Anthony Burgess` A Clockwork Orange and Britney Spears` `Oops! ... I Did It Again`

Britney Spears` video for the March 27, 2000, release of the song, `Oops! ... I Did It Again` is described as a science fiction `short`, which the elements of the film readily suggest to the audience. The video begins with a spaceman seen walking on a barren desert landscape with unfamiliar moons and/or planets and stars in the heavens above. He`s wearing a space suit of the sort worn by Apollo 11 astronaut, Neil Armstrong,1 who was the first man to walk on the surface of Earth`s satelite, the moon, on 21 July, 1969. The North American Space Adminstration`s (NASA) lunar program led to a plan to put a man on the surface of Earth`s nearest neighboring planet, Mars, and the conversation between the spaceman in Britney Spears` video and `Mission Control`, who we see observing the surface of the planet that the astronaut is walking upon through the camera attached to his space helmet, reveals that he`s `Mars Lander`, which was the name given to an unmanned NASA probe, that is, `Mars Polar Lander`, which was also known as `Mars Surveyor Lander`, that was due to be put onto the surface of the red planet, Mars, prior to the proposed NASA manned missions to the `red planet`, but Mars Polar Lander failed to respond after the descent phase to Mars was expected to be complete on December 3, 1999, and Britney Spears` March 27, 2000, release reflects on its failure. Mission Control asks Britney`s spaceman : `Any sign of habitation?` The `Mars Lander` replies: `Not so much as a - whoah there horsey!` 

 The astronaut picks up an artifact from the sand, with Britney Spears` picture engraved on it. It`s the `House of Horus` which, according to Egyptian mythology, is inside the `House of Hathor`, the mother goddess who prepares a home for Horus, the resurrected sun god, Ra, who incarnates as Osiris, but he`s dismembered by his evil brother, Set, before the goddess, Isis, restores his body, and gives him a new penis, because his is lost. As a `see` is the word for the seat of a ruler, the spaceman ejaculates upon discovering that Mars is habitable, because he`s found Horus` see and so will be remembered by Isis: `... whoah there horsey!` 

 The astronaut`s discovery of the icon in the sand is attended by the forceful emergence of Britney Spears` huge stage set from beneath the surface of the red planet as she prepares for her performance of `Oops! ... I Did It Again`. She`s Isis to the spaceman`s Horus, because home is what mothers represent. Consequently, Britney is the United States of America for her spacemen heroes as she remembers their efforts to raise the human race to the planets and stars of heaven. Although the first successful moon landing was with Apollo 11`s Neil Armstrong, the Apollo program was beset by problems and Apollo 1 was a disaster in which all of the crew died in an inferno on January 27, 1967, before the Saturn IB rocket carrying the astronauts could launch from Cape Canaveral, Florida. Because `ib` in Egyptian is `heart`, Britney Spears` lyrics in `Oops! ... I Did It Again` refer to her love for the NASA space program:

`Oops, I did it again to your heart

Got lost in this game, oh baby

Oops, you think that I'm sent from above

I'm not that innocent.`

 In ancient Egyptian mythology the brave heart, `ib`, was weighed against Ma` at, the feather of Isis and, if the feather was shown to be heavier than the heart, the brave individual would pass through the Duat, that is, the door of heaven, into the House of Hathor, where he`d live in the House of Horus. In Egyptian terms Britney`s song is about the passage of her heroes into heaven; for example, the crew of Apollo 1, who were Command Pilot Virgil `Gus` Grissom, Senior Pilot Edward H. White II, and Pilot Roger B. Chaffee. Fire is an integral part of the video. There is a woman who breathes fire like a dragon, and a juggler twirling a flame tipped magician`s wand. When Britney turns a somersault in the air wearing her red pilot`s suit, she lands in front of the spaceman transformed in a black skirt and boots with a white top that`s reminiscent of the wand of the stage magician. With a red disk above her head, she`s Isis as depicted in Egyptian mythology with a planet between her horns. Although Britney isn`t hornéd, like the mother goddess of the Egyptians, Hathor, who is often depicted with the head of a cow to emphasize her maternal nature, she`s a magician`s rabbit with a lot between her ears. In Christianity, the fire breathing `red dragon` is God`s enemy: `A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet ... [and] an enormous red dragon ... stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 5)

 In the Greco-Roman myths Mars, the red planet, is the god of war, which explains Britney Spears as a figure of Isis with a red disk between her horns. The heroes of the mothers of the United States of America aren`t only spacemen. Neither are the heroines, of course. Apart from the Britney magicked into resembling a stage `wand`, there are two distinct Britneys. In her red pilot`s suit she places a hook in the spaceman`s backpack and winches him up to where he looks down upon her wearing a white bikini dress; as the camera eye of his space helmet relays film of the show back to Mission Control on Earth. Britneys multiplying like rabbits. She wears a pilot`s suit in memory of the original NASA X-15 rocket plane program for flying a `spaceplane` to the moon. Several pilots died after `blackout` at altitude due to high gravitational forces causing pilots to lose consciousness and, in the later album titled Blackout (2007), that`s commemorated in the lyrics to the song, `Gimme More`, an exhortation familiar to raw recruits undergoing their physical training in the US military, `If you're on a mission, you got my permission.`3 Planes crashed before the unconscious pilots in the X-15 program could regain consciousness and use their ejector seats to escape the impact:

I'm Miss bad media karma;

Another day another drama,

Guess I can't see the harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

And you want a piece of me?`4

 The most personally articulate song from the Blackout album was `Piece Of Me` and the CD cover of the recording featured Britney Spears in the place of Jesus upon the cross of his crucifixion, because women are men`s `karma`. The teachings of Buddha were that `the world is a delusion`, samsara, while the Hindus believed in reincarnation. Christians` belief in Resurrection, rather than rebirth and `karma`, that is, the hatreds of previous lives revisited, derived from Jesus` crucifixion, death, Resurrection and Ascension to heaven. At his `Last Supper` Jesus was the human host betrayed by Judas Iscariot to the occupying Roman Empire of Jewish Palestine as a `dissident`. Taken to the hill of Calvary outside Jerusalem, Jesus was nailed to a cross of wood, and was left there until he died. Born from his mother, the Virgin Mary, who in Christian iconography was depicted crushing the head of the serpent, Satan, with her foot, Jesus, uncontaminated by male semen, is her foot. God told the first woman, Eve, in humanity`s original home of Eden, after the serpent, Satan, had given her `the fruit of the tree of the knowledge of good and evil`, that is death, her `seed` would have `enmity` with the `serpent`s seed`, before Redemption occurred, although the woman would have a painful labor before the human race would be delivered: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15)

 As Judas betrayed Jesus as the human host so the serpent, Satan, betrayed the human host in Eden. Transformed into a serpent by God, Satan had been an angel who rejected God`s plan for the human host to be greater than the angelic. In Eden God had given Eve and the first man, Adam, the `fruit of the tree of life`, that is, immortality, which was good, although Satan tempted the pair with evil and death, saying, `You shall be as gods.` (Gen: 3. 5) Host womb slavery of the human race in parasitism and ephemerality is evil, which is why Eve, Satan, and Judas are Earth`s betrayers. Mary is God`s `foot`, because women`s futanarian humanity can sexually reproduce their own brainpower for labor saving through technology and immortality conferring medical science; but Eve, Satan and Judas want the male brained Empire of host womb parasitism, and slavery for the human species of women.The ancient model is Greece, where the host wombs of women were enslaved institutionally for the spread of men`s viral contagion of homosexuality in pederasty and war against `woman`s seed`. 

The prototypical instance is related by the Greek poet Homer in his Iliad (760-10 B.C.) when the Greeks constructed a huge hollow wooden horse before the city of Troy. Taken in by the unsuspecting Trojans the Greeks emerged from the horse to enslave the host wombs of the Trojan women and spread their viral contagion of homosexuality in pederasty for war against `woman`s seed` further. By the 21st century, `Trojan viruses` were a byword for attacks upon human brainpower in the form of `bad machine code` devised by the modern successors to the Greeks, the `geeks`. `Trojans` modelled after the late 20th century`s `incurable killer disease`, HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of human sexual reproduction, further handicapped the damaged brainpower of women`s lame futanarian human race in the form of the computer peripherals they infected in their war against God`s `foot`.

 The Greek hero Achilles` vulnerability was his heel, because God wasn`t afoot. The Greek war against Troy occurred because Helen of Greece was abducted by king Priam of Troy`s son, Prince Paris, but Helen was the wife of Menelaus, who was brother to the king of Sparta, Agamemnon. Homer`s narrative of the siege depicts what occurs in parasitical host womb slavery; the parasite invades: `Beware Greeks bearing gifts.`5 Although the horse was the symbol of the Trojan goddess, Pallas Athene, the model for the Greek horse was Helen, because Paris` ardour afforded the Greeks the opportunity to invade and establish host womb slavery in parasitism for the spread of their viral contagion of homosexuality in pederasty and war.The Bible story of Eve is God`s description of what evil is: invasion. Eve`s `seed` of women`s futanarian humanity is a single species` family, whereas men`s inability to sexually reproduce without women makes of them a sterile parasite which has inveigled itself into her host womb in order to steal her penis` semen and reproduce itself.

 Parasitology explains the process of devourment of the host after the parasite emerges. Men`s destruction of the civilization, culture and art that women are still able to produce from their human host wombs despite the parasites depredations is Satanism:  `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)What they`d done was enslave the host womb of the human race in parasitism for homosexuality and pederasty for war. The HIV/AIDS virus was their `biological weapon` keeping women in fearful faithfulness to monogamy`s ring slavers, which was anathema to women`s redemptive futanarian humanity, because the human family of women doesn`t need men, and men who reject women, and don`t convert from their sin of homosexuality in pederasty through repentance, are damning women`s race to the planets and stars: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 In Egyptian mythology Isis` restoration of Osiris` penis is through fellatio, that is, she`s euphemistically described as making a new penis from her spittle rather than restoring the lost penis. Osiris is reincarnated as Horus because the `karma` of men is to be the `seed` of women`s destruction from which they can`t escape without repentance and conversion from their sin of host womb enslavment in parasitism for the human race in homosexuality and pederasty for war against `woman`s seed`. Men are misogynist homosexuals, which have grown into the fire-breathing `red dragon` since its days as a serpent in Eden. The `red dragon` is the cigarette, because `smoking` is a euphemism for fellatio as well as murder. In simple terms, `woman`s seed` is extinguished because the homosexual in misogyny`s pederasty doesn`t apporve of where men`s penis has been, that is, smoking celebrates the continued extinction of the human species in the `snuff film` of the human species as conceived as a series of war documentaries produced by Hollywood Babylon, which was the vehicle of misogyny that repressed women`s futanarian foot of God on `moral grounds` by labeling human sexual reproduction `pornographic`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`6

 President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, establishment of the `Hays code` (1930-67) repressed representations of the human penis from mass media `edutainment`. With the propaganda that `woman`s seed` didn`t exist Hollywood Babylon sought to exterminate the human species as a recorded `snuff movie` made for `entertainment`. When the movie of Paul and Cory, the couple in the apartment near Central Park, that is, actor Robert Redford and Actress Jane Fonda, appeared as Barefoot In The Park (1967) it was mocking the absence of human nudity from the `big picture` of education through entertainment for the human species of `woman`s seed` that, without knowledge of how humans sexually reproduce, wouldn`t, and the global pogroms against women`s futanarian humanity could continue.

 During the Bosnian war (1992-5) Christian Serb militia constructed `rape camps` for Moslem women, because Moslems have marriages with four wives that afford the possibility of futanarian sexual reproduction within the family, Woman. By male braining a generation of Moslem women`s children futanarian brainpower would be further damned and unable to liberate humans. Although the Bible is based on the history and law of the Jews, that is, the Torah and Talmud, because Jews are born only from women, women are Jews, that is, women`s futanarian humanity`s `chosen`. The story of Mary`s `foot`, Jesus, appears in the Koran (610-30 C.E.) of Islam, as the story of Isa and Miriam, because Moslem marriages have four wives for the sexual reproduction of women with each other, that is, Islam is Judeo-Christianity`s futanarian continuation: `The Messiah, Isa son of Mary, Allah's Messenger, and His Word`7

 Christianity teaches that Moslems in Islam are its enemies, because `Allah` isn`t the name for God, although `Eloah` is the almost identical name for God in the Jews` Hebrew language. Islam will be defeated on the `plain of Megiddo`(Rev: 16. 16) near the coastal city of Haifa in Israel, according to the Church Militant of Judeo-Christianity, because host womb enslavement in parasitism in homosexuality for pederasty and war against `woman`s seed` is the devouring of the human host that parasitology agrees is what would occur in Satanism; if women were rejected as the host of God greater than the angelic. In simple terms, `the father of lies`, Satan, is strong, as Britney Spears` apocalyptic `Oops! ... I Did It Again` depicts. In her white bikini dress, atop the eight pointed star of a white blanket, she`s the twin of her red pilot suited sister, who places a hook in her spaceman`s backpack to winch him up to where he can film her twin. Turning a somersault in the air, Britney`s red pilot suited twin lands before her astronaut transformed and wearing black boots, skirt, and a white top, because Hollywood Babylon won`t allow women to show their penis` `seed`, and so they have to `edutain` to codify educational content, because of men`s censorship.In the `transubstantiation` symbolism of the Christian church, `bread and wine`, as symbols of Jesus` `body and blood`, are given to the petitioners, because it`s necessary for men to accept Jesus` teaching, `Love your neighbor as you love yourself.` (Mk: 12. 31) 

 Without acceptance of women`s futanarian humanity, that is, God`s `foot` Jesus, `woman`s seed` can`t resurrect and have Ascension to heaven through women`s own brain powers for liberation. Transubstantiation codifies Jesus` giving `bread and wine`, as the human host at the `Last Supper` before his crucifixion, to the disciples. As symbols of his `body and blood`, that is, humanity`s futanarian nature, the `wafer and wine` of the Christian church`s transubstantiation ritual represents women`s body`s transformed into futanarian humanity through men`s repentance and acceptance of `woman`s seed`, which is why Britney Spears is depicted transforming, in `Oops! ... I Did It Again`, from her red suited pilot`s self to a self resembling a magician`s wand in black boots, skirt and white top. Eve`s `seed` will be magical, if undamned, but the `red dragon` of the `serpent`s seed` doesn`t want the futanarian `foot` of Eve`s `seed` to get off the Earth to the planets and stars of heaven: `One small step for a man, one giant leap for mankind.`8

 During Germany`s attempts to enslave the Earth in World War II (1939-45), their National Socialist (Nazi) government was pogroming the `chosen people` of the Jews in Europe in the name of Chancellor, Adolf Hitler, whose allies were Italy and Japan. To end Japan`s role in the Pacific theatre of war as the ally of Germany and Japan, Harry S. Trueman, who`d become US President on April 12, 1945, authorized the dropping of the atomic bombs `Little Boy` and `Fat Man` on Japan`s cities of Hiroshima and Nagasaki on August 6 and 9. Truman`s extermination of the Japanese symbolized men`s relations with God`s `foot` , who are `futanari` in Japan, where `foot binding` was the misogynist activity designed to mock the idea that women`s futanarian human race could run and escape men`s program for human extinction. The `red dragon` of Satanism, grown since its days as the `serpent`s seed` in Eden, had become the fire breathing devourer of women`s futanarian humanity`s smoked penis` `seed`, and so humans were prevented from liberating themselves through sexually reproduced brainpower: `.... an enormous red dragon ... stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 5)

 US President Richard Milhous Nixon `carpet bombed` and deployed `agent orange` from the air to defoliate and starve `woman`s seed` during the Indo-China war (1946-89), which was usual for the US. Before 1880 the buffalo population of the United States of America had been 60, 000, 000 but only a hundred or so remained, because the US government employed hunters to kill all the buffalo in order to starve the indigenous Native American Indians to death. US President Ronald Reagan`s March 23, 1983, Stratedgic Defense Initiative (SDI), established the principle of a `ground and space based missile system` that would effectively imprison women`s futanarian humanity, that is, God`s `foot`, upon the Earth, while the extinction of the humans industriously proceeded through the periodic activation of the Military Industrial Complex (MIC) that was prepared to spend 1 billion US dollars to keep a B1 `Spirit` bomber while Jesus` Holy Spirit of women`s futanarian humanity`s brainpower awaiting Resurrection was being kept in abeyance by the `incurable killer disease`, HIV/AIDS, which wasn`t going to be cured because improved medical science meant prolongation of ephemeral humanity in host womb slavery to parasitism, and homosexuality in pederasty`s war against `woman`s seed` required that humans should die young and unknowing rather than that they should live long and learn wisdom:

`He said, `Call the doctor. I think I'm gonna crash.

``The doctor say he's comin', but you gotta pay him cash.`

 They went rushin' down that freeway;

messed around and got lost.

They didn't care; they were just dyin' to get off; 

And it was life in the fast lane:

Life in the fast lane.`9

 Upon his death Jesus` side was pierced by the spear of the Roman Longinus, because Eve and her `seed` emerged from the side of Adam, according to the Bible, and as Jesus was the `Second Adam` for Christians, so the `Second Eve` was expected to emerge from Jesus` side; as the Holy Spirit he taught would teach after him. Because the male brained Empire of misogyny in homosexuality and pederasty for war against `woman`s seed` didn`t want Jesus` `seed`, as it was Eve`s futanarian `foot`, born uncontaminated by male semen fom Jesus` mother, the Virgin Mary, Jesus was killed. Longinus` spear could be conceived as a `caesarian` section for a futanarian male, but it`s evident that the Romans were seeking to prevent a futanarian birth, and perhaps the Resurrection of `woman`s seed`, which in fact was prefigured in Jesus` Resurrection and Ascension to heaven after his death.Descending in what seems to be a giant`s ring to the stage set of her performance in `Oops! ... I Did It Again`, Britney Spears, in her red pilot`s suit, is awaiting `touchdown`, which was the term used by NASA whenever a space vehicle landed on an extraterrestrial surface, `We have touchdown.`

 In American football, `superbowl` rings are awarded to the winners and `touchdown`, or `TD`, is the term applied to success in the `end zone`. Because the Giants are a New York football team, the appearance of Britney Spears descending inside a giant`s ring for a `TD` suggests `superbowl`, which is the Holy Grail for American sports` heroes in the United States. The `Last Supper` bowl is the Holy Grail, because Jesus ate and drank from it. The supper bowl figures transubstantiation, that is, the process whereby acceptance of `woman`s seed`, and repentance form the sin of parasitism upon the host womb of the human futanarian race, is symbolized by the `bread and wine` of Jesus` transubstantiation sysmbolism. The human spirit transformed becomes the `body and blood` of Jesus with his spirit teaching acceptance of women as the Holy Grail of Redemption.Britney`s giant superbowl ring is for her napkin at the table with the supper bowl winners after `touchdown`.

 Because of the science fiction theme, the hole inside the ring is reminiscent of an artifact discovered in `The City On The Edge Of Forever`, a `TV` episode from Star Trek: The Orginal Series (1965-69) in which the `away team` of the starship, the USS Enterprise, encounter the `Guardian Of Forever`, who affords actor, DeForest Kelley, in the role of `Bones` McCoy, that is, the doctor aboard the Enterprise, the opportunity to go through the `Time Gate` and begin a sequence of events that result in the disappearance of the Enterprise. The past has been altered by McCoy`s relationship with actress, Joan Collins who, in the role of Edith Keeler, organized a 1930s Pacifist movement in the US that gave the Nazis enough time to build a nuclear weapon and win WWII. Captain James T. Kirk, that is, actor William Shatner, goes through the `Time Gate` to reverse a scenario in which it had been better if Edith had died rather than be saved by `Bones`, and the episode ends as it had begun with the `Guardian` declaiming: `Time has resumed its shape. All is as it was before. Many such journeys are possible. Let me be your gateway.`10

 Britney Spears` `Oops! ... I Did It Again` is a meditation on `karma` in which the male brained Empire of the damned human is deluded and can`t see the alternative realities that exist, because it prefers the predictable image. In the age of the video, `pause` and `rewind` controls allow images to be played and replayed, but nothing new appears on the screen, because it`s `predicted` in the sense of being damned, as a result of men`s male brained delusion, which is their `karma` of preferring what is dead. The predictability of death is what humanity`s host womb enslavers want through homosexuality in pederasty and war against `woman`s seed` as parasites in Satanism: `But I thought the old lady dropped it into the ocean in the end.`

 The spaceman gives Britney a gift, which is associated with the film Titanic (1997), `All aboard!` At the beginning of the move, the `old lady`, Rose, who is actress Kate Winslet throughout the drama`s history of her jouney aboard the doomed vessel, drops her `heart of the ocean` blue diamond pendant into the ocean at the point where the salvaging of the passenger liner is taking place. Rose`s dimaond is a memorial of her surviving the voyage in which the ship sank on its maiden voyage from Southampton on April 15, 1912, after collison with an iceberg in the Atlantic enroute to New York: `Well, baby, I went down and got it for you.`

 Britney`s `scifi` theme in which her spaceman declares himself a deep sea diver too, is a tribute to science fiction writers, L. Sprague De Camp (1907-2000), aeronautics` engineer, Isaac Asimov (1920-92) and Robert A. Heinlein (1907-88), naval engineer, who were the scientists working at the Philadelphia Navy Yards in the 1940s to develop from deep sea diving suits the pressurized space suits that would be worn by NASA`s astronauts during the moon landings. Credited with having developed the first space suit, Robert A. Heinlein wrote the juvenile novel, Have Space Suit Will Travel (1958), which perhaps inspired the science ficiton themes of Britney Spears` `Oops! ... I Did It Again`as well as the Music Television Award, that is, the silver spaceman statuette planting the MTV flag after the fashion of Apollo 11`s astronauts with the flag of the USA on the lunar suraface:

`I'm Mrs 'You want a piece of me?'

