting host womb slavery for humanity and pederasty`s war against the race of `woman`s seed` to be shown live as `TV` later on in her socio-historical context as a species in extermination.

Movies are intrinsically about the past, which is why the concept of `immortalized on celluloid` arose as a description of film, that is, men don`t want to be born, so `TVs` are made to prevent women being born and the future from appearing. Judy Garland was famous for the movie, The Wonderful Wizard Of Oz (1939), in which she sang `Over The Rainbow` as Dorothy Gale, who is taken up in a cyclone from her family`s Kansas farm and deposited in the `magical land` of children`s author, Frank L. Baum`s, 1900 fantasy: `Someday I'll wish upon a star and wake up where the clouds are far behind me. Where troubles melt like lemon drops away above the chimney tops, that's where you'll find me.`3

According to God `woman`s seed` will go a lot further after she`s crushed the serpent with her foot and left Earth and men behind her. Judy`s other famous film was A Star Is Born (1954), because `woman`s seed` needs stars, as Jesus`, to guide Antigone`s path away from sacrificing herself on the altar of empathy with a creature inveigling its parasitical life form into her host womb to kill her body and brain, which is what men have done after removing her penis and blinding her.

The 21st century war between Christians and Moslems that began in Yugoslavia, but spread to places as remote as Sudan, where the black West African Moslems engaged in civil war in the Sudanese province of Dharfur with the ruling Arabian Moslems, suggested that `woman`s seed` weren`t defeated. The 2011 overthrow of dictatorships in the Middle East was known as `the Arab Spring`, when Ben Ali of Tunisia, Mubarak of Egypt, and Colonel Gaddafi of Libya, lost their positions in the wake of the second Gulf war (2003) to depose Saddam Hussein, after the first (1990-1) to remove his invading Iraq army from Kuwait. Saddam Hussein had been vilified by the region for using poison gas against the Kurds in Kurdistan to prevent Kurdish independence from Iraq. Because Saladin was a Kurd, there was an obvious correspondence between Christianity`s Adam and Iraq`s Saddam, the Kurds` Saladin and Chinese Aladdin who had a genie`s magic. Although Saladin was the military genius that supported the Abbasid caliphate and defeated the Christians at the battle of Hatin to restore Jerusalem to Islam in 1187, Saudi Arabia`s Laden wasn`t Chinese and was infamous for being the leader of the terrorist group, Al Qaeda, that had begun the second Gulf war when hijacking planes to crash them into the Twin Towers of the World Trade Center on September 11, 2001.

The US army described Iraq insurgents as Ali Babas, because of the story `Ali Baba And The Forty Thieves` that takes place in Saddam`s capital city, Baghdad, according to the collection of folktales, 1001 Nights, which also contains the story of Chinese Aladdin and his genie`s magic. The framing narrative of the 8th century story collection, 1001 Nights, is Shah Jehan`s, the Indian Emperor, who built the Taj Mahal, that is, the tomb of his wife, Mahal, after he`d accused her of being unfaithful to him with his brother and beheading her, according to the tales, which are narrated by Scheherezade, a woman who saves the other women of the land by relating her tales to the Shah and so keeps him attentive to her, rather than marrying a new wife each day and beheading her that same evening, as had become his custom before Scheherezade began telling the stories that resulted in his marrying her. Scheherezade`s story of Shah Jehan, which forms the framing tale for the collection of her stories, explains what men do, which is behead women, that is, women without penis` semen of their own can`t sexually reproduce their own brains` powers. Consequently, Scheherezade`s a woman, because she has brains enough to deal with the monster. In Iraq the US army called the Iraqi insurgents Ali Baba, although the character from Scheherezade`s tale was the uncoverer of a thieves` den, rather than a thief himself, and the thieves tried to kill him, because he knew where they kept their treasure; inside a cave which magically opened at the words: `Open Sesame!`

It would only make sense for the US army to call the Iraqi insurgents Ali Babas if they thought of themselves as thieves. `The Cave`, Sura 18, of the Koran is significant in Islam because it contains the story of some youths who enter into a cave and are hidden there, from unbelievers who`d kill them, by a spider spinning a web. After a few centuries, the youths awaken to find that the spider has spun monotheism in Islam and heaven upon Earth, which is the meaning of Iraq and Heinlein`s Starship Troopers, that is, arachnid. People believe that the Gulf wars were for adults, but the framing narrative is the English nursery rhyme, `Little Miss Muffet` (1805), which describes a girl frightened by a spider: `Little Miss Muffet sat on a tuffet, eating her curds and whey, along came a spider, who sat down beside her, and frightened Miss Muffet away.`

The meaning of the thread in the yarn is that women don`t like parasites, and Iraq was a parasite on the Kurds, that is, the spider that was Saddam Hussein attempted to frighten the Kurds away, which Robert A. Heinlein`s Starship Troopers prefigures in his mobile infantry`s dropping on the `bug worlds` like 20th century paratroopers with parachutes based on arachnid means of descent, that is, Heinlein`s `boys` being `dropped` by their pilot `mothers` from `motherships` constitute a less developed form of `arachnoid`, rather than a `fascistoid` society, while Saddam`s Iraq represented a more advanced form, because invasion is parasitical arachnia, and that`s why arachnophobia is an understandable human fear. Moslems pray on carpets, which contain spider mites, and the spider mite is the model for nanos used in microchip miniaturization for mobile communications, for example, or Heinlein`s mobile infantry`s equipment in Starship Troopers, who`re delivered by `magic carpet` by their pilot `mothers` for the `drop` to combat the arachnids who`ve attacked Earth from the `bug worlds`, that is, the alien represents the natural nano of nature, which drives the human system.

In the Bible Jesus is depicted driving demons from the `human software` of a man near the city of Gadarene and the demons leave for a herd of swine, which look like spider mites, that is, nanos in microchip technology, but they are driven into water and drown, because that`s what the spirit of fascism does. Consequently, Heinlein`s purportedly `fascistoid` society in Starship Troopers is `arachnoid` and examines the problem associated with natural nano technology driving `human software`, that is, humans driven by male demons kill, while the nanos of the woman has been thwarted by men`s killing and culling of her natural form of `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of human brains uncontaminated by her parasite, and so Heinlein`s `pilot` drops her `boys` on the `bug worlds` because that`s what they`re for.

