Star Trek: Articles

Onan On

Britney`s spaceman arrived on Mars having negotiated Freudian symbolism, that is, the `father of psychoanalysis`, Sigmund Freud`s (1856-1939) psychological interpretation of civilization, culture and art, including space rockets, as `nothing but` the repressed expression of men`s `thingies`. Masturbating for millennia, Mankind has succeeded in ejaculating as far as Earth`s nearest neighbour planet, Mars, according to Britney Spears` futuristic `scifi` promotional video for the single, `Oops! ... I Did It Again`. When the spaceman, `Mars lander` reports to `Mission Control`, the audience understands it`s `nothing but` an affair: `98% oxygen.`

In the Bible Onan is punished by God for masturbation, that is, visible ejaculation, which is which is what space travel is from a psychological perspective. Onan`s brother, Er, is slain by God (Gen: 38. 7-10), for some unspecified evil, and God tells Onan to impregnate Tamar, his brother Er`s wife. Onan applies the principle of coitus interruptus because he doesn`t want to give her his `seed`, and so is also slain by God. Onan`s `sin` is masturbation, that is, `casting his seed upon the ground`, according to Christian commentators, who follow the teaching of Jesus from the New Testament of the Bible that many feel supersedes the Old Testament of the Bible, which is the law and history, the Torah and Talmud of the `chosen people`, the Jews: `Love your neighbour as you love yourself.` (Mk: 12. 31) Jesus is wholly celibate, according to those same commentators, which suggests that, when Jesus was taken from the city of Jerusalem to the hill of Calvary by agents of the Empire of Rome then occupying Jewish Palestine and nailed to a cross of wood and left to die, he was being slain by men for not impregnating a woman, that is, for being a de facto masturbator or Onanist.

Jesus` Resurrection and Ascension to heaven after his death belies his celibacy and onanism in a declaration by the Roman guard present at his crucifixion: `Surely, this was the son of God.` (Matt: 27. 54) Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was God`s futanarian `foot`, that is, Jesus` Resurrection and Ascension to heaven prefigures that of `woman`s seed`, which is women`s capacity for sexually reproducing with each other to produce human technological progress through their own brains` powers for liberation from Earth to the planets and stars in colonization: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) God`s words to Eve, the first woman, are repeated iconographically in Christian symbolism by Mary`s `foot` crushing the head of the male serpent, because Jesus represents women`s futanarian human nature. Consequently, although rocketry represents male masturbation, which includes all forms of projectile; for example, bullets and missiles, starships are `woman`s seed`, which is why Onan was punished for masturbation. God ostensibly killed Er for unspecified `wickedness`, so that Onan could have sex with Er`s wife, which was recognized by Onan, who refused to accept that, to have sex with a woman, you can kill her husband. However, God`s point of view is that `woman`s seed` is for starships, whereas men are for intercontinental ballistic missiles (ICBMs), that is, specific `wickedness`, which is why he kills Er and Onan.

Onan, whose name means `strong`, perceived the logical fallacy, which is that God will murder Onan for not having sex with Er`s wife, and God does. Similarly, Jesus Christ doesn`t have sex at all, according to the mythmakers, and so he was murdered too; even though his teaching is about how to develop and progress without murder: as God effectively orders `Onanists` to do. Onan is murdered by God because he refuses to `move up` after God has killed his brother Er and has given him Tamar to impregnate. In short, `moving up` by murder is what God advocates, and that`s rejectable. Because Onan precedes Moses and the law of God in Deuteronomy, his refusal to `move up` by murder is an example of God`s unconscious omniscience, rather than conscious knowledge. Onan`s represents the nascent perception in human futanarian nature that God is wrong in murdering Er and Onan, whereas the teachings of Jesus show how to `move up` through self-development. In modern terms, God wanted Onan to reproduce; like a photocopier. Jesus wants humans not photocopies, that is, through that process described by developmental psychologist, Carl Gustav Jung (1875-1961) as individual progress, or individuation. What is thought of as heterosexual reproduction equates to modernity`s photocopier, that is, a byproduct, rather than a product meeting the specifications of the designer, God.

Society is an important aspect of Jung`s individuation process, because of notions such as `political correctness` and `politically sound`. Feminists argue that homosexuals and lesbians are `gay` and so equal, whereas futanarian women who have a penis of their own are `normal` humans by definition, that is, so-called `lesbians` are expressing love for their own futanarian human species, whereas homosexuals don`t, which is because unredeemed men are rather a parasitical organism grown in the `host womb` of the species of women. Consequently, in perceiving men and women as a species, feminism can`t be `politically correct (PC). In artistic terms, the painter Constable isn`t `PC`, because there are men in paintings such as `The Hay Wain` (1821), whereas a picture painted by God, the Artist, would have women in it, while men would be notable by their absence, or by the presence of those few shepherds who, like Jesus, were accepting of `woman`s seed` and so redeemed. Feminism is used as a barrier to genuine political correctness. The concept of equality between homosexuals and lesbians is similar to socialism in that it represents the ideology that everyone has an equal share, whereas the futanarian race of human women with their own `seed` don`t have to share: it`s their species and host womb. Men`s conservative tradition is that women share their womb, whereas the future of feminism is, as writer Virginia Woolf hinted in A Room Of One`s Own (1929), a womb of one`s own, which is politically correct.

On the red planet, Mars, Britney Spears represents `woman`s seed`, who`s endeavouring to get Onan`s masturbatory `seed` off the subject of rockets, and although the spaceman is called `Mars Lander` by `Mission Control`, a space vehicle is conspicuous by its absence. Britney appears in a red pilot`s suit indicative of her disapproval of rocket technology used to develop nuclear missiles to destroy the Earth, because the original X-15 `spaceplane` program that was cancelled in favour of the Apollo rocket program to put an astronaut on the Earth`s satellite, the moon, after pilot`s experienced `blackout` at high altitudes, and which caused planes to crash, should have been persevered with as a solution to men`s obsession with combustion, that is, fuelled explosion as a means of travel. The astronaut in Britney`s `Oops! ... I Did It Again` music video represents the Onanist`s sublimation of libidic energy into space rocket development sufficient enough to ejaculate himself from inside a Freudian `thingy` as far as the red planet, Mars. However, without `woman`s seed` the result is species` defeating. Preference for rocketry, rather than the `spaceplane` technology represented by Britney Spears` pilot on the red planet, Mars, means the development of ICBM technology for a future race war. Men who sexually repress human futanarian women, and the nascent brain power `woman`s seed` has for the developing of labor saving technology and immortality conferring medical science, prefer host womb parasitism for parasitoid devourment in warfare against her.

Britney`s spaceman gives her a `black box`: `Britney, before you go, there's something I want you to have.` A `black box` is a recording of a plane`s progress discoverable in the event of the loss of a plane; or otherwise inexplicable malfunction: `But I though the old lady dropped it into the ocean at the end.` Britney is interpreted as alluding to the `heart of the ocean`, that is, a blue diamond pendant, which at the beginning of the movie, Titanic (1997), is dropped as a remembrance into the sea by Rose, where the salvaging of the ship is taking place. The Titanic sank on its maiden voyage to New York, the United States of America, from Southampton, England, on 15 April, 1912, after collision with an iceberg, and the call to boarding in `Oops! ... I Did It Again` suggests it`s the ship Britney Spears is alluding to: `All aboard!`

Rose`s dropping of the blue diamond into the sea is a gesture of remembrance that laments the events of the movie in which she boards the Titanic with a fiancée but takes a lover, who her fiancée seeks to discredit by having the `heart of the ocean` placed in his jacket pocket where it`s discovered. The subsequent disaster, and loss of her lover, who is drowned while helping people into the lifeboats, while her selfish fiancée lives, is the `heart of the ocean` inside the Titanic, which is Rose`s `black box`. Britney`s spaceman tells her: `Well, baby, I went down and got it for you.` The `black box` contents are the Earth`s `heart of the ocean`, that is, it`s a coffin for those who prefer ICBMs to colonization of the planets and stars as `woman`s seed`.

In effect the story of Onan says that God is evil in the Old Testament because God invites Onan to `move up` through God`s murdering of Onan`s brother Er and God`s telling Onan to have sex with Er`s wife. In refusing, Onan effectively declares Mankind to be more interested in sublimating its sexual desires in favour of space rocket design, and is murdered by God, because ICBMs would destroy God`s creation. Although Jesus is depicted as endeavouring to change God`s consciousness through his `sacrifice`, Jesus` Resurrection and Ascension to heaven is a prefiguration of that of `woman`s seed`, which represents colonization through `starships`, rather than masturbatory missile ejaculations. Britney Spears` `Oops! ... I Did It Again` represents the perception that space rocket design, and other forms of creative endeavour, are doomed, because they`re `Onanist` sublimations of the male masturbatory impulse to propel projectiles by means of combustion.

Er was murdered by God, because God wanted Onan to reproduce with Er`s wife, and Onan refused as, effectively, Onan wanted to `invent` which, although described as `masturbation`, corresponds to that visual ejaculation sublimated as the emission of projectiles through combustion, or bullets from a gun. Jesus was killed because he represented invention. When a woman was anointing his feet with oil, the disciple Judas, who was used to stealing from the collection plate after a service, suggested that the expensive perfume be sold to raise money. When Jesus offered `bread and wine` to the disciples at the `Last Supper`, as symbols of the `body and blood` of the human host, Judas betrayed him to the Romans as a `dissident`, because he was `woman`s seed`, and so a threat to the male brained Empire of Rome. At his death, the Roman guard, Longinus, pierced Jesus` side with his spear because, as the `Second Adam`, the Holy Spirit Jesus spoke of as teaching after him, was expected to emerge from his side as the `Second Eve`. Because Jesus` teaching was a continuation of God`s plan for futanarian humanity, that is, sexual reproduction between women for liberation through human brainpower, he didn`t represent the male braining transvestite `TV` in which men and women are a single creature wearing each others` clothes that the Roman Empire wanted as `entertainment`, which is why Jesus was too inventive. God`s plan for humanity wasn`t bullets from a gun, but `starship` colonization.

Longinus` spearing of Jesus` side was representative of men`s desire to penetrate, whereas Jesus` body represented the spirit`s shield, which is analogous to the meteor shields of `starships` in science fiction, for example, Star Trek (1966-69), which is sufficient for colonization, but men want phasers and photon torpedoes to penetrate, because their `masturbatory` impulse is to see the ejaculate, rather than have it accepted by a woman. Parasitical slavery of women`s host wombs by men produces scientists like, Albert Einstein, who posited that the universe was created by a `Big Bang`, that is, combustion, which suggests God is a bomb-maker. In parasitism, libido is channelled into intellectual work, rather than sex, which results in `masturbatory` models and technologies, for example, interstellar travel through `wormholes` by means of combustion, that is, ships like bullets, and ICBMs, whereas the human body is physically designed only for imbibing sustenance and ejaculation. Because parasites upon a host body become parasitoid in devourment of the host, that`s what men`s socio-economic history describes them as. In coercing others into sex-starved isolation sublimated as `masturbatory` activities, perverted technologies are produced. Imprisoned and stimulated by images linked to the pleasure centres of the cerebral cortex, for example, internet porn, `captives` are isolated and so `tortured` until the slaved `creatives` produce better ideas for technologies for combustive penetration in `shoot-em-up` games` systems; for example.

Britney Spears` `Oops! ... I Did It Again` image on Mars is designed to examine the `masturbatory` impulse. When men have finished masturbating, they`ll be extinct. As Onan recognized in Genesis, when he refused to impregnate Tamar, because God had murdered Onan`s brother, Er. For God, fertilization is reproduction, but it isn`t production so far as `Onanism` is concerned, which wants television, Playboy magazine, and Star Trek, so that he can fantasize and develop perverted `combustion` technologies. Onan is a Christ-like figure, because he`s a victim of host womb slavery for parasitoid nature, whereby the amphitheatres of the Roman Empire, in which individuals killed each other for the entertainment of the Romans, become the theatres of warfare where `woman`s seed` is devoured as slavery`s reality `snuff film`, rather than have the Roman war god red faced with embarrassment instead of having the red planet, Mars, named after him.

In Genesis God kills Onan for not being satisfied with reproduction, and that`s because human futanarian `woman`s seed` isn`t present in the Bible except for allusions to God`s `foot` in Genesis and Christian iconography, that is, men have almost extinguished the foot that could have afforded humanity psychological balance. Imprisoned and coerced into isolated sublimated masturbation fantasies, women would doubtless produce perverted `shield` technologies that contain to devour, although women are better technology because they have the capacity to sexually reproduce all humanity`s brains with each other. Men`s `masturbatory` technology of ejaculation through combustion is universal death in a further `Big Bang`, which is why women are described as `hidden` (Rev: 12. 6) before they leaves to `sow` their own `seed` amongst the planets and stars as colonists.

Lead From The Pencil, Poison From The Pen

Many pictures are sketched, and some are never more than sketched. Pencil is not indelible, and can be erased. A writer`s published work is indelible. The Word of God is the Holy Spirit, which is `God`s love` (Luke: 10.27). The Redemption is the work of the Paraclete given to mankind after the Ascension of Jesus to God. (Matt: 27. 54) Effectively, she was cut from Jesus` side by the spear of Longinus at the Crucifixion, in an allusion to Eve who was given by God to Adam from Adam`s side (Gen: 2.21). Her work is indelible because it`s her work of civilizing. What isn`t Godly we might think of as `penciled in`, and there are two idiomatic phrases that are relevant. `Eat lead` is a cliché and `that`ll put lead in your pencil` means to make your penis hard. Clearly the two statements are meant to reinforce one another. This is the message we are meant to receive from movies such as Payback (1999). I`ve never experienced it, and I`ve seen Payback a few times. It`s only conceivable if you`re shooting women, which is what the phrase `that`ll put lead in your pencil` means. The penis is man`s and we are told that Woman doesn`t have a penis, but she does - as a futanar. Because Woman with a penis exists, to have `lead in your pencil` means to have `lead` in your penis. This is why Jesus says `love thy neighbor as thyself`, because Adam and Eve were One Creature in God in Paradise - and still are. Jesus says `God is love`, and that`s because Woman Produces. If everything that is produced is Woman - and it is - then it is Adam`s penis, and men want to put lead in it, that is, shoot it`s `seed`, which is what God tells the `serpent` in Eden: `There shall be enmity between yours and the woman`s seed.` (Gen: 3.15)

Men are the serpent`s - represented by the red dragon of Revelation waiting to devour the child of the Woman `clothed with the sun and with the moon at her feet`. (Rev: 12. 1-18) They are the evil which wants to Devour the Producer`s, that is Woman`s, Product - Civilization. The phrase `to put lead in your pencil` means to prepare Adam and Eve to shoot their own penis, that is, themselves - as God`s love through the generations of mankind. Redemption is acceptance of the Holy Spirit, the teachings of Jesus, and God`s love. Then what has been `pencilled in` will be erased. As it says, in Revelation: `hail and fire were mixed with blood, and were thrown on the earth` (Rev: 8.7). But God creates a new heaven and a new Earth afterwards, which means the `hail of lead` will be erased and Woman`s Civilized Product will be Saved. It`s voice is that of the Holy Spirit speaking the Word of God, which is the Developer in terms of Woman`s - the Producer`s - Product, and God`s Word as Progress, which is in accordance with the American Dream of progress and development in innocence without threat.

The Word of God is heard, spoken, and written by the power of the Holy Spirit. The world we see is `pictured` for us by God`s Producer - Woman. It is her Production. But, before a movie is made, a character sketch has to be drawn, and that`s what is meant by being `faster on the draw` with a gun. You can`t paint a picture with a gun, but you can draw with a pencil and, if we understand the gun as `lead` rather than `pencil`, then those who are `fast on the draw` prevent innocent life from developing and progressing without threat, which is the American Dream and Manifest Destiny. Harrison Ford (1942-) in Indiana Jones and the Temple of Doom (1984) shoots a sword wielder rather than face him. The sword is the pen, which is a better weapon than the pencil, because it requires some knowledge, ability and the decision to wear the mantle of a warrior. Guns do not require any of that. Anyone can squeeze a trigger.

Swords are a form of Civilization, which is why Revelation represents Jesus, in the future, as a Sword coming to defeat Satan and give evil people perdition. Those who use a pencil are attempting to draw, whereas those who use a gun are not. The Evil One is saying that the pencil is mightier than the Sword, which is a joke to the Evil One. Many leaders have been criticized for bringing Civilization at the point of a sword. For example, Christianity`s Szent Istvan (967/969/975-1038) in Hungary and the Prophet Mohammad in Islam. The Sword is the beginning of Civilization because it requires skilled use - as does the pen. The gun does not need a skilled user - it represents men`s desire to kill - or Devour faster - without the ability to write, read, listen or speak. That is why `out of his mouth comes a sword` in Revelation. Because the Word is important. It`s the pen of the woman, and men want her to be `pencilled out`.

American films like Harrison Ford`s Indiana Jones and the Temple of Doom feature one-dimensional characters who can`t draw a sword, but can use a gun. Civilization began with the Sword, developed and progressed in innocence under threat, and unless men accept Redemption it shall end with the gun - or it`s equivalent. Brittany Murphy`s (1977-2009) death saddened, but her single Faster Kill Pussycat (2006) indicates the direction. Al Qaeda`s 9/11 said Arabians weren`t happy with US TV and it`s `fast draw`, so swords were drawn on the Twin Towers. In Revelation the red dragon is waiting to devour the child being born to the `woman clothed with the sun and with the moon at her feet`. Woman as the Creator`s Producer is devoured by men. She is the history of civilization, and that`s what history documents - men`s devouring of her Product. Saturn is the red dragon in Roman mythology, because he devours his own children - prefiguring Satan - and, in fact, those who suffer from lead poisoning are described as `gloomy`, which is how a sadist`s victim lives. Revelation is warning of sadism: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

`You can lead a horse to water but you can`t make it drink` is a proverb.1 Saddam Hussein (1934-2006), in his gassing of Kurds,2 committed the greatest crime in Islam, which is poisoning one`s own well. In encouraging Bush I and II to attack him, he was `lead poisoning`, that is, leading Texan George Bush Jr`s (1944-) warhorse to the `poisoned well` in order to bring sadness to the American Dream of life, liberty and the pursuit of happiness` while proclaiming sadism. `I be Saddam` means `I beast am` or `I am the sad beast.` George Bush Sr (1924-) was not so naive and wouldn`t have responded to Saddam. He would`ve responded to Al Qaeda. There is a second `beast` in Revelation, which has `two horns like a lamb but speaks like a dragon`, and suggests the Twin Towers of New York, that is, innocent development and progress - unless threatened.

The `lamb of God` in Revelation is awaiting the `marriage of the lamb`, and is not a devourer of Woman and her Product, but the one that `speaks like a dragon` is; because it`s a war machine and represents the danger of overweighting. Declaring a `War on Terror` (2003-) presupposes a secret: that terror is being secretly prepared. Therefore everyone is under scrutiny as a potential threat. This is `the number of the beast`, which means that everyone is `numbered` and under surveillance. `I`ve got your number` is a phrase used in England as a threat. It is the end of life, liberty and the pursuit of happiness`, because you can`t have `liberty`, and this is what the attack on the Twin Towers by the `first beast` in 2000 is designed to achieve, the awakening of the USA and installation of sadism by excusing it as `torture` and a `necessary evil`. The `War on Terror` is, therefore, a continuation of terrorism by means of a surveillance system that, ostensibly, means safety, but actually terrifies the victims because that is what the sadist intends.

In Mars Attacks (1996) `aliens` appear on Earth and are greeted - as the North and South American Indians greeted the Europeans - but the aliens maniacally laugh and begin shooting everything crazily. It`s a transposition. In fact, men are the aliens. In Arabia Christina Applegate`s (1971) scenes were removed from the movie. I thought it prudery, but in hindsight God was saving because the recognition is that she isn`t an alien, but men are. 911 is the phone number for the police in the USA and 999 is the phone number for the police in the UK and British Commonwealth and elsewhere. Consequently, 9/11 means the police response to the bullies, but 666 means a reversal in which the police become the bullies and, under the pretense of securing us against terrorism, frighten everyone into giving up freedom - and happiness.