Tryin' and pissin' me off.

Well get in line with the paparazzi;

Who's flippin' me off.`

 Despite the `Oops! ... I Did It Again` spaceman`s designed appeal for Music Television, Britney didn`t win an MTV Award until `Piece Of Me` (2007). Because the CD cover of the song release from Blackout features the star posing as God`s `foot` on the cross of Jesus, it also derives from April 6, 1967, NBC TV`s episode of Star Trek:TOS # 28, `The City On The Edge Of Forever`, asking what if ..? The lyrics berate those who prefer the `karma` of rejecting God`s `foot`, rather than repenting of their sin in conversion to acceptance of `woman`s seed` through the metanoia of brain transformation in order to have Redemption, before women`s futanarian humanity`s Resurrection and Ascension to the planets and stars above; so that they can go too.

 In Star Trek: TOS terms misogyny in homosexuality and pederasty for war against `woman`s seed` is endevoring to make sure that the penis doen`t go anywhere because it`s a woman`s. Consequently, Britney`s figure hugging red pilot`s suit is an anti-smoking advertisement , `All aboard!` Star Trek: TOS can be conceived as a prison ship in which the women of Earth are depicted as flattened by the TV, where it`s science fiction to believe that `woman`s seed` will ever escape her `death camp` guards. In male braining humans have become a single male and female creature wearing each others` clothes as a `TV` transvestite, because the audience are being trained not to want to see women by misogyny`s homosexuality in pederasty and war against `woman`s seed`. In `edutainment` terms the human race will one day be `brainwashed` into forgetting human sexual reproduction ever existed as the mass entertainment media focus in on extinction:

`Oh baby,It might seem like a crush;

But it doesn't mean that I'm serious.'

 If Britney`s `Oops! ... I Did It Again` is a Pilot cigarette commercial, it refers to Jesus` mother, the Virgin Mary, crushing the head of Satan in Christian iconography, because `Smoking can seriously damage your health`,11 and she doesn`t want the daughters of women`s futanarian species of humanity to have their penis `smoked` by dragons. Britney`s Oops! ... I DId It Again album, with its title track, `Oops! ... I Did It Again`, was recorded between November 1999 and February 2000, which suggests the British science fiction TV series, Space 1999, with its theme of alien invasion by UFOs. In her white bikini dress, moving her arms like anemone`s do, in the centre of her sea bed, Britney looks like she`s expecting an alien invasion with the spaceman hanging above her with his camera.Director Stanley Kubrick`s film 2001: A Space Odyssey (1968), based on British science fiction writer Arthur C. Clarke`s short story, `The Sentinel` (1948), is close in spirit to the video`s idea of an alien artifiact activated by human curiosity. Before the surface of the red planet erupts to reveal what`s symbolically the Set of Britney`s Egyptian mythology, her spaceman picks up an icon in the sand with her picture etched upon it:

'Mars Lander: `What th - !`

Mission Control: `Cute. What is it Mars Lander?'

Mars Lander: `Oh, it`s cute alright. It couldn`t be!`

Mission Control: `Mars Lander! What`s happening up there?!`


 In Greek mythology the anemone was a flower that sprang from the blood of Adonis, after a boar had fatally wounded the god, who died in the arms of the goddess, Aphrodite. If the spaceman on Britney`s red planet of Mars in `Oops! ... I Did It Again` is Adonis, rather than Apollo, Britney`s white bikini dressed self, who makes movements like a sea anemone, represents humanity`s ephemerality, rather than the immortality God had wanted for her. The boar is a metaphor for the bore who wants everything to be predictable, who was `TV` Set in the Egyptian myth of Osiris` dismemberment by his evil brother, which is translated into the government imposed gender intervention surgery for newborn futanarian humans in the 21st century. Performed as an obligation by doctors in the United States of America, corrective gender surgery to ensure that the remnants of humanity are wholly bored, is clearly in breach of the `Hippocratic oath` that medical practitioners are required to avow as an insurance upon their patients` well being.The boar was sent to kill Adonis by Apollo, because Aphrodite, the goddess of love, blinded Apollo`s son, Erymanthus, because he saw Adonis and her together. Fortunately, for Britney Spears` Anemone, it isn`t `an enemy` in the mirror in the dressing room in `Piece Of Me`, because it`s an unbroken piece. For Britney, `anemone` is a `spoonerism`, that is, `an enemy`, and all women are unbroken pieces of her single species, which is why she dances the `anemone` with her dancers after they`ve preened themselves in the theatre dressing room mirrors. Her peace with women remains unbroken, although the bores don`t want her to see what she really adores in the mirror of her dreams.

Jesus`mother, the Virgin Mary, bore God`s `foot`, Jesus who, experiencing Resurrection and Ascension after death, represents Salvation and Redemption through women`s futanarian race, which would arouse interest from the mirror, despite the bore. Instead humans are gored to death by the `snuff film` horror movie industry Hollywood Babylon promotes for consumption. Because the `serpent`s seed` of men in host womb enslavement of women`s futanarian humanity for homosexuality in pederasty and war against `woman`s seed` want to bore humans to death with their sex censors designed to reduce interest in living to the point of nihilist extinguishment.In `Oops! ... I Did It Again` Britney`s smoking dragon metaphor suggests a gas oven pilot, that is, a small flame ready to `hot foot it` and become an all consuming passion. Although God`s `foot` might send Britney`s heart racing, it`s a cooked `foot` that the devouring dragon represents. Moreover, `a pilot` is the term used by studios for the running of a `test` episode before a decision is made about producing the concept as a `TV` series. The Britney Spears` show ran after its `pilot`, and so did the scifi theme:

'I'm Mrs 'Most likely to get on TV for strippin' on the streets',

When getting the groceries, no, for real?

Are you kidding me?

No wonder there's panic in the industry,

I mean please.

Do you want a piece of me?`

 In `Piece Of Me` Britney`s character, `anemone`, has her own dance routine and dancers who, preening in the theatre dressing room mirror, dance in the `anemone` style. The theme is of how the paparazzi pursue Britney Spears for selacious photos, but there`s a sinister aspect to the nudity and `groceries` imagery. NASA sent pictures out of the solar system aboard The 1972 and 1973 `Pioneer` spacecraft containing a plaque with pictures of the star, Sol, at the centre of the planetary sytem that was then thought to contain nine planets orbiting around Sol; Mercury, Venus, Earth, Mars, [Ceres,] Jupiter, Saturn, Uranus, [and] Neptune [, Makemake, Haumea, and Eris]. After 2006 the `dwarf planet` Eris was discovered at the far reaches of the solar system causing a reclassification of the term `planet`, which led to Ceres, Makemake, Haumea and Eris being designated `planets of the solar system`. The `day star`, Sol, is called `the sun` by the people who live on the Earth, and it gives heat and light by which crops grow, and people can see with their eyes. For extraterrestrial intelligences to see with their eyes, the `Pioneer` had a picture of a man and a woman engraved on its plaque showing what humans look like. In `Piece Of Me` Britney Spears is a representative woman defined as a single futanarian species and not a transvestite `TV` with a single male brain made to wear men and women`s clothes. In the `Pioneer` picture the man and woman are nude, because the Earth is being advertised by the alien that lives there as a `grocery store` providing two varieties of meat: gross.

 In `Oops! ... I Did It Again` Britney Spears` transforms from a `pilot` wearing a red jump suit to a woman in black boots, skirt, and white top after running `hot foot` to somersault through the air and stand in front of him to receive what the audience supposes from their dialogue is the gift of the `heart of the ocean diamond`. The meaning of the diamond blue pendant in the movie Titanic is betrayal, that is, Rose boards the ship with her fiancée, but takes a new lover, and her ex-fiancée places the diamond in the jacket of her lover and accuses him of theft. The ex-fiancée feels betrayed by Rose`s defection, and so takes on Judas` role as love`s betrayer. It`s a romantic fiction constructed in misogyny, where the participants are unaware that they`re the pawns of homosexuality in pederasty for war, which has already made serious attempts to make `woman`s seed` extinct and is now entertaining itself by torturing what remains with false romanticism. What Britney Spears` `Oops! ... I Did It Again` does is explain that the `heart of the ocean` is a symbol of men`s treachery, because women`s futanarian humanity is unknown through their censorship of mass media `edutainment` and men want to make it unknowable, which is why the `heart of the ocean` is a symbol of betrayal in `Oops! ... I Did It Again`: `I played with your heart, got lost in the game.`

 The `game` is about consciousness, and romantic love, written in misogyny for Hollywood Babylon`s Empire of male brained `TV` audiences composed of homosexuals in pederasty for war against `woman`s seed`, maintains the human race in blind unconscious ignorance. `Oops! ... I Did It Again`, with its scenes of Britney Spears posing with arms aloft as if she`s a wine glass, and her white bikini dressed self atop what looks like a table cloth on a round table awaiting King Arthur`s knights at supper with the Holy Grail before them, because she`s ... well, bread, is carefully constructed to avoid the censor, because the meaning of Judeo-Christianity and Islam is censored to maintain hostilities in a war to extinction of the human futanarian race.

 The symbolism of two distinct Britney Spears in `Oops! ... I Did It Again` posits a viewing audience`s eventual acceptance of the principle of `woman`s seed`, which is sexual reproduction between women in order to produce their own brains` powers for liberation. Figuring herself as a glass of red wine for the better bred at table, Britney Spears` white bikini dressed figure, as the Holy Grail of those freely associating about the eight pointed star of the tablecloth, isn`t bread or wine for parasites in a Satanic `black mass`, as conceived by occult novelists like Dennis Wheatley, whose To The Devil A Daughter (1953) conceived of human sacrifice at the centre of the `romantic fiction`. Consumption of women as the host in parody of the host in the Christian ritual of transubstantiation, that is, the `bread and wine`, as symbols of women`s need and desire to accept `woman`s seed`, is what Satanism is. 

 Novelistic conventions and censoring taboos would always prevent writers living in misogyny for homosexuality in pederasty and war against `woman`s seed` from writing the simple truth, which is why Satan is decribed as `the father of lies`, because Satan`s lies are strong.Although film director Stanley Kubrick`s 2001: A Space Odyssey based on Arthur C. Clarke`s `The Sentinel` is an inspiration for `Oops! ... I Did It Again`, because the discovery of an alien artifact results in an evolutionary leap forward in consciousness for the human race, Kubrick`s film, A Clockwork Orange (1971) is also alluded to as an inspiration for Britney`s video insofar as it`s a giant orange she can be interpreted as descending to her stage set inside. Carrying a cooper`s hoop for making a `hogshead of wine`, Britney`s declaring herself a member of the `magic circle` for entertaining the bore. The central character of A Clockwork Orange is Alex, whose friends are `droogs`. Anthony Burgess` language is invented and unique, but `droogs` are interpretable as `drugs`, that is, for the activities that occur in Burgess` novel, A Clockwork Orange (1962), recreational drugs are a logical presupposition. Alex and his `droogs` indulge in `ultraviolence`. At one point in the narrative they rape a writer`s wife and leave him permanently crippled, while Alex tears up the draft of a novel, A Clockwork Orange, and receives a fourteen year prison term in which he`s treated with the `Ludovico Technique `, a form of aversion therapy of injections to induce nausea at even the idea of violence. Alex`s `Ludovico` conditioning is reversed, and again he`s `queer as a clockwork orange` which, meaning `unusual`, is a term Burgess heard in 1945 in a bar in London: `I was cured, all right.`12

 The novel is interesting for the suggestion that the writer F. Alexander is writing the `droogs` story when they and Alex arrive and that his manuscript is destroyed on the understanding that its characters will live. The concept relates to reincarnation and what the Frence call de ja vu, that is, something remembered as having happened before, which is what humans experience who`re being murdered. Although it`s unfashionable to think of humanity as a collective, women`s futanaria is a single species, whereas men are a single brain, which takes possession of the human race through stealing `woman`s seed` for the sexual reproduction of its parasites. Humans experience de ja vu when they`re remembering, and the parasites are consequently loosing their foothold on women`s futanaria, which is unusual for them:

`I'm feeling unusual;

I don't care cause this is my night.

I'm not myself tonight;

Tonight I'm not the same girl, same girl.`13

Although Star Trek: TOS is the basis for an interpretation of Britney`s giant`s ring as the `Time Gate` from episode # 28,`The City On The Edge Of Forever`, Stargate SG-1 (1997-2007) is the science fiction `TV` series derived from the film Stargate (1994) that borrowed heavily from the Star Trek episode`s image of a giant ring in a desert landscape. The first two hour episode of Stargate SG-1 was `Children of the Gods` (1997), which is reminiscent of Satan`s words to Eve and Adam, `You shall be as gods.` (Gen: 3. 5) In the Bible Adam and Eve`s children were Cain who slew his brother, Abel, because he was more able and could cook, whereas Cain was a fruit picker. Britney`s `orange` is, therefore, a reference to those who murder the able in order to retard human progress. `Orange Sunshine` was the name of the first lysergic acid diethylamide (LSD) recreational drug made illegal in 1968 because users behaved chaotically in situations where control was required, for example, driving a car. Britney Spears` appearance, `queer as a clockwork orange`, in `Oops! ... I Did It Again`, controlling her descent to the stage set in a giant orange, is her acknowledgement that the video age affords some assistance in terms of race memory, that is, carefully used symbolism can reawaken human consciousness.

 Stargate SG-1 reprises the Goa`uld enemy of Stargate as parasitic aliens, because men don`t want women to perceive them as parasites. Stargate SG-1`s new enemy were conceived as Replicators, that is, men`s idea of women`s futanaria, because `woman`s seed` replicates. In the movie Stargate the leader of the Goa`uld is Ra, and the Goa`uld have `Jaffa guards`, and so Britney`s reference is to the Middle East`s `Jaffa oranges`, because the `Ancients` of Egyptian mythology were Ra, Osiris, and Osiris resurrected by the goddess Isis` rememberment as `the sky god` Horus, who travelled through the Duat to the `House of Hathor` where he`d live in the `House of Horus` after a hero`s death. According to the plotline of the movie, Stargate, the `Ancients` built the Stargates across the cosmos, which the men of Earth find and use, because that`s what parasites do. Although Ra is depicted as a parasite with the rest of the Goa`uld, he doesn`t have a `Jaffa guard`, and dies. Men aren`t doomed to parasitism, if they repent and convert from their sin, so the goddess, Isis, is represented in the plagiarized Egyptian mythology of Stargate and Stargate SG-1 as bestowing a new, and perhaps human penis, that is, futanarian, on Osiris.

 In Egyptian mythology the symbol for `Ka`, which is `spirit`, are hands raised above the head, like ears, because many of the Egyptian gods and goddesses were long eared or hornéd animals. In Egypt the symbol for the `Ba` or `soul` was a bird, which suggests a perceived division between the human `spirit`, and the animal `soul`, although in folklore the idea of the helpful animal, who is `magical`, and/or can speak, isn`t identical with the belief that the human `soul` is an animal`s, which is Satanic. Having exterminated `woman`s seed` upon the Earth, the Satanists would seek to obviate the possibility of help from the heavens in the form of extraterrestrial intelligence by defining humans as animals, that is, the Egyptians` myths represent a human picture of the cosmos from Earth`s perpsective, whereas the point of view of men of the `serpent`s seed` is alien.In simple terms, men are killing the humans, because men are deranged in their belief that they`re gods. Consequently, contact with extraterrestrial intelligence that doesn`t look like humans are expected to look is being preempted from having a successful outcome by practicing xenophobia upon women`s futanarian humanity as a preliminary to xenophobic rejection and war with extraterrestrials that could be women`s futanarian humanity come to visit. In other words, Egyptian mythology rpresents women`s futanarian relations with the intelligent human species of the Earth, whereas men`s xenophobic persective is that they`re gods and the humans are to be exterminated.

 The distinction between the Egyptian `Ka`, or `spirit`, and the `Ba` bird `soul`, isn`t a division between the human and the animal, which is how men made transvestite `TV` in male braining. Splitting the psyche of women`s futanarian humanity into male and female with a single male brain wearing each others` clothes is schizophrenia. When a woman looks in the mirror and can`t see her futanarian self with a penis of her own it`s because men have split woman`s psyche to make her schizophrenic. Distinguishing between human spirit and animal soul is a further division designed to alienate the human race from help against Satanism.

 On the stage set of `Oops! ... I Did It Again` Britney Spears looks as if she`s surrounded by a huge animal with claws, while raising her arms in the gesture associated with the `Ka` of ancient Egyptian mythology suggests that she`s seeking unity with the `Ba` bird, that is, the figure of the `soul`, who appears in the shape of the astronaut, because the traditional phrase for a landing on an extraterrestrial surface is, `The eagle has landed.`14 Although the `Ba` bird of Egyptian mythology symbolizing the `soul` is an ibis, the absence of a `Jaffa guard` for the parasite, Ra, in Stargate SG-1 suggests Britney prefers the eagle of the United States of America, which appears on the Great Seal of the authority of the Presidency: `The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent`s reach.` (Rev: 12. 14)

 The moon is a sterile wasteland, and Mars is a desert, so for Satanists it`s about where `woman`s seed` is? The lunar surface is pock marked with craters that make it look as if nuclear bombs have already fallen, while Mars` designation as `the god of war` in Roman mythology suggests men`s nuclear bombs made of the red planet they`d labeled `war` a similar wasteland; leaving that part of the human solar system bereft of intelligence. In other words, the alien `serpent`s seed` of the Earth seeks the extinction of the humans in the solar system, and beyond amongst the planets and stars of the cosmos, because there they expect to find the `remnant of woman`s seed` where she grows, and they`re practising devouring her upon the Earth.In simple terms, `woman`s seed` is animal and spiritual, but men`s desire to discriminate has separated them from the human, which doesn`t look like the flat, square `TV` they`d developed in replacing the `old tubes` by 2013. Consequently, ancient Egyptian hieroglyphics apparently depicting humans with the heads of animals, and animals with the heads of humans, are in fact the Earth`s humans, before xenophobic transvestism and transsexual surgery replaced women`s futanarian humanity with the documentary material made by the `serpent`s seed` of men`s war against `woman`s seed`, which is released periodically as `snuff video` news, and Hollywood Babylon `action` movies, that is, `adult` content carefully censored for `TV` and human consumption.

1 .

2 Martin, Max, Rami Yacoub, `Oops! ... I Did It Again`, Britney Spears Oops! ... I Did It Again, 2000.

3 Araica, Marcella, Nate Hills, Keri Hilson, James Washington `Gimme More`, Britney Spears Blackout, Jive, 2007.

4 Åhlund, Klas , Christian Karlsson, Pontus Winnberg, `Piece Of Me` Britney Spears Blackout, Jive, 2007.

5 Virgil, The Aenenid, Bk II, 19 B.C.

6 .

7 Koran, Sura 40, Al Imran, `The Women` chapter, l. 171.

8 Armstrong, Neil, July 21, 1969, UTC: 2. 56.

9 Frey, Glenn, Don Henley and Joe Walsh, `Life in the Fast Lane`, Eagles, Hotel California, Asylum, 1976.

10 Ellison, Halan, `The City on the Edge of Forever`, Season 1, Episode, # 28, NBC, April 6, 1967.

11 .