The English nursery rhyme for kindergartners, `Miss Muffet`, depicts spider or nano technology, because `futanarian` woman with her own penis` semen and women without have eight limbs when engaged in sexual reproduction, which is why the arachnid analogy is applied. After the collapse of Iraq, Syria and Iraq was declared a new Islamic caliphate, ISIS, the Islamic State of Iraq and Syria, while Isis was the Egyptian goddess of Resurrection, because she gave the god, Osiris, a penis, after he was dismembered by his evil brother, Set, which means that she gave Osiris a woman`s penis, just as Jesus received his mother, the Virgin Mary`s, as a sign of human nature`s future uncontamination. Although the ISIS caliphate declared sovereignty over a huge swathe of the Earth`s territories, it`s actual purview was quite insignificant in geo-political terms, but the move caused more unrest amongst Islamic nations and peoples, which meant the male arachnid, represented by Al Qaeda`s Laden, was reasserting its sway over Chinese Aladdin`s genius for `magic carpet` construction, in terms of nursery folklore, that is, the female spirit or nanos was being ironically crushed by a political entity called ISIS, the ancient Egyptian symbol of the Resurrection of `woman`s seed`, because the male `arachnoid` nanos represents homosexuality in pederasty and war`s contagions, whereas the enslaved host wombs of the women are where the parasites hole up before emerging to prey upon the civilization, culture and are woman`s able to produce despite men`s periodic depredations in warfare against the remnants of her human `seed`.

Woman`s breasts hidden inside her brassiere are called `a rack` by men disparagingly, that is, near her rack (Iraq) is arachnea, which is (sneer) Iraq, because in Islamic marriages `futanarian` women with their own penis` semen can sexually reproduce together with their four arms and legs in `arachnoid` intercourse. Although the global conflict seemed between Christianity and Islam, it was about men`s condemning human sexual reproduction between `futanarian` women with their own penis` semen and host wombs and women with a host womb but without a penis as `arachnoid`, while Robert Heinlein`s Starship Troopers depicts what happens when human women are castrated by men in arachnophobia, that is, fear of the `arachnoid` male nanos that`s enslaved her produces misogyny, which is hatred for whatever is near Iraq, that is, Arachnea, who was the Greek goddess of weaving, because women have to conceal themselves from men`s eyes, as the Moslem women do, beneath their burkhas in public, so they don`t attract men who have arachnophobic hatred for women`s sexual reproduction between each other in Islamic marriage, which permits four wives and the possibility of `futanarian` intercourse away from the eyes of men. Because Moslem women appear in their traditionally black burkhas, as spider-like in their amorphousness, the perception of them being `arachnoid` became stronger in Christian men exposed to Islam during the Bosnian war (1990-95), for example, whereas women`s nanos, as the spider mite of nature`s secret driver within the carpet upon which Moslems pray, represents women`s desire for the nanotechnology of microminiaturization to drive her forward towards liberation, which is why Islam means `accept` and the Moslem women indicate their acceptance with the words, `if it is the will of Allah`, where `Allah` is `neither male nor female`, but women`s nanos, and they`re accepting of mother nature as their driver before the `magic carpet` of nanotechnologies on microchips takes them to their own fabled land where dreams come true.

`The Cave`, Al Kahf of the Koran, describes how youths are protected by a spider that weaves a web in front of the mouth of the cave and the youths awake centuries later to find Islam and monotheism has been built while they slept and were protected from prying eyes by the web the spider wove, because Islam is what the burkha clad women of Islam would produce from their wombs without interference from youths. Consequently, it`s a love story because `futanarian` women don`t need men at all, which is why Jesus` birth meant Redemption for `woman`s seed`, as it constituted an Islamic path of `acceptance` away from the `serpent`s seed` of men, who sought to maintain slavery and homosexuality in pederasty`s wars against humanity. In the Koran Jesus isn`t crucified but has Ascension to heaven, because Islam accepts the path of `woman`s seed`, without the illustration

Christianity needs to understand her Resurrection. Robert Heinlein`s Starship Troopers portrays her fate as `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth,` (Rev: 17. 5) because warfare is what Hollywood, Babylon planned for its `TV` population to be shown when it banned the `woman`s seed` of Jesus from appearing on anything more than the cutting room floor of their editors` devourings of her in male brained egotism`s desire to extinguish woman`s human race before it can grow a foot too high for the pygmy producers.

`The Cave`, Sura 18 of the Koran, is the darkness of the night skywith its planets and stars invisible to the eye as the Earth rotates into the light of the sun star during what we call daytime, which means that women are the spiders at the mouth of the cave weaving their illusion for men with arachnophobia in order to prevent their `futanarian` species of `woman`s seed` from being exterminated by the parasites of the `serpent`s seed` of men. During the Gulf conflicts the US army described insurgents as Ali Baba because they were the equivalent of the youths hidden beneath the cave-like exterior of the spider-like women in their burkhas. In the story, `Ali Baba And The Forty Thieves`, the thieves hide in forty jars to kill Ali Baba, because that`s what demonic men`s nanos does. Consequently, the US army`s description of good Arabian men as `Ali Babas` represents the fear of demonic nanos concealed beneath an outward appearance, which is even more heightened by the women`s appearing like spiders in front of their caves.

Iraq, `know phobia`, is the psychological meaning of Islam for the West, that is, the Islamic religion of the Moslems is comprehensible, but it isn`t Western because it accepts human sexual reproduction, and that`s a difficult pill to swallow for Western democracy, where votes for women mean 50% and a share, while votes for women in Arabia mean 80% in a fourfold marriage with a full complement of women and ascending democratically higher if the women sexually reproduce with each other as `futanarian` humanity. Men of the West experience arachnophobia amongst Moslems, because women take the appearance of spiders and caves. Monogamy defines human relationships without women who have penis` semen and host wombs of their own as the human species, whereas Moslem polygamy is human but Christianity prefers its slave rings and crushing the spider of woman`s sexual reproduction. The West thinks itself democratic, but half of nothing is still nothing for women denied their own mode of sexual reproduction with each other, and Moslem societies remain fearful of giving women suffrage because 100% of everything as the human reproductive system is what women have and so Middle Eastern despotism isn`t so different from democracy as the West would have its women of Islam accept.

Robert A. Heinlein`s Starship Troopers is what happens when men leave Earth and are let into the cave, because they see spiders everywhere, which is why the Moslem youths in `The Cave`, Al Kahf, are depicted as grateful and accepting of Islam and monotheism, while the thieves in the `Ali Baba And The Forty Thieves` tale from Scheherezade`s 1001 Nights hidden in their cave and their jars waiting to emerge with their depredations and their murders represent the spirit of the unbeliever who sees women as spiders in front of the cave of the planets and stars of heaven where there are more arachnids to kill, because it`s a woman up there and she constitutes a threat to democratic traditions of universal freedom and liberty.