Saddam Hussein was the bully that endeavoured to bring about global sadism. The `false prophet` of Revelation is the believeable `policeman`. `If you want to know the time ask a policeman` and, if he will not tell you the correct time, he`s a `false prophet`. American science fiction writer Robert A. Heinlein (1907-1988) wrote a novel called The Number of the Beast (1980), which posited a car that could travel backwards and forwards through time and space. Sometimes people have de ja vu experiences, which means that the `policeman` has been there and you have remembered. You are not being told the correct time. You can always remember the past but, if you can remember the future, you understand that the `policeman` isn`t giving you the right time, which means he`s a sadist who`s preparing us to for torture rather than life, freedom, and happiness.

The threat is the Devourer, which is the first `beast` of Revelation, Saddam (`I be Saddam` - `I beast am`) and 9/11 - and New York is the `Big Apple`. The serpent in Eden has eaten throughout the course of history and has become a red dragon that wants to devour the American Dream of `life, liberty and the pursuit of happiness`. The dream is of an innocent life, without the threat of devourment, and eternal development and progress - Star Trek: `These are the voyages of the starship Enterprise. It`s ongoing mission; to seek out new life and new civilizations: to boldly go where noone has gone before.` (1965)

The `prime directive` is `non-interference`, which is the American Dream of development and progress without threat to `original innocence`. That is why Al Qaeda attacked the towers of the World Trade Centre, because the Enterprise is the USA`s flagship. Defeat of the Soviet Union and it`s threat was not, as was planned, in economic terms; but in terms of Civilization. Woman`s Product was more attractive to Communism, that is, MacDonald`s, Coca-Cola and Star Trek (1965-) - because it was more attractive to devour. MacDonald`s was, in fact, a Trojan horse. In Homer`s Iliad (c.850 BC) the horse is used to capture Troy by leaving it by the city gates and hiding warriors inside it. The inhabitants saw it as a tribute to Troy and took it within the walls where the Greek warriors emerged to take the city.

Nowadays a Trojan virus is designed to take a computer. MacDonald`s was the Trojan horse used to take Eastern Europe, and everywhere else. Everybody devours at MacDonald`s. Devouring is the `programme`, as it were. The Trojan war began (1180s-1190s) when Paris stole Helen, the wife of Menelaus, and took her from Greece to Troy. As `the most beautiful woman on Earth`, she represented men`s desire to devour Woman and her Product - Greece and Troy. Effectively, Helen was `hamburger` - as the expression has it. MacDonald`s is the virus that is men who want to devour Woman`s product, which is Civilization. Its exporting of itself to the rest of the world indicates the desire of men to Devour the American Dream, which is more glamorous and therefore more attractive to the Devourer.

Hamburgers aren`t actually made from pigs, but men want to Devour the Woman as a pig, which is why pig meat is haraam or `forbidden` in Arabia and Judaism. In the Christian tradition, the `lamb of God` is Holy, which means that it is the most attractive for men as the Devourer. That is why Jesus is hung upon the cross as a `lamb` and butchered, but Ascension follows. He is not eaten by the cannibals, although the transubstantiation of the bread and the wine into the body and the blood in the Catholic Mass suggests that they want to - and God doesn`t.

MacDonald`s is `M`for Mother, which is what Helen of Troy doesn`t represent. She`s the attractive lure. Troy is the Mother`s Product, and the warriors that take the city are the viruses produced by her younger avatars - the viruses produced by the `hacker`, the evil worm that has been trying to Devour her since Eden while persuading her she wants to be Devoured. When the red dragon of Revelation appears to Devour the child of the `woman clothed with the sun and with the moon at her feet` it`s a temptation to her: `Stop producing and let me Devour it.` is what he might be saying. That`s why the child `rules the nations with an iron scepter`, because God`s law is `God`s love` and it must be enforced or the Woman will succumb to the auto-suggestion that she allow her Product to be Devoured. Jesus on the cross represents the same bipolarisation; he teaches Redemption but is presented by the evil as a suicidal homoerotic figure with masochistic tendencies that appeal to sadists. The `woman` of Revelation gives birth to God`s love, which is the Word of God after mankind has been taught by the Holy Spirit as the Paraclete. It is the love of Civilization and not the destruction of it. This is Redemption. To resist the Devourer and protect the Product, because it is God`s Creation.

The Greeks had a word for what happens: enantiodromia. It is when a good thing becomes a bad thing by overemphasis. The fish is a symbol of Jesus in Christianity, and a symbol of wisdom in Islam. The New Age begins as the Age of Pisces ends, which is the era of the two fishes. It is the New Age of Aquarius and Woman. Islam accepts the Will of Allah and Christianity accepts the Holy Spirit and the teachings of Jesus, who is depicted as feeding thousands of people with two fish in the New Testament. In `The Cave`, Sura 18 of the Qu`uran (610-32 CE), Khidr is the `fish`:

`The two set forth, but as soon as they embarked, Moses' companion bored a hole in the bottom of the ship. `A strange thing you have done! exclaimed Moses, `Is it to drown her passengers that you have bored a hole in her?` `Did I not tell you`, he replied, `that your would not bear with me?` `Pardon my forgetfulness`, said Moses, "Do not be angry with me on this Account`. They journeyed on until they fell in with a certain youth. Moses' companion slew him, and Moses said: `You have killed an innocent man who has done no harm. Surely you have committed a wicked crime`. `Did I not tell you`, he replied, `that you would not bear with me?` Moses said: "If ever I question you again, abandon me; for then I should deserve It`. They travelled on until they came to a certain city. They asked the people for some food, but the people declined to receive them as their guests. There they found a well on the point of falling down. The other raised it up, and Moses said; `Had you wished, you could have demanded payment for your labours`. `Now the time has arrived when we must part`, said the other, "But first I will explain to you those acts of mine which you could not bear with in patience. 'Know that the ship belong to some poor fishermen. I damaged it because in their rear was a king who was taking every ship by force. `As for the youth, his parents both are true believers, and we feared lest he should plague them with his wickedness and unbelief. It was our wish that their Lord should grant them another in his place, a son more righteous and more filial. `As for the wall, it belonged to two orphan boys in the city whose father was an honest man. Beneath it their treasure is buried. Your Lord decreed in His mercy that they should dig out their treasure when they grew to manhood. What I did not done by caprice. That is the meaning of the things you could not bear with in patience ...`

Khidr and Jesus represent God`s wisdom. This is what Moses doesn`t understand because he has the ego of men who need cause and effect. Jesus feeds thousands of people against the laws of probability with two fishes (Matt: 14.13-21), which is `witchcraft` and that`s why he`s crucified: he has Woman`s wisdom. Islam and Christianity were `twin fish` swimming in the same waters of Faith, and could only perceive their own particular vision. After 9/11 the fate of humankind was determined. Men had begun their Devouring of Civilization in an effort to prevent the Age of Woman from being. Saddam began the implementation of sadism and the `world`s policeman` began labelling everyone with the number 666, or `terrorist suspect` to be tortured until proven innocent, which is what the old `ducking stool` was for witches; innocent if she drowns and guilty if she floats: so ended the Age of Pisces which began with Jesus` accepting of baptism from the waters of her spirit, and ended with it being suggested that her innocence was `fishy`. She taught Jesus and is as wise as Khidr. The `twin fish` of Islam and Christianity are nourishing, and necessary if innocence is to develop and progress without threat, which is the American Dream and Manifest Destiny.

There are many Moslems in the United States of America and Islam is, therefore, a part of it. Former world heavyweight boxing champion Mohammad Ali (1942-) changed his name from Cassius Clay and, although Cassius Longinus` spear is the Spear of Destiny, `Cassius` means `unlucky` because Jesus` side was pierced by it, which is why Clay - and many believe man was made from clay (Gen: 2.4-25) - changed his name to Mohammad, the name of the Prophet of Islam, and Ali (599-661), son of the Prophet and leader of the Shi`ia Moslems, who adhere to the Prophet Mohammad`s (ca.570/71-632) hadith or teachings (Suni Moslems adhere to the teachings of Mohammad`s `companions`). Mohammad Ali`s name symbolically accepts all Moslem hadith or teachings, including Jesus` and, in Islam, Jesus` Ascension doesn`t require crucifixion. His is a bodily Ascension on the strength of his wisdom. Significantly, in the Christian myth, the Paraclete emerges from the side of Jesus to teach mankind. What she taught is that Islam and Christianity are a single path that can be descried but men of the West and of the East prefer the tears of the saddest rather than God`s love for the Woman and her Product - Civilization. Men`s fate is perdition, and man`s fate is Redemption if he doesn`t have feet of clay and accepts the Holy Spirit.

1 Old English Homilies, 1775

2 Cole, Juan `Did Saddam Gas the Kurds?` History News Network, 2nd April 2003,

Britney Spears` Oops I Did It Again, Supermarionation, and Thunderbirds

Descending onto her stage set in Oops I Did It Again Britney Spears` science fiction pop extravaganza pays homage to the British `puppet` series Thunderbirds, created by Gerry and Sylvia Andersen in the 60s. Made into a Hollywood film starring Vanessa Hudgens and directed by Star Trek`s Will Ryker, Jonathan Frakis, in 2004, Thunderbirds featured `International Rescue` and a cast of puppets with strings often visible as they captured the hearts and minds of a generation of kiddies. Appearing in the kids` comic TV 21, the Thunderbirds cast were closer in conception to the movie version because the characters appeared better drawn without signs of a `puppeteer`. One of the more obvious `scenes` resembling Thunderbirds of `Tracey Island` is that in which Britney gesticulates and the male dancers collapse around her like the palm trees collapsing around Thunderbird 2`s `take off ramp` as it prepares to leave on a `mission` for `International Rescue`.

Britney, in her red pilot`s suit, is depicting Thunderbird 3 too, which is a bright red spaceship, while her appearance also alludes to the bright red nose cone of Thunderbird 1. Raising her spaceman visitor, who has arrived from Earth, he dangles helplessly above her as she takes the role of the `puppeteer`. Below the spaceman Britney appears in a white bikini dress, and so the spaceman `hovers` above her like Thunderbird 2.

Britney`s Oops I Did It Again `scifi` is referring to the novel The Puppet Masters by the USA`s first `Grand Master` of science fiction, Robert A. Heinlein (1907-88), in which `slugs` take over the bodies of the people of Earth and can only be perceived if the people are naked. Many critics have thought the `slugs` refer to the USA`s 50 `s fears of `communism`, which often transpired as aliens in the movies of the period and appears in a later 1959 Heinlein juvenile novel as the `bugs`. Starship Troopers was made into a movie in 1997, and Podkayne Of Mars is Heinlein`s juvenile girls` novel that Britney`s alluding to when she suspends her spaceman above her like Thunderbird 2.

The feature of Thunderbird 2 was that it had a `pod`, so Britney hoists her spaceman above `Poddy`, that is, herself in a white bikini dress, because she is playing the role of the character in Heinlein`s Podkayne Of Mars. Her spaceman is Thunderbird 2 hovering above its `Pod`, which corresponds to Thunderbird 4 because the `pod` of Thunderbird 2 contains Thunderbird 4, as a baby in a mother`s womb.

If women have a penis of their own, as futanarian women do ( ), it would only be possible to see that they were a part of the species of woman if they were naked. According to the Bible there will be perpetual `enmity` between the serpent`s `seed` and that of the woman`s `seed` and war in heaven, which her `seed` will win. Because `seed` is semen the woman described as `hidden` has a penis of her own and is the true species of the planet Earth.

The aliens are men because `slugs` is the word used to describe bullets and `shots` of alcohol, which denote the method applied to those who are conscious, or capable of awakening to the fact that the people on the planet Earth are murdered if they show signs of intelligent life, or are `dumbed down` by means of the fake attractions of alcohol poisoning.

`According to the developmental depth psychology of Carl Gustav Jung (1875-1961) the collective consciousness of mankind functions at such a low level that it corresponds to what Jung terms the subconscious or collective shadow that functions much in the way that Heinlein envisions the `slugs` as functioning in The Puppet Masters. Britney`s perception is that woman as a species with her own penis can`t be free because of the collective shadow of the alien subconscious of men possessing her as a female collective unconscious of its role as `host` womb to the parasite, and based on unconscious acceptance of the male alien seeking symbiotic relations: `... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1

The `blood plague` of the `red dragon` of Revelation corresponds to the HIV/AIDS virus which became virulent in the last quarter of the 20th century as an incurable `killer disease` that functioned as a form of men`s biological warfare against women`s `host` wombs. As a parasite men function as the HIV/AIDS virus does insofar as it `feigns friendship` for the woman in order to infect her with its parasitical alien life form, or `slug` as Heinlein refers to it in The Puppet Masters. The `slug` might be interpreted as a euphemism for the penis that isn`t sexually interested in the woman.

Western civilization began in ancient Greece with a society that wasn`t sexually interested in women at all but promoted the spread of its homosexual pederasty by means of the enslaving of women`s wombs through devouring wars against her, which is what the `red dragon` of Revelation represents, and its `blood plague` is its continuation of war against her in the form of HIV/AIDS` biological warfare against her daughters.

Against Troy the Greeks employed a huge wooden horse inside which they hid and, when the Trojans, believing the horse to be a `friendship gift`, took it into the city, the Greeks emerged to enslave the wombs of the women for homosexual pederasty. On 9/11 the Arabian terrorists similarly `feigned friendship`, like the HIV/AIDS virus, when boarding a flight from Boston, Massachussetts, and crashed the hijacked planes into the Twin Towers of New York to spread homosexual pederasty`s contagion of terrorism and war further.

In Oops I Did It Again Britney focuses on Thunderbirds as an `International Rescue` force, with the main emphasis on herself in a white bikini dress as Thunderbird 4`s `pod` because of her referencing `Poddy` from Heinlein`s Podkayne Of Mars, but she`s also referring to the `pods` from the 50`s movie The Invasion Of The Body Snatchers, where `Poddy` would be the `body` to be `snatched`. In other words, it`s difficult to see the difference between an alien and a human if you`ve been taught that men are human and they`re aliens.

Although Britney`s spaceman appears to be alone we are given glimpses of `Mission Control`. Her spaceman has a camera fixed to the side of his space helmet, and we see `Mission Control` observing Britney through its lens from inside a `control centre`, which corresponds to Thunderbird 5, the `Space Station` of the Thunderbirds TV series and the research and surveillance technology Britney needs in order to `unmask` the aliens.

Thunderbird 5 appears to be in the hands of the `aliens`, because the personnel of `Mission Control` are males. Although the suggestion is `Mission Control` is on Earth, Britney`s suspension of the spaceman above her `Poddy` suggests that he`s Thunderbird 5, the `Space Station`, and that there are `aliens` inside him, which correspond to `demons`, who constitute the equivalent of a hijacking of Air Force One, which is the plane of the President of the USA, by terrorists seeking to spread their plague.

In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour the child. In Oops I Did It Again Britney, in her red pilot`s suit, corresponds to Redemption, because she`s mothering, and that`s why she descends inside a giant`s ring at the beginning of the video. The spaceman is being taught Redemption, because the `New Redeemer` protects the woman after she`s given birth, which is why the spaceman corresponds to her `deliverer`.

In Thunderbirds Thunderbird 2 delivers Thunderbird 4, usually a submarine, and collects it later. Britney, in her white bikini dress, corresponds to Heinlein`s `Poddy`, that is, Podkayne of Mars, but also Thunderbird 4, which Thunderbird 2 picks up after each Thunderbirds ` mission` and so corresponds to her spaceman who, at one point gives her a gift.

`Beware Greeks bearing gifts` is an adage deriving from the Trojans` experience of the Greek gift of the wooden horse at Troy that the Greeks emerged from once it was inside the city so that they could enslave the wombs of the women within for homosexual pederasty and the spreading of its plague through warfare: `But I thought the old lady dropped it into the ocean in the end?`

Britney`s alluding to the `heart of the ocean`, a blue diamond that the heroine of the Titanic (1997) movie dropped into the sea at the film`s ending in memory of her love who`d lost his life helping others into the lifeboats when the ship, the Titanic, hit an iceberg and sank on its maiden voyage to the USA from Liverpool, England, in 1911. Because Thunderbird 1 is blue, and it`s an Earth rocket, which `International Rescue` use to respond quickly to disaster situations on the Earth, the blue diamond, or `heart of the ocean` and Britney, in her red pilot`s suit`, symbolize the blue rocket and the red nose cone.

In Jungian psychology, `Feeling`, which is associated with the heart, and `Intuition`, which is associated with the nose, or sense of smell, are female functions, because they are associated with the female soul or anima in man. Conversely, `Thinking` and `Sensation` are associated with the ears and eyes, and it`s because of the `demons` that have taken over the `Mission Control` centre. Britney`s spaceman is her Thunderbird 5 `Space Station`, but the `demons` are preventing him from hearing and seeing, and she appears in `98% oxygen` without a spacesuit to indicate that.

According to Jung individual development, or self-actualization, depends upon conscious differentiation of the four functions of consciousness, and the `Thinking` and `Sensation` function in man is associated with the ego. Britney`s perception is that `demons` are occluding `Thinking` and `Sensation`, that is, the ears and eyes, so that the individual can`t progress towards self-knowledge and wisdom because he can`t differentiate the functions of `Feeling` and `Intuition` by means of the ego, and these functions are associated with the soul or anima, which is the mediator of unconscious contents of the `Self` struggling to become conscious, according to Jungian psychology. Consequently, the `blue diamond`, as a symbol of the unconscious `Self`, is the `heart of the ocean` because, in Jungian psychology, the ocean is a symbol of the unconscious from which the archetypes emerge as impulses to development or individuation.

Britney employs the symbol of the `blue diamond` archetypally. Thunderbird 1 is a rocket ship but traverses the Earth, not the heavens, while Britney`s pilot, in her red suit, is the spaceship pilot of Thunderbird 3. Although the nose cone of Thunderbird 1 is red, like Britney`s red pilot`s suit and, in Jungian psychology, the nose or smell signifies `Intuition`, Britney`s symbol of `Feeling` is the `blue diamond` at the `heart of the ocean` of the collective archetypes of the unconscious. Britney`s `red planet` of Mars is an arid desert, because it corresponds to the individual who lacks `Feeling` and so needs the `blue diamond` of the `heart of the ocean` from Earth. Insofar as the blue heart of `Feeling` complements the red nose of `Intuition` of Thunderbird 1, Britney represents the red `nose cone` of Thunderbird 1 in her red pilot`s suit, and her spaceman is its `blue heart`. In her red pilot`s suit, Britney`s the `pilot` of the Thunderbird 3 spaceship but, as Thunderbird 1, Britney in her red pilot`s suit corresponds to the red nose cone of the Earth rocket of the Thunderbirds` International Rescue organization. Because `Red Nose Day`, is an annual British day of clownish fun, the `red nose` of Britney`s Thunderbird 1`s pilot`s suit relates to the concept of a sense of humour, whereas the `blue heart` relates to `blue` as pornographic material. Britney`s material becomes more humorous and pornographic. For example, in her video for Toxic, Britney appears in a uniform of Thunderbirds blue:

`Your toxic gun slipping under.`

Her super heroine is pictured breaking into a top secret laboratory in order to steal a phial of liquid, and the suggestion is that a cure for HIV/AIDS has been kept from the public. Because the parasitical aliens of the Earth want to improve their biological warfare against the `host` wombs of women to make it gender specific against her. Britney perceives that the `blue heart` and the `red nose` of Thunderbird 1 belong together. Because, although sex might be fun, HIV/AIDS isn`t funny to her.

Because the ego is associated with the spirit, religion is a `game` in which the faithful believe in their hearts and have intimations of heaven, while the `demons` occlude their ability to think and hear. It`s a `game` because the `demons` correspond to those who want neither men to develop, or women to have knowledge of their own penis, and so awareness of themselves as a species. Either scenario threatens to expose the aliens` striving to achieve and maintain global hegemony.

1 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.

Ugh Ape!

For Christians, agape means familial love (Matt: 22.37-40), and relationships based upon that concept of family. AIDS is, of course what is perceived as threatening family values. Largely perceived as a homosexually transmitted disease, it is described in the Bible as one of the plagues sent by God to punish mankind. `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

A `gay deceiver` is what the French call a roué, which is what the English call a rake, and deception is what philanderers practice. Homosexuals are `gay` because their activity is intrinsically deceitful. That is why the serpent in the Garden of Eden is a deceiver of Eve. She is persuaded to eat of the fruit of the tree of the Knowledge of Good and Evil (Gen: 2.9), which she also gives to Adam. God tells the serpent that there will be perpetual `enmity` (Gen: 3.15) between its `seed` and that of the woman`s. It is a simple equation: the evil will die and receive unendurable pain forever; and the good will live forever in God. The serpent represents the poisons (boy sons) of the Edenic pair; war and disease particularly: and, in these the Last Days spoken of in the Bible, HIV and AIDS.