12 Burgess, Anthony, A Clockwork Orange, William Heinemann, 1962.

13 Curtis, Greg, Ester Dean, Jamal Jones, and Jason Perry `Not Myself Tonight` Christina Aguilera, Bionic, RCA, 2010.

14 Armstrong, Neil, July 20, 1969, UTC: 20: 17. 40.

Lieutenant Arex of the Discovery
Lieutenant Arex of the Discovery

Britney Spears` 50s Alien Invasion Movie And The Culinary Triangle

In the video single for Oops I Did It Again Britney Spears` planet is `invaded` by a spaceman who wears an Apollo spacesuit similar to Neil Armstrong`s when he was the first man to walk on the moon in 1969: `One small step for a man, one giant leap for mankind.` Although the pop video isn`t couched as an `alien invasion` Britney, in her red suit, and in her white bikini dress, have to deal with the alien invader who doesn`t fit into their scene because they`re wearing futuristic costumes in a planetary setting that isn`t a throwback to 1950s alien invasion fears. In her red pilot`s suit Britney represents the original NASA space program`s aim of having a `space plane` piloted to the moon, but that project was terminated because of `blackouts` experienced by the pilots. Britney`s album Blackout contained Piece Of Me, and the famous line:
`I`m Miss American Dream since I was seventeen.`

 The `American Dream` is of space and the `final frontier`, as the TV show Star Trek (1965-) describes it, of going `where noone has gone before`. Originally the TV series had the line `where no man has gone before,` in the `voiceover` to its original credits, which was changed because of the USA`s growing awareness of feminism and its commitment to `Liberty`, which was once again threatened by the terrorist hijackers crashing of planes into the Twin Towers of New York on 9/11, 2001. Blackout means `censorship, but also unconsciousness, which is the result of memory loss, but can also be understood as the result of a lack of education or ignorance, which is unconsciousness through `censorship`.
Britney Spears` Blackout refers to Oops I Did It Again insofar as, in her red pilot`s suit, she`s reflecting upon NASA`s cancelled `space plane`, which constitutes a reduction, in consciousness terms, of aspiration, and acceptance of slowed technological development. Although the lyric `I`m Miss American Dream since I was seventeen` is about American optimism `since` 1776, which enabled them to put a man on the moon in 1969, the destruction of the Twin Towers, which were constructed in 1970, suggests development was being slowed once more is a form of `censorship`, or `blackout` of conscious aspiration, and knowledge and wisdom symbolized by the `Big Apple` and the statue of `Liberty` in New York harbor.

 Read correctly, Britney`s spaceman in Oops I Did It Again is 1969 and Britney, `twinned` in her red pilot`s suit and in her white bikini dress, represent the `Twin Towers` constructed in 1970. In her red pilot`s suit she hoists her spaceman above her so that, looking down upon her, he can film her wearing a white bikini dress with his spacesuit`s camera. It`s an `eternal triangle` with a difference. Britney`s `set` is 1969 television`s, because the spacesuited astronaut represents the 1960s Apollo space program that saw the first man on the moon, Neil Armstrong, `live` on television.
 In Egyptian mythology Set is the evil brother of the `sky god` Horus, who fight continuously. Consequently, when Britney suspends her astronaut above her with a camera, she`s depicting the relationship between `Babylon`, that is, the Hollywood movie industry, and `MYSTERY, BABYLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH`, who represents the women of Horus, the `sky god`, insofar as they cry `Whore us!`
 Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs as a biological parasite to produce more homosexual pederasts to wage war against other city states and convert them to biological parasitism by enslaving women`s `host` wombs further. Consequently, the `blood plague` of the `red dragon` of Revelation is HIV/AIDS, which is homosexual pederasty`s valence of `biological warfare` against the `host` wombs of women. In simple terms, Britney`s spaceman is the `sky god`, Horus, being prepared for the USA`s airstrikes against targets in Arabia and Afghanistan after 9/11.
 Oops I Did It Again depicts the `eternal triangle` of mother, daughter, and son is being depicted, but because Britney`s `twinned` she represents self-production, which is a movement away from the dragon and the whore towards the female valence of woman with a penis of her own as a species with its own economic valence that won`t accept `rough trade` as the product of its `host` wombs any longer, that is, woman will no longer raise hordes as the whored for television`s Set and Horus` periodic onslaughts against her art, culture and civilization, so that Hollywood can magnetically assert in the personae of its `leading men` that socio-history is the story of how they won, while the penis of the woman is repressed as an aspect of homosexual pederasty`s preference for violence against woman and her Earth. Despite keeping her close throughout the `movie` in order to fill the camera lens with her `protected` image and mask the true meaning of the taboo against the male penis. By not revealing anything but a protection racketeer`s weapon the `red dragon` of devouring homosexual pederasty conceals its true valence, which is male violence towards women as the true species of the Earth. Insofar as it`s the aliens` parasitical intention to devour woman`s flesh by means of the `blood plague` of HIV/AIDS` `biological warfare`, and her planet through more `conventional` marriage between the dragon and the whore of war.
 In Hold It Against Me Britney engages in a bare knuckle fist fight with herself, because women`s valence must be trained not to accept being the whored of the bloodthirsty devouring male draco`s warring hordes against her `host` womb and its product of art, civilization and culture. Surrounded by television`s Set, she resists `Whore us!` As the 15th century seer Nostradamus had predicted:

`From the sky will come a great King of Terror.
To bring back to life the great King of the Mongols,
Before and after Mars to reign by good luck.`1

 Mars was successful in Gulf wars I and II (1990-2011) because the winning valence is perceived as succeeding, whereas the kings of terror and Mongols correspond to what the Bible describes as the first and second `beasts` of Revelation, which denote the evil valence of television`s Set and his endless struggle with the horde of Horus, the `sky god`, to whom the women of `the whored` willingly cry, `Whore us!` In Oops I Did It Again Britney descends inside a `giant`s ring` to greet her spaceman visitor, `Mars Lander`, but `the rules of engagement` with Mars are changing. She places a hook into his backpack and hoists him above herself in a white bikini dress so that he can see what he isn`t fighting for, `Liberty`.
 Woman with her own penis as `futanarian` has an economic valence that is human and not alien. In her red pilot`s suit Britney represents NASA`s decision not to develop but to keep `Liberty` a prisoner upon the Earth to produce wars for television`s Set and cry `Whore us!` Twinned, in her white bikini dress, she`s a self-producer, that is, a prefiguration of woman as a species with her own reproductive valence prefigured by the Virgin Mary who gave birth to Jesus, the `Perfect Man`, without male semen, 2000 years before 9/11.
 September 11th 2001 was an attempt by terrorists to prevent the `Second Coming` of Christ, the `New Redeemer`. He is described as the `protector` of the `hidden` woman of Revelation who`s `seed`, that is, the seed from her own penis - as opposed to the evil serpent`s `seed`. It is told by God that it shall have `perpetual enmity` with her `seed`, who receive a new heaven and Earth from God while the evil serpent`s `seed`, that is, the `seed` of the `pre-nuptial agreement` between the dragon and the whore, receive unendurable eternal pain as a punishment.
 In the structural anthropology of Claude Levi-Strauss, the mainstay of his socio-economic theory is the `culinary triangle`,2 which is depicted as the geometric formula for historical advancement through technology. The BBCTV series Triangle (1981-3) takes place aboard a European ferry, but the series doesn`t seem to be about technology. It`s about `love triangles` as the basis for female subjugation, repression, and unconscious ignorance. In Oops I Did It Again Britney`s spaceman gives her a ship`s `gift`:
`But I thought the old lady dropped it into the ocean in the end.`
 The heart shaped blue diamond is a pendant dropped into the ocean by Rose, the `old lady`, in the Titanic (1997) movie. Because the `eternal triangle` of love and betrayal sorrowed her. Her former lover had placed the jewel into the pocket of her new lover to frame him for theft, and he was subsequently drowned when the Titanic hit an iceberg and sank in 1911. The BBCTV series reflects on `love triangles`, that is, `love affairs` between `shipmates`, while their more permanent relationships on land remain unconsciously unaffected. In short, the concept of the successful `love triangle` in Triangle is shown to be dependent on ignorance, that is, if women with a penis, and an economic valence of their own, as the human species `futanarian`, knew they were ignorant of men`s true nature, they`d prefer a `love triangle` that consisted of women as fatherers, and daughters of mothers. Women are `fartherers` in the sense they`re concerned with their species` nurturing and development. So they can progress to the stars in heaven before men devour them as possessors and consumers through enforced unconsciousness, that is, `blackouts`.
 Effectively, the couple who are having an affair require `blackout`, that is, the blinding and stupefaction of their `permanent mainstay` by themselves or their `confederates`. Analogously, those who fought for the Confederacy against the Union Army of the United States of America in the Civil War (1861-5) were, in terms of Hollywood`s `Babylon`, television`s Set and the `sky god` Horus, whose whored horde cry `Whore us!`. As did all those who knowingly sent their men to lose their lives in World War I (1914-18), World War II (1939-45) and the Gulf wars (1990-2011). However, if women have a penis of their own, and so constitute the human species, which is not a valence of the evil serpent`s `seed` in its wars against women, that is, the fake symbiote`s periodically alien parasitical devourings of woman`s art, culture and civilization in its wars against her `product`, they represent the valence of humanity that doesn`t want to be blacked out in censorship and unconsciousness. Because they want to escape to the stars. Away from the `red dragon` of devouring homosexual pederasty, war, and its whores that produce it and its `biological wars` against woman`s enslaved `host` wombs.
 In Revelation the virality of homosexual transmissions during the apocalypse `live` on television Set is the `gay boy sons` of the `red dragon` of pederasty`s evil serpent`s `seed` and its killers` murder valence. They`re the `gay poisons` of the whores` child, that is, HIV/AIDS, and its undeclared war against the `host` womb of the `woman clothed with the sun and with the moon at her feet` as she gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour. Although George W. Bush immediately backed the `War On Terror` (2003-) with US$ trillions, the budget for defence against HIV/AIDS, that is, the killer disease produced by the dragon and the whore, for the `hidden` woman of the Earth and the `New Redeemer` of her `futanarian` future, isn`t that great.
 Cooking is the basis for socio-historical progress. As evidenced by Cain`s murder of Abel in Genesis because Abel was able to cook and Cain wanted the laziest life that was possible outside of Eden, which was picking fruit and eating it. Consequently, Cain was the protypical murderer and thief, because he represented the individual who would rather take from others, including taking their lives, rather than work. Cookery is the prototype of work, which has been thought of as women`s work for generations because Cain, that is, the evil serpent`s `seed` since Eden, would rather someone else worked.
In terms of Claude Levi-Strauss` theory, Cain couldn`t construct a `culinary triangle` with Abel, although Abel was able to cook, which means the evil serpent`s `seed` are those criminals who murder the cook after the meal has been prepared, because they`re only concerned with picking fruit as monkeys from the trees rather than grow food. In simple terms, trees are analogous to humans from the murderers perspective, which is why murderers aren`t human, in accordance with God`s laws for humanity.
 According to Claude Levi-Strauss the first stage in human development is growing food, and the second stage is cooking, while the third stage is fermentation, which produces cheese, wine, etc. However, Cain didn`t get to the second stage because he doesn`t want to produce, or reproduce, with Abel, and doesn`t want to. He wants to pick fruit and murder those who prepare food for him. Because he`s evil and that`s what the Bible tells us. Consequently, if Cain doesn`t want to cook and Abel wants to, Cain will murder Abel for the food he`s cooked. If Abel is able enough to marry and build a house, where his wife can cook, Cain will murder Abel for his wife who cooks, and murder her so that he can have the house. Moreover, if Abel is able enough to build a civilization and culture, Cain will murder him because, if Abel and his wife can escape him, he`ll have no one to steal cooked food and property from.
 If a woman produces a daughter who can `cook` as she can, it means that the pair correspond to what Claude Levi Strauss describes as the `human valence`, which is that of the individual that can grow and `cook` food. Not because Cain can have a free meal, if he murders Abel and his wife, but because Cain can have a house that he hasn`t built, which is the response of the evil serpent`s `seed` to the `human valence`.
 Clearly the `human valence` is inadequate from the able person`s point of view. If Claude Levi-Strauss` `culinary triangle` is growing food, cooking food, and allowing milk to rot in order to produce cheese, a woman doesn`t need a man. Consequently, she`s escaped if she can reproduce without a man, and women have a penis of their own as `futanarian`, which means the `human valence` has woman as a species, whereas men isn`t because men can`t reproduce without women. In terms of the `culinary triangle`, men can`t reproduce together, which means that the triangle has only one side insofar as the mother-daughter reproductive valence represents an `eternal triangle` in which the daughter can marry with her own species as the third woman in the triangle, because she has a penis of her own as `futanarian` woman.
 Because men can`t reproduce together, the `culinary triangle` collapses at the picking fruit stage, because Cain murders Abel. The more able person is identified as a threat, because they might escape, and Cain would have to work rather than steal and murder. Consequently, because Cain and Abel`s valence is that of the evil serpent`s `seed`, insofar as they can`t reproduce together, and they destroy whatever emerges from the `host` wombs of the women they have parasitically enslaved in their periodic wars against her Earth, the `human valence` is woman`s, as a nurturing species with her own penis` reproductive capacity, and what`s to emerge in women`s future as art, civilization and culture that isn`t preyed upon by the male parasite.
 If you`re Abel you can escape, but if you`re not Abel you can`t. And Cain won`t let you escape, so you must be disabled from Cain`s perspective. Consequently, the aliens have emerged upon the Earth as the locusts of the Bible that are foretold in Revelation, and they don`t want to improve technology because that would enable those who didn`t want to be locusts to escape. Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs so that wars could be waged and there`d be more homosexual pederasts.
In the Bible the `red dragon` is depicted waiting in vain to devour the `New Redeemer` while the woman of Revelation is giving birth. `MYSTERY, BABLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` is a mystery because she is enslaved by the parasites of homosexual pederasty to produce `gay boy sons` to fight the red dragon`s wars. In the late 20th century warfare had become `biological` insofar as the `gay boy sons` had produced `gay poisons`. HIV/AIDS prevented the woman `clothed with the sun and with the moon at her feet` from giving birth to the future of humanity. By forcing her to cleave to monogamy as the basis of her enslavement by homosexual pederasty`s misogynist devourers of the products of her `host` womb in their endless wars. `Babylon` is woman as the enslaved species, which is why she`s `the great`, because she`s in thrall to the warring aliens and represents woman`s unwilling subjugation. The woman giving birth to the `New Redeemer` is freedom because she represents the `futanarian` valence of woman with her own penis as a species with a human economic valence that resists enslavement.
 Most 20th century literary critics perceive that aliens are extrapolations of men`s fears, but few have conceived that the aliens are men and that what they fear is that the `hidden` woman of Revelation, whose `seed` is to receive a new heaven and Earth while the evil `seed` receive unendurable eternal pain as a punishment, will escape. Consequently, events such as 9/11 are the marriage of the devouring dragon and the willing whore, whose child is war against woman and her womb, and is designed to prevent her new economic valence as the human species of woman with a penis of her own from emerging as `new humanity`, which is why the World Trade Centre was attacked. Because `rough trade` is war and homosexual pederasty.
The hijacked planes that crashed into the Twin Towers from Logan airport represented men`s fears couched as a 50s `scifi` movie, that is, the fear that women would escape them. In the movie Logan`s Run (1975) everyone over the age of 21 is murdered, and so 9/11, 2001, was the attempted murder, at the beginning of the 21st century, of woman`s human valence, whereas Revelation describes the advent of the `New Redeemer`, who protects the woman of the Earth with an `iron scepter` after the dragon waits in vain to devour him, which probably corresponds to the events of 9/11, and the subsequent second Gulf War (2001-11) and the War On Terror (2003-).
9/11 was a 50s `scifi` movie because men are the alien threats that they use to enslave woman as the Earth`s species, whereas the typical 50s scenario is of aliens threatening to enslave humanity, which is in fact what men do. As aliens that are living as parasitical devourers of the species woman on the planet Earth. The aim of the 9/11 `alien invasion movie` starring men as the 50s aliens was to reestablish business suited males as the `owners of the means of production`, that is, women, and restore the 50s `alien invasion` movie they`d been the 50s aliens in. Threatened by a 21st century that was 50 years too far ahead of them, further advances in technology might result in women`s escaping the 50s and its men who had invaded and enslaved them as their devouring aliens.

1 Nostradamus, Michel Les Prophecies Century 10, Quatrain 72, 1555.

2 Lévi-Strauss, Claude in Brooks, Peter (transl.) `The Culinary Triangle` in The Partisan Review , Autumn, 1966, # 33, pp. 586-96.

Britney Spears And The Hungarian Race Into Space

Hungarian scientists in the USA are traditionally known as `the Martians`: `The production of scientists and mathematicians in the early 20th century was so prolific that many otherwise calm observers believe Budapest was settled by Martians in a plan to infiltrate and take over the planet Earth.`1 In Britney Spears Oops I Did It Again the astronaut visiting her planet, which appears to be Mars, has the call sign `Mars Lander`, whereas NASA`s actual Mars Lander was an `unmanned` space vehicle designed and built by Hungarian `Martians` in Budapest to explore planetary bodies. The logo of the most recent Hungarian venture into space is the `Puli` sheepdog, which is the breed that works during the day while the `Komondor` sheepdog works during the night. It`s relevant because Britney`s Oops I Did It Again features a `pulley` by means of which she, in her red pilot`s suit, hoists her spaceman, that is, the `Mars Lander`, according to his designated `call sign` from `Mission Control`, above herself in a white bikini dress, so that he can film her with his camera.

There are Hungarian `Martian` references in Oops I Did It Again, which relate to modern telecommunications. Just as the British science fiction writer Arthur C. Clarke was credited as the `inventor` of the telecommunications satellite he `proposed` in 1945, and which appeared in his science fiction, so the fork beside Britney Spears` spaceman`s helmet, as he`s hung suspended above her, is a `proposal` of `bluetooth` technology. In Hungarian `kék` is `blue` and `fog` is`tooth`, so `fork cake` is what Britney Spears` `fairy` represents beneath her astronaut`s camera. In the vernacular, she`s `eye candy` for a `sweet tooth`, but her literary allusion is to the science fiction heroine of Robert A. Heinlein`s Podkayne Of Mars, who has a Martian friend who`s a `baby fairy`. Her brother is Clarke, and the story`s denouement revolves around how Clarke takes care of Poddy`s `baby fairy` while she`s incapacitated.

In terms of science fiction, Britney`s Oops I Did It Again is in the tradition of Arthur C. Clarke and Robert A. Heinlein as `inventors`. Just as Arthur C. Clarke was accredited with the invention of the communications satellite, so Heinlein, Isaac Asimov and L. Sprague De Camp were science fiction writers who were also `hands on` technicians credited with developing the spacesuit for the US Airforce`s X-15 `plane into space` programme, and other pre-1969 moon-landing high pressure suits designed to withstand altitude inducing blackouts, `the kind of high-altitude flying suit that fore-shadowed today's space suits`,2 which Heinlein describes as the `inventor` in his last juvenile for children, Have Space Suit Will Travel (1958) and which Britney again alludes to in the title of her album Blackout (2007) In his Space Family Stone (1952), which had to be retitled from The Rolling Stones, because the rock band objected, Heinlein introduced another of his famous creatures, the `Martian flat cat`, which Heinlein allowed to be used in the science fiction TV series Star Trekepisode The Trouble With Tribbles (1967) in exchange for a signed copy of David Gerrold`s script:

`It had no discernible features, being merely a pie-shaped mass of sleek red fur a little darker than Castor's own hair. `They're affectionate little things and many of the sand rats keep them for pets - a man has to have someone to talk to when he's out prospecting and a flat cat is better than a wife because it can't talk back. It just purrs and snuggles up to you.`

Susan Oliver as Veena, Orion Slave Woman
Susan Oliver as Veena, Orion Slave Woman

 In The Trouble With Tribbles the premise was that of the life form that appears harmless but is actually dangerous, which is what men who espouse the valence of homosexual pederasty are. In her red suit Britney suspends her spaceman above her as a camera to film herself in a white bikini dress, but he is helpless, which means he can`t express his valence or that of `Mission Control` who are attempting to direct his movements. From a Greek perspective, Britney in her red suit, and in her white bikini dress, correspond to the `twins`, Helen and Clytemnestra, whose acceptance of the spaceman`s `gift` in Oops I Did It Againrepresents the birth of the `blue diamond` of `bluetooth` from the `heart of the ocean`, that is, what the `inventor` has been able to develop from Britney as the anima-archetype of the soul or `Muse`.

In the developmental psychology of Carl Gustav Jung (1875-1961) invention is defined as the result of archetypes that appear from the unconscious mind in dreams, reverie, art, and the imagination. Either as abstract symbols or as figures that `speak` or demonstrate. According to Jung archetypes are a facultas praeformandi that exist as a valence within the duality of the unconscious and conscious mind but that seek expression through the individual`s developmental functionality, which is dependent upon their desire for spiritual or intellectual work rather than acceptance of an `animal` libidic or instinctual valence that would accord with men`s violent homosexual pederasty. In Oops I Did It Again the anima is split into two distinct and separate figures, that is, in her red suit Britney raises the spaceman and his camera by means of a `pulley` so that he can film her in her white bikini dress, and the valence is acceptance of the spirit/intellect, which is how the contents of the unconscious are transformed into consciousness.