The ancient religion of Egypt describes `canoptic jars` containing organs removed from the body of a Pharaoh, which is the term the Egyptians used for their dynastical rulers, while `sheol` in Judaic tradition is `the place of broken pots`, because Resurrection isn`t possible for the former occupants of those vessels, although in ancient Egypt the bodily organs of the Pharaohs were preserved in canoptic jars preparatory to Resurrection in the afterlife. In Egyptian the `Ka` and `Ba` were spirit and soul, which is reflected in the `Ka` Ba` of the Moslems in Mecca, which is the temple of Abraham who was promised by God that his descendants would be as numberless as the grains of sand in the deserts and the stars in the heavens, because of the sexual desire of the woman`s `Ka`, trapped in the body of men, for her own `Ba` soul, represented by the absent `futanarian` woman with her penis` semen, killed and culled into near extinction by men, and the woman still sexually desirable to the penis` semen of the parasite that has possessed her by inveigling itself into her host womb as men have. According to the Egyptians, `Ka` and `Ba` are conjoined as `Akh` after death, that is, women become whole, so Arabian women in their burkhas resemble canoptic jars, because it`s where their living bodies prepare for Resurrection, as Jesus taught, and so `canoptic` for them means that, although their eyes have been opened, their jars remain intact and unbroken: ` ... blessed are your eyes because they see, and your ears because they hear.` (Matt: 13. 16)

According to the developmental psychologist, Carl Gustav Jung (1875-1961), there are functions of consciousness associated with the eyes, ears, mouth and nose, that is, `Sensation, Thinking, Feeling, and Intuition`, which in Islam correspond to the `hand` directed by the individual at the center of the marriage with four wives, and corresponding to what Jung calls an archetype of human development existing preformed within the human psyche and emergent in Islam to impel human progress as an aspect of woman`s socio-economically independent nanos. In Egyptian tombs of the Pharaohs, canoptic jars are fourfold, because they represent the four functions of consciousness as the wives of the Pharaoh to be directed by her after Resurrection, when the `futanarian` woman`s `Akh`, or `magical personality`, appears after `Ka`, that is, her spirit, and her soul or `Ba`, are conjoined after death.

In Jungian psychology the spider is a symbol of the supraordinate `Self` because it represents woman`s nanos driving her on as an impulse from what Jung calls the collective unconscious that contains images and symbols that appear in dreams, art and the imagination to impel the human species onwards. Just as the canoptic jars are vessels, so the `motherships` of Heinlein`s Starship Troopers are vessels with the same function; to deliver humans. Consequently, the spider is an archetype of the `Self` as her nanos concerned to deliver humans from evil, which might seem paradoxical but so is mother nature. Starship Troopers is a metaphor for arachnophobia towards women and what women do to direct men`s attention away from them, because men have created woman in their own image as a male brained `TV` killing itself for its programers. Television series like Star Trek (1965-) appear dissimilar but the principle is of women who can`t escape from their prison, although the illusion is maintained to trap the uneducated in slavery.

Actress Nichelle Nicholls was the black actress who had the role of communications` officer, Lieutenant Uhura, on the bridge of the starship Enterprise in Star Trek, which was perceived as liberating by black women in the United States of America, where slavery of black Africans had been institutionalized before the Civil War (1861-5) to manumit them from forced labor in the cotton industry of the South. But Hollywood, Babylon`s `Hays code` (1930-67) prevented women from raising their foot from the floor in bedroom scenes as an analogy of their subjugation as the species of `futanarian` humanity capable of sexually reproducing her own brainpower from her own penis` semen and host wombs to construct her own spaceships to escape from her enslaver, which means that the supposedly liberated women of Star Trek foster a slavers` illusion with the aim of maintaining human women in ignorance and host womb slavery in parasitism that has as its culmination such scenes as Heinlein extrapolates in `arachnoid` Starship Troopers, where `pilot` mothers `drop` their `boys` from `motherships` as far away from Earth as possible to avoid being exterminated by a fully developed male at the height of its power in more Iraq-annoyed-fascism.

1 Heinlein, Robert A. Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. XII.

2 Heinlein, Robert A. `- All You Zombies -`, 11 June, 1958.

3 Garland, Judy `Over The Rainbow` The Wonderful Wizard Of Oz, Metro-Goldwyn-Mayer, August 15, 1939.

The Moral Of The Bible: Virality Is Not Virility

Oops I Did It Again is Britney Spears` science fictional mimodrama after the fashion of Marcel Marceau, the mime. The video single takes place on Mars because she mimes her meanings as Marcel does, and the first allusion is to the original Star Trek episode, The Cage, which is an environment created for two crippled space explorers. Tab Hunter, the disabled first captain of the starship Enterprise, and Susan Oliver, the only survivor of a ship`s crash landing on the planet Talos. The big brained Talosians create The Cage by the power of their minds, which is what science fiction is before it becomes reality of course. The Cage is a `cell`, but the hero and heroine are kept because otherwise they could not live.

Oops I Did It Again is `Mars cell`, that is, Star Trek, The Cage, which is an illusion but real, because the big brained Talosians have created it on a video CD, and Britney is a storyteller in the tradition of the Arabian Scheherezade`s who picaresquely `sew` their story into a fabrication pleasing to the eye or ear. Consequently, she is `Mars cell`, and alluding to the proverb, `it is easier for a camel to pass through the eye of a needle than it is for a rich man to enter into the kingdom of heaven`, she is `Mars sew` because Oops I Did It Again is a reference to the pricking of the finger as the Sheherezade attempts to push and pull the thread through the needle`s eye.

The `framing device` for One Thousand And One Nights is Sheherezade`s story of Shah Jehan, who had his faithful wife`s head cut off, after accusing her of unfaithfulness, so that he could marry a new woman each day, and cut her head off in the same way, but Sheherezade kept her head, and the heads of the other women, by telling him a long `cliffhanger`, so signifying that it is possible for faith to exist in the imagination and for it to be real.