Revelation presents sado-masochism. Those with the plague curse God who, as omnipotent good, would save them. Why do they not ask? Because, for them, Jesus` crucifixion - as the Son of Man - represents a homosexual sadist`s achievement. This is underlined by Longinus` cutting open Jesus` side with his spear, and declaring sadistically: `Surely this was the Son of God!` (Matt: 27.54) For a sadistic homosexual, what is being achieved is the torturing of God in the person of the Son who is, as a part of the Christian Trinity - and which for some includes the Virgin Mary (added misogynistic hatred) - God in fact. Moreover, for the sadist, Jesus represents the trained masochist; because he accepts the role that the homosexual sadist has prepared for him. Not only that, but he is made to see that it is his Father, God, who tortures him for the amusement of homosexual sadists everywhere: `My God! My God! Why hast thou forsaken me?` (Matt: 27.46)

God is, therefore, to a homosexual sadist, a homosexual sadist with overtones of paedophilia and pederasty (on the part of the father or otherwise) to go with the homoeroricism of the naked young man being tormented upon the cross by Roman soldiers with big spears. The only character missing from the ménage is the Holy Spirit, which is called the Shekinah (Ex: 40.35) in the Song of Songs and dwells in the Tabernacle where the Ark of the Covenant contains the Ten Commandments of God in the Old Testament. She is also known as the Glory of God and God`s Spirit, and Longinus is looking for her with his spear during the crucifixion. Eve was from the side of Adam and Jesus is the Second Adam, so where is Jesus` Eve? Longinus cuts open the side of Jesus with his spear to find her.

After Jesus` resurrection and Ascension to God, the Holy Spirit, that is, the Shekinah as Paraclete (1 John: 2.1) or `teacher` of God`s path to those who accept Jesus` redemptive teachings, has her role upon the Earth. Because of Longinus` role as the instrument of the sadistic homosexual, we must suppose that the sadistic homosexual now proposes to torture man (because he`s a sadistic homosexual) and woman (because he`s a misogynistic sadistic homosexual) because they have the Holy Spirit in them.

The ideal for the sadistic homosexual is to be within the spirit of the man or woman. The Shekinah is the Eternal feminine within Woman, and that relation constitutes happiness for normal women. The homosexual sadist would want to be within the Shekinah, which is why the practice of anal sex between homosexuals is Satanical, whereas Man`s normal relations with the Shekinah as the `spirit of God` constitute a basis for happiness. This is why Christ casts out demons: `...two demon-possessed men... met him. They were so violent that no one could pass that way. `What do you want with us, Son of God?` they shouted. `Have you come here to torture us before the appointed time?` (Matt: 8. 28-9)

They are the spirits of sado-masochistic homosexual misogyny, which theme is the torture of woman, woman`s spirit, and the individual who has accepted the female `spirit of God`, the Shekinah, or the person who has accepted the spirit but has been conditioned into the role of masochist by the homosexual sadist, which is the tormenting of God, as Jesus was also God`s unaccepting tormentor.

After Jesus` Ascension and the continuing role of the Eternal Feminine, the Shekinah as Holy Spirit and `teacher` in Jesus` stead, the sadistic homosexual that is the Satanical evil spirit of the planet, that is, men, seeks to torture God in everyone, which is possible from their point of view if the Shekinah is within and upon the Earth as the guiding spirit of God.

The Church may say that you have to accept the Holy Spirit, but a look at any newspaper will tell you that priests are sadistic homosexual misogynist pederasts. Hypothetically, they want you to accept the Holy Spirit in order to torture God through you, which is the Satanical spirit of the sadistic homosexuals who want to replace the spirit of God with their Satanical spirit. Sadistic misogynyst homosexuality towards those conditioned to accept masochism is how the torment of God is enjoyed. Ordinary `meekness` represents `merely` perfunctory torture without conscious participation on the part of the tortured, and from the point of view of the Satanical this is what the Shekinah or `spirit of God` is for.

AIDS came originally from monkeys, according to medical research,1 which is difficult to accept if one encounters an AIDS victim because it interferes with notions of universal familial love and Christian agape. But it helps to put things in perspective if the principle is accepted that God does not want sodomy, and that is why Sodom was destroyed. Similarly, if sadistic homosexuality is Satanical, HIV/AIDS is sadism looking for a masochistic victim, which means the `red dragon` of the `blood plague` is seeking to `convert` and `subvert` normal individuals to sado-masochism through `devices` such as BDSM. Anal sex is sterile, painful, and results in the `killer disease` of HIV/AIDS from the mixture of blood, shit, urine and semen, which is the reason Sodom was sterilized. Because it presupposed the masochism of Gomorrah, and that is why Gomorrah was sterilized. Because it required sadism. (Gen: 18,19), which is anal sex.

BDSM is marriage, faithfulness, and humility in God without sadism. Because bondage is marriage, dominance is faithfulness, and masochism corresponds to humility. Unless sadism is added.. Basically, it`s the Marquid De Sade`s AIDS monkeys forcing you to their level of non-human activity, which precludes development and seeks to `convert` others from it or `subvert` it. Because the acceptance of anal sex requires that the victim be tied. It is `Ugh! Ape!` Your ape of Satan as your rape and his aides (AIDS), which agitprop for torture instead of sex. Don`t have sex, you`ll contract AIDS is the torturer`s valence. For pleasure and spontaneous orgasmic elation at their demise, without even touching the dirty, bleeding animals, as Brett Easton Ellis advocates in his infamous novel about the snuffing out of lives for entertainment, American Psycho (1990-91).

This is 21st century psychosis, and logically derivable from `Noli me tangere.` (John: 20.17) approaches towards sex in an HIV/AIDS threatening environment. Murder people, especially if they look as if they might want to have sex. This is psychopathological, and it satisfies the desires of the sadistic homosexuals. Not only that, but the AIDS plague as a `punishment from God` suggests that God wants people to be sexually active so that they will have AIDS, which makes everybody a target for the sadistic homosexual misogynistic pederast psychopaths who teach that God hates sex anyway.

Moreover, if God hates sex and wants us to have AIDS, God hates us, doesn`t God? Brett Easton Ellis (1964-) produced such a `Godly` character: `You gotta kill a lotta people!` he screams at a phone he`s picked up after it rings while he`s butchering some people in their own apartment. He doesn`t have a motive; but if God hates sex then God hates people also.

Homosexuals are about deceit. They exist in an atmosphere which encourages them to be deceitful about their sexuality. Because it is sterile. Homosexuals `moon` over boys who have no interest in them at all and convince themselves and others that the boys desire them, which is a lie and the basis for rape and murder because it is the fulfilment of their valence. Sadists are similarly deceit oriented. They are concerned with finding victims who are not aware. The Game (1997) starring Michael Douglas (1944-) is presented as a movie entertainment in which the central protagonist loses everything after being manipulated by shadowy figures. The denouement is that it was all a `game`, but the character`s cuts, bruises, and traumas are real. Just as Jesus` were.

The Game is a conversion vehicle for BDSM acceptance, which is Satanical sadism. If the aim of sado-masochism is to promote the `blood plague` of HIV/AIDS, The Game is a vehicle of conversion, which is what sadists do. At game`s end you have lost everything and are melancholy, which is what sadism `produces`. They are elated while you are sad. Because you are. It is `the game` in which you are painted as a powerless masochist, and you become so irrespective of whatever powerful position you may have been in. Sadists may even let you think you are one amongst them; but the truth is it`s `the game` and you will be sadder and not wiser.

It is wise to understand that sadism is the spirit of the Earth. Saddamasochism is a recently recognized threat. Everybody is in danger of being at the mercy of some sadist or other: it`s the system. Saddam was a damn but he represented the sadist`s requirement; victims - willing or otherwise. Gassing the Kurds2 in Kurdishtan was `poisoning his own well`, which is the greatest crime in Islam. Rubbing the two sticks of the World Trade Centre together in 2000 to produce a conflagration in the Middle East was sado-masochistic insofar as Saddam was inviting the US Army to BDSM. As Saddam I his name means I am [the] sad [beast] of Revelation, because `the number of the beast` is 666, which is 999 or the number of the police in the former British Empire and Commonwealth reversed, as 911 was the telephone number of the US police reversed on 9/11. In Arabia the tradition of the `hamzad` also has a bearing on the meaning of Saddam`s name, which to kabbalists might be reconstructed as `Zadham`: `My lord! It was not me who seduced him at the beginning, but it was he himself who preferred blindness to guidance. So, I helped him achieve his goal through seduction.` Koran, Surah 50, Qaf. 27

Because Saddam`s name reversed is, effectively `hamzad`, Saddam`s is a reversal of fate because his path went awry when one of his military commanders invaded Kuwait, perhaps without his permission, and not as the result of seduction by the hamzad `companion`, or djinn soulmate, which is callled the Qareen in Moslem tradition. In other words, Saddam represents what the Moslem people`s call Shaitan, which is an individual Satanically influenced. Just as the Holy Spirit or Shekinah of Christianity is female, so the `hamzad` may be male or female, and good or evil, which suggests that the `companion` is good if female and evil if male, because the soul and spirit are female. In short, Saddam is Adam reversed, because Adam`s city was New York`s Eve`s, and his fate was evil because his hamzad was a male demon and not a female `companion`. Because the male valence of the Earth is the `red dragon` of devouring homosexual pederasty men want demons. The valence is depicted neatly in the 60s scifi TV series Star Trek in which the crew of the starship Enterprise encounter an individual with a female `companion` that appears as a spirit, and the episode details the crew`s efforts to separate them. The female spirit of the `companion` is perceived as `demonic` because it isn`t male, but the notion of `hamzad` meaning Saddam reversed suggests that replacing the female `spirit of God` with a male valence is evil.

In Revelation we are told `let him that hath wisdom understand; the number of the beast is the number of a man and his number is six hundred three score and six` (Rev: 13. 17-18), which is 666 while 9/11 is 911, the number dialled for the police in the USA. As a ruler Saddam is supposed to `police` his people, but a dictator `bullies` and so 999, which is the `police` number in much of the rest of the world, has become 666 as a symbol of the terrorist `bullies` that attacked the world`s policeman on 9/11.

Having received the emergency call (911), the USA exterminated Saddam with the help of the Coalition, including Britain where the police number is 999, which means that, although the police were seemingly ictorious over the 9/11 `bullies`, 999 can become 666 and rulers sado-masochistic dictators. Just as sadistic homosexuals` feigned interest in sex can blossom more quickly into torturing their victims within the BDSM `number of the beast` telephone network.

The American Dream is progress and development in innocence; whereas America actually progresses and develops under threat from figures such as Saddam. The USA accepts this handicap and remains prepared to fight for `life, liberty and the pursuit of happiness`, which is against Saddamasochism, being sad, and allowing sadists to make them unhappy. This is why the Americans believe in Manifest Destiny, which is the fulfillment of the American Dream. It is the hope that America progress and develop in innocence, that is, without being threatened: `In God we trust.`

1 Peiperl, Laurence M.D. `Did the Green Monkey Start AIDS?` Editor-in-Chief HIV In Site, University of California, San Francisco,

2 Cole, Juan `Did Saddam Gas the Kurds?` History News Network, 2nd April 2003,

The Moral Of The Bible: Virality Is Not Virility

Oops I Did It Again is Britney Spears` science fictional mimodrama after the fashion of Marcel Marceau, the mime. The video single takes place on Mars because she mimes her meanings as Marcel does, and the first allusion is to the original Star Trek episode, The Cage, which is an environment created for two crippled space explorers. Tab Hunter, the disabled first captain of the starship Enterprise, and Susan Oliver, the only survivor of a ship`s crash landing on the planet Talos. The big brained Talosians create The Cage by the power of their minds, which is what science fiction is before it becomes reality of course. The Cage is a `cell`, but the hero and heroine are kept because otherwise they could not live.

Oops I Did It Again is `Mars cell`, that is, Star Trek, The Cage, which is an illusion but real, because the big brained Talosians have created it on a video CD, and Britney is a storyteller in the tradition of the Arabian Scheherezade`s who picaresquely `sew` their story into a fabrication pleasing to the eye or ear. Consequently, she is `Mars cell`, and alluding to the proverb, `it is easier for a camel to pass through the eye of a needle than it is for a rich man to enter into the kingdom of heaven`, she is `Mars sew` because Oops I Did It Again is a reference to the pricking of the finger as the Sheherezade attempts to push and pull the thread through the needle`s eye.

The `framing device` for One Thousand And One Nights is Sheherezade`s story of Shah Jehan, who had his faithful wife`s head cut off, after accusing her of unfaithfulness, so that he could marry a new woman each day, and cut her head off in the same way, but Sheherezade kept her head, and the heads of the other women, by telling him a long `cliffhanger`, so signifying that it is possible for faith to exist in the imagination and for it to be real.

Sheherezade must keep the thread of her story going, according to the One Thousand And One Nights and, by keeping her head, the women will be saved. Britney appears in at least three different guises during the video. She is shown in her red suit hooking her spaceman `visitor` before suspending him above herself in a white bikini dress, and afterwards she somersaults in her red suit while transforming in mid-air into herself wearing a white blouse, black skirt and boots. When the spaceman visitor presents her with a gift, she asks: `But I thought the old lady dropped it into the ocean in the end?`

The reference is to the `heart of the ocean`, a blue diamond pendant dropped into the ocean at the end of the movie Titanic (1997), because of the heroine`s mourning of her lost love, who downed when the Titanic hit an iceberg. Hooked on her crochet needle the spaceman is in suspense. Britney is `creating [the] fabric [of her story] from yarn, thread [and] ... other material strands [of fiction] ... ` 1 The three Britneys are symbolic of the women to be saved by Sheherezade, and the spaceman `visitor` who appears part of the thread of the fabric of her story has brought her `the heart of the ocean` from the deep. She shows him the `deeper space` of her heart, and he dependant above. He is enthralled and she must tell the story that will save her.

The book of Revelation in the Bible contains ideas similar to One Thousand And One Nights because it requires faith in the imagination, and Britney`s Oops I Did It Again can be read as a biblical commentary on `the woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour the `New Redeemer` she is giving birth to, and who corresponds to the `deep pendant`, that is, the `New Redeemer`, as the `heart of the ocean` of the archetypes of the collective unconscious. Posited by the developmental depth psychologist Carl Gustav Jung (1875-1961) as necessary for individuation or personal growth, the `New Redeemer` represents abstract and personified images contained within dreams, art and reverie, which are the impulse engines of the instinctual drive of the spirit of humanity to the stars.

The distinctive emblem of Marcel Marceau is a red `pom pom`. Britney mimodramatically acknowledges his influence in Oops I Did It Again as `Mars cellphone video technology, and `Mars sew` because of her employment of the crochet motif in the fabrication of her fictional web. Britney, in her red suit, is `Major Red`, that is, a majorette, whereas `pom pom girls` are `cheerleaders`, which is just one of the roles she has in the video single, Hit Me baby One More Time: `In the past few years, a practice called yarn bombing, or the use of knitted or crocheted cloth to modify and beautify one's (usually outdoor) surroundings, emerged in the US and spread worldwide. Yarn bombers sometimes target existing pieces of graffiti for beautification.`2

A `pom pom` is crocheted using a `pom pom circle` that resembles a CD. Because Britney is carrying a `hoop` when she first descends to her set in Oops I Did It Again inside a giant`s ring as a `small woman`, her mimodrama is both mourning and celebrating NASA`s space programme. Such hoops as the one she carries are used in the construction of a `pom pom wreath` and Britney is lamenting the lack of political will in the United States of America to actually get from the moon to Mars. The giant`s ring inside which she descends with her hoop is a symbol of her preparing to lay a wreath at the temple of greatness, but `yarn bombing` is the beautification of achievement, whether small or large, which is a parallel theme of the mimodrama because the hints and clues with regard to meaning often reveal surprising depths if penetrated.

In terms of technology, a `pom pom` is like a CD because it is made flat but opens out to reveal its `valences`. Oops I Did It Again is Britney`s red, white and black `pom pom` because she wears these three colours in the making of the video. Her `sphere` of endeavour is the crochet work of beautification through `yarn bombing`, where the embroidering of a story`s valences is a part of the interactive enjoyment that a viewer can have with her image `on screen` to decipher her meaning and develop their own personal growth through depth analysis of the archetypal material she presents.

One Jungian archetype is the `New Redeemer` of the Bible, who protects the `hidden` woman of the Earth in Revelation until she is ready to leave and `sow` her `seed` in heaven, which suggests that she is a woman with a penis of her own, that is, futanarian, and so definable as a species apart from men. Revelation describes how she and her `seed` fight and win a war in heaven against the `red dragon` and the evil serpent`s `seed` grown since Eden. She receives a new heaven and Earth and the evil receive perdition. Because the woman with a penis, that is, futanarian woman, is `hidden`, Revelation requires faith in imagination, and belief in God`s storytelling. Otherwise it would not be possible for the thread of the story to be perceived. The proverb `it is easier for a camel to pass through the eye of a needle than it is for a rich man to enter into the kingdom of heaven` relates to the perception that men`s valence is not enough to carry them through the `needle`s eye`, and so `yarn bombing`, which is the beautification of what is unsightly using a crochet `hook`, and not a needle, is Britney`s consoling alternative.

The `red dragon` of Revelation may be considered to be `nature red in tooth and claw`, which is a line from Sir Alfred Lord Tennyson`s 19th century poem In Memoriam and is often used to support capitalism and the economics of `survival of the fittest`, which is essentially the observation that consumption is success. Of course it begs the question: what should be produced? The 20th century put Neil Armstrong on the moon but used rocket technology to threaten the world with nuclear holocaust, which corresponds to the devouring `red dragon` of Revelation as a consumptive. The `New Redeemer` of Revelation is depicted as helping to hide the woman and facilitate her escape from the Earth, whereas the red dragon is associated with the `blood plague`, which was revealed in the last quarter of the 20th century as HIV/AIDS, a valence of homosexual pederasty`s psychological and biological terrorism against the wombs of women.

In ancient Greece the wombs of women were enslaved by homosexual pederasts that spread their plague by means of war. At Troy they constructed the prototypical medium for infecting other societies with their virality in the form of a huge wooden horse inside which they hid and pretended to be leaving it as a gift for the Trojans who took it into the city of Troy where the Greeks emerged and enslaved the wombs of the women for the future of their `boy sons`, that is, the future `poisons` of HIV/AIDS and other STDs communicated by the devouring red dragon`s valence of homosexual pederasty and `blood plague`.

On 9/11 the friendship feigning of homosexual pederasty`s valence saw terrorism emerge in Boston, Massachussetts, when hijackers pretended to be visiting New York and crashed their `civil` aircraft into the Twin Towers of the World Trade Centre so promulgating machismo virality and plunging the globe into terror. That the HIV/AIDS virus, or `blood plague` of Revelation, is a valence of the devouring `red dragon` of homosexual pederasty and war is unmistakable because of the methodology of the HIV/AIDS virus. During its attack upon the defence systems of the body, it feigns friendship for the white cells that defend the red cells that are its life and, after they have been accepted, like the `Greek horse` or the hijackers` plane ticket, the virus kills the body. 9/11 was a viral attack because it wasn`t designed to defeat the United States of America but spread its valence of terror.

Microsoft, and other computer oriented companies, assisted the virus by defining virality as `Trojan` rather than `Greek`, which is a worldwide euphemism for homosexual pederasty, and an insult not only to those of the rescue services who `worked like Trojans` on 9/11 but also to those living in upstate Troy, New York, which was on the flight path of the terrorist `plague game` and could have been next.

Britney Spears is a genius in Oops I Did It Again because she perceives that it is the eye that is deceived in its relations with the world. Much of the imagery is of the eye of the camera and how she appears beneath it. At one point she appears in her red suit to suspend her spaceman visitor above her `double` in a white bikini dress, so that the spaceman can film her with the camera attached to the side of his space helmet and relay pictures back to `Mission Control`, who are observable watching her through the lens of the camera which appears as an eye. The symbolism is sexual because the eye is that of the penis because it finds her desirable.

Suspended by the side of the spaceman`s helmet are the tines of a huge fork, which suggests the devourer, and indicates the problem. If women have a penis of their own, as futanarian, and so are a species, then men are an alien viral parasite that seeks to enslave and devour her. In other words, the penis of men sees with the eye of the devourer. In the New Testament Jesus` dead and crucified body is pierced by the spear of the Roman centurion Longinus, and the Paraclete effectively emerges from the side of the `Second Adam` as the `Second Eve` to be the spiritual `guide, comfort, helpmeet, and teacher`.