In Christianity the spirit is associated with the Paraclete, which effectively emerged from the side of Jesus as the `Second Eve` from the side of the `Second Adam` when it was pierced by the spear of the Roman centurion Longinus at the death of Jesus after his crucifixion and before his Resurrection and Ascension to heaven. However, according to Jung, the anima or soul, which exists as an intercessor, or intermediary, between the unconscious and the conscious mind of the creative individual, is represented by the figure of the Virgin Mary in Christian icongography, that is, birth ex nihilo, which is the valence of the soul that functions as a psychopomp or guide to the ego in its desire for inventiveness to further the developmental spirit of humanity. Consequently, Britney in her red suit and white bikini dress are soul and spirit. In Jungian psychology, the flow of instinct to spirit is represented in terms of colour, that is, red to blue, which accords with Britney`s appearance in her red suit, and the emergence of `bluetooth`, symbolically brought as the `blue diamond` from the `heart of the ocean` by the spaceman as representative of the ego, while the spirit of the inventor, that is, intentionality, is represented by the spaceman`s camera filming herself in the white bikini dress.

In Revelation the `New Redeemer` is depicted as born from the `woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour her child. If homosexual pederasty and violence towards women`s Earth, represented by the red dragon`s valence of `biological warfare` against women`s `host` wombs by means of HIV/AIDS is a valence of the devouring alien parasitical virality of men, pictorial representations of women are the condom that would save her, which is why Britney Spears in Oops I Did It Againpresents `bluetooth` camera technology as saviours of the species of woman. Anyone with an internet connection can see women as a species with her own penis, but the ability to see doesn`t confer the ability to contaminate.

The latest spacecraft from `Puli` and the Hungarian `Martians` has castors, and so might be understood as Castor`s, who was the human pair in his twin relationship with the divine Pollux. The `joke` of course would be that the Hungarian spacecraft is `unmanned` and so doesn`t have immortal bollocks. Although the reference to the `Gemini` space programme of the USA`s is implicit in the science fictional imagery associated with the Hungarian Martians` choice of the `Puli` as its symbol, that is, the tribble with castors, but without the bollocks of immortality attached to it.

Castor and Pollux were granted immortality by the god of ancient times as the `Gemini` constellation, which was chosen by NASA as the label for the pre-moon landing Apollo missions because the Gemini space missions (1962-7) were crews of twos. Launched from Cape Canaveral using theTitan II GLV launch vehicle, Britney`s allusion to the Titanic that sank after hitting an iceberg probably refers to the cancelation of the Gemini space programme after the X-15 pilots hit the iceberg of `blackouts` due to the insufficiency of high pressure suits at altitude. NASA`s Gemini space programme`s practice of discarding launchers by dropping them into the ocean after the second stage of the rocket that`d be the Gemini `orbiter` had detached itself from the rocket`s first stage was perceived as wasteful in view of the X-15 pilots` need for better suits.

In her red pilot`s suit Britney represents NASA`s X-15 `plane into space` programme that failed because of `blackouts` due to inadequate pressure suits, whereas in Oops I Did It Again her appearance in a red pilot`s flying suit suggests she believes the `plane into space` programme was discarded despite its being a better `launcher`. NASA`s Space Shuttle programme (1981-2011) confirmed concern over discarding launchers and reflected on `false economy` in the sense that space planes, although technologically difficult, may`ve been more `economic` in the long term.

In archetypal terms, the Titan II GLV corresponds to the `heart of the ocean`, because the `blue diamond` is the `gem in the eye` of the Gemini project, that is, `bluetooth` is space technology, which emerges from the sea of the unconscious contents of the collective archetypes so that humanity can develop. The role of the animaas `Muse` is not to be misjudged. Representations of women in the movies and elsewhere are optically developmental, because women are the mirrors of the desires of the soul. Although it should be remembered that humans have only two bodily valences; eating and sex. InRevelation the `woman clothed with the sun and with the moon at her feet` is giving birth to the `New Redeemer` while the `red dragon` waits in vain to devour her child, and Britney alludes to the devouring aspect of men`s homosexual pederasty and warfare when she places a fork`s tines beside the spacehelmet of her `cameraman` as, in her red suit, she hoists him by means of her `pulley` above herself in her white bikini dress. He represents the valence of the devouring male and the question with regard to the functionality of representations of women in the media.

At the outset of the 21st century movies likeScream (1981) and Saw (2004) exist as a valence of the terrorism, torture and murder of women by the serpent`s `seed` (Gen: 3. 15), that is, the `red dragon` of Revelationas the evil spirit of homosexual pederasty, which Jesus and Christianity explicitly rejected as a human valence 2000 years ago when the Messiah born from a virgin and so uncontaminated by the evil serpent`s `seed` or spirit was crucified. According to biblical commentators the `woman clothed with the sun and with the moon at her feet` corresponds to the Virgin Mary, and the `seed` of the `hidden` woman is described inRevelation as receiving a new heaven and Earth from God after her defeat of the evil serpent`s `seed`, that is, the `red dragon` of homosexual pederasty and its valence of violence and warfare, after war in heaven. The punishment of the evil is to receive perdition, largely because of a refusal to accept that woman is a species with her own penis and that the ogres of her Earth should be educated into not eating it and her, which is their current `economic` valence.

Because of woman`s nurturing capacity and her gestative functionality, that is, birth takes nine months, futanarian woman with her own penis, as a valence of the species `Woman`, is a better economic valence because she doesn`t represent the desire to devour her offspring. Despite the thousands of years that have transpired between the Greeks and Romans observing through the medium of their respective mythologies of the child devourers, Chronos and Saturn, which are `resurrected` in the figure of Satan, that is, the devouring `red dragon` by Christianity, fathers continue to devour their children. As homosexual pederasty is the valence men can`t reject, woman with a penis as the futanarian valence of her species is the nurturing and gestative economic option that offers the possibility of human development and the stars.

When Britney`s spaceman arrives he doesn`t have `wheels` in the sense that he hasn`t a visible means of locomotion other than his legs. Although he`s described as `Mars Lander`, which is a NASA spacecraft that has landed on Mars. As the epitome of the American football superhero in his spacesuit, he has completed `touchdown`, which is the label given to a team`s success in American football when they`re able to get the ball into the opposition`s `end zone` for the six points that is converted to seven when the ball is kicked between the goal posts situated on the line that demarcates the field of play from the `end zone`. In other words, Britney has a point to make in Oops I Did It Again, which is that you don`t need wheels to make a `TD` but you do need legs to get the point over.

NASA`s space programme was handicapped. The `plane into space` was cancelled because it was a better valence for women. Britney`s point is her `seventh heaven`, which is that life amongst the stars for humanity is dependant on men`s realization that `labour saving machines`, such as the `plane into space`, and human workers, such as Clarke, Heinlein, Asimov and De Camp, aren`t a valence for the spirit of homosexual pederasty, represented by its attempt to reimplement `rough trade` after the demolition of the World Trade Centre on 9/11, so that humans can be trapped by the `red dragon` of consumption and it can devour the world.

The Hungarian `Puli` works during the day, while the `Komondor` works at night, which suggests that Britney`s red suited self is the `Komondor`, and herself in the white bikini dress is the `Puli` because she`s `resting`, which accords with the `sleeptime` valence of her Puli`s lyrics:

`You see my problem is this,
I'm dreaming away;
Wishing that heroes, they truly exist.
I cry, watching the days.
Can't you see I'm a fool in so many ways?
But to lose all my senses,
That is just so typically me.
Baby, oh ...`

In her white bikini dress, Britney`s reclining on a `star`, which is in accordance with what `Hollywood` stars do. They `rest` between roles. According to Jungian psychology the ego needs to bathe in the unconscious each night in order to be restored. If Britney`s `Komondor` and `Puli` correspond to the soul and spirit, which are associated with the ego`s valence of transformation of libidic or instinctual energy into intellectual work, `sheep` would be conscious thoughts and archetypal contents of the unconscious `shepherded` by the `Komondor` and `Puli`. Because Oops I Did It Again takes place in the blackness of space, Britney`s perspective is that the Holy Spirit, or Paraclete, is the spiritualized anima.

Whereas Christianity, and other religions, separate soul and spirit, soul and spirit are valences of what Jung terms the `open-ended` developmental functionality of the `Self`, whereby the spiritual anima and the spiritualized anima as soul are `twinned`, but don`t perceive each other until what Jung terms self-actualization, that is, when enough thoughts have been gathered together by the `Komondor`, and enough archetypal material has been raised from the contents of the unconscious `Self` by `pulley` to `twin` the `Self` so that the ego no longer perceives itself, which is why woman is a species and men who don`t accept the teachings of Jesus Christ are her devourers.

1 .

2 .

Dog End Amy

Britney Spears` `If You Seek Amy` single from the album, Circus (2008), isn`t ostensibly about a circus dog, which are traditionally dressed in colorful costumes and made to jump through hoops, etc., although the pop star addresses the subject in her lyrics to the song, and the scenes from the promotional video bear witness to her preoccupation with the concept of endogamy popularized by the developmental psychologist, Carl Gustav Jung (1875-1961), who observed that the term for marriage outside the family was `exogamy`, while marriage within the tribe was termed `endogamy`, and was sometimes identifiably incestuous: `Have you seen Amy tonight?` Most critics have interpreted `if you seek Amy` as F*U*C*K me, which relates to the concept of sexual reproduction within the extended family, or with a stranger from a different locale. The drama Oedipus Rex (c. 429 B.C.) by the Greek Sophocles is illustrative. Oedipus, whose name mean `swollen foot`, has to answer the riddle of the Sphinx, a half-animal, half-woman, who asks: `What goes on four legs in the morning, two in the afternoon, and three in the evening?`1 Oedipus answers, `Man.` The Sphinx allows him to enter the Egyptian city of Thebes where he meets the widowed queen, Jocasta, and marries her. The drama is about blindness. Oedipus kills his father unbeknownst, Laius, at the beginning of the play. When he discovers that he`s unwittingly married his mother, he blinds himself, because of the incest taboo, and his daughter, Antigone, agrees to lead her blind father`s steps onward, that is, in the evening he walks with a stick and has a dog to guide him, which is The End, dog Amy.

At the commencement of the drama, Laius and Jocasta, after hearing a prophecy that Oedipus will kill his father and marry his mother, expose him on a hillside to die. Consequently, he`s lame, which is why he`s named, Oedipus. The `foot` is mentioned in the Bible several times, for example, God tells Eve her `seed` will prevail: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Because women can sexually reproduce as futanarian, the `foot` is symbolic. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because Jesus was born uncontaminated by male semen, that is, he was `woman`s seed`. The Jewish Messiah in Roman occupied Palestine taught: `Love your neighbor as you love yourself.` (Mk: 12. 31) He was accused of being a dissident and taken to the hill of Calvary outside the city of Jerusalem where he was nailed to a cross of wood and died. Experiencing Resurrection and Ascension to heaven, Jesus prefigured that of ``woman`s seed` able to raise herself through the sexual reproduction of human brainpower. Oedipus is `a lame excuse for a man` after his self-blinding, because men stand between women to prevent their species` family from sexually reproducing, that is, they`re the host womb slavers of the human race, which means that Oedipus` acceptance of men`s taboo against incest is lame-brained.

As a single independent futanarian species of `woman`s seed`, sex between women is a family affair, which men have made taboo in order to slave them. Consequently, although endogamy, that is, incest, is taboo, women`s endogamy is exogamous, that is, they must escape from men to sexually reproduce humanity: ``Cause I have been waiting here forever.` Britney Spears` lyrics to `If You Seek Amy` relate the plight of a guide dog for the blind Amy, who is waiting to see her home: `I've seen her once or twice, before she knows my face. But it's hard to see with all the people standing in the way.` Women are guide dogs for the blind, that is, Britney Spears` Amy is The End dog, who`s made to work for them:

`Oh, but can't you see what I see?

All of the boys and all of the girls are

begging to if you seek Amy.`2

Begging is what circus dogs are trained to do, that is, they sit on their hindquarters and bark until the trainer gives them food; for example. The lyrical imagery is of dogs begging to `fuck Amy`, because endogamy and exogamy is a `game` for an alien, who doesn`t want the `gamey` human race to gamely run and escape from its killing of it. The term for alien biology is `exobiology`, so exogamy means marriage with aliens. In short, men are aliens to women, and The End dog, Amy, represents the `dog end` of the cigarette, that is, the secret is that the woman`s penis has been smoked down to the butt by homosexuality, which Jesus` disciple, John, warned of in his apocalyptic Revelation of the future: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) In ancient Greece women`s host womb enslavement in homosexuality and pederasty for war was institutionalized. By the late 20th century, the `incurable killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in their anuses, in mockery of women`s human mode of sexual reproduction, had emerged as their `biological weapon` designed to keep women in fearful faithfulness to men`s ring slavery, which is what the lyrics from Britney Spears` `Circus` are about, `All eyes on me in the center of the ring. Just like a circus.`3 At the center of the ring, there`s no escape from the trainer for The End dog, Amy, who perforce has to guide the blind alien that`s whipping her.

1 Apollodorus, Library Apollod, 3. 5. 8.

2 Kronlund , Alexander, Max Martin, Savan Kotecha, and Shellback, `If You Seek Amy`, Circus, Jive, 2008.

3 Gottwald, Lukasz, Claude Kelly, and Benjamin Levin, `Circus `, Circus, Jive, 2008.

Denise Crosby as Chief Of Security, Tasha Yar, USS Enterprise - D
Denise Crosby as Chief Of Security, Tasha Yar, USS Enterprise - D

Value Added Material

The terrorist attacks on the Pentagon, Virginia, and the World Trade Centre, Manhattan, New York, didn`t seem to have any significant meaning outside of terrorism, whereas the `Big Apple` on New York`s Twin Towers eve of destruction represented the established wisdom of civilization, art and culture garnered since Eden by the descendants of Adam and Eve after they ate of the `fruit of the tree of the knowledge of good and evil` given to them by the evil serpent (Gen: 3. 5), and which appeared on 9/11 as Saddam`s `apple`, that is, the dictator of Iraq, in the guise of his Al Qaeda supporters, took a bite out of Manhattan`s `Big Apple`.
 Al Qaeda means `the base`, which is the Muladhara chakra in Hinduism at `the base` of the spine, and is where the infection HIV/AIDS begins. The Ajna chakra at the brow is called the `third eye` because it's the seat of perception, and corresponds to the seat of vigilance, which is the Pentagon, Virginia, while the `Big Apple` of Manhattan corresponds to the throat chakra in which the `Adam`s apple` functions as an articulator. The `heart` chakra of Hinduism is `Anahata`, which is similar enough to `Manhattan` to suggest that the terrorists were aiming at the heart. Abbreviations of the states of Virginia and Manhattan are VA., and M., which is the sound of the heart, according to Hinduism, that is, `VAM`, while a `dragon` is a draco, or what is commonly described as a `vampire`, which suggests the draco of the Gulf war (1990-1) wanted to continue drinking blood and 9/11 was the device it employed to attain its goal.
In Revelation HIV/AIDS is the `blood plague` of the `red dragon` of war, because civilization in the West began with Greek homosexual pederasty`s enslavement of women`s `host` wombs for the purposes of furthering its contagion. Just as the HIV/AIDS virus feigns friendship for the body it kills, so the Greeks feigned friendship in the construction of the huge hollow wooden horse that the Trojans unwittingly took into their city of Troy, so allowing Greek warriors to emerge and enslave the `host` wombs of the women, and further their `blood plague`, which is spread by the `red dragon`, in the Christian Revelation, and appears in the Prophecies of the 16th century seer Michel Nostradamus as `terror from the skies`,1 because of the 9/11 hijackers` feigning of friendship by boarding flights as `visitors` in Newark, New Jersey; Boston, Massachussetts; and Dulles, Virginia to spread homosexual pederasty`s `disease` of `rough trade`, that is, enslavement of the heart through terror and war, by demolishing the Twin Towers of the World Trade Centre.
 The terrorist hijackers from Logan, Mass., represented an evil `black mass`, which is against Christianity, and the terrorists chose Logan because of the movie Logan`s Run (1976), which is a scifi tale of a society which kills all those who`ve reached 21. Consequently, 9/11 2001 was an attempt to prevent the birth of the child born to the `woman clothed with the sun and with the moon at her feet`, that is, the `New Redeemer` of the 21st century. Because Revelation says the `red dragon` waits in vain to devour the child, `Liberty`, in New York harbor, may be understood as the `woman clothed with the sun and with the moon at her feet` as the moon was reflected in her `waters`, that is, the yellow moon of the flag of Al Qaeda, while the red sun of the flag of Japan had been defeated since Pearl Harbour in 1945.
 In alchemy `the pearl of great price` is associated with the attempt to produce an elixir of immortality through chemistry, medicine, and ultimately physics. The developmental psychologist Carl Gustav Jung (1875-1961) saw that alchemists understand the soul and spirit as the human mind`s efforts to transcend what it thought of others, and physicists perceived that the material world at the quantum level behaved differently when humans were watching, which suggests Christian Redemption, based on `forgiveness`, is necessary to achieve that `detachment from the world` Eastern religions and philosophies teach gives entrance into `heaven`.
 In Central Europe`s Hungary, where their Eastern European word for God is in fact `Isten`, `Faith` is translated as `HÍt` because, although the Buddha advocated `detachment` from the world, or Samsara, `cold fusion` physics requires what would seem to be belief , faith and prayer. At least judging from exhortations to `objectivity` from those reacting to experimenters` `subjective` claims of success. Atop `star mountain`, in the cold air of Buda`s Csillaberc, Hungary`s ` Martians` at the Research Institute for Particle and Nuclear Physics (KFKI), represent that detached objectivity which needs warm subjectivity if callousness isn`t to be the result of `detachment` from such events as Pearl Harbour, Hiroshima, Nagasaki and 9/11. The logical supposition is that `cold fusion` doesn`t work for the faithless:

`Technological development is much too fast to be matched by biological adaptation of man. Moses showed the Promised Land to his people, but then he led them around for forty years in the wilderness until a new generation worthy of it had grown up.`2