Sheherezade must keep the thread of her story going, according to the One Thousand And One Nights and, by keeping her head, the women will be saved. Britney appears in at least three different guises during the video. She is shown in her red suit hooking her spaceman `visitor` before suspending him above herself in a white bikini dress, and afterwards she somersaults in her red suit while transforming in mid-air into herself wearing a white blouse, black skirt and boots. When the spaceman visitor presents her with a gift, she asks: `But I thought the old lady dropped it into the ocean in the end?`

The reference is to the `heart of the ocean`, a blue diamond pendant dropped into the ocean at the end of the movie Titanic (1997), because of the heroine`s mourning of her lost love, who downed when the Titanic hit an iceberg. Hooked on her crochet needle the spaceman is in suspense. Britney is `creating [the] fabric [of her story] from yarn, thread [and] ... other material strands [of fiction] ... ` 1 The three Britneys are symbolic of the women to be saved by Sheherezade, and the spaceman `visitor` who appears part of the thread of the fabric of her story has brought her `the heart of the ocean` from the deep. She shows him the `deeper space` of her heart, and he dependant above. He is enthralled and she must tell the story that will save her.

The book of Revelation in the Bible contains ideas similar to One Thousand And One Nights because it requires faith in the imagination, and Britney`s Oops I Did It Again can be read as a biblical commentary on `the woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour the `New Redeemer` she is giving birth to, and who corresponds to the `deep pendant`, that is, the `New Redeemer`, as the `heart of the ocean` of the archetypes of the collective unconscious. Posited by the developmental depth psychologist Carl Gustav Jung (1875-1961) as necessary for individuation or personal growth, the `New Redeemer` represents abstract and personified images contained within dreams, art and reverie, which are the impulse engines of the instinctual drive of the spirit of humanity to the stars.

The distinctive emblem of Marcel Marceau is a red `pom pom`. Britney mimodramatically acknowledges his influence in Oops I Did It Again as `Mars cellphone video technology, and `Mars sew` because of her employment of the crochet motif in the fabrication of her fictional web. Britney, in her red suit, is `Major Red`, that is, a majorette, whereas `pom pom girls` are `cheerleaders`, which is just one of the roles she has in the video single, Hit Me baby One More Time: `In the past few years, a practice called yarn bombing, or the use of knitted or crocheted cloth to modify and beautify one's (usually outdoor) surroundings, emerged in the US and spread worldwide. Yarn bombers sometimes target existing pieces of graffiti for beautification.`2

A `pom pom` is crocheted using a `pom pom circle` that resembles a CD. Because Britney is carrying a `hoop` when she first descends to her set in Oops I Did It Again inside a giant`s ring as a `small woman`, her mimodrama is both mourning and celebrating NASA`s space programme. Such hoops as the one she carries are used in the construction of a `pom pom wreath` and Britney is lamenting the lack of political will in the United States of America to actually get from the moon to Mars. The giant`s ring inside which she descends with her hoop is a symbol of her preparing to lay a wreath at the temple of greatness, but `yarn bombing` is the beautification of achievement, whether small or large, which is a parallel theme of the mimodrama because the hints and clues with regard to meaning often reveal surprising depths if penetrated.

In terms of technology, a `pom pom` is like a CD because it is made flat but opens out to reveal its `valences`. Oops I Did It Again is Britney`s red, white and black `pom pom` because she wears these three colours in the making of the video. Her `sphere` of endeavour is the crochet work of beautification through `yarn bombing`, where the embroidering of a story`s valences is a part of the interactive enjoyment that a viewer can have with her image `on screen` to decipher her meaning and develop their own personal growth through depth analysis of the archetypal material she presents.

One Jungian archetype is the `New Redeemer` of the Bible, who protects the `hidden` woman of the Earth in Revelation until she is ready to leave and `sow` her `seed` in heaven, which suggests that she is a woman with a penis of her own, that is, futanarian, and so definable as a species apart from men. Revelation describes how she and her `seed` fight and win a war in heaven against the `red dragon` and the evil serpent`s `seed` grown since Eden. She receives a new heaven and Earth and the evil receive perdition. Because the woman with a penis, that is, futanarian woman, is `hidden`, Revelation requires faith in imagination, and belief in God`s storytelling. Otherwise it would not be possible for the thread of the story to be perceived. The proverb `it is easier for a camel to pass through the eye of a needle than it is for a rich man to enter into the kingdom of heaven` relates to the perception that men`s valence is not enough to carry them through the `needle`s eye`, and so `yarn bombing`, which is the beautification of what is unsightly using a crochet `hook`, and not a needle, is Britney`s consoling alternative.

The `red dragon` of Revelation may be considered to be `nature red in tooth and claw`, which is a line from Sir Alfred Lord Tennyson`s 19th century poem In Memoriam and is often used to support capitalism and the economics of `survival of the fittest`, which is essentially the observation that consumption is success. Of course it begs the question: what should be produced? The 20th century put Neil Armstrong on the moon but used rocket technology to threaten the world with nuclear holocaust, which corresponds to the devouring `red dragon` of Revelation as a consumptive. The `New Redeemer` of Revelation is depicted as helping to hide the woman and facilitate her escape from the Earth, whereas the red dragon is associated with the `blood plague`, which was revealed in the last quarter of the 20th century as HIV/AIDS, a valence of homosexual pederasty`s psychological and biological terrorism against the wombs of women.

In ancient Greece the wombs of women were enslaved by homosexual pederasts that spread their plague by means of war. At Troy they constructed the prototypical medium for infecting other societies with their virality in the form of a huge wooden horse inside which they hid and pretended to be leaving it as a gift for the Trojans who took it into the city of Troy where the Greeks emerged and enslaved the wombs of the women for the future of their `boy sons`, that is, the future `poisons` of HIV/AIDS and other STDs communicated by the devouring red dragon`s valence of homosexual pederasty and `blood plague`.

On 9/11 the friendship feigning of homosexual pederasty`s valence saw terrorism emerge in Boston, Massachussetts, when hijackers pretended to be visiting New York and crashed their `civil` aircraft into the Twin Towers of the World Trade Centre so promulgating machismo virality and plunging the globe into terror. That the HIV/AIDS virus, or `blood plague` of Revelation, is a valence of the devouring `red dragon` of homosexual pederasty and war is unmistakable because of the methodology of the HIV/AIDS virus. During its attack upon the defence systems of the body, it feigns friendship for the white cells that defend the red cells that are its life and, after they have been accepted, like the `Greek horse` or the hijackers` plane ticket, the virus kills the body. 9/11 was a viral attack because it wasn`t designed to defeat the United States of America but spread its valence of terror.

Microsoft, and other computer oriented companies, assisted the virus by defining virality as `Trojan` rather than `Greek`, which is a worldwide euphemism for homosexual pederasty, and an insult not only to those of the rescue services who `worked like Trojans` on 9/11 but also to those living in upstate Troy, New York, which was on the flight path of the terrorist `plague game` and could have been next.