Men are not women, and if women have a penis of their own, the Holy Spirit or Paraclete corresponds to the female `spirit of God`, that is, the Shekinah of the Old Testament. She who dwelt in the place of the law in the Ark of the Covenant of God`s promise to the `chosen` becomes, after Jesus` Resurrection and Ascension to heaven, the spiritual `guide, comfort, helpmeet, and teacher`, and so the eyes of the penis of woman as a species` guide has female eyes in the person of the Holy Spirit. However, if men`s eyes do not accept women, or men and women`s eyes are possessed by the eyes of the evil serpent`s `seed` of homosexual pederasty, and cannot see with the eyes of the spirit of God, they have accepted the devouring `red dragon` of the red planet Mars, the god of war, and HIV/AIDS` `blood plague` of terrorism, which is foreshadowed in Jesus` torment and crucifixion, and God`s warning is the destruction of Sodom and Gomorrah, which were the `cities of the plains` (Gen: 18,19) thousands of years before 9/11`s terrorists` reawakening of the devouring `red dragon` of the `blood plague` of homosexual pederasty and war at the `cities of the planes`, New York, and Arlington`s Pentagon, Virginia, 2000 AD.

In the developmental psychology of Carl Gustav Jung (1875-1961) the `transference` is the single most important aspect of the individuation process whereby the individual achieves self-actualization or consciousness. According to Jung the process is determined by the individual`s recognition of projections of the soul or female anima, in the case of a man, which is an archetype amongst many that exist in dreams, imagination, art, or reverie. The archetypes function as images or personified aspects of the psyche that impel consciousness, and the Holy Spirit is archetypal insofar as it impels individuation. A successful transference is the awareness that, if you are not looking with the eyes of a woman, you are not looking with the eyes of the penis, because women with a penis are the species of the planet Earth, and so the penis is female. If you are looking with the eyes of a man, you are possessed by the `demon` of homosexual pederasty and devourment, because you are looking with the eyes of that which is neither human, that is, female, nor Godly, because it is not you if it is not female, and that is the secret of God.

Oops I Did It Again refers to a woman`s dilemma with regard to how she appears to the eyes of those with the penis that watches her. Obviously masturbation is an aspect of the relationship between her image and the viewer, which means that the eyes of the devourer are upon her. Oops I Did It Again means that an `I` can see, and it masturbates because it wants to see more. The Holy Spirit is the guide for the eyes that want to see, but the evil do not want the Holy Spirit. Because they don`t want the eyes to see. That is why they encourage the false machismo of the virality of the `red dragon` of the homosexual pederasty of war; for example, Saddam Hussein and those who are like him. Because true humanity is the virility of women with a penis of their own as the species of the Earth, and they don`t want her to see either.

One of Marcel Marceau`s more famous mimodramas was also called The Cage, which again helps us to penetrate the clues and hints of Britney`s science fiction mimodrama in Oops I Did It Again. When her spaceman `visitor` arrives on Mars, she in her red suit is discovered living with herself in a white bikini dress, which is both an interesting reference to the Jungian transference by way of the ability of the Talosians in Star Trek, The Cage, to transform the hero and heroine by mental power so they can live together, and a representation of the valence of women`s love for each other, which is often defined as psychologically `abnormal`. However, because women are a species with a penis of their own, lesbianism is the human species` natural valence, and corresponds to Sheherezade`s faith in imagination in One Thousand And One Nights through which all of the women are saved.

Because lesbianism is the valence of the human species, sexual desire for the woman is female, and so is the penis. Consequently, the machismo of devouring homosexual pederasty, symbolized by the `red dragon` of Revelation, and its `blood plague` of HIV/AIDS, is what men define as masculine, whereas maleness is rather virality than virility. Appearing as the Gemini twins, Britney in her red pilot`s suit and white bikini dress is an allusion to NASA`s `Gemini` space programme, but Britney is also calling herself `Chairman I` because of the commonly held 50s precept that science fiction should portray Chinese communists as identical aliens (Britney`s `triplets`) who share a `hive mind` that is antithetical to capitalism. Indeed, the movie Starship Troopers (1997), where the brave `boy sons` of Earth fought against the undifferentiated `bugs`, was a metaphorical release of hatred, that is, the `poisons` of the real `red dragon` of homosexual pederasty and war against communal life, which appeared alien because peaceful. Starship Troopers was originally a 1959 juvenile novel by the American Grand Master of science fiction, Robert A. Heinlein (1907-88), and celebrated the founding of the USA`s Green Berets by President John F. Kennedy, so representing tacit acceptance of President Richard Millhouse Nixon`s subsequent deployment of the Green Berets to dehumanize and exterminate Indo-China`s `gooks` in Korea, Vietnam, and Cambodia with carpet bombing, napalm and the defoliant `agent orange`. Before Mao Tse Tung`s (1893-1976) China stopped it. Mao founded Chinese communism, and his `little red book` contained over four hundred realpolitik insights: `No political party can possibly lead a great revolutionary movement to victory unless it possesses revolutionary theory and a knowledge of history and has a profound grasp of the practical movement.` 2

The notion that communism is the product of an alien `collective` is no more obvious than that `Germany`, which word has a pronunciation similar to `Gemini`, was what Jung termed a shadow collective of inflated negative personality traits in the 1930s. Britney`s video Oops I Did It Again is her `little red book` in `letter box format` presenting her manifesto for change. At one point she somersaults in the air to stand before her spaceman, and transforms en l`air from red pilot`s suit to white blouse with black skirt and boots, which was the uniform of the girls of the `Hitler Youth` in the 30s. Receiving a gift from her spaceman, she asks: `But I thought the old lady dropped it into the ocean in the end?`

The allusion is to the movie Titanic (1997) in which the `heart of the ocean`, a blue diamond pendant, is dropped into the ocean at the end of the movie because the heroine is mourning her lost love who drowned when the Titanic hit an iceberg and sank. Although Britney appears `mousey` in Oops I Did It Again, she is the Mouse, `Say Tongue` because of her former life as a child star with the Mickey Mouse Club, who later provided the impetus for `Saytonguism`, that is, sinking her marital relationships by plaguing her with slander. In fact the video opens with `Mission Control`: `Earth to Mars Lander. Report status please.`

They are asking for the latest gossip on Britney Spears` relationship with herself, that is, the `Mars slander`, but Britney`s message from her `little red`s e-book` is a universal one. Don`t believe what you`re told. The Chinese aren`t identical and neither is she and her `Martian` sister. The devouring `red dragon` of homosexual pederasty and war would eat her because she is a woman, not because she is part of a `hive mind`, or `Hitler Youth`. In the Bible the `chosen` have a `little Red Sea book` of their own. God promises a `land of milk and honey` if they obey the `book of the law` and traverse the Red Sea.

For Britney it is faith in imagination, because the mind of God is revealed to the faithful as the story unfolds, and they read it from the Bible. Oops I Did It Again is imagination in faith, because the red planet Mars is a sterile place of sand without the waters of a Red Sea and, as T.S. Eliot`s 1920 poem The Wasteland advocates, imagery from the archetypes of the unconscious have to be employed by the writer attempting to stimulate spiritual growth in the sterile mind of the reader, and on into the world outside of the poem or, in the case of Britney`s Oops I Did It Again, after stimulating the arid mind of the viewer, the world outside the video will bloom.

Britney employs mimodramatic effects to stimulate the imagination of the viewer at an unconscious level but in a determinedly awakening style that presupposes enough faith in the watcher to want to decipher her meanings and so grow and develop spiritually through her `teaching`. Her mimodramatic movements are difficult to understand, but they are neither for the blind or the deaf, and her lyrics are not for those who can`t read. Several times in the course of the video Britney makes the sign of the wine glass by raising her hands, which is both a symbol of the Holy Grail, that is, the bowl from which Christ ate and drank at the `Last Supper` before his crucifixion, or the cup from which `Babylon, the Great, mother of harlots, and of the Abominations of the Earth` drinks in Revelation. The cup of Babylon contains `fornication and abominations` because it is a poison cup full of HIV/AIDS and STDs that represent the `blood plague` as a valence of the `red dragon` of homosexual pederasty and war. Jesus` cup denotes `the body and the blood`, because the Holy Grail is a bowl from which he ate and drank. In offering the `bread and the wine` in fellowship, Jesus was indicating that his `body and blood` was not diseased, which is why he was conceived without the semen of a man and born of a virgin. In other words, everyone must be born without the semen of a man, that is, from the futanarian woman who has a penis of her own, and is the species of the Earth as woman. `Babylon, the Great` is great, because she is able to survive with the virality of men, and the cup as the symbol of the `mother of harlots and of the Abominations` is of the `Greek whores` who are forced to give birth to the `boy sons`, who are the `poisons` that make of her womb a `Greek horse` from which they emerge to make war upon her citadels of culture and civilization to enslave her, and further spread their plague of devouring homosexual pederasty and war.

In Oops I Did It Again Britney is intelligently appealing to the penis of the woman, that is, the several eyes of the camera which are depicted within the video, and are aspects of the eye of the video itself, which the viewer perceives as a single eye also, is representative of the eye of the penis which cannot see, but is the desireful focus of the visual material. If the video is purely sexual, the meaning is the erection of the masturbator`s penis, whereas if the video contains material designed to be thought upon, its meaning is developmental. Consequently, there is an admixture, in terms of meaningfulness, between the cup of Jesus and the cup of Babylon, that is, desire stimulates development. Britney is aware that she must communicate sexually in order to communicate. For the penis of the woman sex is good and not `poison`, because `boy sons` will no longer be produced when futanarian woman with a penis of her own ceases fornicating with the virus, that is, men, and so stops producing the `abominations`. Britney`s mimodramatic depiction of herself as a `glass of red wine` represents desirefulness as good per se, because it`s developmental. Whereas the Bible describes the woman drinking from the `cup of her fornications and abominations`, that is, her `boy sons` who are `poisons`, the penis is the woman`s. What is attached to it is only a valence of virality, that is, the `poisons` of male homosexual pederasty`s `boy sons`. Although the penis represents the source of all developmental functionality, it is the valence of woman as the Earth`s species, which is `futanarian`, and the measure of virility is development, represented by `scifi` Britney in Oops I Did It Again, and not the developing of better valences for the virality of the `red dragon` of devouring homosexual pederasty, which is represented in Oops I Did it Again by `Mission Control` who appear to be guiding the spaceman, but actually function as misleading demons because they have confused the penis into believing it is virile whereas it is in fact viral.

Britney`s feelings of being `misled` found her adopting the title `Miss American Dream` for Piece Of Me (2004), and the cover sleeve for the single featured her crucified. Identifying with Christ`s work of Redemption is what her `piece of ass` had been led to. However, as a `piece of work`, Britney is the `American Dream`. Christ`s side was opened by the spear of the Roman centurion Longinus at his crucifixion, which effectively signaled the emergence of the Paraclete or Holy Spirit from the side of Jesus as the `Second Eve` from the `Second Adam` as humanity`s `guide, teacher, comforter, and helpmeet`. The spear of Longinus was afterwards known as the Spear of Destiny and the USA adopted it as a symbol of Manifest Destiny and the American Dream, which is why Britney Spears` name insofar as it is symbolic of the Paraclete or Holy Spirit as a `piece` of the female `spirit of God` represents the `dream` of e pluribus unum, `the many and the one` God: `I`m Miss American Dream since I was seventeen.` Piece Of Me

Celebrating an airship disaster in New Jersey 1939 on the cover of their first album was miss `American Dream` for `misled Zeppelin`, which was what Keith Moon, the drummer of The Who, said of the `69 inception of rock band Led Zeppelin, `It will go down like a lead balloon.` Jefferson Airplane knew enough to change their name to Jefferson Starship, but the idea of naming the future of pop music after a First World War German balloon most famous for dropping bombs on Liverpool was obviously retrogressive. The second studio vinyl album Led Zeppelin II (1970) featured a gatefold sleeve for the vinyl recording that depicted a gold Zeppelin airship, which reflected upon alchemy, that is, the transmutation of lead into gold as a metaphor for artistic and individual development. However, in WWI it was simply the precept that people stay alive if you don`t shoot them, which was the idea behind the Led Zeppelin `live` career celebration CD How The West Was Won (2003).

The goal of the alchemical opus is described variously as `the pearl of great price` or `the elixir of immortality`, but in essence it`s that lead is poisonous, which means that Led Zeppelin was `misled` Zeppelin. In the `publicity blurb` on the cover of the `live` CD album, How The West Was Won, Led Zeppelin are described as `Satanists`, which essentially entails killing the penis so that it can`t see, that is, preventing development, and so the first Led Zeppelin symbol was a crashed airship because `misled` rivalry doesn`t want to see anyone else at the top, even if it`s desirable.

In Britney`s Oops I Did It Again Mars has `98% oxygen`, which is certainly enough `air` for the penis, which needs blood oxygenation to inflate its desirefulness for woman and development. John Bonham, Led Zeppelin`s drummer, died in 1980 after a `choking fit` and Moby Dick had been the title of John`s Led Zeppelin `signature` drum solo which title was chosen from a novel by Herman Melville that had the first line: `Call me Ishmael.`

In Arabia the `Eid` is the `feast` that celebrates God`s sparing of Isaac when Abraham is asked to take Isaac up the mountain to be sacrificed. God relents and the Eid is the celebration of the sparing of Isaac, which is paradoxical because the line of Isaac founded Judaism, while the line of Abraham`s son Ishamel became Islam. If John had lived, his son Jason`s band Bonham would have been the rival of Led Zeppelin, but Satanism, which Led Zeppelin are proclaimed as espousing on the `press blurb` for How The West Was Won, would have killed Jason Bonham`s band. Jason would have been sacrificed to Satanism, if Led Zeppelin had been Satanists. But the `Eid` celebration of Arabia is a symbol of how disparate development is not rivalry. If God had commanded Abraham to sacrifice Isaac on the mountain, Judaism would not have existed, and the line of Ishamael would have prospered. But God did not require Isaac to be sacrificed, because that would have been Satanism, and Led Zeppelin did not prevent Jason Bonham from forming the Bonham band, which means that they aren`t Satanists either because the principle of disparate development has been embraced.

In Melville`s tale Moby Dick, the white whale, has enough `air` to dive into the ocean of the unconscious contents of the psyche, where the archetypes exist as impulses to development. Indeed, Melville`s symbol of the white whale is perceived in literary criticism as the penis, because of its untamed sexuality, and men`s intention to kill what is in fact the developing futanarian woman`s penis of the future, in Melville`s Moby Dick becomes the quest of Ahab aboard the whaling ship Pequod to kill the white whale as the female penis surrogate, so that woman`s archetype remains an abstract hermaphroditic symbol of male-female esoteric unity murdered in the ocean of the unconscious, whereas the hermaphrodite is in fact a real picture of woman as she is.

In the novel Moby Dick, Moby Dick is a white whale which is killed by a whalers` harpoon. However, `dick` is a universal euphemism for penis, because the developmental functionality of the planet Earth devolves from it as the source of instinctual libidic energy transformed into intellect and spirituality through the penis` aspirational desires. Because the developmental penis is, properly understood, futanarian woman`s, putting a man on the moon was a declaration of war against her, which is why the flag of Al Qaeda`s `yellow moon on black` is a symbol of an intention to kill the woman`s penis that is attached to men`s virality, and then her penis won`t be able to see with the eyes of her Holy Spirit.

The valence of virality is important because surveillance is what the globe has had to endure since 9/11. If 9/11 is to be understood as a distortion of 911, the number of the police in the USA, and the biblical injunction from Revelation, `the number of a man is the number of a beast, and his number is six hundred three score and six`, refers to 666, which is the reverse of 999, the number of the police in the former British Empire and Commonwealth. The Holy Spirit is the `guide, teacher, helpmeet, and comforter`, because she is the eyes of heaven, whereas surveillance is what the evil `serpent` has been since Adam and Eve felt themselves naked in Eden. Consequently, police surveillance corresponds to what is not the Holy Spirit, because the Holy Spirit wouldn`t require it. In other words, police surveillance is supportive of the criminal, because the Holy Spirit is perceived as `too good`. However, people eat, fuck, and have bowel and urinatory functions, which is physically all that the body is for. A surveillance system that wants to watch that is evil, because behaviouralism is all that surveillance systems are designed for. Good behavior is `nothing but`, as repression psychologist Sigmund Freud could have observed, eating, fucking, urinating and defecating. Anything else, from a police perspective, is unmanageable, because it doesn`t fit ideas of simian behaviour patterns. An astronaut fucks, eats, urinates, and defecates. From a surveillance point of view, the astronaut is functionally normalized while fucking, eating, urinating and defecating, which means that surveillance is designed to reduce the developed individual to fucking, eating, urinating and defecating, so that the police can manage `the zoo`.

In pop terms, `the woman clothed with the sun and with the moon at her feet` that gives birth while the red dragon waits in vain to devour her `New Redeemer` is framed by Sun Records, which produced Elvis Presley, the `King of Rock `n` Roll, and Keith Moon, `the loon` of The Who, who was deemed crazy for warning `misled` Zeppelin at the beginning of their `career` in `69 that lead balloons weren`t gold.

Satanism is a difficult concept to grasp, because the men of the Earth seeking to prevent woman from escaping perceive her as Satan, which means that, properly understood, Satanists are the women who want to leave with their own penis, and those who want to keep her here so that they can continue their `plague games` of destruction are nihilists. The first man on the moon was Neil Armstrong, and the nihilism of Al Qaeda`s terrorist crashing of planes into the Twin Towers of New York`s World Trade Centre, beneath the flag of a yellow moon on black, with the motto `There is no God but God`, is perceived as antithetical to Neil`s words: `One small step for a man, one giant leap for mankind.`

However, if the `game` is to prevent woman from leaving the Earth, Neil`s foot has become that of the nihilist on the neck of woman prior to chopping her head off because her penis might be able to see with her, which is what the Arabian Sheherezade works against in One Thousand And One Nights, while Britney`s Sheherezade, in her red pilot`s suit, in Oops I Did It Again, appears as `twin girls` in the eye of the penis of woman as the species for whose freedom she is working in her science fiction mimodrama. One of the more famous Led Zeppelin album sleeves features the band in astronaut suits, which mimics Neil Armstrong`s inspirational landing on the moon but, if the aspiration of men is to use `moonbase ` to keep women here as enslaved host wombs for the spreading of themselves as the virality of the devouring `red dragon` of homosexual pederasty and war, the imagery is delusory.

Neil Armstrong flew as pilot on 7 occasions in the X-15 space plane, which was designed to fly to the moon and return, but was cancelled because of `expense`. In simple terms, the United States of America didn`t want to fly to the moon. Al Qaeda, `the base`, whose flag is the masculine moon of Arabia, whereas in the West the moon is female, proclaimed the moon is for men on 9/11, 2000, and they don`t want her.

The Led Zeppelin symbol is important because the band bought a plane with the Led Zeppelin logo emblazoned, and after 1977`s concert at Madison Square Gardens John Bonham and Led Zeppelin were told they`d never perform in the United States of America again because John threw a punch at a member of the NYPD backstage. In 1973 and 1977 New York was the `city of the plane` of Led Zeppelin, because they toured in `73 and `77. In developmental, or intellectual and spiritual terms, Led Zeppelin had elevated themselves to the `plane` of Led Zeppelin.

Zeppelin airships attach themselves to towers for refueling, or taking on passengers etc., and so the Twin Towers of New York`s World Trade Centre were a symbol for Led Zeppelin even if they were not for Zeppelins. Al Qaeda`s terrorist demolishing of them by `feigning friendship` and hijacking `civil` aircraft to use as incendiary devices was reminiscent of the airship on the cover of Led Zeppelin I, which `spontaneously combusted` while attached to its tower on a `friendship` visit to New Jersey from Germany in 1937. Al Qaeda`s cowardly 9/11 attack on the Twin Towers was `Satanism` insofar as they `feigned friendship` to plant the funereal `yellow moon on black` of their flag upon the ruins in mockery of the aspirations of NASA`s and Led Zeppelin`s `astronauts`, who are those `inspired` by achievement to aspire to their own intellectual and spiritual `plane`.