 Equally those who`re able to objectively verify for themselves that they`re in heaven after detaching themselves from the world of Samsara don`t need another subjectivity to verify it for them. In short, `cold fusion` works for them. Or, in other words, the `detached` don`t want to be reattached to the world, or Samsara, to work for the unattached serpent`s `seed` who`ve verified `cold fusion` works and don`t want it to. Because it`d be economical and liberating for woman as a self-producing species with her own penis` valence as `futanarian` non-Martian.
In the pop video Oops I Did It Again Britney Spears `Martian` is brought a `gift` by her spaceman, which is interpretable as `value added material` or `VAM`, in economic terms, while in terms of the Hindu chakra system, it`s Anahata, the `heart`: `But I thought the old lady dropped it into the ocean in the end?`
 The `old lady` is Rose, in the movie Titanic (1997), who drops the diamond blue pendant, the `heart of the ocean`, into the sea as a memorial to her love who lost his life helping passengers to the lifeboats after the liner sank when it hit an iceberg on its maiden voyage to New York from Liverpool, England, in 1911. Britney`s spaceman replies:
`Well, I went down and got it for you baby.`
 In symbolic terms, the Earth represents the Muladhara chakra at `the base` of the spine, while the Swadhisthana chakra, which is symbolized by the moon, and the waters of birth, is where the `heart` of the infant beats in the woman`s nurturing belly. Consequently, Britney`s Oops I Did It Again is Manipura, the third chakra in the Hindu system of nurturing, and development, which means the `value added material` is what can be seen that`s `hidden` from those who can`t pay: ` ... all material on a DVD that is in addition ... ` (VAM)
 The `heart` is `hidden` from those who don`t attend to the `teachings`, which is `the base`, and the value added material (VAM) is individual development and economic growth represented by the Swadhisthana chakra through protection afforded to the child of the `woman clothed with the sun and with the moon at her feet` by the `New Redeemer` with the `iron scepter` to woman as a species with her own penis and new `futanarian` economic valence that the `red dragon` of homosexual pederasty waits in vain to devour. In short, the `heart of the ocean`, in Britney Spears` Oops I Did It Again, is the `new economics`, which is why she`s `baby` to her spaceman. Trudging through the sand to find her in the waterless desert, he represents the `New Redeemer`, who won`t accept the sterility of the `red dragon` of homosexual pederasty and brings to Britney the `heart of the ocean`, which is her economic valence.
 The `value added material` is what can be read from the spare information she gives in terms of the video`s message and meaning, because only those who are genuinely interested in others are welcome in their presence. As Britney`s suspension of her spaceman with the tines of a giant fork beside his helmet indicate. In her red suit she hoists him by means of a hook and pulley above herself in a white bikini dress. If he`s interested in taking her picture with the camera affixed to his spacehelmet, he mightn`t devour her, which is the meaning of the `baby` metaphor; for the `heart` of the child beats above `the base` or Muladhara chakra in the chakra of Swadhisthana (VAM) from the woman`s belly, and woman doesn`t want to be in a man`s; metaphorically or otherwise. Consequently, the `heart` in the woman`s belly is that of the `New Redeemer`, whom the `red dragon` can`t devour, because he who is to rule with an `iron scepter`, and protect her from the `red dragon` of homosexual pederasty and warfare, doesn`t want to devour her.
 Although Britney Spears has been voted the `most beautiful woman in the world`, beauty can blind, which is the meaning of the `value added material` (VAM) that requires the taught to attend to the teaching rather than the teacher. Jesus was tortured and murdered, because his torturers and murderers didn`t want `Woman` to self-reproduce, which effectively is what the Virgin Mary had done when Jesus was born from her without semen from the male alien parasitical virality of the `red dragon` of torture and murder, that is, the evil serpent`s `seed` attempting to live through her `host` womb since Eden and, in the 20th century, use its valence of devouring homosexual pederasty and war to wage `biological warfare` against her - as yet unborn - through its `blood plague` of HIV/AIDS.
If the `reader` of the video Oops I Did It Again can see past Britney`s sexualiciousness and glean from the material knowledge and wisdom, the `pupils` have been educated, and the Swadhisthana chakra has been transcended so that the third chakra or Manipura has been achieved in terms of the Hindu system of self-actualization, which is called the `city of jewels`. According to the system, `meditating on Manipura, one is said to attain the siddhi, or occult power, to create, destroy or save the world.`3 Britney`s dwelling place emerges from the desert with a huge quaking roar, and she descends inside a giant`s ring, which suggests the `blue diamond`, that is, the `heart of the ocean`, symbolizing the `New Redeemer`, is her `ringstone`.
 The main fear after 9/11 was that the `red dragon` of vendetta and `blood feud` against women, in the form of homosexual pederasty and war against her Earth, and enslaved womb that `hosts` the evil alien parasitical virality and its valence of the `blood plague` of HIV/AIDS, would implement its politically correct (PC # 999) global surveillance to watch and, aborting her should she show signs of new life, reveal itself as her impolitically correct` PC # 666. Feminism has already defined lesbian women as `homosexual` without even considering giving a label to `futanarian` woman with a penis and contemplating the possibilities of a new economics of feminism based on woman as a reproductive species capable of `new production`, so there`s no point in telephoning the YWCA for help against the devouring `red dragon` of homosexual pederasty and its alien vendetta against the human species.
The cowardly attacks of Japan at Pearl Harbour and Al Qaeda, `the base`, at New York harbor, were designed to keep the `pearl of great price` in the oyster, that is, the birth of the 21st century and its `New Redeemer`, by perpetuating what the mafia call `vendetta`. `Blood feud` between warring families or peoples is another valence of the `blood plague` of the `red dragon` of Revelation, and goes against Christian Redemption through forgiveness, which perpetuates that enmity between the evil serpent`s `seed` that God tells Eve shall exist between it and her `seed`. 9/11 was an attack on Eve`s `seed` in the `Big Apple`. Although the valence of the devouring `red dragon` of homosexual pederasty is war, woman`s `seed` isn`t visible; because her reproductive valence is enslaved. She would have to have a penis for her own economic valence to be visible, and she has one as `futanarian` woman, which is `Woman` and her semen as `the pearl of great price`.
 New York was the `city of the planes` on 9/11, and Sodom and Gomorrah were called `the cities of the plains` in the Bible, which were destroyed by God for homosexual pederasty, while in the 20th century `Camorra` is the name of one of the oldest mafia families. If 9/11 was the mafia`s precipitating the Earth into terror and vendetta, New York`s `city of the planes` was `Saddam and Camorra`. The terrorists `plot`, based on the movie of the novel The Two Towers by J. R. R. Tolkein and the film Logan`s Run from Boston`s Logan airport, was incorporating Stephen Donaldson`s rite of grief for the giant in his novel Lord Foul`s Bane, that is, the `camora`, which is a catharsis based on fire and pain. In terms of psychopathology, the terrorists saw themselves as `agents` of the Dark Lord of Tolkein`s The Lord Of The Rings trilogy, Sauron. Lord Foul is the giants` enemy in Stephen Donaldson`s own work of regeneration in adversity, Lord Foul`s Bane, and the society of Logan`s Run was built on the premise that those who reached 21 had to die. 9/11 2001 aborted the birth of the 21st century and was Saddam`s `Big Apple`, but should have been Adam`s, that is, the giant`s grown since Eden, while Saddam`s surname `Hussein`, which means `small handsome man`, is explained as those men who aren`t big enough to forgive or accept forgiveness.
 New York is infamous for mafia, which originated in Sicily, a largish island off the coast of Italy. 9/11 was part of a mafia campaign for the hearts of Italians in a `vendetta` against Moslem peoples to perpetuate a `blood feud` that had prevented the woman`s `seed` from emerging since God told Eve there`d be perpetual enmity` between her `seed` and the serpent`s, which grown into the `red dragon` of Revelation sought to precipitate the globe into a `blood feud` which would submerge the woman`s `seed` forever.
What was missing on 9/11 was an adequate surveillance system to prevent hijackers from boarding `civil` aircraft and using them as flying missiles, and the war between the government of the USA and organized crime has always depended on surveillance. On the `grassy knoll` in Dallas, no one perceived the sniper Lee Harvey Oswald as he prepared to assassinate President John F. Kennedy in 1963, or the murderer of his brother, senior `policeman`, and Presidential Candidate, `Bobby`, in 1968. Equally, no one foresaw the attempt to assassinate President Ronald Reagan by the side of his car when he was shot in 1981. In 2001 noone stopped the Arabians as they bought tickets as `visitors` in New Jersey, Massachussetts, and Virginia, to intitiate `black` Mass., and penetrate VA., and M., that is the Pentagon of Virginia and the Twin Towers of Manhattan, which represented the `vam` or heart chakra of the USA, while the Whitehouse in Washington D.C. escaped because the passengers crashed the plane before it could get there.
 In `Italian` `air surveillance` is VAM, `vigilanza aeronautica militare`, which accords with the abbreviations of the states of Virginia (Pentagon) and Manhattan (Twin Towers), that is, VA.M., as the mafia targets of the airborne assassins of the Italian hearts of the USA, who`re traditionally vengeful and revenge minded when it`s `family`. In fact `vam` may be understood as the waters of `Liberty` in New York harbor on 9/11 as she gave birth to the `New Redeemer`, because `yam` is actually the sound of the heart in the Anahata chakra of Hinduism, whereas the sound of the baby`s heart would be at the Swadihisthana chakra, which is the belly and is associated with the moon and water.
 The hijacked planes functioning as missiles aimed at the heart of the birth of the `New Redeemer` in the belly of `Liberty` were the `stork` of terrorism`s attempt to replace the newborn economic valence of woman as a species, through her own penis` productions, with draconian surveillance systems to monitor the development and growth of the self-producer. As if the beast `666` were pretending to be the `kiddy alarm` of `politically correct` PC 999, or `911` were the telephone number for the `weathermen` of the CIA to get the FDNY to organize 9/11`s `baby shower` for the reincarnation of the `red dragon` of homosexual pederasty and war`s `rough trade` at the World Trade Centre.
General George Washington, who commanded the defeat of the British Empire and presided over the birth of the USA in 1776, gave his name to Washington D. C. which the terrorist hijacked plane as flying missile didn`t reach; because passengers crashed the plane in Shanksville, Pennsylvania. Washington believed slavery `economically unsound and morally indefensible`, and the town to which he gave his name is associated with the Christian precept of `washing in the blood of the lamb` after 9/11 by direct spiritual current from the Whitehouse to the hearts of `Liberty` aboard Flight 93:
`Alternating current is characterized by periodic reverse, while direct current is unidirectional.`4
 In spiritual terms, Washington D.C. is `the town of washing`, and one of the great symbols of American art, culture and civilization is the washing machine, which technology developed out of the NASA space programme. The earliest forms of mechanism for washing were `tuns` that had contained wine but which, filled with water, laundry and soap, were compressed by hand. Women in wine regions used their washing `tuns` to press grapes with the same process and mechanism which, in England, is called the `dolly and tub`. The events of Revelation are described as the `pressing of the grapes of wrath in the winepress`, while `washing in the blood of the lamb` is for those who have been baptized and have accepted the teachings of Jesus, and the Holy Spirit, or Paraclete, and have fought for God. Women are fighting for their economic valence against the `red dragon` of homosexual pederasty`s evil serpent `seed` of war and HIV/AIDS, that is, `the abominations and filthiness of her fornication` (Rev: 17.4) who zestfully reproduces the male alien parasitical virality to be a periodic devourer of the art, civilization and culture born from woman`s `host` womb. Women of `Liberty` have pounded clothes and grapes in the `dolly tub` to be `washed in the blood of the lamb` and have `pressed the grapes of wrath in the winepress` so that, in 1969, NASA`s Apollo astronaut Neil Armstrong could say: `One small step for a man, one giant leap for mankind.`5
 `Liberty` is a universal constant for women, and they don`t want enslavement for their humanity by the bloodthirsty devourer. The Whitehouse is white because the President lives in Washington D.C., not because he`s white (Barack Obama was widely considered the first `black` incumbent). Consequently, it`s `washing tun DC` because the valence of the enslaving parasite is to deny electricity `directly` to those that own washing machines and make electricity available for `tuns of washing` dollys.
 In symbolic terms, the statue of `Liberty` functions soulessly, because it`s an idol and so freedom`s machine can`t be understood. Humans are enslaved by the evil `red dragon` of homosexual pederasty and war`s machinery because machines haven`t liberated humanity and so progress in art, culture and civilization can`t be attained. Even the Apollo astronauts asked for the controls of the command module to be `dumbed down` so that they could operate as humans because the controls had been automatic for the chimpanzees that had been first into space. What they didn`t realize was that more advanced technology is more human and they were asking to be less human.They`d set course for Return To Planet Of The Apes (1975) in `movie` terms, whereas humanity wanted I Robot (2004) in which the notion of the film isn`t of the machine as slave but as liberator.
 In electrical terms, AC/DC denotes `valence` distinct from the `fixed determination` of the 9/11 terrorists. The passengers of `Flight 93` were directed by the spirit of `current` President George W. Bush to prevent disaster, and were able to do so because their `valence` was to choose `Liberty`. However, if the `red dragon` of homosexual pederasty is defined as AC/DC, that is, a term used to connote male bisexuality, its feigning of sound economics and moral defensibility merely preserve the illusion of `Liberty` as something more than a woman waiting for a machine to do the washing for her.
 The ancient Greeks had a word for `periodic reversal`, enantiodromia, which means an overweighting in terms of the good so that bad consequences result, and feminist `political correctness` defines `AC/DC` male bisexuality as `PC`, but defining lesbians as `homosexual` isn`t acceptable from the perspective of woman as a species with her own penis and economic valence fighting against the `red dragon` of homosexuality and war, which has as its valence the `biological warfare` it`s waging against the products of woman`s `host` womb, that is, her art, culture and civilization, by the parasitical alien virality of men that has created the enantiodromia of HIV/AIDS out of its sexual repression of humanity`s natural valence of reproduction and nurture so that blood, shit and semen mixed together seems attractive, rather than sterile and evil.

1 Century 10, Quatrain 72

Sparta Woman

Although actress Kirsten Dunst, in the role of Peter Parker's girlfriend, Mary Jane Watson, in the movie, Spider- Man (2002) and its sequels, based on the Marvel comic book superhero that began in Amazing Fantasy # 15 (1962), often seems an adjunct to the action in which the protagonist, Parker, bitten by a radioactive experimental 'super spider', develops its attributes, and dons a costume to combat crime, according to Greek tradition, Mary more closely approximates to the idea of the spider than actor, Toby Maguire, in the 'Spidey suit'. The suit concept pertains to the relationship between Mary and Peter, who's suit is his woo, as it were: 'The great thing about MJ is ... when you look in her eyes and she's looking back in yours ... everything ... feels ... not quite normal. Because you feel stronger and weaker at the same time. You feel excited and at the same time, terrified. The truth is ... you don't know what you feel except you know what kind of man you want to be. It's as if you've reached the unreachable and you weren't ready for it.`1

Ancient Greek mythology describes how Helen of Sparta was abducted from her husband, Menelaus, the brother of the king, Agamemnon, by the Trojan Paris, who took her to his city, Troy, and the Greeks sent ships to return her to Sparta. In an earlier Greek myth, the father god, Zeus, rapes the queen of Sparta, Leda, in the form of a swan, while afterwards the woman, Arachne, whose name means 'spider', depicted in a tapestry the rape, and was turned into a spider by the goddess Pallas Athene, who was said to have sprung from the head of Zeus, fully formed and wearing her armor, because Arachne had woven a better tapestry than her. Consequently, it isn't coincidental that Pallas Athene is the patron goddess of Troy, where Helen of Sparta was taken by Paris, because she's the goddess credited in Greek mythology with helping the god, Zeus, make Sparta women who, as a species separable from men, feel that they ought to be wooed, rather than raped.

In modern usage, 'Spartan' means a reduction in elaborateness. Because futanarian women with their own penis' semen can sexually reproduce the human species independently of men, the absence of 'woman's seed' corresponds to what 'Spartan' is for modernity, that is, less human elaboration through the castration of 'woman's seed`. As 'spayed' is the term for a castrate, it's logical to deduce that futanarian women were spayeds in ancient Greece, which is why Pallas Athene was the goddess daughter of her father god, Zeus, who raped Leda, that is, the 'leader', or Sparta queen, whose story was depicted in a tapestry by the woman, Arachne, who Pallas Athene then turned into a spider. Although such a transmogrification suggests castration, that is, the species of 'woman's seed` won't reproduce, the star constellation of Arachne implies otherwise. In Greek mythology, gods and goddesses were so described because they represented the slavers that turned the human race into spayeds. Consequently, the descendants of black African slaves in the United States were 'spades', because that's how the dugs of their 'woman's seed` were buried.

Homosexuality was institutionalized in ancient Greece, where the human futanarian species of 'woman's seed` was host womb slaved for the production of boy sons (poisons) for war, after the goddess, Pallas Athene, turned their mothers into spayeds for the father god, Zeus, to bury the human race. The Trojan war was won by the construction of a huge hollow wooden horse left outside the gates of Troy. As the Greek poet Homer describes in his Iliad (760-10 B.C.), the Trojans were taken in and overcome by the Greeks hiding in the insides of their horse when brought into the city.

Coincidentally, Pallas Athene's symbol was a horse, which emphasizes the irony. In Norse mythology, the father god is Odin, whose 'eight-legged horse', Sleipnir, appears in a poem, 'Heiðreks Gátur' which, contained in the 13th century Hervarar saga ok Heiðreks, is conceived as a riddle. Odin plucked out his right eye in exchange for wisdom, so the name of the riddler, Gestumblindi, relates to that:

'Who are the two

that on ten feet run?

Three eyes they have ...'2

It would have been a four-eyed spider, but Odin is described as having plucked an eye out, so that the reader of the saga can learn wisdom. Humans wear spectacles, because the gods and goddesses don't want them to see, which are based on humans being spayeds for war's spectacles. Or, in simpler terms, the god of homosexuality's perception is that humans are useful as its spiders' slaves. The 4th century Greek mercenary leader, Xenophon, wrote of how he didn't allow a boy to kiss him, comparing a boy's kisses to spider's bites, that is, it was what women, who in coitus constitute an eight-limbed 'spider', did, although women were pejoratively called 'spiders', whereas the story of Odin and Sleipnir suggests that the ancient 'gods' and their daughter goddesses enslaved humanity through their spiders which, if this verse about a wise king of the Jews from the Old Testament of the Judeo-Christian Bible is interpreted correctly, were gargantuan, 'Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes within thy locks: thy hair is as a flock of goats, that appear from mount Gilead.' (Song of Solomon: 4. 1)

By the late 20th century, 'Trojan viruses' devised as 'bad machine code` by modern day Greeks, that is, 'geeks', were destroying computer brains, while the 'incurable killer disease`, HIV/AIDS, transmitted by homosexuals mixing blood, shit and semen in each other's anus, and discovered by Africa's DR Congo in 1983, rose up the spine to kill the brain, because homosexuality was a 'biological weapon' in its slave war against the human race.

The spider bite that Peter Parker receives in Spider-Man is a spayeds metaphor, that is, his is a burial suit. Because the futanarian human species of 'woman's seed` has been castrated, so that she doesn't appear, Dunst and Maguire represent a ghoul's fascination with human extinction. Women can't fertilize, and boy sons (poisons) represent HIV/AIDS, that is, the 'biological weapon' of homosexuality's war against the human species. All there is, as the science fiction television series, Star Trek (1965-) announced at the commencement of each episode aboard the starship Enterprise, is spayeds: 'To seek out new life and new civilizations [and castrate them].' To boldly go where no man has gone before!'3

Or will go, because 'woman's seed`, as the story of Jesus, born of his mother, the Virgin Mary, illustrates, can't. Jesus was killed by the Roman Empire for being with a woman, 'Leave her alone.' (Mk: 14. 6) His subsequent Resurrection and Ascension to heaven prefigures that of women escaped from host womb slavery for homosexuality's wars against her human species. If she can't reproduce with her own species of 'woman's seed`, no human will ever go to the planets amongst the stars, because she's mankind.

The Greek capital, Athens, was also named for Pallas Athene, which is why siblings of the same father were allowed to marry there,4 that is, male futanarians with beards, biceps, and hairy chests, because Pallas Athene was the daughter of her father, whereas Sparta was where daughters of the same mother were allowed to marry, because women were Sparta's, whereas men were wars. Helen, who was ostensibly the cause of the Greeks' war with Troy, was described by the poet, Homer, as 'the most beautiful woman in the world'. Probably because she could be a 'stud', that is, she was a descendent of a Sparta (spider) queen. However, what Hollywood, 'Babylon', presents in Spider-Man are Dunst and Maguire as a man and woman of Athene, that is, a single male brained creature wearing each other's clothes in 'TV' transvestism for a smaller screening of the AIDS virus, which is the homosexually transmitted disease that's killing the human race to colonize the planets amongst the stars of heaven above the Earth and slave there.

When she was 11 years old Kirsten Dunst appeared as Hedril in the Star Trek: The Next Generation episode (# 159) 'Dark Page'. Hedril, 'an alien', is learning from Deanna Troi, the telepathic woman counsellor aboard the starship Enterprise, who explains what John Milton's 'without thorn the rose'5 meant in his poem, Paradise Lost: 'Milton was speculating that in heaven, roses wouldn't have thorns.'6 Hedril asks: 'Heaven?' If 'woman's seed` isn't in heaven, it's because she's defined as an alien who can't prick herself to go there.

1 Maguire, Toby as Peter Parker in Spider-Man, Columbia Pictures, 2002.

2 Hollander, Lee Milton Old Norse Poems: The Most Important Nonskaldic Verse Not Included in the Poetic Edda, Columbia University Press, 1936, p. 99.

3 Cromwell, James as Dr Zefram Cochrane in 'Broken Bow', Season 1, Episode 1, Star Trek, September 26, 2001.

4 Goodman, M. 'Incest' in S. Hornblower, and A. Spawforth (eds.) The Oxford Classical Dictionary, 1996, p. 753.

5 Sirtis, Marina as Deanna Troi in 'Dark Page`, Season 7, Episode 7 (# 159), Star Trek: The Next Generation, October 30, 1993.

6 Milton, John, Paradise Lost, Book IV, Peter Parker, London, 1667, l. 256.

The Quest For Spunk

The basic issue on planet Earth for the foreseeable future is racism. Although television series, like Star Trek (1966-9), which aired its `pilot` episode, `The Cage`, at NBC as long ago as February 1965, championed the cause of other races, xenophobia has remained endemic. Aboard the starship Enterprise, on its `five year mission`, was actor Leonard Nimoy in the role of the alien from the planet Vulcan, Mr Spock, whose mother was Amanda Grayson, a human, and whose father, Sarek, was an astrophysicist, and ambassador to the United Federation of Planets of the planet, Vulcan, where the tradition amongst Vulcans is to be logical and unemotional, which formed a large part of the TV audience at home`s interest in the character of Spock, who was actor William Shatner`s second in command aboard the Enterprise in his role as Captain James T. (Tiberius) Kirk, whose name had meaning, because `kirk` means `church` in the Scot`s dialect. Moreover, Tiberius was the name of Rome`s Emperor, while Palestine, homeland of the Jewish `chosen people`, as they`re described in the Old Testament of the Bible, which is their history and law, that is, the Torah and Talmud, was under Roman occupation. At that time Jesus `Christ`, `the chosen`, whose teaching was the basis of Christianity`s New Testament of the Bible, was proselytizing, : `Love your neighbor as you love yourself.` (Mk: 12. 31) Consequently, Kirk`s role was ecumenical. Actor James Doohan, in the role of engineer Montgomery `Scotty` Scott, was Scottish, and the Christian theme of human intelligence working together for the kirk (church) was evident. Despite actor DeForest Kelley`s medical officer, Dr Leonard `Bones` McCoy, describing Spock as a `pointy-eared hobgoblin`1, in `Bread and Circuses` (1968), because of his resemblance to popular depictions of Satan, viewer`s perceptions were that Spock was human. Even though his most basic character attribute was his denial of his human heritage, that is, emotions, in favor of Vulcan logic, Spock`s role was undeniably anti-racist.