Britney Spears is a genius in Oops I Did It Again because she perceives that it is the eye that is deceived in its relations with the world. Much of the imagery is of the eye of the camera and how she appears beneath it. At one point she appears in her red suit to suspend her spaceman visitor above her `double` in a white bikini dress, so that the spaceman can film her with the camera attached to the side of his space helmet and relay pictures back to `Mission Control`, who are observable watching her through the lens of the camera which appears as an eye. The symbolism is sexual because the eye is that of the penis because it finds her desirable.

Suspended by the side of the spaceman`s helmet are the tines of a huge fork, which suggests the devourer, and indicates the problem. If women have a penis of their own, as futanarian, and so are a species, then men are an alien viral parasite that seeks to enslave and devour her. In other words, the penis of men sees with the eye of the devourer. In the New Testament Jesus` dead and crucified body is pierced by the spear of the Roman centurion Longinus, and the Paraclete effectively emerges from the side of the `Second Adam` as the `Second Eve` to be the spiritual `guide, comfort, helpmeet, and teacher`.

Men are not women, and if women have a penis of their own, the Holy Spirit or Paraclete corresponds to the female `spirit of God`, that is, the Shekinah of the Old Testament. She who dwelt in the place of the law in the Ark of the Covenant of God`s promise to the `chosen` becomes, after Jesus` Resurrection and Ascension to heaven, the spiritual `guide, comfort, helpmeet, and teacher`, and so the eyes of the penis of woman as a species` guide has female eyes in the person of the Holy Spirit. However, if men`s eyes do not accept women, or men and women`s eyes are possessed by the eyes of the evil serpent`s `seed` of homosexual pederasty, and cannot see with the eyes of the spirit of God, they have accepted the devouring `red dragon` of the red planet Mars, the god of war, and HIV/AIDS` `blood plague` of terrorism, which is foreshadowed in Jesus` torment and crucifixion, and God`s warning is the destruction of Sodom and Gomorrah, which were the `cities of the plains` (Gen: 18,19) thousands of years before 9/11`s terrorists` reawakening of the devouring `red dragon` of the `blood plague` of homosexual pederasty and war at the `cities of the planes`, New York, and Arlington`s Pentagon, Virginia, 2000 AD.

In the developmental psychology of Carl Gustav Jung (1875-1961) the `transference` is the single most important aspect of the individuation process whereby the individual achieves self-actualization or consciousness. According to Jung the process is determined by the individual`s recognition of projections of the soul or female anima, in the case of a man, which is an archetype amongst many that exist in dreams, imagination, art, or reverie. The archetypes function as images or personified aspects of the psyche that impel consciousness, and the Holy Spirit is archetypal insofar as it impels individuation. A successful transference is the awareness that, if you are not looking with the eyes of a woman, you are not looking with the eyes of the penis, because women with a penis are the species of the planet Earth, and so the penis is female. If you are looking with the eyes of a man, you are possessed by the `demon` of homosexual pederasty and devourment, because you are looking with the eyes of that which is neither human, that is, female, nor Godly, because it is not you if it is not female, and that is the secret of God.

Oops I Did It Again refers to a woman`s dilemma with regard to how she appears to the eyes of those with the penis that watches her. Obviously masturbation is an aspect of the relationship between her image and the viewer, which means that the eyes of the devourer are upon her. Oops I Did It Again means that an `I` can see, and it masturbates because it wants to see more. The Holy Spirit is the guide for the eyes that want to see, but the evil do not want the Holy Spirit. Because they don`t want the eyes to see. That is why they encourage the false machismo of the virality of the `red dragon` of the homosexual pederasty of war; for example, Saddam Hussein and those who are like him. Because true humanity is the virility of women with a penis of their own as the species of the Earth, and they don`t want her to see either.

One of Marcel Marceau`s more famous mimodramas was also called The Cage, which again helps us to penetrate the clues and hints of Britney`s science fiction mimodrama in Oops I Did It Again. When her spaceman `visitor` arrives on Mars, she in her red suit is discovered living with herself in a white bikini dress, which is both an interesting reference to the Jungian transference by way of the ability of the Talosians in Star Trek, The Cage, to transform the hero and heroine by mental power so they can live together, and a representation of the valence of women`s love for each other, which is often defined as psychologically `abnormal`. However, because women are a species with a penis of their own, lesbianism is the human species` natural valence, and corresponds to Sheherezade`s faith in imagination in One Thousand And One Nights through which all of the women are saved.

Because lesbianism is the valence of the human species, sexual desire for the woman is female, and so is the penis. Consequently, the machismo of devouring homosexual pederasty, symbolized by the `red dragon` of Revelation, and its `blood plague` of HIV/AIDS, is what men define as masculine, whereas maleness is rather virality than virility. Appearing as the Gemini twins, Britney in her red pilot`s suit and white bikini dress is an allusion to NASA`s `Gemini` space programme, but Britney is also calling herself `Chairman I` because of the commonly held 50s precept that science fiction should portray Chinese communists as identical aliens (Britney`s `triplets`) who share a `hive mind` that is antithetical to capitalism. Indeed, the movie Starship Troopers (1997), where the brave `boy sons` of Earth fought against the undifferentiated `bugs`, was a metaphorical release of hatred, that is, the `poisons` of the real `red dragon` of homosexual pederasty and war against communal life, which appeared alien because peaceful. Starship Troopers was originally a 1959 juvenile novel by the American Grand Master of science fiction, Robert A. Heinlein (1907-88), and celebrated the founding of the USA`s Green Berets by President John F. Kennedy, so representing tacit acceptance of President Richard Millhouse Nixon`s subsequent deployment of the Green Berets to dehumanize and exterminate Indo-China`s `gooks` in Korea, Vietnam, and Cambodia with carpet bombing, napalm and the defoliant `agent orange`. Before Mao Tse Tung`s (1893-1976) China stopped it. Mao founded Chinese communism, and his `little red book` contained over four hundred realpolitik insights: `No political party can possibly lead a great revolutionary movement to victory unless it possesses revolutionary theory and a knowledge of history and has a profound grasp of the practical movement.` 2

The notion that communism is the product of an alien `collective` is no more obvious than that `Germany`, which word has a pronunciation similar to `Gemini`, was what Jung termed a shadow collective of inflated negative personality traits in the 1930s. Britney`s video Oops I Did It Again is her `little red book` in `letter box format` presenting her manifesto for change. At one point she somersaults in the air to stand before her spaceman, and transforms en l`air from red pilot`s suit to white blouse with black skirt and boots, which was the uniform of the girls of the `Hitler Youth` in the 30s. Receiving a gift from her spaceman, she asks: `But I thought the old lady dropped it into the ocean in the end?`