On 9/11 New York was the `city of the planes`, as Sodom and Gomorrah were the `cities of the plains` (Gen: 18,19) destroyed by God for practising Marquis De Sade`s activities likely to cause AIDS activities. The Marquis De Sade was a 19th century writer who advocated sado-masochism and sodomy, and so De Sade`s activities produce AIDS, because of the blood, shit, and semen admixture associated with sadistic sex. From the perspective of the `red dragon` of homosexual pederasty, Led Zeppelin, the Led Zeppelin `plane`, the Twin Towers of Led Zeppelin`s New York, and the aspirations of NASA`s and Led Zeppelin`s `astronauts`, was a `penis inflation` that threatened to take the boys away from the homosexual pederast.

In Jungian psychology shadow-inflation is quite common when the ego identifies with instinct and experiences a sense of power rather than power itself, which D.H. Lawrence describes as the `gods of the blood` in his semi-pornographic novel Lady Chatterley`s Lover (1928) and elsewhere. Because the shadow represents libido or instinctual sexual energy, `shadow-inflation` is also describable as `penis inflation`, which occurs when the individual believes that they are successful because they are intelligent. The Led Zeppelin airship is a `penis inflation` if the `dark gods of the blood` are worshipped instead of development, which is what success actually depends upon. If individuals aspire to the moon and the stars of heaven, but the `dark gods of the blood`, that is, Sodom and Gomorrah, are worshipped, the `red dragon` of the `blood plague` of HIV/AIDS and the war of homosexual pederasty will devour the Earth, and the `hidden` woman with the penis of her own, who is woman as a species and futanarian, will experience only `penis inflation` and the repeated crashing sounds of a Led Zeppelin.

Men prefer ICBMs to space pilots, because it is basic to men`s `Greek philosophy` that women won`t escape, whereas Britney, in her red pilot`s suit in Oops I Did It Again, symbolizes the desire of the woman`s penis to leave Earth and the moon for Mars. But not for Mars, the god of war, who`d be the `red dragon` on her `red planet`. In her red`s suit, Britney is `New Red`, because the symbolic mimodrama of Oops I Did It Again deems woman with a penis of her own to have `the right stuff` for space colonization: `Yeah yeah yeah yeah yeah yeah.`

Oops I Did It Again begins with Britney referencing Chuck Yeager, the X-15 space plane pilot, and astronaut who never was, because NASA dropped all those who didn`t have a college degree from the 1960s space programme; although Yeager was deemed to be the best. The concept of `the right stuff` was enshrined in Tom Wolfe`s book The Right Stuff (1979), filmed as a Hollywood movie in 1983 with Sam Shepard as Yeager, and `the right stuff` was the title that all successful astronauts were labeled with, because it was what they were deemed to be blessed with. The `woman clothed with the sun and with the moon at her feet` is deemed good by God in Revelation because she demonstrates `the right stuff`. The `New Redeemer`, to whom she gives birth, also demonstrates `the right stuff` in desiring space travel for women as a species with her own penis, that is, the `hidden` futanarian woman, which the New Redeemer protects before she leaves.

The symbol of the rulership of the New Redeemer is an `iron scepter` or `iron rod`, which denotes a developed perspective that is unshakeable rather than a `penis inflation` or `shadow-inflation` of `the dark gods of the blood`, which in the 1930s produced the extermination camps of the Nazis because of an inability to perceive that women were Jews and that was why the Germans didn`t want them to escape or live. In Judaism you cannot be born a Jew if you are not born from a Jewess, which effectively means that women are Jews. Consequently, the Nazi pogroms of the 30s and ethnic cleansing up until the 21st century and beyond were based on the unconscious principle that the woman should neither live nor escape. Viral masculinity perceives the `iron scepter` or `iron rod` of the `New Redeemer` as a gun, because a `side iron` is an old metaphor of the `Wild West` for a Colt .45 worn in a holster at the hip and employed by gunmen. The claim that Led Zeppelin worshipped Satan in the publicity notes for How The West Was Won refers to the concept of gunmen who `pump lead`, which won`t inflate an airship, but murdering the developing penis of the `hidden` futanarian woman as the Earth`s species tries to develop beyond the repeated sounds of a crashing Led Zeppelin is Satanical.


2 `The Role of the Chinese Communist Party in the National War`, Selected Works, October 1938, Vol. II, p. 208.

Britney Spears` 50s Alien Invasion Movie And The Culinary Triangle

In the video single for Oops I Did It Again Britney Spears` planet is `invaded` by a spaceman who wears an Apollo spacesuit similar to Neil Armstrong`s when he was the first man to walk on the moon in 1969: `One small step for a man, one giant leap for mankind.` Although the pop video isn`t couched as an `alien invasion` Britney, in her red suit, and in her white bikini dress, have to deal with the alien invader who doesn`t fit into their scene because they`re wearing futuristic costumes in a planetary setting that isn`t a throwback to 1950s alien invasion fears. In her red pilot`s suit Britney represents the original NASA space program`s aim of having a `space plane` piloted to the moon, but that project was terminated because of `blackouts` experienced by the pilots. Britney`s album Blackout contained Piece Of Me, and the famous line: `I`m Miss American Dream since I was seventeen.`

The `American Dream` is of space and the `final frontier`, as the TV show Star Trek (1965-) describes it, of going `where noone has gone before`. Originally the TV series had the line `where no man has gone before,` in the `voiceover` to its original credits, which was changed because of the USA`s growing awareness of feminism and its commitment to `Liberty`, which was once again threatened by the terrorist hijackers crashing of planes into the Twin Towers of New York on 9/11, 2001. Blackout means `censorship, but also unconsciousness, which is the result of memory loss, but can also be understood as the result of a lack of education or ignorance, which is unconsciousness through `censorship`.

Britney Spears` Blackout refers to Oops I Did It Again insofar as, in her red pilot`s suit, she`s reflecting upon NASA`s cancelled `space plane`, which constitutes a reduction, in consciousness terms, of aspiration, and acceptance of slowed technological development. Although the lyric `I`m Miss American Dream since I was seventeen` is about American optimism `since` 1776, which enabled them to put a man on the moon in 1969, the destruction of the Twin Towers, which were constructed in 1970, suggests development was being slowed once more is a form of `censorship`, or `blackout` of conscious aspiration, and knowledge and wisdom symbolized by the `Big Apple` and the statue of `Liberty` in New York harbor.

Read correctly, Britney`s spaceman in Oops I Did It Again is 1969 and Britney, `twinned` in her red pilot`s suit and in her white bikini dress, represent the `Twin Towers` constructed in 1970. In her red pilot`s suit she hoists her spaceman above her so that, looking down upon her, he can film her wearing a white bikini dress with his spacesuit`s camera. It`s an `eternal triangle` with a difference. Britney`s `set` is 1969 television`s, because the spacesuited astronaut represents the 1960s Apollo space program that saw the first man on the moon, Neil Armstrong, `live` on television.

In Egyptian mythology Set is the evil brother of the `sky god` Horus, who fight continuously. Consequently, when Britney suspends her astronaut above her with a camera, she`s depicting the relationship between `Babylon`, that is, the Hollywood movie industry, and `MYSTERY, BABYLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH`, who represents the women of Horus, the `sky god`, insofar as they cry `Whore us!`

Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs as a biological parasite to produce more homosexual pederasts to wage war against other city states and convert them to biological parasitism by enslaving women`s `host` wombs further. Consequently, the `blood plague` of the `red dragon` of Revelation is HIV/AIDS, which is homosexual pederasty`s valence of `biological warfare` against the `host` wombs of women. In simple terms, Britney`s spaceman is the `sky god`, Horus, being prepared for the USA`s airstrikes against targets in Arabia and Afghanistan after 9/11.

Oops I Did It Again depicts the `eternal triangle` of mother, daughter, and son is being depicted, but because Britney`s `twinned` she represents self-production, which is a movement away from the dragon and the whore towards the female valence of woman with a penis of her own as a species with its own economic valence that won`t accept `rough trade` as the product of its `host` wombs any longer, that is, woman will no longer raise hordes as the whored for television`s Set and Horus` periodic onslaughts against her art, culture and civilization, so that Hollywood can magnetically assert in the personae of its `leading men` that socio-history is the story of how they won, while the penis of the woman is repressed as an aspect of homosexual pederasty`s preference for violence against woman and her Earth. Despite keeping her close throughout the `movie` in order to fill the camera lens with her `protected` image and mask the true meaning of the taboo against the male penis. By not revealing anything but a protection racketeer`s weapon the `red dragon` of devouring homosexual pederasty conceals its true valence, which is male violence towards women as the true species of the Earth. Insofar as it`s the aliens` parasitical intention to devour woman`s flesh by means of the `blood plague` of HIV/AIDS` `biological warfare`, and her planet through more `conventional` marriage between the dragon and the whore of war.

In Hold It Against Me Britney engages in a bare knuckle fist fight with herself, because women`s valence must be trained not to accept being the whored of the bloodthirsty devouring male draco`s warring hordes against her `host` womb and its product of art, civilization and culture. Surrounded by television`s Set, she resists `Whore us!` As the 15thcentury seer Nostradamus had predicted:

`From the sky will come a great King of Terror.

To bring back to life the great King of the Mongols,

Before and after Mars to reign by good luck.`1

Mars was successful in Gulf wars I and II (1990-2011) because the winning valence is perceived as succeeding, whereas the kings of terror and Mongols correspond to what the Bible describes as the first and second `beasts` of Revelation, which denote the evil valence of television`s Set and his endless struggle with the horde of Horus, the `sky god`, to whom the women of `the whored` willingly cry, `Whore us!` In Oops I Did It Again Britney descends inside a `giant`s ring` to greet her spaceman visitor, `Mars Lander`, but `the rules of engagement` with Mars are changing. She places a hook into his backpack and hoists him above herself in a white bikini dress so that he can see what he isn`t fighting for, `Liberty`.

Woman with her own penis as `futanarian` has an economic valence that is human and not alien. In her red pilot`s suit Britney represents NASA`s decision not to develop but to keep `Liberty` a prisoner upon the Earth to produce wars for television`s Set and cry `Whore us!` Twinned, in her white bikini dress, she`s a self-producer, that is, a prefiguration of woman as a species with her own reproductive valence prefigured by the Virgin Mary who gave birth to Jesus, the `Perfect Man`, without male semen, 2000 years before 9/11.

September 11th 2001 was an attempt by terrorists to prevent the `Second Coming` of Christ, the `New Redeemer`. He is described as the `protector` of the `hidden` woman of Revelation who`s `seed`, that is, the seed from her own penis - as opposed to the evil serpent`s `seed`. It is told by God that it shall have `perpetual enmity` with her `seed`, who receive a new heaven and Earth from God while the evil serpent`s `seed`, that is, the `seed` of the `pre-nuptial agreement` between the dragon and the whore, receive unendurable eternal pain as a punishment.

In the structural anthropology of Claude Levi-Strauss, the mainstay of his socio-economic theory is the `culinary triangle`,2 which is depicted as the geometric formula for historical advancement through technology. The BBCTV series Triangle (1981-3) takes place aboard a European ferry, but the series doesn`t seem to be about technology. It`s about `love triangles` as the basis for female subjugation, repression, and unconscious ignorance. In Oops I Did It Again Britney`s spaceman gives her a ship`s `gift`: `But I thought the old lady dropped it into the ocean in the end.`

The heart shaped blue diamond is a pendant dropped into the ocean by Rose, the `old lady`, in the Titanic (1997) movie. Because the `eternal triangle` of love and betrayal sorrowed her. Her former lover had placed the jewel into the pocket of her new lover to frame him for theft, and he was subsequently drowned when the Titanic hit an iceberg and sank in 1911. The BBCTV series reflects on `love triangles`, that is, `love affairs` between `shipmates`, while their more permanent relationships on land remain unconsciously unaffected. In short, the concept of the successful `love triangle` in Triangle is shown to be dependent on ignorance, that is, if women with a penis, and an economic valence of their own, as the human species `futanarian`, knew they were ignorant of men`s true nature, they`d prefer a `love triangle` that consisted of women as fatherers, and daughters of mothers. Women are `fartherers` in the sense they`re concerned with their species` nurturing and development. So they can progress to the stars in heaven before men devour them as possessors and consumers through enforced unconsciousness, that is, `blackouts`.

Effectively, the couple who are having an affair require `blackout`, that is, the blinding and stupefaction of their `permanent mainstay` by themselves or their `confederates`. Analogously, those who fought for the Confederacy against the Union Army of the United States of America in the Civil War (1861-5) were, in terms of Hollywood`s `Babylon`, television`s Set and the `sky god` Horus, whose whored horde cry `Whore us!`. As did all those who knowingly sent their men to lose their lives in World War I (1914-18), World War II (1939-45) and the Gulf wars (1990-2011). However, if women have a penis of their own, and so constitute the human species, which is not a valence of the evil serpent`s `seed` in its wars against women, that is, the fake symbiote`s periodically alien parasitical devourings of woman`s art, culture and civilization in its wars against her `product`, they represent the valence of humanity that doesn`t want to be blacked out in censorship and unconsciousness. Because they want to escape to the stars. Away from the `red dragon` of devouring homosexual pederasty, war, and its whores that produce it and its `biological wars` against woman`s enslaved `host` wombs.

In Revelation the virality of homosexual transmissions during the apocalypse `live` on television Set is the `gay boy sons` of the `red dragon` of pederasty`s evil serpent`s `seed` and its killers` murder valence. They`re the `gay poisons` of the whores` child, that is, HIV/AIDS, and its undeclared war against the `host` womb of the `woman clothed with the sun and with the moon at her feet` as she gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour. Although George W. Bush immediately backed the `War On Terror` (2003-) with US$ trillions, the budget for defence against HIV/AIDS, that is, the killer disease produced by the dragon and the whore, for the `hidden` woman of the Earth and the `New Redeemer` of her `futanarian` future, isn`t that great.

Cooking is the basis for socio-historical progress. As evidenced by Cain`s murder of Abel in Genesis because Abel was able to cook and Cain wanted the laziest life that was possible outside of Eden, which was picking fruit and eating it. Consequently, Cain was the protypical murderer and thief, because he represented the individual who would rather take from others, including taking their lives, rather than work. Cookery is the prototype of work, which has been thought of as women`s work for generations because Cain, that is, the evil serpent`s `seed` since Eden, would rather someone else worked.

In terms of Claude Levi-Strauss` theory, Cain couldn`t construct a `culinary triangle` with Abel, although Abel was able to cook, which means the evil serpent`s `seed` are those criminals who murder the cook after the meal has been prepared, because they`re only concerned with picking fruit as monkeys from the trees rather than grow food. In simple terms, trees are analogous to humans from the murderers perspective, which is why murderers aren`t human, in accordance with God`s laws for humanity.

According to Claude Levi-Strauss the first stage in human development is growing food, and the second stage is cooking, while the third stage is fermentation, which produces cheese, wine, etc. However, Cain didn`t get to the second stage because he doesn`t want to produce, or reproduce, with Abel, and doesn`t want to. He wants to pick fruit and murder those who prepare food for him. Because he`s evil and that`s what the Bible tells us. Consequently, if Cain doesn`t want to cook and Abel wants to, Cain will murder Abel for the food he`s cooked. If Abel is able enough to marry and build a house, where his wife can cook, Cain will murder Abel for his wife who cooks, and murder her so that he can have the house. Moreover, if Abel is able enough to build a civilization and culture, Cain will murder him because, if Abel and his wife can escape him, he`ll have no one to steal cooked food and property from.

If a woman produces a daughter who can `cook` as she can, it means that the pair correspond to what Claude Levi Strauss describes as the `human valence`, which is that of the individual that can grow and `cook` food. Not because Cain can have a free meal, if he murders Abel and his wife, but because Cain can have a house that he hasn`t built, which is the response of the evil serpent`s `seed` to the `human valence`.

Clearly the `human valence` is inadequate from the able person`s point of view. If Claude Levi-Strauss` `culinary triangle` is growing food, cooking food, and allowing milk to rot in order to produce cheese, a woman doesn`t need a man. Consequently, she`s escaped if she can reproduce without a man, and women have a penis of their own as `futanarian`, which means the `human valence` has woman as a species, whereas men isn`t because men can`t reproduce without women. In terms of the `culinary triangle`, men can`t reproduce together, which means that the triangle has only one side insofar as the mother-daughter reproductive valence represents an `eternal triangle` in which the daughter can marry with her own species as the third woman in the triangle, because she has a penis of her own as `futanarian` woman.

Because men can`t reproduce together, the `culinary triangle` collapses at the picking fruit stage, because Cain murders Abel. The more able person is identified as a threat, because they might escape, and Cain would have to work rather than steal and murder. Consequently, because Cain and Abel`s valence is that of the evil serpent`s `seed`, insofar as they can`t reproduce together, and they destroy whatever emerges from the `host` wombs of the women they have parasitically enslaved in their periodic wars against her Earth, the `human valence` is woman`s, as a nurturing species with her own penis` reproductive capacity, and what`s to emerge in women`s future as art, civilization and culture that isn`t preyed upon by the male parasite.

If you`re Abel you can escape, but if you`re not Abel you can`t. And Cain won`t let you escape, so you must be disabled from Cain`s perspective. Consequently, the aliens have emerged upon the Earth as the locusts of the Bible that are foretold in Revelation, and they don`t want to improve technology because that would enable those who didn`t want to be locusts to escape. Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs so that wars could be waged and there`d be more homosexual pederasts.

In the Bible the `red dragon` is depicted waiting in vain to devour the `New Redeemer` while the woman of Revelation is giving birth. `MYSTERY, BABLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` is a mystery because she is enslaved by the parasites of homosexual pederasty to produce `gay boy sons` to fight the red dragon`s wars. In the late 20th century warfare had become `biological` insofar as the `gay boy sons` had produced `gay poisons`. HIV/AIDS prevented the woman `clothed with the sun and with the moon at her feet` from giving birth to the future of humanity. By forcing her to cleave to monogamy as the basis of her enslavement by homosexual pederasty`s misogynist devourers of the products of her `host` womb in their endless wars. `Babylon` is woman as the enslaved species, which is why she`s `the great`, because she`s in thrall to the warring aliens and represents woman`s unwilling subjugation. The woman giving birth to the `New Redeemer` is freedom because she represents the `futanarian` valence of woman with her own penis as a species with a human economic valence that resists enslavement.

Most 20th century literary critics perceive that aliens are extrapolations of men`s fears, but few have conceived that the aliens are men and that what they fear is that the `hidden` woman of Revelation, whose `seed` is to receive a new heaven and Earth while the evil `seed` receive unendurable eternal pain as a punishment, will escape. Consequently, events such as 9/11 are the marriage of the devouring dragon and the willing whore, whose child is war against woman and her womb, and is designed to prevent her new economic valence as the human species of woman with a penis of her own from emerging as `new humanity`, which is why the World Trade Centre was attacked. Because `rough trade` is war and homosexual pederasty.

The hijacked planes that crashed into the Twin Towers from Logan airport represented men`s fears couched as a 50s `scifi` movie, that is, the fear that women would escape them. In the movie Logan`s Run (1975) everyone over the age of 21 is murdered, and so 9/11, 2001, was the attempted murder, at the beginning of the 21st century, of woman`s human valence, whereas Revelation describes the advent of the `New Redeemer`, who protects the woman of the Earth with an `iron scepter` after the dragon waits in vain to devour him, which probably corresponds to the events of 9/11, and the subsequent second Gulf War (2001-11) and the War On Terror (2003-).

9/11 was a 50s `scifi` movie because men are the alien threats that they use to enslave woman as the Earth`s species, whereas the typical 50s scenario is of aliens threatening to enslave humanity, which is in fact what men do. As aliens that are living as parasitical devourers of the species woman on the planet Earth. The aim of the 9/11 `alien invasion movie` starring men as the 50s aliens was to reestablish business suited males as the `owners of the means of production`, that is, women, and restore the 50s `alien invasion` movie they`d been the 50s aliens in. Threatened by a 21st century that was 50 years too far ahead of them, further advances in technology might result in women`s escaping the 50s and its men who had invaded and enslaved them as their devouring aliens.

1 Nostradamus, Michel Les Prophecies Century 10, Quatrain 72, 1555.

2 Lévi-Strauss, Claude in Brooks, Peter (transl.) `The Culinary Triangle` in The Partisan Review , Autumn, 1966, # 33, pp. 586-96.

Women are Superior

Jesus follower, Judas, `married`, in the biblical sense of `knowing` or, in William Shakespeare`s sense of `understanding`, in order to betray and torture. The spurious `followers` made sure the Christians` divorce from Jesus was permanent by making rolling a stone in front of his tomb to prevent his escape, or achieving something more that they didn`t want him to, like marrying. Upon Jesus` Resurrection, the `followers` would want to abrogate his Ascension and steal a path to heaven.