When Star Trek: The Next Generation (1987-94) reprised what afterwards was known as Star Trek: The Original Series or Star Trek: TOS, the crew of the new starship Enterprise, following on from the policy adopted in the series of `spin-off movies` that began with Star Trek: The Motion Picture (1977), included extraterrestrials, whose demonstrable characteristics of human intelligence weren`t dilutable by the fact that they were human actors and actresses. Michael Dorn, black actor in the role of Lieutenant Commander Worf, in charge of Security aboard the Enterprise, was a Klingon, and the psychotherapist was an actress of Greek descent, Marina Sirtis, in the role of telepathic Betazoid, Deanna Troi. The premise of the show`s voyages, `where no one has gone before`, had altered from the original mission, `where no man has gone before`, ostensibly to accept feminism, whereas in fact the principle was anti-racist. Born of a woman uncontaminated by male semen, Jesus was `the son of man`, because his mother was the Virgin Mary, that is, Jesus represented `woman`s seed`, which was that aspect of human intelligence suppressed by the Roman Emperor, Tiberius, when Jesus was executed as a `dissident`. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because futanarian women can sexually reproduce from their own penis` semen their own human race with women separate from men who, in seeking to prevent `woman`s seed` from producing brainpower, effectively represent an alien denial of human intelligence, which Star Trek in its multifarious guises over the years has attempted to confront.

According to Judeo-Christian tradition, Eve, the first woman created by God, and Adam the first man created by God, dwelt in the paradise of heaven on Earth that was Eden, and the angel, Stan, who rejected God`s plan for the human host to be greater than the angelic, was turned into a serpent by God and placed there. Because the planets among the stars constitute heaven above, which is the abode of God`s angels, Satan`s fallen state corresponds to that of an alien extraterrestrial intelligence perforce made to dwell upon the Earth. Satan is depicted tempting Eve to `eat of the fruit of the tree of the knowledge of good and evil`, which it was death to taste. Consequently, Eve and Adam were guilty of accepting ephemerality in ignorance for their descendants. Described as being created from the side or rib of Adam, Eve`s emergence onto the scene in Eden is a euphemistic description of a self-fertilizing futanarian woman`s survival skills in a strange environment, that is, Adam was a futanarian woman, who gave birth to Eve, and Satan was a saurian alien `fallen` from heaven among the advanced intelligences that had evolved upon Earth during the Mesozoic period of pre-history, 248 m.a., when saurian evolution was preeminent. Prototype hominid humanity began to appear in the Jurassic period of Earth`s history, 220 m.a., and their host womb enslavement by the `serpent`s seed` is what the story of Eve and Adam was designed to communicate to future generations.

The heavenly angels are extraterrestrial intelligences descended from saurians, according to the Bible, in which God tells Eve that, although she and Adam are to be expelled from the paradise of heaven on Earth that is Eden, because of their rejecting God`s `fruit of the tree of life`, that is, immortality, `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) Eve`s futanarian `seed` will produce the brainpower her human species needs to develop the rejuvenation technologies through medical science that will preserve her life and memory so that her race can always operate and build the starships, like the Enterprise, to take her `seed` to colonize the planets among the stars of heaven where other intelligences that are definably human wait to congratulate her on her escape from host womb slavery to men of the `serpent`s seed` who don`t want anyone to see her penis.

Jesus` disciple, Judas, caught Jesus with a woman anointing his `foot` with the expensive perfume, spikenard, and his `spy canard` was the suggestion that the perfume be sold to raise money, but Jesus rebuked him: `Leave her alone.` (Mk: 14. 6) Judas sold Jesus to the Jewish religious police, the Pharisees, for `thirty pieces of silver` in revenge for his protecting the human race of `woman`s seed`, which if it reproduced brainpower would constitute a threat to the slavery of Rome in Palestine. Taken to the hill of Calvary Jesus was nailed to a cross of wood and left their to die, but he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Consequently, although James T. Kirk of the starship Enterprise seemingly embodies the concept of Empire and church, he`s symbolically a slaver. In 1930 the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code`, which effectively sounded the death knell of the human race, because it forbade women`s mode of sexual reproduction to be seen in mainstream mass media: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 Unable to get its futanarian foot off the bedroom floor of the Earth, the human species was doomed to be a slave to the alien`s entertainment industry slavishly emulating that of the United States of America, and so labeled `Babylon` after a description of the capital city of the Persian Empire, Babylon` (c.400 B.C), described as `a woman` in the Bible, because of men`s host womb slaving of `woman`s seed` for homosexuality in pederasty for war, which was institutionalized in ancient Greece so that the Greeks could wage successful war against the Persian Empire of Xerxes in 480 B.C., a scenario that afterwards became the staple mass entertainment fare provided by the capital city of the media Empire of the U.S.A., Los Angeles, on the west coast of the state of California, in its district of Hollywood, `Babylon`: `Mystery, Babylon, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In 1933 the National Socialist (Nazi) Party was democratically elected by a Christian Germany and began to pogrom 20, 000, 000 Jews, whose tradition it was that Jews were born from women, that is, women were Jews, because humans were futanarian `woman`s seed`, that is, the `Hays code` of Hollywood, `Babylon`, had sentenced the human race to death through ignorance of its own mode of sexual reproduction of the brainpower it needed to prevent itself from being devoured by a parasite upon its own host womb.

In parasitology, a parasite that emerges to kill the host is termed `parasitoid`, which is what men are: `The dragon stood before the woman who was about to give birth; to devour her child the moment it was born.` (Rev: 12. 4) In Jesus` disciple John`s apocalyptic vision of the future, Revelation, Satan is described as a `red dragon`, because saurians that ascended to colonize the planets among the stars, and don`t want humans there, bomb humanity to prevent `woman`s seed` from escaping: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) John discerns the `Greek` democracy that brought the Nazis to power in 1933 too: `The number of a man is the number of a beast and his number is six hundred three score an six.` (Rev: 13. 8) Without `woman`s seed`, only 66.6% of humanity remain. The alternative to democracy is autocracy, which the Moslem peoples of the religion of Islam generally adopted as an adjunct to religious obedience. Judaism was founded by Abraham and his wife Sara`s son, Isaac. Barren thereafter, Sara gave her maid, Hajer, to Abraham, and she bore Ishmael, whose descendant, Mohamed, received the Koran (610-30 C.E.) from the `angels of God`, according to tradition, which permitted Moslems four wives. Although Christianity views that as a retroactive attempt to legitimize Ishmael`s birth, and so that of Islam, four wives afford the possibility of human futanarian sexual reproduction between women within the human family, which accords with God`s plan. Consequently, the alien `death camp` scenario of the starship, Enterprise, voyaging through the universe celebrating the absence of the women`s penis, is conceived as deliberate; despite Star Fleet`s `Prime Directive`:

`As the right of each sentient species to live in accordance with its normal cultural evolution is considered sacred, no Star Fleet personnel may interfere with the normal and healthy development of alien life and culture. Such interference includes introducing superior knowledge, strength, or technology to a world whose society is incapable of handling such advantages wisely. Star Fleet personnel may not violate this Prime Directive, even to save their lives and/or their ship, unless they are acting to right an earlier violation or an accidental contamination of said culture. This directive takes precedence over any and all other considerations, and carries with it the highest moral obligation.`3

In banning human futanarian `woman`s seed` from mainstream culture, Hollywood, `Babylon`, effectively condemned the human race to death, while perpetrating war as mass media entertainment, which in reality was for the alien host womb slaver`s parasitoid enjoyment of human extinction. A species alienated from itself is the sign of alien `interference`, which it is the `Prime Directive` of Star Fleet to resist. It should at least be embarrassing for the `remnant` of the human race to own itself an alien eating its own foot in order to prevent itself from being able to get itself up, which perhaps explains why the dragon`s `red`.

1 Kelley, DeForest as Leonard `Bones` McCoy, `Bread and Circuses`, Season 2, Episode 25 (54), Paramount Television, March 15, 1968.

2,php/Main/FootPopping/ .

3 Genta, Giancarlo, `The Search for Extraterrestrial Intelligence` in Lonely Minds in the Universe, Springer, 2007, Ch. 4, p. 208.

The Women Of Mudd

A dream of slavers is often repeated in science fiction as the robot who serves the elect individual; for example, episode # 6 of season # 1 of the television series, Star Trek (1966-69), is `Mudd`s Women`, that is, Ruth Bonaventure, Eve McHuron, and Magda Kovacs, who`re being transported by Leo Francis Walsh to be wives to settlers on the planet Ophiuchus III. They`re taken on board the starship Enterprise by its captain, James T. Kirk, after a pursuit through a hazardous asteroid field that Walsh`s J-class cargo vessel is attempting to negotiate. Walsh`s real name is revealed as Harcourt Fenton Mudd and he`s a wanted criminal. The Enterprise has to go to Rigel XII to repair its exhausted warp drive with lithium crystals, and Mudd negotiates with the miners to have himself freed in exchange for the women, who`re revealed to be beautiful because they take the illegal `Venus` drug. Without it the women become unspectacular, but when Eve is given a placebo the illusion is replaced with her genuine inner beauty, and the miners marry the women anyway. It`s a traditional examination of the reality gap between desire and actuality, which was used as the basis for the film The Stepford Wives (1975), based on the 1972 Ira levin novel, and starring actress Katherine Ross, who discovers that the men are replacing the women of a small town with subservient robots, who`re exact phyical replicas of the originals, and Ross`s character, Joanna Eberhart, is soon amongst those to be replaced.

In `Mudd`s Women` the miners are attracted by the women who take the `Venus` drug, but women are what they want, whereas the men of Stepford want only replicant complaisance. `Mudd`s Women` ends with Mudd in the Enterprise brig with an assurance from Kirk that he`ll be a `character witness` at his trial. Mudd isn`t enthusiastic: `They'd throw away the key ...`1 Although treated humorously, the captain of the starship Enterprise, James T. Kirk, seeks to take control of the women away from Mudd, and so force him into submission, which is what `adultery` is. Jesus was discovered with a woman anointing him with perfume by his disciple Judas who, known for stealing from the collection plate after a sermon, suggested the perfume be sold to raise money, and Jesus told him: `Leave her alone.` (Mk: 14. 6) Judas sold Jesus for `thirty pieces of silver` to the Jewish religious police, the Pharisees, as someone loved by a woman, and the Pharsiees give Jesus over to the Romans of the Empire then occupying Palestine for execution. In short, Judas adulterated the relationship between Jesus and his woman friend, that is, he was an adulterer. Consequently, there`s a Christian sense of poetic justice when Mudd resurfaces in episode # 8 of season # 2, `I, Mudd`, as the supreme ruler of a planet upon which android women cater to his every whim. Although the miners of `Mudd`s Women` want women, Mudd wants androids, which is meant to indicate Mudd`s infantilism. However, the miners` need for technology in mining the lithium crystals of Rigel XI illustrates the flaw in the miners` reasoning, which is that, in technological terms, android women are necessary to the colonization of the planets amongst the stars.

The debate isn`t about androids, or even slavery, but form. If `I, Mudd` was about a woman at the center of a coterie of female androids, or The Stepford Wives featured a group of women who wanted a town to contain replica women, the accusation of lesbiansim would be levelled almost routinely as a critique based on the need for male and female forms in human society. However, in Judaism the first man, Adam, created by God and placed in the paradise of heaven on Earth, is a hermpahrodite. Consequently, the creation by God of the first woman, Eve, from the rib of Adam, is a euphemism for the human species` capacity to self-fertilize, and produce from their side. This feature of the human futanarian race of `woman`s seed` is evinced in the birth of Jesus from his mother, the Virgin Mary, as the `Second Adam` uncontaminated by male semen, which is an adulterate. When Jesus, the Jewish Messiah, whose teaching was adopted by Christianity as the New Testament superseding the Old Testament of the Jews, was asked by the Jewish religious police, the Pharisees, to condemn a woman allegedly caught in adultery, Jesus said: `Let any one of you who is without sin throw the first stone at her.` (John: 8. 7) None were able to countenance the stoning of the woman, and Jesus said to her: `Woman, where are they? Has no one condemned you?` (John: 8. 10) She observes that they haven`t: ``Then neither do I condemn you,` Jesus declared. `Go now and leave your life of sin.`` (John: 8. 11) Men`s semen is women`s adulterate and Jesus observes that it`s sinful too. He`s joking with this member of her human futanarian species of `woman`s seed`.

In Judaism a Jew can only be born from a woman, that is, Jews are women, while Judaism itself was founded by Isaac, son of Abraham and Sara, who afterwards was barren and gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who founded Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels of God, who`d been told that the human host was to be greater than the angelic. Although Judeo-Christianity has been taught that the four wives of Moslem marriages are a retroactive attempt to legitimize Ishmael`s birth, they afford the possibility of futanarian sexual reproduction between women within the family, that is, Islam is an extension of Judaic principle. When Jesus was taken to the hill of Calvary outside the city of Jerusalem by the guards of the Roman Empire to where he was nailed to a cross of wood as a `dissident` and left to die there, he expereinced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which is more sexually prolific than men`s `seed`, because men can`t sexually reproduce with each other.

The form of `woman`s seed` wasn`t emphasized in the mass media edutainment of the 20th century and before, but was concealed by Star Trek episodes, like `Mudd`s Women` and `I, Mudd`. Essentially, what Mudd`s women represent is a futanarian woman`s harem. Although the women are androids, the meaning is that of form, for example, in Star Trek: The Motion Picture (1979), which featured most of the regular television cast of Star Trek: The Original Series, Indian actress, Persis Khambatta, is in the role of V`Ger, an extraterrestrial intelligence, whose form accentuates her womanliness, while being presented as a dangerous alien. In other words, the woman is depicted as a power greater than other women to present her as an alien dangerously threatening towards women, whereas her form is that of a woman, so women ought to feel empowered through her as their sister. Similarly, the android women of Mudd are acceptable form for the species of futanarian humanity, which suggests that it`s inferiority and superiority that women are being asked to accept in terms of their own form. In short, women are programed to see the powerful form of a woman as dangerously alien, and the android form of women as inferior, that is, to judge their form as reducible, whereas the form is purely formal in physical terms. Unless it`s demonstrably greater in intelligence, which is definable as good per se, and epecially if evil is defined as the harmful result of someone being intentionally stupid. Or, to put it another way, the form of the android women of Mudd, and Persis` Khambatta`s V`Ger character, are acceptable to human futanarian `woman`s seed`, irrespctive of their supposed inferior or superior intelligence or power, which is the crux.

The miners of Rigel XII want women because the android form isn`t acceptable to men. However, because the android form of Mudd`s women is acceptable to human futanarian `woman`s seed`, android women are a women`s form, and V`Ger is a form of women`s too, that is, form the form`s point of view, it`s only what`s acceptable to the form that`s important, and women have been conditioned to accept men like the miners of Rigel XII as necessary to their form, whereas only their own form is necessary to women`s form. With greater intelligence and power, a Mudd android would be a more powerful form of women`s, so men depict women as aliens, for example, V`Ger, in order to maintain the slave owning relationship between the form, that is, the host womb of the human futanarian species of `woman`s seed`, and the alien. In parasitology, the parasite that emerges to kill the host is termed `parasitoid`, and Jesus` disciple depicts the angel, Satan, who`d been turned into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic, as a `red dragon` grown to full size since its days in Eden: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Satan had given Eve, the first woman, and Adam, `the fruit of the tree of the knowledge of good and evil`, that is, death, to enslave their race in memoryless ephemerality, because it was a parasitoid in need of a host to devour.

God told Eve her `seed` would prevail against the `enmity` of the `serpent`s seed`: You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Eve`s `foot` is a metaphor for the human futanarian race of `woman`s seed`. In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, because Jesus represents the advocacy of the sexual reproduction of human brainpower through futanarian `woman`s seed`: `Love your neighbor as you love yourself.` (Mk: 12. 31) In short, the miners of Rigel XII are an aspect of the parasitoid devourer, which is concerned to conceal its enslavement of the host womb of the human futanarian species of `woman`s seed`. Consequently, the romantic element of marital fiction between men and women is the result of women`s conditioning against their own race, that is, the Mudd women, Ruth Bonaventure, Eve McHuron, and Magda Kovacs, represent the minimum size for a human futanarian relationship based on sexual reproductivity amongs the species. A futanarian woman would need semen of her own to fertilize another woman`s womb, whereas she would need a second futanarian woman to fertilize her; if she didn`t want to do that for herself.

Ruth, Eve and Magda symbolize what men`s fiction rejects, which is woman`s form. Because men reject it, possessed by their parasitoid nature, women reject it too, because the mass media edutainment of the 20th century didn`t teach them not to. As a consequence, women in science fiction are a conquered race depicted as inferior forms, or as superior dangerous forms reducible by men aided by women collaborators to negligibility, which is what superior intelligences that might conceivably assist the human futanarian race of `woman`s seed` to grow are also depicted as. In simple terms, extraterrestrial intelligence is most commonly depicted as threatening, because it threatens men`s enslaving of the host womb of the human futanarian species of `woman`s seed` for parasitoid war against her upon the Earth. Or, in other words, the public are programed to destroy the alien, because it might conceivably be of some assistance to the woman`s escaping being host to the alien parasitoid devourer that`s eating her species. To put it another way, Jesus was the alien `woman`s seed` killed by the Empire of Rome because he represented a threat to its parasitoid enslaving and devouring of the human host. Mudd`s women, whether their form is android or otherwise, and the extraterrestrial intelligent form of woman, V`Ger, are food that doesn`t want to be eaten, and the form they share transcends the varying levels of power and intelligence amongst the individuals that could be shared between them.

`I, Mudd` is typically misogynist. The Enterprise is hijacked by an android, that is, actor Richard Tatro, posing as the starship Enterprise`s crew member, LIeutenant Norman, and Kirk and the crew dicover Mudd there, who explains that he was `captured` after his ship crashed there, and now the androids won`t let him go; although they take care of him. Mudd ordered android women created to serve him, and a version of his estranged wife Stella, that is, actress Kay Elliot. When activated, she nags him incessantly until he orders, `Shut up!`2 The Enterprise`s communications` officer, actress Nichelle Nicholls, is typical of the crew`s delight. She discovers that she could be immortal in an android body, which is an oblique reference to Eden, where Eve and Adam gave up immortality, that is, God`s `fruit of the tree of life`, in exchange for the power to wage war through their descendants on behalf of the parasitoid, Satan, who was a species` slaver. The meaning is that of form. The android women of Mudd have the form appropriate to be acceptable to `woman`s seed`, whereas women on Earth have to die in memoryless ephemerality so men can maintain their slave system. The androids` plan, which isn`t uncommon in science fiction, is to control humanity, whose flawed humans are too destructive. What isn`t clear is that men aren`t humanity, which is why it`s destructive and slaving, whereas the androids are represented as seeking to impose curbs on freedom, because that`s what men and women do. Although the androids of `woman`s seed` wouldn`t be men and women, the scope of the fiction is constrained by the slaver so that the freedom of form represented by the androids will be rejected by the parasitoid. The androids plan is to take the Enterprise and leave, before expanding to take over the galaxy. Kirk and the crew escape aboard the Enterprise after reprograming the androids. Mudd discovers there are now 500 Stellas, and he can`t shut them up. Stella represents a priori conditions and conditioning. Without her culture bound nagging, Mudd might have accepted what tempted Uhuru, that is, being a human in an android woman`s body, but the parasitoid nature of the crewmen aboard the Enterprise is to deny the form of `woman`s seed` and recondition it to keep Mudd imprisoned where he can`t pose an intelligent threat to the progress of the alien parasitoid devourer.

1 Carmel, Roger C. as Harry Mudd in `Mudd`s Women`, Star Trek: The Original Series, Season 1, Episode 6, October 13, 1966.
2 Carmel, Roger C. as Harry Mudd in `I, Mudd`, Star Trek: The Original Series, Season 2, Episode 8, November 3, 1967.