The allusion is to the movie Titanic (1997) in which the `heart of the ocean`, a blue diamond pendant, is dropped into the ocean at the end of the movie because the heroine is mourning her lost love who drowned when the Titanic hit an iceberg and sank. Although Britney appears `mousey` in Oops I Did It Again, she is the Mouse, `Say Tongue` because of her former life as a child star with the Mickey Mouse Club, who later provided the impetus for `Saytonguism`, that is, sinking her marital relationships by plaguing her with slander. In fact the video opens with `Mission Control`: `Earth to Mars Lander. Report status please.`

They are asking for the latest gossip on Britney Spears` relationship with herself, that is, the `Mars slander`, but Britney`s message from her `little red`s e-book` is a universal one. Don`t believe what you`re told. The Chinese aren`t identical and neither is she and her `Martian` sister. The devouring `red dragon` of homosexual pederasty and war would eat her because she is a woman, not because she is part of a `hive mind`, or `Hitler Youth`. In the Bible the `chosen` have a `little Red Sea book` of their own. God promises a `land of milk and honey` if they obey the `book of the law` and traverse the Red Sea.

For Britney it is faith in imagination, because the mind of God is revealed to the faithful as the story unfolds, and they read it from the Bible. Oops I Did It Again is imagination in faith, because the red planet Mars is a sterile place of sand without the waters of a Red Sea and, as T.S. Eliot`s 1920 poem The Wasteland advocates, imagery from the archetypes of the unconscious have to be employed by the writer attempting to stimulate spiritual growth in the sterile mind of the reader, and on into the world outside of the poem or, in the case of Britney`s Oops I Did It Again, after stimulating the arid mind of the viewer, the world outside the video will bloom.

Britney employs mimodramatic effects to stimulate the imagination of the viewer at an unconscious level but in a determinedly awakening style that presupposes enough faith in the watcher to want to decipher her meanings and so grow and develop spiritually through her `teaching`. Her mimodramatic movements are difficult to understand, but they are neither for the blind or the deaf, and her lyrics are not for those who can`t read. Several times in the course of the video Britney makes the sign of the wine glass by raising her hands, which is both a symbol of the Holy Grail, that is, the bowl from which Christ ate and drank at the `Last Supper` before his crucifixion, or the cup from which `Babylon, the Great, mother of harlots, and of the Abominations of the Earth` drinks in Revelation. The cup of Babylon contains `fornication and abominations` because it is a poison cup full of HIV/AIDS and STDs that represent the `blood plague` as a valence of the `red dragon` of homosexual pederasty and war. Jesus` cup denotes `the body and the blood`, because the Holy Grail is a bowl from which he ate and drank. In offering the `bread and the wine` in fellowship, Jesus was indicating that his `body and blood` was not diseased, which is why he was conceived without the semen of a man and born of a virgin. In other words, everyone must be born without the semen of a man, that is, from the futanarian woman who has a penis of her own, and is the species of the Earth as woman. `Babylon, the Great` is great, because she is able to survive with the virality of men, and the cup as the symbol of the `mother of harlots and of the Abominations` is of the `Greek whores` who are forced to give birth to the `boy sons`, who are the `poisons` that make of her womb a `Greek horse` from which they emerge to make war upon her citadels of culture and civilization to enslave her, and further spread their plague of devouring homosexual pederasty and war.

 In Oops I Did It Again Britney is intelligently appealing to the penis of the woman, that is, the several eyes of the camera which are depicted within the video, and are aspects of the eye of the video itself, which the viewer perceives as a single eye also, is representative of the eye of the penis which cannot see, but is the desireful focus of the visual material. If the video is purely sexual, the meaning is the erection of the masturbator`s penis, whereas if the video contains material designed to be thought upon, its meaning is developmental. Consequently, there is an admixture, in terms of meaningfulness, between the cup of Jesus and the cup of Babylon, that is, desire stimulates development. Britney is aware that she must communicate sexually in order to communicate. For the penis of the woman sex is good and not `poison`, because `boy sons` will no longer be produced when futanarian woman with a penis of her own ceases fornicating with the virus, that is, men, and so stops producing the `abominations`. Britney`s mimodramatic depiction of herself as a `glass of red wine` represents desirefulness as good per se, because it`s developmental. Whereas the Bible describes the woman drinking from the `cup of her fornications and abominations`, that is, her `boy sons` who are `poisons`, the penis is the woman`s. What is attached to it is only a valence of virality, that is, the `poisons` of male homosexual pederasty`s `boy sons`. Although the penis represents the source of all developmental functionality, it is the valence of woman as the Earth`s species, which is `futanarian`, and the measure of virility is development, represented by `scifi` Britney in Oops I Did It Again, and not the developing of better valences for the virality of the `red dragon` of devouring homosexual pederasty, which is represented in Oops I Did it Again by `Mission Control` who appear to be guiding the spaceman, but actually function as misleading demons because they have confused the penis into believing it is virile whereas it is in fact viral.

Britney`s feelings of being `misled` found her adopting the title `Miss American Dream` for Piece Of Me (2004), and the cover sleeve for the single featured her crucified. Identifying with Christ`s work of Redemption is what her `piece of ass` had been led to. However, as a `piece of work`, Britney is the `American Dream`. Christ`s side was opened by the spear of the Roman centurion Longinus at his crucifixion, which effectively signaled the emergence of the Paraclete or Holy Spirit from the side of Jesus as the `Second Eve` from the `Second Adam` as humanity`s `guide, teacher, comforter, and helpmeet`. The spear of Longinus was afterwards known as the Spear of Destiny and the USA adopted it as a symbol of Manifest Destiny and the American Dream, which is why Britney Spears` name insofar as it is symbolic of the Paraclete or Holy Spirit as a `piece` of the female `spirit of God` represents the `dream` of e pluribus unum, `the many and the one` God: `I`m Miss American Dream since I was seventeen.` Piece Of Me

Celebrating an airship disaster in New Jersey 1939 on the cover of their first album was miss `American Dream` for `misled Zeppelin`, which was what Keith Moon, the drummer of The Who, said of the `69 inception of rock band Led Zeppelin, `It will go down like a lead balloon.` Jefferson Airplane knew enough to change their name to Jefferson Starship, but the idea of naming the future of pop music after a First World War German balloon most famous for dropping bombs on Liverpool was obviously retrogressive. The second studio vinyl album Led Zeppelin II (1970) featured a gatefold sleeve for the vinyl recording that depicted a gold Zeppelin airship, which reflected upon alchemy, that is, the transmutation of lead into gold as a metaphor for artistic and individual development. However, in WWI it was simply the precept that people stay alive if you don`t shoot them, which was the idea behind the Led Zeppelin `live` career celebration CD How The West Was Won (2003).