Those followers of Jesus, who weren`t his disciples, were homosexuals, who wanted to transmit their disease. Such are the devourers of women`s productions, because women`s host wombs produce civilization, culture and art. As women have their own penises as the `futanarian` human species, they don`t need men, so the spreading of men is parasitical. Men perpetuates themselves by devouring the woman`s penis and so `woman`s seed` by replicating themselves and so enslaving her `host womb` in parasitism and death as her consumption.

In Revelation men are represented by the devouring male imago of the dragon at the birth of Jesus which, waiting to devour the `New Redeemer`, whose scepter is depicted as defending the Earth, represents the danger of men`s devouring mankind`s penis as well as womankind`s. In the Bible, God`s commandment is, don`t `worship graven images`, because men are the imago of the devourer within the collective consciousness, while individual ego-consciousness partakes of the more ancient, and so collective unconscious, that is, collective race memory, which contains the archetypal heroine, rather than the devouring male imago, as the protector of `woman`s seed`.

In Revelation the woman who gives birth to Jesus as the `New Redeemer` in his `Second Coming` to the Earth after Resurrection and Ascension lives upon the Earth while `woman`s seed` fights a `war in heaven` against the `serpent`s seed`, and the remnants of `woman`s seed` on Earth are persecuted by the `serpent`s seed` after their defeat. God`s heaven, according to Revelation, is changed and altered, because the `seed` of the `hidden` woman defeats the `serpent`s seed` on Earth, which precedes `woman`s seed` dwelling in heaven forever. As men have no function, other than to seek Redemption through repentance and conversion from their sin of host womb slavery for war against `woman`s seed`, Jesus` `sacred heart` is at the center of the story. Britney Spears` promotional video for `Oops! ... I Did It Again` resurrected the theme 2000 years after Jesus` betrayal by Judas as a `dissident` speaker against the Roman Empire`s occupation of Palestine. The Romans nailed Jesus to a cross and tortured him to death before his Resurrection and Ascension to heaven illustrated for the Romans humankind`s future amongst the planets and stars. In `Oops! ... I Did It Again` a spaceman brings Britney `the heart of the ocean` as a symbol of Jesus` `sacred heart` of Redemption: `But I thought the old lady dropped it into the ocean at the end.`

The `heart of the ocean` is the blue diamond pendant Rose drops into the sea at the place of the salvage of the wreck of the ship in the film Titanic (1997). Because she was aboard the vessel when it sank on its maiden voyage from Liverpool to New York in 1912 after hitting an iceberg. The `heart of the ocean` is Jesus` `sacred heart` in the movie, because Rose, played by Kate Winslet as a young woman, was betrayed by a jilted fiancée who framed her lover, Jack, for theft by placing the `heart of the ocean` pendant in his pocket: `Well, baby, I went down and got it for you.`

Britney`s spaceman`s words reflect on Jack`s drowning when the Titanic sank, `I played with your heart. Got lost in the game.` Jack drowned because Rose`s fiancée, Cal, didn`t want him to have Rose, `the heart of the ocean`, which is how men are. Jack`s the lover, so his rival, Cal, has the role of the devourer: `I played with your heart. Got lost in the game.`

The vampire myth is central to the fears of Eastern Europe, which reflects upon the role of the devourer. In Egyptian mythology, Osiris is dismembered by the evil Set, and his parts are sunk in the river Nile in a trunk, which lodges in the roots of a tree by the bank. The reemergence of the `heart of the ocean` on Britney`s Mars in her science fiction promotional video for `Oops! ... I Did It Again` symbolizes the salvaging of the Titanic, `All aboard!` The theme is Resurrection. Osiris rose each year, according to Egyptian tradition, when the crops by the side of the Nile ripened, and so Britney`s spaceman is Rose when he brings Britney `the heart of the ocean`. Britney represents the `eternal flame` for `woman`s seed`. The `game` is homosexuals` divorcing her from her own `futanarian` species with their own penis` semen for sexually reproducing their own brains` power for developing labor-saving technologies to escape from the `serpent`s seed` enslaving and devouring them.

Just as the goddess, Isis, has to fashion a new penis for Osiris because his is lost, so Britney`s reading of the homosexuals` `game` is that Osiris shouldn`t have a heart, although the Egyptian tradition of the feather of Maat is that it should balance the sins of he who is to make the journey to the House of Horus in heaven, or the trip can`t occur and the heart is Ammit the devourer`s. Osiris` dismemberer, Set, represents the homosexuals` `game` of betraying a marriage so there`s no conjoining in heaven: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

Because women are `futanarian`, which is why Egyptian tradition divides the human into `Ka` or spirit and `Ba` or soul, symbolized by the temple of Abraham in Saudi Arabia`s Mecca. Built by the Egyptian woman, Hajer, and her son, Ishmael, as the `Ka` Ba`, the Haj pilgrimage is the annual task willingly undertaken by thousands of Moslems, because the conjoining of `woman`s seed` as the `Akh`, or `magical personality of Egyptian `futanarian` tradition, is desirable for the Salvation of the human race. Homosexuality conceives women as a `game` to be thwarted, which is why it`s `haraam` or forbidden in Islam. Men are perceived as the jailors of the `Ka` or spirit of `futanarian` woman with her own penis` semen, while her `Ba` is herself as her host wombs, and men seek to keep her a prisoner in slavery. Having inveigled itself into her womb eons ago, the parasite has devoured her penis and enslaved her. Jesus` teaching is of Resurrection for `woman`s seed` and Redemption for mankind if men convert and repent from slavery, but homosexuals prefer their `game` of thwarting women`s sexual reproduction as the human race that excludes sterile homosexuality: `Honor your father and mother.` (Ex: 20. 12)

If women have penis` semen of their own, she`s fatherer and motherer of the human species, whereas honoring a homosexual `game` that aims at the extinction of the human race is dishonorable. In Islam, God is `neither male nor female`, which means `Allah`, who is `Eloah`, in Judaism, is male and female (, that is, `futanarian`.

In Christianity, prayer is giving thanks to God. The Holy Spirit is the `tutelary guide`, and although men define the Holy Spirit as Jesus`, the Judaic tradition of the `Shekinah` as female, which travelled with the Jews in their escape from slavery in Egypt, suggests that Jesus` Paraclete, that is, the Holy Spirit, is female. As an archetype, the Shekinah or Holy Spirit is the heroine, because men are women`s devourers. In Judaism it isn`t possible to be born a Jew unless from a Jewess, which means Jews are women. During the pogroms against the Jews by the Geman National Socialist (Nazi) government in the course of World War Two (1939-45), the Shekinah represented `woman`s seed` forced into heaven, which for homosexuals is heroine production, that is, for `shooting up`.

In Hollywood Babylon movies like Scream (1996), The Ring (2002) and Spiral (2007), the paradigm is the `snuff movie`, which is a film of murder made by homosexuals as entertainment, and that`s what Jesus` spirit is for, according to the evil. Men are preying on God`s Holy Spirit and `woman`s seed` rather than accepting `tutelary guidance`. That`s why drug users want `The Man`, who`s their supplier, because sterile homosexual men shoot heroines.

In the psychology of Carl Gustav Jung (1875-1961), the anima or soul corresponds to the Holy Spirit, which is the female contrasexual component of a man, that is, the Shekinah or `Ka` of the women within that desires her `Ba`, symbolized in Islam as the `Ka` Ba` of Hajer`s temple. Addicts inject heroin into their eyes, so they can look for women numbly and get the devouring male imago closer to her. As those who `shoot up heroin`, homosexuals are plague, that is, they`re plague aims, and they prey on the archetypal heroine: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores.` (Rev: 17)

The sexually transmitted disease (STD) of HIV/AIDS is plague as men`s incurable killer disease`, because that`s what they are for women, so God gives them perdition as a punishment before creating a new heaven and Earth in Revelation for `woman`s seed`.

In Eden Eve and Adam accepted the devouring imago of the serpent`s `seed` when they ate the `fruit of the tree of the knowledge of good and evil` from the serpent, Satan, who`d been an angel but was cast down from heaven and turned into a serpent by God, according to Christian tradition, for refusing to accept that humankind would be greater than the angels. Consequently, the serpent of paradise tempted Eve and Adam to evil, `You shall be as gods.` (Gen: 3. 5) After Eden came parasitism and host womb slavery by men of the `serpent`s seed` who so devoured `futanarian` womankind that her human species now hides from its subjugators.

On the stage set for `Oops! ... I Did It Again`, Britney Spears appears to be performing inside a giant`s rib cage, which suggests the feather of Maat is being weighed when her spaceman with his camera is hooked up above her. His heart isn`t pure enough so he returns to Earth. The imagery is reminiscent of Miley Cyrus` promotional video for, `Can`t be Tamed`, where she`s a hawk in a cage. The hawk is a symbol of Horus who, as the resurrected Osiris, travels through the Duat to the House of Horus in the heavens. Consequently, the hawk is a metaphor for the heart that`s brave within its rib cage. In Eden Eve emerged from Adam`s rib, because she`s his heart, and so the Roman guard at Jesus` crucifixion, Longinus, pierces Jesus` side with his spear, because the `Second Adam` has the `Second Eve`, that is, the Holy Spirit, at his side.

As the hawk, Horus is a metaphor for heart that flies out of the body at death, which in a man corresponds to the `Ka` of the spirit of the woman`s sexual desire for her own soul or `Ba` woman without penis` semen. Horus is symbolic of an ancient pair faithful through the eons, so in Christinaity Jesus is rules with the scepter for the hidden pair. Britney `twinned` in her red pilot`s suit and white bikini dress in `Oops! ... I Did It Again` symbolizes the Resurrection of `woman`s seed` while the weighing of her spaceman`s heart represents mankind`s need for Redemption through repentance and conversion from the sin of slavery. Britney represents the entwined souls of those who have Resurrection, that is, completeness of memory across reincarnated lifetimes, because they`ve accepted the teachings of Jesus Christ.

In Egyptian mythology, Hathor, in whose house Horus` is, is of equal importance with the Virgin Mary as a mother archetype representing women`s self-reproductive nature. Britneys `game` in `Oops! ... I Did It Again` is `eeny, meeny, miny, moe, catch a nigger by the toe, if he squeals let him go, eeny meeny, miny, moe.` Her spaceman is the toe she catches and won`t let go if he doesn`t repent and convert from sin represented by his giving her the `heart of the ocean` as a symbol of Jesus` `sacred heart`. Descending inside her giant ring a the outset of the performance in `Oops! ... I Did It Again`, she`s a thumb of Hathor waiting to show him the path to heaven if he`s brave and pure.

The Spanish Inquisition tortured people to accept Jesus, and continued in disbelief when their victims said that they did. Consequently, women are God`s great `Akht`, which is the plural of `Akh`, the `magical personality of `Ka` and `Ba` conjoined as `futanarian` humanity. Women have to be actresses because men aren`t their species and so racism and xenophobia is omnipresent. Homosexuality is an imago of the devourer attempting to enslave `woman`s seed` of humanity through war. Mariage affords the devourer an opportunity in heaven, which is why Britney represents women`s need for great tact in `the game`.

Jesus has great tact in the New Testament, mildly rebuking his eventual betrayer, the disciple Judas, for suggesting a woman`s money had been better spent on the poor than anointing Jesus` feet before his crucifixion: `Leave her alone.` Britney Spears` spaceman is a toe, who wants a toehold on women`s heaven, and so Britney Spears descending inside her giant ring at the outset in `Oops! ... I Did It Again` is a `thumb screw` of the Spanish Inquisition. Men`s autos are their whore`s toes: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

Because men`s enslaving of women`s host wombs prevents her from sexually reproducing her own brains` powers for the development of labor saving technologies to facilitate her escape from the Earth in starships to the planets and stars of God`s heaven. The benzene driven automobile, or `whore toe`, represents women`s subjugation to a pervert`s `bent scene` propelling a low level technological stasis designed to perpetuate war and extinction for her human species of `woman`s seed`.

In the psychology of Carl Gustav Jung (1875-1961) the key to the structure of the benzine molecule emerged from a scientist`s dream. From his unconscious appeared the archetype of the serpent devouring its own tail endlessly, which Jung interprets as a symbol of self-recognition and realization. According to Jung, the anima or soul is the archetype of woman and of the unconscious `Self`, which accords with the Egyptian tradition of the woman`s `Ka` desiring sexual union with her own `Ba` as the `Akh` or `magical personality` of `futanarian` human women`s species.

In Jungian psychology, the self approximates to God. The male imago in dreams is woman`s devourer, and so indicative of their aim of devouring God. Consequently, the ourobouros can be an imago of that, although it functions developmentally as an archetype. Jung observed that pressurized carbon becomes diamond, so benzine is carbon that didn`t. Consequently, `bent scene` driven `whore toes` is what humans represent, because technological development requires brains` powers that humans devoid of their women`s penis` semen don`t possess.

Britney`s stage set on Mars is the giant rib cage of Osiris, because Set was his devourer. Consequently, Britney is the remembering heroine. In television`s Star Trek: The Original Series (1965-7) space travel at faster than light (FTL) speed posits the return of travelers to Earth who`ve remained youthful, while those on Earth have grown old. Consequently, a partner may be left to become decrepit, which is what the `bent scene` of `whore toes` is, because the remnants of `woman`s seed` are devoured by the `serpent`s seed` in artificially created low level technological progress.

Travelers` youthfulness and remnants` agedness was based on German scientist Albert Einstein`s `Special Theory Of Relativity`, which posited that space was `folded` and that contiguity between parts of the universe seemingly separated by great distance were accessible through what Einstein called `anomalies` or `wormholes` that allowed the gulfs between the stars to be bridged instantaneously. Human relations would become strained, and so the `serpent`s seed` would target travelers` remaining families to follow their path and devour their relatives.

In `Oops! ... I Did It Again` Britney`s a woman of Revelation, `crowned with stars`, as Jesus` second mother was. But the imprisoning screws seek Jesus` human relations amongst the stars. Britney`s spaceman is guided by `Mission Control`, although he appears to be their spaceship, that is, they`re `little people` using his eyes and living inside his space helmet. Consequently, he`s possessed by controlling men known for devouring women, so Brintey needs to display `great tact` in the game. If she`s a `star woman`, they can locate her relatives and `shoot up` some heroine, which is the `bent scene` driven car metaphor of men with their `whore toes`.

The concept of Satan is conflated with evil, although `woman`s seed` is Satan to the `serpent`s seed`. Consequently, it`s perspectival. A destroyer of the devourer is Satan to the devoured. To an abuser, the abused child is Satan because he`ll be jailed. Consequently, the Christian church is Satan for preaching, `Honor your father and mother.` Because they`re often the child`s abusers. Neither are they mistaken, because `woman`s seed` is Satan to the churchmen.

Sex is an aspect of men`s devouring imago, because men have devoured the woman`s penis so they can have her. Consequently, fathers are evil, whereas Satan is `woman`s seed` to churchmen, which means that Satan represents God to daughters. From woman`s perspective, Satan is the archetype of Redemption, because she has her own penis.

In Jungian psychology, there are four functions of consciousness, `Sensation`, `Thinking`, `Feeling`, and `Intuition`. Just as men are the devouring imago as `father`, women develop consciousness through the archetypes of the collective unconscious, for example, the ourobouros. The archetypal heroine is Jesus, because he`s the first of `woman`s seed`, while Satan is the archetype of Redemption, because `woman`s seed` is what men don`t want. Unless men convert from televised Gulf war `shoot-em-ups` couched as `PC` games in which the products of humanity are devoured, she`ll `beam up` and go.

The Salvation Army`s salvaging of people as a Christian organization is analogous to the salvage of ships like the Titanic. Given `tutelary guidance`, the salvaged are reanimated for Start Wreck, the homosexuals` stalk show. Britney Spears` animated style in `Oops! ... I Did It Again` reprises Gerry Anderson`s Century 21 Productions` Captain Scarlet and the Mysterons (1967-8), for example, which employed the technique known as `Supermarionation` for its puppet dramas. In the promotional video for the single, `Toxic` (2003), Britney wears a light blue TV 21 Thunderbirds (1965-6) uniform as a stewardess aboard a passenger plane, and changes like Superman in the toilet before going to a top secret laboratory to steal an HIV/AIDS` serum. Although Salvation isn`t reanimation in novelist Mary Wollstonecraft Shelley`s sense of the monster in Frankenstein (1818), that is, a reanimated corpse, Britney Spears` character`s TV 21 style in `Oops! ... I Did It Again` acknowledges her role as an animated `puppet` in a game of ogres while indicating her desire for genuine Salvation rather than the reanimation of the start wreck stalk show that passes for Christian Salvation.

1 David Zincavage asserts that the origin is Scottish and posits that the first line of the verse is a corruption of Inimicus animo, a Latin phrase that translates as `enemy of the soul`,,_meeny,_miny,_moe

Animus and Animation

The spirit of animation is what moves, and the spirit that moves is God`s, which is the Holy Spirit or Paraclete`s. In the psychology of Carl Gustav Jung (1875-1961) the animus is the `spirit` of each woman, which is definable as surrounding her with men`s point of view as she endeavors to adjust herself to please. Consequently, a woman is animated within her environment to deal with the male threat. Although it`s what a woman strives for, `You can please some of the people all of the time, all of the people some of the time, but not all of the people all of the time`. The phrase was first used by the USA`s 16th American President, Abraham Lincoln (1809-65), and is what women attempt to achieve, while attacks upon her humanity are men`s `spirit`, which is confusedly described as her animus, because men`s spirit isn`t democratic but enslaving. As a futanarian species woman is 100% humanity capable of sexually reproducing with itself, whereas men can`t, so women are the enfranchisable vote in non-democracies where the split is 50/50 between the human race and its parasite.

According to parasitology, the host is devoured by parasites in a final parasitoid stage. A woman`s so-called animus is the perspective of the male `spirit` surrounding her that she`s to be devoured, which is what the alien creature seeks to do with the human race. Derided and goaded by the paparazzi and their photographers, Britney Spears, and more infamously, Princess Diana (1961-97), dead from a car crash after pursuit by photographers on motorcycles in the Pont D`Alma tunnel in Paris, France, is what the parasitoid devourer does:

`I`m Mrs 'You want a piece of me?'

Tryin' and pissin' me off.

Well get in line with the paparazzi

Who's flippin' me off.`1

Colloquially `bread` is a term for `money`, and so `biting the hand that feeds` is apposite in describing the relationship between the parasite and its host which, perceiving women as an asexual resource, makes of her humanity `meat and drink`, and so humans are a species in danger of losing even the recipe for bread. As the cynosure of men`s eyes, woman becomes more animated, that is, she`s defined as `sin`, and the larger her circle of supposed admirers, the greater cynosure. Though `sin` is definable as men` `spirit`, which is confusedly described by psychology as women`s animus, it`s men`s `snuff movie`, a term used to describe recorded killing for entertainment, because that`s what the alien parasitoid devourer wants to see of the human species.

Pornography featuring stills of women nude is defined as `softcore` if the relationship between parasite and host womb isn`t depicted as sexual intercourse, although stills of nude women in magazines like Playboy or Penthouse, represent the desire of the parasitoid devourer that the food remain still, while the absence of futanarian `woman`s seed` from mainstream pornography, that is, God`s `foot`, according to the Bible, is because women are perceived by the parasitoid devourer as `food` and `bread`, rather than as the separate futanarian species of humanity. Consequently, women`s sin is that she`s animated, that is, although Jungian psychology perceives men as having an anima or soul, in fact theirs is the spirit or animus falsely attributed to women, which requires repentance from the sin of non-acceptance of `woman`s seed` if Redemption is to occur.