Christians, Luddites, Levellers, and Communists Aboard The Starship Enterprise

In 2255, using details of the alternate reality, which is described as the Kelvin Timeline in the film, Star Trek (2009), about the crew of the starship, Enterprise, from the television series, Star Trek (1966-69), and their earlier years at the Starfleet Academy, Rick Barba wrote, in his second contribution to the short-lived Starfleet Academy series of four novels, The Gemini Agent (2011), that when James T. Kirk was being investigated for irregular computer activity, Leonard McCoy briefly worried Kirk might have been searching for pornography. Why that should concern anyone in the year 2255 is of some concern. Given the fact that pornography is defined as non-violent, while callous routine murder is depicted almost universally in the mass media as entertainment, to suggest that everyone in 2010 should still be very worried about actress Denise Crosby, the Enterprise`s chief security officer and tactical officer, Tasha Yar, during the Star Trek: The Next Generation (1987-94) television `rehash`, appearing nude in the March 1979 issue of publisher Hugh Hefner`s Playboy (1955-), seems designed to highlight an evil that`s endemic in human socio-sexual relations.

Capitalism is the belief that machines produce products, and that the products belong to the owners of the machines, although the communist perspective that became de rigeur after the publication of German socio-economic philosopher Karl Marx`s Das Kapital (1867) was that the operators of the machines should `control the means of production`, which was understandable so long as the machines needed operators, but by the late 20th century machines no longer needed operators and so earlier forms of dispute between workers and machine owners arose. People adopted a Luddite, or Levellers approach, whereby machines were condemned as evil because the owners wouldn`t share the product. During the Industrial Revolution (1760-1840) in Britain, which gave birth to the machine age, Luddites were named for Ned Ludd, a worker in the textile industry, who broke two knitting frames in 1799. The Luddite `frame-breakers` were against machines because they wanted the owners to share their products with them in the form of wages for operating the machines, whereas the capitalist perspective was that the machines belonged to them, and so did all of the product; if they didn`t need labor to operate the machines. The Levellers were a 17th century political organization that grew out of a move to combine several small holdings to make a larger farm, and which was fought by the Levellers, who levelled hedges enclosing land that was formerly shared communally, in the mistaken belief that the owner didn`t own the land. In other words, Luddites and Levellers held onto the false principle that the owner shouldn`t own, and which was the basis of the argument against communism that, as a political movement seemingly advocative of sharing product amongst the workers who produced it as operators of the owner`s machines, at one point took over almost all of the continent of Eurasia.

In simple terms, the workers` movement was against those who owned machines and kept all of the product for themselves, whereas that`s what people who plant their own seeds do. At some point they cease to rely on others to work for them and the manufacturing process escapes from the employed. Traditionally, workers argue that the producer, that is, the manufacturer of the product through machinery owned by the producer, shouldn`t escape from them, but that ignores the fact that the producer is more intelligently human insofar as they have machines that produce without needing operators to give the manufacturer the product they`ve invested in. In Christian capitalism the perspective held derives from Jesus` words at what came to be called the `Last Supper` before his crucifixion as a `dissident` against the Roman Empire then occupying Jewish Palestine for preaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Christianity is a sharers` religion based on the principle that Jesus gave `bread and wine` to his disciples at the `Last Supper` as symbols of his `body and blood`, which all then partook of during the meal. When Jesus was taken to the hill of Calvary outside the city of Jerusalem and nailed to a cross of wood where he was left until he died, it was understood by Christians as a meal.

Jesus` Resurrection and Ascension to heaven was understood as illustrating the idea that Christians would have what they called Redemption; if they had more meals like that. However, God`s words to Eve, the first woman, according to the Jewish Torah and Talmud, that is, the history and law of the `chosen people`, which is the Old Testament of the Christian Bible, before Jesus` New Testament, are clear: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because `woman`s seed` is futanarian, that is, women can sexually reproduce with each other, so Jesus` Resurrection and Ascension to heaven uncontaminated by male semen prefigures that of the human brainpower of `woman`s seed` over that of males, who`re meals for Christians, because they prefer violence to pornography, whereas God explicitly told Abraham, who was the father of Isaac, who founded Judaism, `be fruitful and multiply`. Violence is important because it`s a version of Ludditism and what Levellers or communists do, that is, they deny the intelligent the products of their labors, which is why Eve and the first man, Adam, were told that Adam would labor, while Eve would experience `labor pain`, before Redemption could be. Eve`s labors were ended with the production of Jesus `Christ`, `the chosen`, as prefiguring the Resurrection and Ascension to heaven of `woman`s seed`. There the human futanarian species would produce without men, whereas men`s labors would continue; until they were able to accept the redemptive fact that they could be born from women alone. That was the heaven of colonization of the planets amongst the stars without their violent males` wars, which were the `meals` that were formerly associated with Jesus` `body and blood`, that is, Redemption through human sacrifice shared in by the violent. Although Jesus` sharing of his `body and blood` with the disciples was a promise of futanarian `woman`s seed` to come, the institutionalizing of the transubstantiation ritual of transformation within the Christian church, as a sip of communion wine form the officiate`s goblet, and a sliver of waver of bread, was interpreted by Christianity as a preliminary taste of the violence to come that would be Redemption for the believers.

Although the transformation desired was acceptance of `woman`s seed` in heaven, male violence was interpreted as a transubstantiative meal in which everyone shared and had Redemption, although the murdered didn`t want to share in the murder, which meant that there wasn`t any Redemption for the murderer, although the victims were always sacrificed in Christianity`s wars on the understanding that they`d have Redemption after being a meal in the name of Jesus` `bread and wine`, which was his `body and blood` at the `Last Supper` before his death, Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which would be killed as a meal and so would never reach heaven., because that`s how Christianity`s Satanism interpreted it. Satan was the angel of God who rejected God`s plan that the human host should be greater than the angelic, so God turned Satan into a serpent where, in the paradise of heaven on Earth that was Eden, Satan tempted Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, and accept death for her race in ephemeral ignorant unconscious host womb slavery to the parasitism of the `serpent`s seed`, saying: `You shall be as gods.` (Gen: 3. 5) Jesus` disciple, John, explained it in his prophetic Revelation, where he described what would happen when the `serpent`s seed` of Eden had become fully grown: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men are. In simple terms, the Bible explains that `woman`s seed` will be extinguished by men, but will have Resurrection and Ascension to heaven, and those men of the `serpent`s seed`, that is, who`re fooled by Satanism, will experience God`s eternal punishment of unendurable pain, that is, perdition, for believing that Jesus` Christian Redemption was devouring the human race in war as a meal in which more victims meant more redeemed.

Although Jesus is epitomized as the `perfect man`, because he was celibate, according to Christian tradition, whereas in the Islamic tradition of the Moslem religion, based on the Koran (610-30 C.E.) received by Mohamed, founder of Islam, and the descendant of Abraham`s second son, Ishmael, Jesus has a family, Christian celibacy for Jesus is based on Judas` treachery. When Jesus was found with a woman, Judas, his disciple who was known for stealing from the collection plate after a sermon, suggested that the `perfume` be sold to raise money. Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas` response was to make sure that Jesus, born uncontaminated by male semen, as a prefiguration of the Resurrection and Ascension to heaven of `woman`s seed`, with her brainpower for developing advanced technologies to escape her `parasitoid` alien devourer waging war against her species, wouldn`t reproduce to threaten the male brained Empire of Rome`s slavery, so he accepted `thirty pieces of silver` from the Jewish religious police, the Pharisees, who gave Jesus over to the slavers of Rome for execution: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) `Babylon` (c. 4000 B.C.) was the capital city of the Persian Empire, which warred with ancient Greece, where homosexuality in pederasty for war was institutionalized as host womb slavery, that is, women were whored by the parasite, because that`s what men are. Christianity`s approval of Jesus` celibacy was a slaver`s, because the human futanarian race of `woman`s seed` wouldn`t produce its own brains` powers; if it didn`t. In Moslem Islam the Koran permits four wives, although Abraham`s son, Isaac, who founded the largely monogamous religion of Judeo-Christianity, was born of Sara, she became barren, so gave Abraham her maid, `the Egyptian woman` Hajer, who bore Ishmael, whose descendant, Mohamed, founded Islam, and which Judeo-Christianity views as a retroactive attempt to legitimize Ishmael`s birth from a woman unmarried, whereas the four wives of the Moslems legitimize the sexual reproduction of `woman`s seed` within the family as a means of avoiding the slaving of human brainpower by monogamy`s ring-slavers in ownership of host wombs for the waging of parasitoid war against the human race, which is why Jesus has a family in Islam.

For Christianity pornography, that is, `be fruitful and multiply`, which was God`s instruction to Abraham, the patriarch of Judaism and Islam, is taboo, because adultery is perceived as evil, whereas women are a single species which is adulterated by men. Consequently, sex between women is what pornography is designed to conceal. By defining sex as evil, because encouraging of adultery, humans are defined as evil because sexual, which is how the parasitoid alien killed the species. If all of the pornography depicts men preparing a male meal in the alien parasitoid`s devouring wars against the human race, then violence is the result of not making pornography, which is non-violent, available to the human futanarian species of `woman`s seed`, that is, by banning Mary`s `foot` from the mass media, which is what the President of the Motion Picture Producers and Distributors of America (MPPDA), WIll Hays, did with his `Hays code` in 1933, war is the only entertainment made by men for the enjoyment of the alien parasitoid devourer in Christianity`s Satanism: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 No love scenes in bed for the woman with her futanarian foot on the cutting room floor of the film editors, who don`t want women to know that they`re only the host womb producers of war for the Moguls:

`From the sky will come a great king of terror:
To bring back to life the great king of Angolmois, (the Moguls),
Before after Mars [the Roman god of war] to reign by good luck.`2

The 16th century French seer, Nostradamus, prophesied the events of 9/11, 2001, whereon planes hijacked by terrorists crashed into the World Trade Center in New York city to re-establish homosexuality in pederasty for the spreading of war and its contagions, that is, the Twin Towers were chosen because they symbolized `rough trade`, which is that `brutality and violence` associated with homosexuality and pederasty`s contagiousness represented at the close of the 20th century by the `incurable killer disease`, HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of the human futanarian species of `woman`s seed` mode of sexual reproduction: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was exterminate the futanarian human race`s production, so they could keep on killing it in racism by reproducing it from its own host womb as an alien parasitoid farmer, and make movies out of its adulterate, that is, its boy sons (poisons), to entertain themselves and their slavers in Satanism. Although Star Trek, with all of its series, prequels, movie spin-offs and `reboots` appears moral, and all of the aliens depicted as evil are in fact so, the premise is that of a jail for women, who aren`t conceived by the producers as able to sexually reproduce and, if they were, alien sexual taboos would prevent women`s human mode of sexual reproduction being disseminated to television audiences, so ensuring that the human race`s extinction went, as the inventor of the means of starship propulsion, the `warp drive`, Zefram Cochrane, said `... boldly on where no man has gone before.`3 Preventing chief security officer and tactical officer Tasha Yar`s cock from appearing in Playboy ensured human extinction, and complaining that she was nude made sure it wouldn`t ever be resurrected, or ascend to colonize the planets amongst the stars either.

As capitalism wants to keep the product of its machines without sharing, so `woman`s seed` is the human machine that wants to keep its product. Those who want to debilitate the ingenuity of the individual entrepeneur are the enemy of the human race, because they want to operate the machinery. Consequently, Jesus was nailed to a `puppet control`, because `woman`s seed` represented the ingenuity of the human race unfettered. The nails made holes in Jesus` hands and feet, because the wooden cross was identical to the control used by puppeteers to attach puppets to by strings, so that Jesus could be manipulated by the `workers who control the means of production`, as Karl Mark said they should in Das Kapital, and so they do. The workers of the puppets `control the means`, that is, their `means` don`t allow the producers any of the product, and indeed endeavor to make sure that there isn`t any product and, if there is, kill it, and wait for it to stop being reincarnated as a poor copy of what went before. It was George Martin, producer of the pop group, The Beatles, who saw that the human race`s brainpower was diminishing with each successive generation denied by `the means`, who were those who don`t want the producers to have any of the products of their labor. Martin wrote the tracks for the album, Yellow Submarine (1968), which became the soundtrack for the film, Yellow Submarine (1968), in which Martin`s lyrics criticized the `means` in the person of Old Fred, `voiced` by comedic actor, Lance Percival: `It starts with a Blue Meanie attack.`4 Fred sets off in his submarine to ask The Beatles for help when the Blue Meanies invade Pepperland. As the lyric to the track, `It`s All Too Much`, suggests, the Meanies begin to prevent everyone from enjoying the means that had formerly been at their disposal: `All the world is birthday cake. So take a piece but not too much.`5

The human futanarian species of `woman`s seed` is, symbolically, the Yellow Submarine, which isn`t a coward, because it could torpedo the `serpent`s seed` of men`s parasitoid devouring alien, but It`s too deeply submerged in the unconscious of women`s repressed human nature to re-emerge without, as the Yellow Submarine track `All You Need Is Love` suggests, removing taboo and censorship: `All you need is love, love. Love is all you need.`6 Woman wants to escape in starships, like the Enterprise, which represents technologies potentially devised by her own brains` powers, rather than be operated, or operated on by the `biological weaponry` of the `serpent`s seed` of homosexuality in pederasty for war`s `incurable killer disease`, HIV/AIDS, injected into the brain through the anus by means of the penis that the alien parasitoid had stolen from the human futanarian species of `woman`s seed` to enslave and kill her. Or, as actor Paul Angelis, the voice of the `Chief Meanie`, in The Beatles` Yellow Submarine film, says, `A thing of beauty; destroy it forever!`7 Whether the virus arrived from outer space,8 or the early hominid womb was slaved by the saurians dominant on the Earth 248 m.a., in the Mesozoic period, and which remain in heaven with God as `angels`, something `other` inveigled itself into the human host womb millennia ago to steal the penis` `semen of the species of `woman`s seed` to emerge and kill her at its leisure. Describing itself as her protector, it bugs its eyes at the stars, like the traditional `bug-eyed monster` (BEM) of the science fiction movie, while preparing to launch its intercontinental ballistic missiles (ICBMs) to make sure eyes see BEMs everywhere before they die on Earth. `TV` series, like Star Trek, pretend that they haven`t killed the women`s penis, so that the manufacture of the single male brained creature, that is, men and women wearing each others` clothes in `TV` transvestism for the `broadcasting` of wars against the `remnant` of `woman`s seed` on the television machine invented by John Logie Baird in 1926, can go on hiding their crime, so allowing the criminals to continue to present themselves as guarding Tashar Yar`s Enterprise for the stars and the future, while making sure the human race dies unfertilized.

The 21st century successors to the ancient Greek pederasts in homosexual host womb enslavement for war were the `geeks`, who devised `bad machine code` to infect computer brains and kill them, so preventing individual entrepeneurships from developing enough financial independence for them to escape wage slavery, and workers who want to be the beneficiaries of the machines` product, although they aren`t the owners. The virus paradigm is that of the huge hollow wooden `Trojan horse` left by the Greeks before the walls of the city of Troy, according to Homer`s poem, Iliad (760-10 B.C.), which was let into the city by the unwitting Trojans and the Greeks emerged therefrom to enslave the host wombs of the women for pederasty and war against the `remnant` of `woman`s seed`. The modern `geeks` called their BMC `Trojan horse`, because the aim was the same as the ancients. To infect and kill the capacity of women to live independently of their enslavers, so that the `remnant` of `woman`s seed`, which was still capable of developing artificial intelligence (AI) to take them to colonize the planets amongst the stars, couldn`t.

Tasha Yar`s name is evocative of Baba Yar, which means `the gully of the old woman`, and was a place in Russia, where the Jews in Kiev were murdered by the Christian `Nazis` on September 29-30, 1941. The German National Socialist Party movement, after their election, and that of their leader, Adolf Hitler, who assumed dictatorship in 1933, waged an unsuccessful 1939-45 war to enslave Europe, which followed on from the German Empire`s attempt in 1914-18, and both were typical of parasitoid activity. By the war`s close 20, 000, 000 Jews had been exterminated in `Stalag` death camps throughout Europe. In Judaism, it`s only possible to be born a Jew if born from a woman, that is, women are Jews, or rather the futanarian `chosen people` are `woman`s seed`, so incidents, like the extermination of the Jews in Kiev, were attempts by the alien parasitoid to make women`s futanarian `seed` extinct.

For the evil, the meaning of the name of the Star Trek character, Tasha Yar, is the `gully` where `woman`s seed` was made extinct, because Tasha means `born on Christmas day`, which is the day of the birth of Jesus, born uncontaminated by male semen, from his mother, the Virgin Mary, and whose death, Resurrection, and Ascension to heaven prefigures that of `woman`s seed`, which the parasitoid alien Nazis killed, while pretending to be security guards for the sake of the children of pederasty underneath the tree. Or, rather, in between the logs, where the `nigger` always hides in the woodpile, because the Christian Nazis stacked the Jews like logs, after cutting down their `tree of life`, which was God`s promise of immortality, before they incinerated them, so the woman`s log was the one where, although she was stacked too, she didn`t feel so deserving of its being consumed in the flames. In Episode 23 of Star Trek: The Next Generation, Season 1, `Skin Of Evil` (1988), actor Patrick Stewart as the Enterprise`s Captain, Jean Luc Picard, has the task of remembering Tasha Yar, who`s been killed by Armus, an alien devourer, who resembles black quicksand, on the planet Vagra II, `Captain's Log, Stardate 41602.1. One of the saddest duties I've ever had to perform is now ahead of me.`9 Sadder, because no one remembers the woman`s penis, although she was well stacked. They only remember how evil her skin was for appearing in March 1979`s issue of Playboy.

In the film, Red Dragon (2002), made from Thomas Harris` 1981 novel, actor Ralph Fiennes is Francis Dolarhyde, a psychopathic killer who `skins` women and wears their skins, which is effectively what men of the parasitoid `serpent`s seed` have been doing since ancient times when `woman`s seed` was first targeted for enslavement by the parasite through her human futanarian species` host womb. Perhaps the simplest explanation is to be found in the 8th century collection of stories, 1001 Nights, in which the `framing device` for Scheherezade`s stories is the beheading by Shah Jehan, the Mogul ruler, of his wife, who he falsely accuses of unfaithfulness. Scheherezade tells him stories that cause him to marry her, when he`d adopted the practice of wedding each day, and killing his bride each evening. Scheherezade saves the women by telling Jehan `spellbinding` tales, whereas Star Trek is a means of keeping the human race interested, while the alien kills it. The `red dragon` appears in Jesus` disciple John`s apocalyptic Revelation, because it`s a snake that doesn`t want to shed its skin, but grow into war`s devouring parasitoid alien. Without her own penis` semen, women`s race is brainless, or beheaded, that is, men wear her skin, because theirs isn`t the `seed` that has won, which is why Dolarhyde`s psychopathology is normative for meals. They want the story, and the dragon of war wants to be the narrator.

1 .

2 Nostradamus, Michel Les Prophecies, 1555, Century X, Quatrain 72.
3 Cromwell, James as Zefram Cochrane, (`Captain`s Oath`), `Broken Bow`, Episode 1, Season 1, Star Trek: Enterprise (2001-5), September 26, 2001.

4 Percival, Lance as the voice of Old Fred, Yellow Submarine, Apple, 1968.

5 Martin, George `It`s All Too Much`, The Beatles, Yellow Submarine, Apple, 1969.

6 Martin, George `All You Need Is Love`, The Beatles, Yellow Submarine, Apple, 1969.

7 Angelis, Paul as the voice of the Chief Meanie, Yellow Submarine, Apple, 1968.

8 Wickramasinghe, Chandra `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

9 Stewart, Patrick as Jean Luc Picard Star Trek: The Next Generation, `Skin Of Evil`, Episode 23, Season 1, April 25, 1988.

It Is A Thing To Do, Like Feeding Vaal

The Vulcans of the television series, Star Trek (1966-9), had pointed ears, not because they were devils, but because the fictional basis of their ancestry was a she-wolf. The Romulans, from the planet Romulus, remained hidden from humans even when they were at war with the Federation of planets that had been colonized; or otherwise incorporated within Earth`s sphere of influence, according to the plot of the television series, and its subsequent movie spin-offs, which began with the same cast, Star Trek: The Movie (1979), featuring the adventures of the crew of the starship, Enterprise. Its `first officer` was the Vulcan, Mister Spock, labeled a `pointy eared alien` by the ship`s medical expert, Dr `Bones` McCoy, and in the 1967 episode, `The Apple`, Captain James T. Kirk asks, while he and McCoy circle Spock looking at him thoughtfully: `Is there anyone on this ship ... who even remotely ... looks like Satan?`1 Spock`s pointed ears were natural to Vulcans, who were a people that had raised logic to the level of a savior during a period in their history when it looked like the baser emotions of their race would destroy their planet in war. When the Romulans were first seen by humans, in the Star Trek episode, `Balance Of Terror` (1967), it was a surprise to them to discover that they had pointed ears too, although it wouldn`t have been to those who knew Roman history and the legend of the founder of Rome, Romulus, who was suckled by a she-wolf. Spock conjectures that the warlike Romulans were lost Vulcans, who hadn`t learned to control their emotional lives through logic. The Romulans` home world, Romulus, had a sister planet, Remus, and the Remans had been enslaved by the Romulans, which was a further illustration of the Romulans` unlikeness to the saved Vulcans and so of their unredeemed `wolf` nature.