The goal of the alchemical opus is described variously as `the pearl of great price` or `the elixir of immortality`, but in essence it`s that lead is poisonous, which means that Led Zeppelin was `misled` Zeppelin. In the `publicity blurb` on the cover of the `live` CD album, How The West Was Won, Led Zeppelin are described as `Satanists`, which essentially entails killing the penis so that it can`t see, that is, preventing development, and so the first Led Zeppelin symbol was a crashed airship because `misled` rivalry doesn`t want to see anyone else at the top, even if it`s desirable.

In Britney`s Oops I Did It Again Mars has `98% oxygen`, which is certainly enough `air` for the penis, which needs blood oxygenation to inflate its desirefulness for woman and development. John Bonham, Led Zeppelin`s drummer, died in 1980 after a `choking fit` and Moby Dick had been the title of John`s Led Zeppelin `signature` drum solo which title was chosen from a novel by Herman Melville that had the first line: `Call me Ishmael.`

In Arabia the `Eid` is the `feast` that celebrates God`s sparing of Isaac when Abraham is asked to take Isaac up the mountain to be sacrificed. God relents and the Eid is the celebration of the sparing of Isaac, which is paradoxical because the line of Isaac founded Judaism, while the line of Abraham`s son Ishamel became Islam. If John had lived, his son Jason`s band Bonham would have been the rival of Led Zeppelin, but Satanism, which Led Zeppelin are proclaimed as espousing on the `press blurb` for How The West Was Won, would have killed Jason Bonham`s band. Jason would have been sacrificed to Satanism, if Led Zeppelin had been Satanists. But the `Eid` celebration of Arabia is a symbol of how disparate development is not rivalry. If God had commanded Abraham to sacrifice Isaac on the mountain, Judaism would not have existed, and the line of Ishamael would have prospered. But God did not require Isaac to be sacrificed, because that would have been Satanism, and Led Zeppelin did not prevent Jason Bonham from forming the Bonham band, which means that they aren`t Satanists either because the principle of disparate development has been embraced.

In Melville`s tale Moby Dick, the white whale, has enough `air` to dive into the ocean of the unconscious contents of the psyche, where the archetypes exist as impulses to development. Indeed, Melville`s symbol of the white whale is perceived in literary criticism as the penis, because of its untamed sexuality, and men`s intention to kill what is in fact the developing futanarian woman`s penis of the future, in Melville`s Moby Dick becomes the quest of Ahab aboard the whaling ship Pequod to kill the white whale as the female penis surrogate, so that woman`s archetype remains an abstract hermaphroditic symbol of male-female esoteric unity murdered in the ocean of the unconscious, whereas the hermaphrodite is in fact a real picture of woman as she is.

In the novel Moby Dick, Moby Dick is a white whale which is killed by a whalers` harpoon. However, `dick` is a universal euphemism for penis, because the developmental functionality of the planet Earth devolves from it as the source of instinctual libidic energy transformed into intellect and spirituality through the penis` aspirational desires. Because the developmental penis is, properly understood, futanarian woman`s, putting a man on the moon was a declaration of war against her, which is why the flag of Al Qaeda`s `yellow moon on black` is a symbol of an intention to kill the woman`s penis that is attached to men`s virality, and then her penis won`t be able to see with the eyes of her Holy Spirit.

The valence of virality is important because surveillance is what the globe has had to endure since 9/11. If 9/11 is to be understood as a distortion of 911, the number of the police in the USA, and the biblical injunction from Revelation, `the number of a man is the number of a beast, and his number is six hundred three score and six`, refers to 666, which is the reverse of 999, the number of the police in the former British Empire and Commonwealth. The Holy Spirit is the `guide, teacher, helpmeet, and comforter`, because she is the eyes of heaven, whereas surveillance is what the evil `serpent` has been since Adam and Eve felt themselves naked in Eden. Consequently, police surveillance corresponds to what is not the Holy Spirit, because the Holy Spirit wouldn`t require it. In other words, police surveillance is supportive of the criminal, because the Holy Spirit is perceived as `too good`. However, people eat, fuck, and have bowel and urinatory functions, which is physically all that the body is for. A surveillance system that wants to watch that is evil, because behaviouralism is all that surveillance systems are designed for. Good behavior is `nothing but`, as repression psychologist Sigmund Freud could have observed, eating, fucking, urinating and defecating. Anything else, from a police perspective, is unmanageable, because it doesn`t fit ideas of simian behaviour patterns. An astronaut fucks, eats, urinates, and defecates. From a surveillance point of view, the astronaut is functionally normalized while fucking, eating, urinating and defecating, which means that surveillance is designed to reduce the developed individual to fucking, eating, urinating and defecating, so that the police can manage `the zoo`.

In pop terms, `the woman clothed with the sun and with the moon at her feet` that gives birth while the red dragon waits in vain to devour her `New Redeemer` is framed by Sun Records, which produced Elvis Presley, the `King of Rock `n` Roll, and Keith Moon, `the loon` of The Who, who was deemed crazy for warning `misled` Zeppelin at the beginning of their `career` in `69 that lead balloons weren`t gold.

Satanism is a difficult concept to grasp, because the men of the Earth seeking to prevent woman from escaping perceive her as Satan, which means that, properly understood, Satanists are the women who want to leave with their own penis, and those who want to keep her here so that they can continue their `plague games` of destruction are nihilists. The first man on the moon was Neil Armstrong, and the nihilism of Al Qaeda`s terrorist crashing of planes into the Twin Towers of New York`s World Trade Centre, beneath the flag of a yellow moon on black, with the motto `There is no God but God`, is perceived as antithetical to Neil`s words: `One small step for a man, one giant leap for mankind.`

However, if the `game` is to prevent woman from leaving the Earth, Neil`s foot has become that of the nihilist on the neck of woman prior to chopping her head off because her penis might be able to see with her, which is what the Arabian Sheherezade works against in One Thousand And One Nights, while Britney`s Sheherezade, in her red pilot`s suit, in Oops I Did It Again, appears as `twin girls` in the eye of the penis of woman as the species for whose freedom she is working in her science fiction mimodrama. One of the more famous Led Zeppelin album sleeves features the band in astronaut suits, which mimics Neil Armstrong`s inspirational landing on the moon but, if the aspiration of men is to use `moonbase ` to keep women here as enslaved host wombs for the spreading of themselves as the virality of the devouring `red dragon` of homosexual pederasty and war, the imagery is delusory.