In Eden God told Eve she`d have `enmity` with the serpent`s `seed`, although Redemption would occur, but Adam must labor, while Eve would experience labor pain after expulsion from Eden for accepting slavery in ephemerality to Satanism rather than God`s `fruit of the tree of life`, which is immortality. Movie stills of screen goddesses, like sex symbol Marilyn Monroe, reflect the common supposition that movie idols are `still alive`, although Marilyn`s life was mysteriously snuffed out in 1962 when she was found dead in the nude: `Your candle burned out long before your legend ever did.`2 Pop star Elton John`s song, `Candle In The Wind` (1973), was originally written about Marilyn, although it was used as a lament for the death of Princess Diana in recognition of the `snuff movie` that life has become for humans. Male braining produces a single creature wearing each others` clothes in transvestite `TV` killing itself for the entertainment of the alien parasitoid devourer in the wars it promotes on Earth. Consequently, movie `stills` or pornographic representations of women in magazine `stills` depict a dead penisless race for men to ejaculate over in masturbatory triumph over a species` upcoming extinction: `All of the boys and all of the girls are begging to F-U-C-K me.`3

In the lyrics to the single release,`If You Seek Amy` (2007), from the Blackout album, Britney actually sings, `All of the poisoned hollow of the girls are begging to f*u*c*k me.` Although the colloquial `fuck` meaning `sexual intercourse` has been widely recognized as the `hidden` context for `if you seek Amy`, the reference to boy sons as the girls` poisons, because the human race has been hollowed out to be filled with HIV/AIDS, hasn`t. Poison is what boy sons become if they`re poisoned themselves; for example, `lead poisoning` from bullets is how men make `stills`, that is, death from life, but it`s also how they make poison shells, that is, instead of Venus rising from the half shell as `the pearl of great price`, which is heaven, according to the Bible, women as a now penisless race are `reincarnated` to be the shells of men`s boy sons. If the Roman guard Longinus` spear had been that of a boy son, that is, poison, instead of a man able to perceive the meaning of the Judeo-Christian futanarian tradition of `woman`s seed` as the `chosen people` of the Bible, Jesus` Holy Spirit wouldn`t have been born: `Surely, this was the son of God.` (Matt: 27. 54). All of the hollow girls containing the men`s boy sons are begging to fuck her, because they`re the species, and they can`t sexually reproduce as reincarnated `shells` without penis` semen of their own race to farther her.

Britney is the `teacher`s assistant`, as it were, which means that she is God`s Spears born as the Paraclete from the side of Jesus` `Second Adam`, that is, a figure of the `tutelary spirit`, which promulgates the American Dream and Manifest Destiny of `life, liberty and the pursuit of happiness` until God`s promise to the elect of a new heaven and Earth is fulfilled. On the cross on the cover of `Piece Of Me`, Britney`s a figure of the Holy Spirit of the Paraclete, that is, she`s symbolically God`s Spears, because the Roman guard Longinus` spear pierced the side of Jesus upon his death in what modern gynecology would call a `caesarian section` to release a child trapped in a womb. Jesus` teaching was that a Holy Spirit would teach after him, and as the `Second Adam` he was expected to birth the `Second Eve` from his side as Eve had been created from the rib of Adam by God in Eden, which is what Britney Spears symbolizes. The birth of `woman`s seed` from the side. Jesus` birth from his mother, the Virgin Mary, was uncontaminated by male semen, which is why she`s depicted crushing the head of the serpent with her `foot` in Christian iconography, because women`s futanarian humanity have their own penis` semen for the sexual reproduction of `woman`s seed` with each other. Consequently, women have the brainpower potential to defeat Satanism, which grew according to the Bible, from Eve`s encounter with the angel, Satan, turned into a serpent by God and placed in the heaven on Earth that was Eden for rejecting God`s plan that the human host be greater than the angelic: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) God`s promise to Eve of Redemption after the serpent, Satan, tempted her to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, was that futanarian `woman`s seed` would rise to the planets and stars of heaven above to escape slavery in ephemerality to the `serpent`s seed` who`d promised her and Adam, the first man: `You shall be as gods.` (Gen: 3. 5) Immortality conferring medical science and permanent memory for the maintaining of the technology of labor-saving and escape was denied `woman`s seed` in host womb parasitism to men. Consequently, Britney Spears` place upon the cross of Jesus` crucifixion as a `dissident` against the male brained Empire of Rome then occupying Jewish Palestine symbolizes the power of the Holy Spirit to teach of human brainpower through `woman`s seed` to defeat Satanism.

Just as Satan betrayed the human host because he didn`t want it to be greater than the angelic and so escape the slavery he`d planned for it, so Jesus` `Last Supper at which the human host gave `bread and wine` as symbols of his `body and blood` is a figure of betrayal in Satanism. His disciple Judas who was known for stealing from the collection plate after a sermon spied a woman anointing Jesus` feet with the expensive perfume, `spikenard`, and when Jesus rebuked him for suggesting that the oil be sold to raise money, Judas planned to betray `woman`s seed` so that it would never reproduce and be a threat to the male brained Empire of Roman `TV`. Selling Jesus to the Jewish religious police, the Pharisees, for `thirty pieces of silver` as a `dissident`, Judas` treachery saw Jesus given over to the Romans who took him to the hill of Calvary outside Jerusalem where they nailed him to a cross of wood and left him there to die but he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`.

Begging is what we are taught to do by the gun`s bullets from the shells of the boy sons of men, so Britney Spears` `Piece Of Me`, where `piece` is a colloquialism for a gun, and `If You Seek Amy`, where `Amy` is depicted as `schizophrenic`, are correlated. Guns aim to make beggars, whereas praying for forgiveness to God for metanoia, that is, brain conversion from men`s sinful parasitoid nature, is what Christianity advocates. Consequently, Amy is a figure of Everywoman because she can`t see a woman in the mirror of the mass media edutainment industry `blackout` on `woman`s seed`, whereas she perforce has to accept at the point of a gun men`s parasitism upon her human race as a hollowed out reincarnated shell of a former race killed and poisoned by men`s plague aims: `I can`t get her off my brain. I just want to go to the party she don` go. Can somebody take me home? Haha hehe haha ho.`

She wants to go to the party `Amy` doesn`t go to, because her aim isn`t men`s, that is, Britney Spears` declared `bisexuality` means she wants her own species` Resurrection and Ascension to heaven, although she`s prepared to accept that political parties have a role in men`s enfranchising as a redeemed aspect of nature arising from the host womb of the race: `Haha hehe haha ho.` Often depicted as brainlessly giggling `airheads`, without penis` semen of their own, and the consequent brainpower deriving from `woman`s seed`, women are cloned projections of the male brain, rather than the independent species they were before being shelled for whatever the parasite wanted to move in when the original `spirit` was moved out by the bailiff, that is, if you pay, live, gunmen, who`re fuck and forget `woman`s seed` with their `rods of iron`, that is, the bullets from their guns, which produce more poisonous shells for the boys` owners to produce more boys` sons to produce more poisonous shells ad nauseam.

The Paraclete seems designed to return to God after she`s learnt, which is why she`s multiple. In Egyptian mythology, Ra is God incarnate upon Earth and Isis, the Egyptian Paraclete, as it were, collects and remembers Osiris after he is dismembered by his evil brother Set, that is, after he becomes `schizophrenic`, he`s remembered and experiences rebirth as Horus, the `sky god`. However, according to Egyptian mythology, Horus dwells in the House of Hathor, symbolized by the mother goddess with the crescent moon horns of a cow, Hathor, while the hero has to prove he`s worthy to cross the Duat in order to live there, that is, it`s the equivalent of Jesus` teaching of brain transformation in rejection of men`s devouring parasitoid sinful nature in acceptance of `woman`s seed`. Jesus` torturers wanted him to beg whereas praying for metanoia isn`t begging for one`s life at the point of a gun. Contrariwise, God`s punishment upon gunmen is eternal unendurable pain, that is, perdition, whereas the good are promised a new heaven and Earth in which to dwell.

Although `If you seek Amy` is interpreted as `f*u*c*k Amy`, it`s `fuck gay me`, because institutionalized host womb enslavement for homosexuality in pederasty and war against `woman`s seed` was established in ancient Greece, which was long held as the `model` for Western democracy,4 although the mass media `blackout` concerning `woman`s seed` reveals women`s disenfranchisement by her parasite is what `Greek democracy` actually means. Without penis` semen of their own to sexually reproduce women`s brainpower, women are `gay`. Redemption from those who `f*u*c*k gay me` is why there is `enmity` between the serpent`s `seed` and Eve`s (Gen: 3. 15) The homosexual assassin, that is, the ass-as-sin, who spies upon woman as the creator`s producer and product - civilization - in order to kill her, because such men are sterile, and sterility is death: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was prefer themselves as a parasitical virus, and by the late 20th century men`s mixing of blood, shit and semen in each others` anuses in mockery of women`s sexual reproduction was spreading an `incurable killer disease`, HIV/AIDS, as a `biological weapon` deployed against `woman`s seed` to keep her in fearful faithfulness to men`s monogamous ring slavery for the production of warfare against her species to maintain her in host womb parasitism to parasitoid devouring by her alien predator in the reality `snuff movie` it`s made of her race.

In the Bible Onan (Gen: 38) is condemned by God for `spilling his seed` upon the ground, which is similar to homosexuality, because homosexual anal penetrations are sterile, although masturbation is often called `self-love`. Consequently, Onan is killed by God because `woman`s seed` isn`t present, that is, Onan`s refusal to impregnate Tamar is galling to God because her own species has been extinguished by men. Masturbation isn`t the issue, although blindness is. Traditionally blindness is associated with masturbation, because women can`t see without brains, and masturbatory aids for men like Playboy and Penthouse effectively celebrate women`s penisless extinction, which is doubly galling to God. Anal penetrations aren`t possible between women without a penis, and although the sexual desire of futanarian `woman`s seed` arising in so-called `lesbian` encounters is indicative of the normal course of human nature, the perceived aberration makes of women schizophrenics who berate themselves for being abnormally against the common course of parasitoid devouring nature. Men`s sterile unions are productive of reality as a `snuff movie`, that is, human history, acted out by cloned projections of male semen`s male brain in war against `woman`s seed` for the `TV` entertainment of the species` killer.

Democracy is the `average` or `mean` because male politicians need homogeneity to be accepted by `some of the people all of the time`, whereas humans need acceptance of the teachings of the Holy Spirit about `woman`s seed` and Redemption for otherwise irredeemable men through metanoia or brain transformation, which is that conversion from men`s sinful nature of repentance and acceptance of Jesus` Holy Spirit. Ascension through Redemption and Resurrection is what Britney Spears as a popular sex symbol represents: `I`m Miss American Dream since I was seventeen.` Men`s democracy`s disenfranchising of `woman`s seed` is `average` and `mean` towards humans, because `half of nothing is still nothing`.

The Greek Homer`s Iliad (760-10 B.C.) is a poetic narrative of the abduction of Helen, `the world`s most beautiful woman` by the city of Troy`s Prince, Paris, who`s a non-Greek hero because he wanted the woman. The Greeks besieged Troy and captured the walled city by means of a `deceit`, a wooden horse containing warriors, which they left outside the city and the Trojans took it in, that is, they accepted the Greek `virus` as the US` immigration authorities accepted the `visitors` that subsequently hijacked civil airliners to crash into the Twin Towers of the World Trade Centre on September 11, 2001, declaring themselves Al Qaeda terrorists operating under the auspices of the notoriously misogynist Taliban regime in Afghanistan and led by the Saudi Arabian business heir, Osama Ben Laden. Because homosexuality in pederasty for war against `woman`s seed` is `Greek`, `rough trade`, that is, that `brutality and violence` associated with homosexuality in pederasty is why the World Trade Centre was chosen by the terrorists, because men are women`s `Trojan virus`.

Although the `geek` successors to the `Greek` horse produce `bad machine code` described as `Trojan virus` their computer programer`s aim of crashing the system to prevent humans from having the memory storage capacity to remember and maintain an attained level of civilization is a slavers` standard methodology. Often described as `the cradle of civilization`, Greece represents the `Trojan horse` concealing the fully grown dragon of Revelation, that is, the `serpent`s seed` of Eden who God told Eve would have `enmity` with `woman`s seed` as the creator`s producer`s product of human civilization, which is why the `red dragon` is depicted in Revelation as waiting to devour her child: `The dragon stood in front of the woman who was about to give birth, so that he might devour her child the moment it was born.` (Rev: 12. 4) It`s a paradigm of homosexual men`s `virus`, which seeks the destruction of woman and civilization, because `woman`s seed` wants itself and the virus doesn`t. Without women, men are sterile, and sterility and sterilization of the Earth is the aim of the virus` parasitoid nature.

The remnants of Troy led by Prince Aeneas fled to Britain where, legend has it, they founded the British Empire, which applies a law based on common usage, that is, what`s usual, which is heterosexuality in sexual terms. However, although Prince Paris was a hero in defiance of Greece, because he preferred the woman, heterosexuality is a `TV` manufacturer`s mass production, where men and women are a single male brained creature wearing each others` clothes for the entertainment of their species` killer.

Homosexuality wants sterility, which is why HIV/AIDS is spread by it, and so all of the bars of the prison are gay. The leader of Al Qaeda, Osama Ben Laden, was the high `jackass` as sin, who made the prison stronger by precipitating war. US` deposing of the Afghanistan misogynist Taliban regime in December 2001 preceded invasion of Iraq in March 2003 after dictator Saddam Hussein evinced support for Al Qaeda. Although Saddam Hussein aspired to be Adam for who`s sane, because his name meant `small handsome man` and `crusher`, that is the leading actor in the Middle East whose role it was to crush the head of Satan, support for Al Qaeda despised the US` myth of Johnny Appleseed,5 for whom the people of the `Big Apple` of New York symbolized a new Eden. The capital of the Persian Empire was Babylon (c. 4000 B.C.), who was a woman of the Bible, who gave her name to the city, Babylon, while the district of Hollywood in the city of Los Angeles, state of California, on the west coast of the United States, was labeled `Babylon`, and Saddam Hussein could see its ancient ruins from his summer palace at Hillah, because Babylon means host womb slavery to men`s unredeemed parasitoid devouring nature: `Mystery, Bablyon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

`Man is the animal that laughs`, and laughter defies explanation, whereas explanation is what men require, because that`s how they define themselves as `serious`. Consequently, humans laugh, rather than men, because humanity doesn`t require an explanation. `Man is the animal that kills for pleasure` is another definition, that is, Jesus was killed because his was the uncomfortably human explanation that Rome was manufacturing the human species as a `TV` to watch kill itself, which wasn`t a satisfactory explanation from the killer`s point of view. The death of laughter is on the killer`s agenda because it defies explanation, which is why Jesus was killed. He was the archetypal victim of homosexuality. In ancient Greece host womb slavery of women for homosexuality in pederasty for war was institutionalized. As `the son of man` (Matt: 26. 64), Jesus was tortured to death because he lived amongst men, that is, his disciples, and was celibate. He didn`t kill, and he laughed, so he was explicably human, whereas the Romans wanted a `TV` that killed itself, so Jesus was tortured to death for being the leader of a Jewish movement resistant to homosexuals, whose explanation was that humans should be sad enough to kill themselves, that is, the alien is a sadist: `Forgive them Lord, for they know not what they do.` (Luke: 23. 34)

Saddam Hussein`s name meant who`s sane`s Adam, that is, the era preceding the war against Iraq`s dictator represented a dam against what was sad, which is why the World Trade Centre was destroyed by homosexuals seeking to reestablish `rough trade`. At Guantanamo Bay in Cuba the US` response was to torture Moslem detainees with `waterboarding`, a form of drowning to the point of `blackout`, where the individual is made to feel they`re dying. Consequently, who`s sane`s Adam is Jesus, the `Second Adam`, because although he laughed he didn`t kill, whereas the sadist wants `TV` people who kill and don`t laugh. When the US` torturers began to employ drowning to terrify detainees at Guantanamo Bay the sad dam`s floodgates were open.

Women are `camp`, because appearing serious amongst sadists is necessary in order to live with humor, that is, without showing resistance, while men`s humor is `death camp` sadism. In the movie Scream (1996) the audience laughs at the murder and the murdered, because that`s women`s `camp` seriousness for the `death camp` in which the human necessarily must humor the alien monster. The opening sequence to the science fiction `TV` episodes of Star Trek (1965-) featuring the voyage of the starship Enterprise contains the words: `It`s continuing mission, to seek out new lives and new civilizations, to boldly go where no one has gone before.` Human interactions are entertainment, whereas men are sadistic. Because women are futanarian `woman`s seed`, men are explicable as their species` psychopath, which would make humans extinct if they didn`t need humanity for replicating their cancerousness. History reveals that men`s is a `death camp` pogrom in which laughter is a crime punished by the `TV` killer. Saddam`s name was a `complex` in psychological terms indicative of Sodom, which was the city of the plains, destroyed by God`s angels in the Bible for homosexuality (Gen: 19. 18), that is, sodomy, and so billions of people watched 9/11 `live on CNN` and other `TV` network news` channels, because sadism`s virus was spreading, and New York was homosexuality`s `city of the planes`. Britney Spears` Amy is sad, because she`s sad Amy, that is, she`s `woman`s seed` resistant to sodomy and sadism, which is the meaning of the name of Saddam who`s sane:

`Love me, hate me
Say what you want about me
But all of the boys and all of the girls
Are begging to if you seek Amy.`

Gunmen make you beg to fuck, because they`re humorless sadists who aren`t human, which is the meaning of women`s `camp` humor in the alien`s `death camp`. Men are an environmental hazard. They teach that sexual interaction with different women is forbidden, although `woman`s seed` is a single species that naturally wouldn`t naturally practice monogamous marriage, which effectively is ring slavery to an owner, as Jesus suggests: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) Women elude species` extinction, whereas men seek to remain unconscious of their parasitoid nature and establish mass media `blackout` to keep humanity in ineducable unconsciousness and blind ignorant ephemerality without permanence, lest the enslaved victim become aware.

The piercing of Jesus` side by the spear of Longinus at his death lifted woman`s veil, that is, the Paraclete emerged as the spirit of futanarian humanity`s Resurrection and Ascension. In Islam women are traditionally veiled because, like Judaism, in which a Jew can only be born from a Jewish woman, because women are Jews, theirs is a futanarian tradition. Judaism derives from its founder, Isaac, son of Abraham and Sara, who gave Abraham her maid, Hajer, when Sara was barren after Isaac`s birth. Hajer`s son Ishmael was the founder of Islam through his descendant Mohamed who received the Koran (610-30 C.E.) from the angelic host who`d been told by God that the human host was to be greater. To legitimize Ishmael`s birth Islam permits four wives, which affords the possibility of sexual reproduction between futanarian women within the Moslem family. Because the US mass media `blackout` promulgates the image of women as penisless, Moslem women veil themselves in fear of castration. In short, Jesus was killed because the Empire of Rome feared `woman`s seed` and the US` media Empire is the same: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`6

Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA) established the `Hays code` in 1930 to ensure that futanarian humanity would be kept in ignorance of their identity as a species separate from men`s `death camp` alien. In science fiction, aliens are extrapolations of women; for example, in the promotional video for her song, `Oops! ... I Did It Again` (2000), Britney Spears appears in a red pilot`s suit on the red planet, Mars, the name of the Roman war god, where she suspends a spaceman above herself in a white bikini dress, because women reproduce with each other, and men are the psychopath that the alien killer of their species has manufactured as a `TV` to watch for its pre-recorded `snuff movie` entertainment.

In Egyptian a `Ba` is the soul corresponding to the anima of Jungian psychology, which together with the `Ka`, spirit, represents `woman`s seed`, that is, the sexual desire of the woman`s penis for sexual intercourse with women. Consequently, Britney on Mars is a Ba,7 that is, a Mars `Ba`. Her spaceman is called `Mars lander` by his `Mission Control`, although the 2008 North American Space Administration (NASA) space probe was called `Phoenix`, which is `bennu` in Egyptian mythology, that is, Resurrection. In Islam, Hajer is the `Egyptian woman` and the Ka` Ba in Mecca, Saudi Arabia, is the temple of Abraham, because it`s a symbol of futanarian `woman`s seed`, that is, Britney Spears` `Oops! ... I Did It Again` is a Ka` Ba.

In Christianity acceptance of the teaching of Jesus` Holy Spirit is Redemption for men through the metanoia of brain transformation in repentance and conversion from the sinful nature of the parasitoid devourer through acceptance of `woman`s seed`, which seeks Resurrection and Ascension to colonize the planets amongst the stars, rather than be cancer of the colon, which is what men`s unredeemed devouring parasitoid nature represents for her. Isis` recollection and rememberment of Osiris in Egyptian mythology represents the difficulty women have in constructing an image of thsmelves which is uncontaminated. Jesus` birth from his mother, the Virgin Mary, is an attempt at such a construction. In the Egyptian myth Isis can`t find Osiris` penis, so she gives him a new penis, that is, she gives him hers.