Neil Armstrong flew as pilot on 7 occasions in the X-15 space plane, which was designed to fly to the moon and return, but was cancelled because of `expense`. In simple terms, the United States of America didn`t want to fly to the moon. Al Qaeda, `the base`, whose flag is the masculine moon of Arabia, whereas in the West the moon is female, proclaimed the moon is for men on 9/11, 2000, and they don`t want her.

The Led Zeppelin symbol is important because the band bought a plane with the Led Zeppelin logo emblazoned, and after 1977`s concert at Madison Square Gardens John Bonham and Led Zeppelin were told they`d never perform in the United States of America again because John threw a punch at a member of the NYPD backstage. In 1973 and 1977 New York was the `city of the plane` of Led Zeppelin, because they toured in `73 and `77. In developmental, or intellectual and spiritual terms, Led Zeppelin had elevated themselves to the `plane` of Led Zeppelin.

Zeppelin airships attach themselves to towers for refueling, or taking on passengers etc., and so the Twin Towers of New York`s World Trade Centre were a symbol for Led Zeppelin even if they were not for Zeppelins. Al Qaeda`s terrorist demolishing of them by `feigning friendship` and hijacking `civil` aircraft to use as incendiary devices was reminiscent of the airship on the cover of Led Zeppelin I, which `spontaneously combusted` while attached to its tower on a `friendship` visit to New Jersey from Germany in 1937. Al Qaeda`s cowardly 9/11 attack on the Twin Towers was `Satanism` insofar as they `feigned friendship` to plant the funereal `yellow moon on black` of their flag upon the ruins in mockery of the aspirations of NASA`s and Led Zeppelin`s `astronauts`, who are those `inspired` by achievement to aspire to their own intellectual and spiritual `plane`.

On 9/11 New York was the `city of the planes`, as Sodom and Gomorrah were the `cities of the plains` (Gen: 18,19) destroyed by God for practising Marquis De Sade`s activities likely to cause AIDS activities. The Marquis De Sade was a 19th century writer who advocated sado-masochism and sodomy, and so De Sade`s activities produce AIDS, because of the blood, shit, and semen admixture associated with sadistic sex. From the perspective of the `red dragon` of homosexual pederasty, Led Zeppelin, the Led Zeppelin `plane`, the Twin Towers of Led Zeppelin`s New York, and the aspirations of NASA`s and Led Zeppelin`s `astronauts`, was a `penis inflation` that threatened to take the boys away from the homosexual pederast.

In Jungian psychology shadow-inflation is quite common when the ego identifies with instinct and experiences a sense of power rather than power itself, which D.H. Lawrence describes as the `gods of the blood` in his semi-pornographic novel Lady Chatterley`s Lover (1928) and elsewhere. Because the shadow represents libido or instinctual sexual energy, `shadow-inflation` is also describable as `penis inflation`, which occurs when the individual believes that they are successful because they are intelligent. The Led Zeppelin airship is a `penis inflation` if the `dark gods of the blood` are worshipped instead of development, which is what success actually depends upon. If individuals aspire to the moon and the stars of heaven, but the `dark gods of the blood`, that is, Sodom and Gomorrah, are worshipped, the `red dragon` of the `blood plague` of HIV/AIDS and the war of homosexual pederasty will devour the Earth, and the `hidden` woman with the penis of her own, who is woman as a species and futanarian, will experience only `penis inflation` and the repeated crashing sounds of a Led Zeppelin.

Men prefer ICBMs to space pilots, because it is basic to men`s `Greek philosophy` that women won`t escape, whereas Britney, in her red pilot`s suit in Oops I Did It Again, symbolizes the desire of the woman`s penis to leave Earth and the moon for Mars. But not for Mars, the god of war, who`d be the `red dragon` on her `red planet`. In her red`s suit, Britney is `New Red`, because the symbolic mimodrama of Oops I Did It Again deems woman with a penis of her own to have `the right stuff` for space colonization: `Yeah yeah yeah yeah yeah yeah.`

Oops I Did It Again begins with Britney referencing Chuck Yeager, the X-15 space plane pilot, and astronaut who never was, because NASA dropped all those who didn`t have a college degree from the 1960s space programme; although Yeager was deemed to be the best. The concept of `the right stuff` was enshrined in Tom Wolfe`s book The Right Stuff (1979), filmed as a Hollywood movie in 1983 with Sam Shepard as Yeager, and `the right stuff` was the title that all successful astronauts were labeled with, because it was what they were deemed to be blessed with. The `woman clothed with the sun and with the moon at her feet` is deemed good by God in Revelation because she demonstrates `the right stuff`. The `New Redeemer`, to whom she gives birth, also demonstrates `the right stuff` in desiring space travel for women as a species with her own penis, that is, the `hidden` futanarian woman, which the New Redeemer protects before she leaves.

The symbol of the rulership of the New Redeemer is an `iron scepter` or `iron rod`, which denotes a developed perspective that is unshakeable rather than a `penis inflation` or `shadow-inflation` of `the dark gods of the blood`, which in the 1930s produced the extermination camps of the Nazis because of an inability to perceive that women were Jews and that was why the Germans didn`t want them to escape or live. In Judaism you cannot be born a Jew if you are not born from a Jewess, which effectively means that women are Jews. Consequently, the Nazi pogroms of the 30s and ethnic cleansing up until the 21st century and beyond were based on the unconscious principle that the woman should neither live nor escape. Viral masculinity perceives the `iron scepter` or `iron rod` of the `New Redeemer` as a gun, because a `side iron` is an old metaphor of the `Wild West` for a Colt .45 worn in a holster at the hip and employed by gunmen. The claim that Led Zeppelin worshipped Satan in the publicity notes for How The West Was Won refers to the concept of gunmen who `pump lead`, which won`t inflate an airship, but murdering the developing penis of the `hidden` futanarian woman as the Earth`s species tries to develop beyond the repeated sounds of a crashing Led Zeppelin is Satanical.


2 `The Role of the Chinese Communist Party in the National War`, Selected Works, October 1938, Vol. II, p. 208.

It`s life, but not as we know it

For Starfleet`s pastored

Leonard Nimoy's Spitting Image Puppet, Mr Spock
Leonard Nimoy's Spitting Image Puppet, Mr Spock
Captain James T. Kirk and Gron
Captain James T. Kirk and Gron
Joanne Linville as Romulan Commander
Joanne Linville as Romulan Commander

Live long and prosper