Egyptian mythology is a part of `Oops! ... I Did It Again`, because Islam arose out of the Jews` slavery in Egypt. Britney`s spaceman is an NASA sin, that is, an assassin, who were sent out by Afghanistan`s Old Man Of The Mountain, Hassan - i - Sabbah, during the rise of Islam in the Middle East drugged with marijuana and the promise that they`d have the paradise on Earth that the drug deluded them into believing in, if they successfully killed the opponents of Islam. Neil Armstrong was the first man to set foot on the moon for the Apollo space program from the Apollo 11 spacecraft on July, 21, 1969 (UTC: 2. 56): `One small step for a man, one giant leap for mankind.` However, Ronald `Ray Gun` Reagan`s subsequent March 23, 2003, `Strategic Defense Initiative` (SDI) called Star Wars after the 1977 movie featuring a `Death Star` orbiting a planet to kill it, which sought the implementation of `ground and space based missile system` to ostensibly defend the Earth against rogue states deploying intercontinental ballistic missiles (ICBMS) armed with devastating nuclear warheads, actually represented men`s imprisonment of futanarian `woman`s seed`, that is, God`s `foot`, in their `death camp`:

`Violence, aggressive behaviors, and higher rates of suicide have all been associated with reduced brain levels of serotonin. Many people consume chocolate as a form of self-medication, whether they are aware of the fact or not. Chocolate's serotonin elevating activity helps to modify mood in positive ways and acts as a sexual sweetener. These serotonin-related effects enhance the sense of closeness between lovers.`7

As Venus on Mars, Britney is the antidote to the assassin`s boy sons, that is, the poisonous boys` owners,8 who want `TV war` with Mars, god of war, rather than chocolate, which produces a chemical effect similar to the feeling humans experience when they`re in love, according to biochemists. Consequently, when Britney Spears winches her spaceman up above herself wearing a white bikini dress after placing a hook in his backpack so that `Mission Control` can film her, she somersaults through the air wearing her red pilot`s suit to stand in front of the NASA representative transformed in a white top and black boots, because she`s an advertisement for the chocolate confection, Mars Bar, that is, the `Ka` Ba`, which is `Oops! ... I Did It Again`, represents the transformation men and women have to undergo in order to accept futanarian `woman`s seed`. Women`s sexual desire for their own species is the `Ka` spirit, in Egyptian terms, while the `Ba` is the soul receptacle for the woman`s semen, which men have to accept or they`ll be irredeemably parasitoid devourers. In her red pilot`s suit Britney represents `woman`s seed` waiting to leave while an assassin (NASA`s sin) seeks to place his foot on her neck preparatory to using his chopper to keep the human race brainless.

In her red pilot`s suit, Britney Spears represents woman`s lament at the cancellation of the X-15 spaceplane program to fly to the moon, because pilots experienced `blackout` at high altitude as a direct concomitant to their lack of human brainpower deriving from `woman`s seed`. For men to have Redemption from their irredeemable state as parasitoid enslavers and devourers of `woman`s seed`, they`d have to accept that their mass media `blackout` of women`s capacity for independent sexual reproduction, which would confer a voting majority upon the human species of `woman`s seed`, is evil, and requires repentance and conversion from that sin through the metanoia of brain transformation represented by Britney`s advocacy of the Mars Bar chocolate as she adopts costume change identifying her with the red, white and black colors of the Mars Bar confection, rather than the prison bars of Earth and a new `death camp` amongst the planets and stars for her human race.

During the 1930s the elected German National Socialist (Nazi) Party implemented pogroms against `ethnic minorities`, for example, the Jewish futanarian `chosen people`, who lost 20, 000, 000 in `death camps`, because homosexuals want homogeneity. In simple terms, `woman`s seed` is culturally diversified, adapting to environmental factors, for example, Arctic igloos, and desert tents, whereas men want men, rather than culture. As a homosexual parasitoid devouring nature in pederasty for war against `woman`s seed`, the boys` owners that are the poisonous men of HIV/AIDS keeping women in fearful faithfulness to ring slavery, don`t want civilization. In the Bible Cain is depicted murdering his brother, Abel, because Abel is able to cook, and so represents culture and civilization. Thermonuclear war is men`s cooking, which is why the Jews were cooked in ovens in Belsen and other `death camps` throughout Europe, because futanarian humanity is the `food of the gods` so far as men`s history is concerned, which is why Satan tempted Eve with the words: `You shall be as gods.` (Gen: 3. 5)

Although the `business suit` is promulgated as the visible sign of `civilized`, it`s the nullification of difference and the identification of women as the enslaved `alien`, which is what alcohol and bars represent. In Islam alcohol is forbidden or haraam, while Algol is the name of a demon that is a ghoul. Consequently, bars where alcohol is sold represent the prison where Algol arranges catastrophes to enjoy as the species` killer. Or, in other words, inside the bars of the prison Algol wears a business suit. The bars of the prison where Algol is available denote homosexuality`s training of its boy sons, that is, the spreading of the boys` owners HIV/AIDS and its attendant plague aims, to believe in the drug paradise offered by Hassan - i - Sabbah to the assassins of `woman`s seed` spreading their `virus` of death and destruction on woman`s Earth, so that she can`t escape. Although monotheism teaches that goddesses and gods are anathema to God, goddesses (Venus) denote the love of women, while gods (Mars) represent homosexuality in pederasty for war against `woman`s seed`. Consequently, the repression of `woman`s seed` by the followers of Mohamed in Islam, when the worship of the goddesses of Al-Lat, Al-Uzza and Manat were forbidden, denotes the belief in men as gods rather than the love of women, which appears as worship but is simply love for `woman`s seed`. In Judaism the Asherah pole was similarly repressed as a form of irreligion, whereas the pole symbolized the love of `woman`s seed`, which appeared variously throughout the Middle East as Ishtar, and Ashteroth, while Easter is a similar Christian appellation, because it`s the period celebrated for the Resurrection and Ascension of Jesus as `woman`s seed`.

Women are everywhere as the Holy Spirit, but look different depending on the culture. Britney Spears` single, `If You Seek Amy`, is `if you see, game me`, because the Holy Spirit will help you to see more if you have a woman by your side. The reference is to monogamy, which is serious for men`s sinful nature needing to be redeemed, but a `game` for women who`re not men`s species. Consequently, Pope Pius XI made the doctrine of the Assumption of the Virgin Mary dogma in 1950, because `woman`s seed` is for heaven, whereas men`s sinful parasitoid devouring nature isn`t assumed as being for heaven. Britney Spears` `If You Seek Amy` is `aim me`, because she`s Spears, that is, it`s the aim of the Holy Spirit, which was released by the Roman guard Longinus` spearing of the side of Jesus upon his death, to teach men Redemption, though women are redeemed eternally by virtue of the fact that they`re enslaved by an alien parasitoid devouring nature.

The science fiction `TV` series Star Trek is `camp` because it fosters the illusion that men want love, whereas theirs is `death camp` history. Consequently, they don`t want children, although their fiction is that children are most important, whereas they`re slaves in ephemerality. In the Greco-Roman tradition, the Greek god Chronos devours his son, Zeus, and the Roman god, Saturn, devours his son, Jupiter, corresponds to Satan in the Judeo-Christian tradition, that is, the red dragon of Revelation waiting to devour the Earth child, who will `rule the nations with an iron rod`, which is Jesus` law of love for `woman`s seed`, whose futanarian Holy Spirit has been fostering men`s progress to conversion and Redemption since Eve emerged from Adam`s side in Eden.

In psychological terms men`s spirit is women`s animus which deludes her into believing she`s loved while war against `woman`s seed` is waged. American culture envisons superheroes to fight crime, for example, Batman, while Catwoman is a supervillain, who appears as `softcore porn` to men in the late 60s `TV` series, Batman And Robin, for example. Defined as a `sex object`, Catwoman is `camp`, because children don`t know. As a villain, Catwoman`s an archetype of woman`s ani-mussed, that is, she`s made to dwell in the underworld, as the Greek goddess Persephone was, amongst the shades in the god Pluto`s Hades, and who remerged in Spring, because she`s a metaphor for the `remnant` of the human race harvested by the alien parasitoid devourer.

Men`s argument is that penisless women belong in hell, because they`re shades, while men are women`s fertilizer, that is, men`s parasitoid devouring is for the production of more fertilizer, which is why the human race is ephemeral in slavery to parasitism. It`s a self-eater producing fertilizer from food, rather than futanarian brainpower to help it run and escape from Satanism through the capacity of `woman`s seed` to sexually reproduce independence for her race. From men as slavery`s perspective women are shouldn`t wish for immortality by promulgating acceptance of the teachings of Jesus` futanarian Holy Spirit and Redemption.

Women`s animus seeks to persuade women to be reproduced and consumed, because women`s animus is men`s spirit, although Jungian psychology attributes the animus to women`s spirit, whereas she more properly corresponds to what Jung ascribed to men`s soul, that is, the anima, which functions as a guide to individual growth, rather than parasitoid devouring by an alien nature. In men`s myths Persephone will always live a penisless existence in the underworld, because she`s a shade in hell who can`t reproduce, whereas without men`s cancer colonizing her she could look forward to a future of colonization amongst the planets and stars.

Murdered by his `evil brother`, Set, a `supervillain` in underworld terms, Osiris is celebrated in Egyptian mythology as resurrected when the corn grows along the river Nile. Osiris` parts were collected, that is, remembered, by his wife Isis. Osiris was resurrected as the `sky god`, Horus, whereas women who accept sundering of the human species of `woman`s seed` are `asset strippers`, where `asset` can be understood as Asset, which is an alternate name for Isis, that is, . that is, women denuded of their penis are harvested by men waging warfare against the human race as a `TV` snuff film documentary of the degeneration of a species enslaved for slow death in torment by men`s worship of an alien parasitoid devour that`s demoniacally possessed the human race: `I'm Mrs most likely to get on the TV for strippin' on the streets when gettin' the groceries, no, for real are you kiddin' me?`

Men are ghouls to think of themselves as brave while waging war against `woman`s seed`. Britney Spears` `Piece Of Me` mocks the American judiciary system, which denied her custody of children, Sean and Jayden, for allowing Sean`s cap to fall off as she was running for a car surrounded by paparazzi near Central Park in New York city. In the movie Sophie`s Choice (1982) actress Meryl Streep as Sophie is asked by a Nazi to decide which child to leave in the `death camp`, and she chooses the girl, because `woman`s seed` isn`t aware of Judaism`s tradition that women are the species, which is why a Jew can only be born from a Jewess, and Jesus was born from a virgin, that is, they`re futanarian `woman`s seed`. In short, Britney was denied custody of her children because the American judiciary were Nazis, who wanted to appear brave, whereas they torture women.

It`s only possible to be a Jew from your `mother`s side`, as it were. The female spirit of God, the Shekinah, who is `tranquility` in Islam, dwelt in the place where the law of Judaism was kept, which suggests that the Shekinah was the futanarian Holy Spirit of `woman`s seed`, who emerged from the side of Jesus as the `Second Eve` from the `Second Adam` after Jesus` side was pierced by the Roman guard Longinus` spear. Jesus was the butt of Roman `camp` humor, because ghouls laugh at others` deaths on the assumption that they`re sharing a vision, which is what the alien parasitoid devourer persuades others of when watching the human species die as `TV` entertainment for its killer`s perspective. Mocking a woman`s struggles to keep her child, because she dropped his cap, resembles Nazism`s anti-semitism against Jews wearing the Kipa cap being logically extended to women and their children by misogyny: `The name of the small cap male Jews wear is called a Kipa (dome or covering) or Yarmulke. This head covering was meant to signify recognition that God is present above oneself.`9

Britney`s Persephone`s humor isn`t `camp`, although in `Oops! ... I Did It Again` she`s an alien, like E.T. in the movie E.T. The Extraterrestrial (1982), able to `phone home about men`s true intentions towards `woman`s seed`, their victim, because hers is a survival act after her children and fortune`s loss. The underworld is where the homosexual ass-as-sin in pederasty dwell, who don`t want `woman`s seed` as anything other than a shade for a 40 watt light bulb doomed to flare but briefly before being dim forever. Those who use the gun to rule are those who use their rod to make us drool, because homosexuality in pederasty for war against `woman`s seed` isn`t for sexual reproduction of human brainpower to escape from slavery in parasitism to an alien parasitoid devourer.

Men murdering naked women until their fingers bleed from pulling the triggers on their guns is the devouring parasitoid`s sinful nature, that is from the point of view of `woman`s seed`, men`s monogamy is: men ogre me. Because the human race is a clone manufactured by men`s semen as a single male brained creature wearing each others` clothes in `TV` transvestism, it`s a projection of the male brain. In `snuff movie` terms, humanity`s imagination centers have been connected to an imager to create a material manifestation that`s real, so that the alien parasitoid devourer in misogyny can murder `woman`s seed`, which is a `plague game system` developed by men developed in blind unconscious ignorance through mass media `blackout` of any edutainment possibility for `woman`s seed`, that is, the victim.

From men`s perspective, 9/11 was a harvesting, that is, homosexuality in pederasty chose the World Trade Centre because `rough trade`, that is, the `brutality and violence` associated with men paying boys and men, was being reestablished as the global paradigm in defiance of `woman`s seed` represented by the city of New York known as the `Big Apple` of Eve`s descendants. For homosexuality in pederasty`s war against `woman`s seed` in Satanism, the `Big Apple` corresponds to the `pig apple`, which it`s traditional to place in the mouth of the pig before it`s eaten, that is, for Satanism the US isn`t `Uncle Sam`, the colorful character depicted in war time as a recruiter for the conflict, but uncle`s ham, the salter of the pig to be eaten. The biological apparatus that assists humans in swallowing is called the epiglottis, that is, the `Adam`s apple`, so the misogynist strategy was that New York city wouldn`t be able to choke down its emotion and war would ensue against a culture, Islam, in which the sexual reproduction of human brainpower for liberation through Moslem four wife families remained possible, and pigs are haraam or forbidden, which is also true of Judaism. The terrorist demolishing of the WTC by hijacked civil airliners crashing into the Twin Towers was air AIDS, that is, the brainpower of `woman`s seed` would be extinguished in warfare against her. Though calling the US `the Great Satan` in Islam is perceived by many as hyperbole, America taunts the Earth with nude penisless women, who aren`t women, because women have penis of their own. Consequently, it seems unlikely that rich Saudi Arabian business heir, Osama Ben Laden, leader of Al Qaeda operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan, typified the Moslem position, because Al Qaeda`s attitude towards `woman`s seed` is characteristic of the Western democracies where there aren`t any women although female nudity is supposedly common.

Acceptance of the Holy Spirit ostensibly includes Jesus` Redemption for the species` murderer, although that seems unlikely if God`s punishment is eternal unendurable pain for men who embrace an irredeemably evil parasitoid devouring nature as their own. Prior to 9/11 New York city represented maturity, but the Roman underworld of the god, Dis, wants the murderer Cain, rather than Abel, that is, Dis` Abel rather than able, so HIV/AIDS` `biological weapon` and the successors to the Greek homosexuals in pederasty and warfare against `woman`s seed`, that is, the `geek` programer`s `bad machine code` of the `Trojan virus`, were deployed to disable humanity and its technology to prevent the race from running. The bombing of the Boston Marathon where the 9/11 planes were hijacked underlined the plan. In the science fiction movie, Logan`s Run (1976), `runners` were killed by `sandmen` trying to escape their society`s rule that those who were over 21 years had to die. The bombing of the Boston Marathon run on April 15, 2013, underlined misogyny`s position at the beginning of the 21st century that `woman`s seed` shouldn`t run.

Britney Spears symbolizes the new fruit of paradise, that is, Britney`s pears, rather than Eve`s `Big Apple`, because women don`t want to be a `pig apple`. Married in 2004 to Jason Alexander, it lasted 55 hours, and because women are monogamous by law, a second marriage to Kevin Federline occurred before divorce in 2007, whereas women are a single species, which is why Jesus said women won`t be `given in marriage` in heaven, that is, monogamy`s ring slavery is an illegal system. Jesus was killed because Judas didn`t want `woman`s seed` to sexually reproduce, that is, monogamous marriage for women is a way of men`s to kill `woman`s seed`. Consequently, monogamy is a killer`s methodology:

`You're toxic I'm slippin' under

With a taste of a poison paradise.`

Images of Britney Spears in the video to the song `Toxic` (2004) in which she searches for an antidote to a poison reflect upon images of her in games` system `shoot `em ups` that reinforce the killer`s method and the boys` owners plague aims of poisonous contamination of those who aren`t psychopathic. In `Hold It Against Me` (2011) Britney`s surrounded by pre-recorded screened images of her video personae while she engages in a `game` of Mortal Kombat with herself, because that`s what men want `woman`s seed` for, `TV` entertainment as a `snuff film`: `Hate to stare. But you`re winnin` and they`re playin` my favorite song.`10

The Holy Spirit is `bisexual` in the knowledge that she`s Redemption for `woman`s seed`, that is, she`s futanarian, which is why Britney Spears` description of herself as `bisexual` is comprehensible. The dictionary defines an earthbound spirit as a `daemon` of place, whereas the Holy Spirit is defined in contrast to demoniacal possession, that is, `daemon` and `demon` are unlike, because bisexuality isn`t futanarian `woman`s seed`. Consequently, demons promote bisexuality in women, whereas the Holy Spirit promotes futanarian `woman`s seed`. To accept Jesus` teaching of Redemption is to be `lesbian` for a woman, if she can`t be futanarian: `Love your neighbor as you love yourself.` (Mk: 12, 31) Woman`s bisexuality is the valence that assists her to have sexual intercourse with her own species of `woman`s seed`, whereas men are the demons that would prevent her.

Women don`t actually need men, because she can reproduce without men`s semen, which is the meaning of Jesus` birth from his mother, the Virgin Mary. Moreover, in socio-economic terms women are made to beg for men`s penis` semen, although women`s species has natural socio-economic independence through biology, and the capacity to outvote men`s inability to reproduce without women. Consequently, women are slaved at the point of a gun, because women as a single species prefer their own `seed`. The gun has often been associated with the penis of men, for example, `love gun`,11 because it`s how the killer replicates:

`No place for hidin' baby

No place to run

You pull the trigger of my

Love gun, (love gun), love gun

Love gun, (love gun), love gun.`11

The `spirit` of evil is that of a homosexual in pederasty for warfare against `woman`s` seed` producing her as a cloned projection of male semen for killing as `TV` entertainment for its devouring parasitoid alien nature`s assuaging. Using the anus as the `seedbed` of its alien nature, it`s an ass-as-sin, which possesses the brain and eyes of its host and kills `woman`s seed` in the wars men wage against her.

In a new Jungian psychological perspective, the soul of `woman`s seed` is the anima, and the animus is the spirit of men`s `snuff film`, while the spirit of evil, which produced HIV/AIDS, is men`s semen used to clone humans as projections of the male brain to be snuffed out like the ephemeral light from a candle for the entertainment of the devouring parasitoid killer. Redemption is psychological and physical bisexuality through futanarian `woman`s seed`, although the US` standard practice of surgical intervention in hermaphroditic births to determine the gender of the child supports the contention that America is `the Great Satan` Islam believes it to be. Mankind may have a chance at Redemption before `woman`s seed` leaves, but it`s surely perdition for those who`ve accepted the spirit of HIV/AIDS from the assassins, rather than the Holy Spirit, which is God`s woman`s.

1 Åhlund, Klas, Christian Karlsson Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

2 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

3 Kotecha, Savan, Alexander Kronlund, Max Martin, Shellback, Britney Spears `If You Seek Amy`, Circus, Jive, 2008.

4 .

5 Johnny Appleseed (September 26, 1774 - March 18, 1845), born John Chapman, was an American pioneer nurseryman who introduced apple trees to large parts of Ohio, Indiana, and Illinois. He became an American legend while still alive, largely because of his kind and generous ways, his great leadership in conservation, and the symbolic importance he attributed to apples.

6 TV Tropes, `Foot Popping`, .

7 Kilham, Chris, Fox News, `Chocolate: The Love Drug . . . And Why It's Good for You`, February 8, 2011, .

8 Cole, Juan History News Network `Did Saddam Gas The Kurds?` 2-04-03 .

9 Signal, .

10 Dennis, Cathy, Henrik Jonback, Christian Karlsson and Pontus Winnberg, Britney Spears, `Toxic`, In The Zone, Jive, 2003.

11 Stanley, Paul, Kiss, Casablanca, `Love Gun`, Love Gun, 1977.

12 Billboard, Dr Luke, Max Martin, and Bonnie McKee, Britney Spears `Hold It Against Me`, Femme Fatale, Jive, 2011.


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