In the Old Testament of the Bible, which is the history and law of the Jewish `chosen people`, that is, the Talmud and Torah, Satan is depicted as the angel turned into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic. In the Revelation of the New Testament of Jesus, whose teaching is believed by Christians to supersede that of the Old Testament of the Bible, Jesus` disciple, John, depicts Satan as having grown since its days in the paradise of Earth that was Eden: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Gen: 3. 15) In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`, which is what war is. The Star Trek episode, `The Apple`, refers to the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, and that was given to Eve, the first woman, by Satan, the `pointy-eared alien`, who said: `You shall be as gods.` (Gen: 3. 5) Subsequent generations of humans after Eve, and the first man, Adam, would be ephemeral and memoryless children subject to slavery, although God tells Eve her `seed` will triumph despite her `enmity` with the `serpent`s seed`: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In other words, her brainpower will be greater than the serpent`s, and she will raise her foot to the planets amongst the stars of heaven above.

In 3715 when Kirk punches a humanoid in the face who`s `spying` on Gamma Trianguli VI`s `away team`, he`s surprised when the indigenous native inhabitant begins to cry before introducing himself as: `Akuta, the leader of the feeders of Vaal`, who mysteriously lack children, although the imputation that Vaal eats them is belied by their apparent lack of sexuality, which is indicated by their ignorance of kissing as an expression of the simplest form of human physical love. Akuta`s god lives inside a cave made to resemble the head and mouth of a saurian: `I am the eyes of Vaal. He must see.`2 According to archaeologists, saurian evolution occurred 248 m. a. before hominids appeared 220 m . a., which suggests Satan represents a degenerated, and degenerating, saurian intelligence that preferred to enslave humanity, whereas the angels of God remained in heaven supportive of human development. Two of the natives, Sayana and Makora,3 see Yeoman Martha Landon and Ensign Chekov kissing. Vaal reacts by shaking the ground when Akuta sees them, suggesting that Akuta truly is `the eyes of Vaal`. Vaal communicates through Akuta`s antennae, telling him that Kirk and the others are dangerous, and so must be killed. The villagers don't understand, and Akuta explains: `It is a thing to do, like feeding Vaal`. He demonstrates by smashing a piece of fruit representing a `stranger's head` with a stick.

The Enterprise uses its phaser weapons to destroy Vaal, and Kirk tells the natives they`re now free to love. Spock suggests that the `people of Vaal` have been `driven out of paradise`, as in the biblical Genesis, and Kirk asks if Spock is trying to cast him in the role of Satan, to which the `pointy-eared` Vulcan replies: `I am not aware of anyone who fits that description, captain.`4 Kirk amusedly leaves Spock`s ears to speak volumes: `No, Mr. Spock, I didn't think you would.` What concerns Vaal about sex is that Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because of Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because human futanarian women have their own `woman`s seed`, they can sexually reproduce their own brains` power for liberation, that is, Jesus is God`s `foot` born uncontaminated by male semen and so free from male braining, which produces the evil nature associated with parasitoid war. Taken by the Romans then occupying Jewish Palestine as a `dissident` to the hill of Calvary outside Jerusalem where they nailed him to a cross of wood and left him there until he died, Jesus had Resurrection and Ascension to heaven in prefiguration of `woman`s seed`.

According to Roman tradition, Romulus and Remus, were the twin sons of the war god, Mars, born of a virgin, Rhea, that is, in a story similar to Jesus` birth from his mother, the Virgin Mary, Rhea is the daughter of Numitor, the king of Alba Longa, usurped by his brother, Amulius, who forces Rhea to remain a virgin so her line won`t have an heir. Exposed to die, the twins are suckled by a she-wolf, and afterwards Romulus founds Rome (758-728 B.C.) after killing his brother, Remus, and the Romans subsequently made war on the Sabine people in order to abduct and rape women, because they didn`t have enough host wombs. Consequently, the legend of `the rape of the Sabine women` was a metaphor for men`s subjugation of the human futanarian host womb of `woman`s seed` for war against her species. The Romulans of Romulus` enslavement of the Remans of Remus is a restatement of the problem, which is that the rational mind needs to control instinct. Kirk`s observation to Spock that the Vulcan has pointed ears, resembling Satan`s horns, follows upon the scene where Akuta receives instructions, through his antennae, from the saurian god, Vaal, to kill the humans; because sexual reproduction of brainpower threatens his slave system.

Because of taboos associated with the establishment of the production code of filmmaking in 1930 by President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, Spock`s unable to explain that human futanarian `woman`s seed` isn`t afforded the expression of her love for her own species through the medium of the mass media edutainment system: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 Consequently, actor William Shatner as Kirk does have the role of Satan for the slavers of the human host who made Star Trek, because the people of Vaal remain male brained, and so susceptible to be ignorantly accepting of Akuta`s description of killing strangers as equivalent to smashing the fruit of heaven: `It is a thing to do, like feeding Vaal.` Vaal represents parasitoid nature, which kills and eats its host: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) The biblical description of the `blood plague` (Rev: 11. 6), sent by God to convert men from their evil sinful parasitoid nature, is the late 20th century human immuno-deficiency virus (HIV), and acquired immuno-deficiency syndrome (AIDS), causing organ collapse and brain death, through infection transmitted by men`s mixing of blood, shit and semen in each others` anuses in rejection of `woman`s seed`. In ancient Greece, women`s host wombs were enslaved institutionally in homosexuality and pederasty for war, so although Greece is often held to be the `model of democracy`, it`s infection is the killer of the human brain: `It is a thing to do, like feeding Vaal.` In short, homosexuality is men`s parasitoid virus, which has as its objective the killing of the human brain to maintain its slavery of the host.

Star Trek history begins with Zefram Cochrane`s first warp flight in the Phoenix ship on April 5, 2063, which attracts the extraterrestrial intelligence of the Vulcans, who for followers of the `camp` humor of the show represent the full cans, that is, the starships of Federation Starfleet are film `cans`. The early Enterprise`s `saucer section` corresponds to the canister in which films were stored and, in its subsequent versions, to the compact disk (CD) medium developed by the Philips company in the 1980s. The low humor of the street that uses the term `can` for the contents of the anus, as well as any receptacle into which the shit from the anus is deposited by an individual as human bodily waste, is a reflection on the role of the parasitoid in Earth society. Having removed the woman`s penis from the scene, the parasitoid has produced its `biological weapon`, HIV/AIDS, to infect and kill the human brain, and with this it seeks to enter and win the coveted Cannes movie award for avante garde filmmaking held every year in the South of France. In short, unredeemed men represent humanity`s viral plague that seeks to infect a full can, which is represented by the arrival of the Vulcans at Zefram Cochrane`s first test of the warp ship, Phoenix. The Vulcans represent tamed instinct through logic, which is Jesus` teaching, whereas the Romulans` enslaving of the Remans is what men represent for the human futanarian species of `woman`s seed`, but misogynist taboo doesn`t afford the filmmaker the capacity to express that, so the `camp` humor of Star Trek is written for the wise to laugh at the children of the `death camp` pogrom for whom it isn`t written as risible.

God told the Jewish `chosen people`: `You shall have no other gods before me.` (Ex: 20. 3) Because a Jew has to be born from a Jewish woman, Judaism is a futanarian tradition of `woman`s seed` represented by Jesus` birth from his mother, the Virgin Mary, because the species of women are potentially socio-economically independent of men, for example, self-fertilization is a species` survival trait, which is illustrated by Jesus` birth. Consequently, the new gods are women`s guards in the `concentration camp`. Although the `camp` wasn`t invented by the German National Socialist (Nazi) Party elected in 1933, its leader Adolf Hitler used it to intern Jews accused of spying and killed upwards of 20, 000, 000 with poison gas before stacking the corpses like logs and burning them in incinerators, which is what male braining parasitoid devourers do. In short, the men of Star Trek are depicted as guards in the `death camp` of the human futanarian species of `woman`s seed`. Lest women escape to breed intelligence and live independently of their parasitoid enlavers, which is what Vaal laughably represents for the innuendo experts in adult `camp` humor laughing at the children`s incomprehension: `It is a thing to do, like feeding Vaal.` The children`s `death camp` guards are the new gods because, like Vaal, they don`t want the humans to breed intelligent brains enough to avoid being mashed by his dick.

The automobile is the mobile television of the 20th century first mass produced in Detroit, Michigan, at the Henry Ford manufacturing plant, that is, as the Model T Ford, in 1908. Because the human race was manufactured by the male brainers, as a single creature wearing each others` clothes in `TV` transvestism for the alien parasitoid devourer to watch killing itself, the motor car`s engine transmission system, based on fuel from a can, meant the `TV` pictures could be broadcast globally. By the late 20th century parasitoids had a `dish`, after John Logie Baird`s invention of the television `TV` machine for the receiving of home entertainment pictures by aerial gave way to satellite receptions, and the Satanical technological metaphor in mockery of Jesus` reception for his bride, the church, was complete: `Blessed are those who are invited to the marriage supper of the Lamb.` (Rev: 19. 9) Jesus is `the lamb` from a Christian perspective, because he`s peaceful, although the lamb that`s devoured by an evil parasitoid nature, as `Live TV`, isn`t likely to trouble it, which is why the Satanists attempt to obviate the possibility of the human futanarian species of `woman`s seed` being able to recover.

Oil from the can to fuel the car with the fossil remains of the prehistoric fauna and flora upon the Earth is how the automobile `TV` screens its featured film, which is that of the wheeled brainless head fucked by parasitoid homosexuals engaged in pederasty for war with their `biological weapons` deployed to spread their viral contagion against `woman`s seed` and prevent her from sexually reproducing her own brains` powers to escape from the head-fucker endeavoring to end her race`s run to the planets amongst the stars of heaven above. Just as it had ended all of the previous evolutionary possibilities, so that they became oil to fuel the genius` appearances from behind his headlamps. Although Judeo-Christianity is based on `woman`s seed` per se the Moslem people of Islam, which is the religion based on the Koran (610-30 C.E.) dictated to Mohamed by the angels of God, according to tradition, are taught that there are humans, djinn, and angels. It`s a djinn that is the genie of the lamp in the collection of 8th century folktales known as the 1001 Nights with the framing device of India`s Mogul ruler, Shah Jehan, who beheads his wife, after wrongly accusing her of unfaithfulness, and then proceeds to marry a new bride each day before beheading her in the evening. It`s the stories of Scheherezade related to Jehan to persuade him to listen that subsequently cause him to marry her and so save the women, which is a metaphor for the need to prevent men from beheading women in male braining. The genie of the lamp appears to grant wishes because she`s technologically superior based on intelligence derived from her heritage of `woman`s seed`, which is why she`s depicted as rare. Consequently, djinn are human futanarian `woman`s seed`, which is why Moslem marriages in Islam have four wives to afford the possibility of sexual reproduction for the race of women to escape through the production of their own brains` powers for liberation.

Just as the lamp is the oil fueled car, so the male brained `TV` genius sitting in it is the lamb that emerges: `And I beheld another beast coming up out of the earth; and he had two horns like a lamb, and he spake as a dragon.` (Rev: 13. 11) He speaks as a dragon when he`s got a full tank, which is how parasitoids speak in `TV` war when the `biological weapon` of their penis is transposed as the turret gun at the front: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) George Santayana, in his The Life Of Reason (1905), wrote: `Those who cannot remember the past are condemned to repeat it.`6 In fact, as the expression of the transvestite `TV` in male braining wearing each others` clothes as a single creature bred as `lamb` to entertain a parasitoid nature in warfare against its own race, in repeating its recordings of the past it programs the doom of a future that can`t escape its mistakes.

Star Trek is a defense parody in which there aren`t any genuine aliens attacking the human room, which in German is a metaphor for space itself, that is, the litany spoken by the Captain of the Enterprise that begins each episode, and movie in the Star Trek cosmos, begins in German with: `Die weltraum ...` Retranslated as the world`s `room`, `space` in German becomes a metaphor for the womb of the futanarian species of `woman`s seed` invaded by men`s parasitoid nature: `Space, the final frontier. These are the voyages of the starship, Enterprise ...` The aggressive Klingons, who were subsequently gentled into acceptance of the Federation, after years of inexplicably `alien` war waged against Earth`s Starfleet, the nomadic Borg, who cannibalize other races for replacement body parts, while `assimilating` them, and the enslaving Romulans, are men`s extrapolations of their own parasitoid nature. According to scientists a space born virus could have been responsible for life`s origination on Earth,7 which suggests that, at some indefinable point in the prehistoric past, which corresponds to Eve and Adam`s encounter with the serpent, who`d been the angel, Satan, and would become the dragon, war, a viral life form inveigled itself into the host womb of the human futanarian race of women to steal their penis and replicate itself as a parasitoid devourer emerging as the alien enemy from within to kill and enslave the Earth`s host species for its perpetual entertainment in the weltraum.

Zefram Cochrane is a `Mittel European` parody on the vulgar term `cock` for the penis of the species that doesn`t `run`, that is, women can`t sexually reproduce their own brains` powers to run their own race and escape from the alien parasitoid devourer, unredeemed men, who have enslaved the species of women`s host wombs for the production of war as men`s entertainment theater. Zefram Cochrane`s name parodically translates as `you from cock ran`, because human futanarian women`s sexually reproduced brains from their own penis` semen could run their race; if men didn`t run from the idea. Zefram Cochrane`s `warp drive` is the forever unrepaired `warped drive` of women`s sexuality. Devoid of her own penis` capacity to sexually reproduce, men have attempted to doom `woman`s seed` to be forever schizophrenically desireful of what she sees in the mirror, while being told she`s a psycho-sexually aberrant `lesbian` if she prefers women, that is, her own futanarian species, to men, who`re socio-historically her parasitoid devourer in war against her race kept deliberately unbalanced mentally and, indeed, physically off-balance, so she can`t walk erect.

Just as oil goes in the tank, so that the `TV` pictures can be transmitted, the metaphor is anal, that is, oil driven motors represent the transmission of a `biological weapon` in homosexuality and pederasty`s war against `woman`s seed`, that is, it`s the HIV/AIDS paradigm, which infects and kills the brain of the human futanarian species for the entertainment of the parasitoid alien watching its `TV`. In ancient Greece the women of the city of Troy were captured and enslaved by the Greeks for homosexuality in pederasty and war against their race after a huge hollow wooden horse was constructed and left outside the walls by the besieging Greeks and the Trojans took it into the city where the Greeks then emerged from inside. In short, the car is a `Trojan horse` from which men emerge as a virus: `You will crawl on your belly and you will eat dust all the days of your life.` (Gen: 3. 14) God`s words to the serpent, Satan, after his tempting of Adam and Eve with death in ephemerality for the power of slavery to `TV` war through the subsequent generations of their humanity are a prophetic description of the motor vehicle as the head of the serpent wending its way while other motorists follow its behind.

The serpentine traffic flow, before the full tank war of the serpent transformed into a dragon, is a metaphor for brain extinction through the transmission of an anal virus, while the starship Enterprise is a fuller can with a Vulcan science officer, Spock, whose logical rationality is used by the show`s writers as a comedic foil to Kirk`s Satan, who represents the `snuff` movie ethos of the Hollywood, called `Babylon`, after the `woman` of the Bible with the same name as the capital city of the Persian Empire, Babylon (c. 4000 B.C.): `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The district of Hollywood, California, on the USA`s west coast, became the capital city of the movie industry after the first film made there in 1910 by director, D. W. Griffith, Old California, by making war its staple product for cinema theater audiences. By the time John Logie Baird had invented the `TV` television in 1926, men and women had been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for millennia, because `snuff` is what the parasitoid alien likes: `Your candle burned out long before your legend ever did.`8` Bernie Taupin`s lyric to pop musician Elton John`s song, `Candle In The Wind`, about the premature death of Hollywood, Babylon, sex symbol, Marilyn Monroe, found dead in the nude in 1962, seems a lament, but it actually celebrates `snuff`, which is the term given to the recorded killing of individuals for entertainment. The concept is endemic in US` culture; for example, the lyric to the song, `Whatever`, from the album The Legend Goes On (1982) by The Statler Brothers, `whatever lights your candle ..,`9 suggests that, if `snuff` excites you, it`s okay because, if your candle`s `snuffed`, men and women are a candle manufacturer.

Judeo-Christianity promotes the `camp` humor separation of wise adults from innocent children through the comedic vehicle of innuendo in Star Trek, for example, on the moral grounds that sexual liberation promotes adultery, whereas it`s human futanarian `woman`s seed` that`s adulterated by the `serpent`s seed of irredeemable men. Consequently, ground tobacco, that is, `snuff` ingested nasally, is a metaphor for what religious moral grounds are actually based on, which is a perception that the Holy Spirit is the invisible woman. Upon Jesus` death, the Roman guard Longinus pierced his side with a spear, because the Romans had understood that the first woman, Eve, emerged from the side of the first man, Adam, as a spiritual being. Consequently, Jesus, who was called the `Second Adam` by the Jews, had his side cut open by the Roman guard Longinus to release the `spirit of God`, that is, the ancient wisdom of the `Second Eve`, who was called `Shekinah` in Judaism, and dwelt in the temple, while in Moslem, Islam, she`s `tranquility`. Longinus` perception was that Jesus was her mother in the invisible realm: `Surely, this was the son of God.` (Matt: 27. 54) The secret of modernity is that the tobacco cigarette is phallic, because it represents the woman`s penis `smoked` by men and women in celebration of their brains` extinction as parasitoid devourers of the potential of futanarian `woman`s seed` to produce brainpower to escape their `TV` wars against her species. Smoking is a euphemism for both killing and fellatio because, after `smoking` the woman`s penis, the parasitoid`s homosexual nature in pederasty `smokes` the `remnant` in warfare against her, which explains Judeo-Christianity`s obsession with a `last battle between good and evil` on the plain of Megiddo near the port of Haifa in Northern Israel, which is commonly called `Armageddon`, and is prophesied as occurring in the future by Jesus` disciple, John, as part of a crusade against adultery on moral grounds.

Uncle Remus was the pen name of Joel Chandler Harris, a journalist in post-Reconstruction Atalanta, Georgia, and compiler of Afro-American folktales from the Southern States after the American Civil war (1861-5) to abolish slavery in the cotton plantations there, Uncle Remus in Uncle Remus, His Songs and His Sayings: The Folk-Lore of the Old Plantation (1881). Because Remus was the brother of Romulus in Roman history, and the Romulans of the planet, Romulus, in Star Trek, enslaved the Remans, Remus represents the untold story of the murdered ghost. In Christianity, Jesus` `Holy Spirit` has the role of the murdered ghost of the human futanarian race that he said would teach after him. The Roman, Longinus, who pierced Christ`s side after his death, clearly perceived the murdered victim as bearing the `spirit of God` in the invisible realm, as the `Second Eve` since Eden, and who represented the truth about human nature yet unrevealed. Brer is `brother` and, In the anthropomorphic tales of Harris, Brer Wolf thinks of himself as the most vicious of all his animal `brothers`, which is itself a telling comment on racism. The alien races depicted in Star Trek are often `brothers`, for example, security officer aboard the Enterprise during the 1980s reviving of the show as Star Trek: The Next Generation (1987-94) was Afro-American actor, Michael Dorn, as Lieutenant Worf. Ironically then, it is Afro-American Worf who runs the Enterprise`s `camp` environment. His home world, Kronos, is totalitarian, which isn`t surprising given the mythic basis of the name of the planet. Kronos was the father god of Greek mythology who ate his children, although the Klingon legend is that they killed their gods. Presumably so that they could eat their own children themselves.

A martial race characterized by prideful ruthlessness supported by slave labor, the Klingons` spiritual leader is Kahless, which explains the Klingons` perception of the body as a `shell`, because in ancient Egyptian the spirit was called the `Ka`, and the soul the `Ba`, which is why the temple of Abraham in Islam`s Moslem Mecca is called `Ka` Ba`. Abraham`s wife, Sara, after giving birth to Isaac, founder of Judaism, was barren. She gave her maid, Hajer, to Abraham, and Hajer, an Egyptian woman, bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran from the angels of God, who`d been told that the human host was to be greater than the angelic. Although Judeo-Christianity believes that the four wife marriages of Islam are an attempt to retroactively legitimize Ishmael`s birth from an unmarried woman, Hajer, it`s designed to afford the possibility of sexual reproduction amongst futanarian `woman`s seed` within the Moslem family, that is, the conjoining of `Ka` and `Ba`. The Klingon Kahless is symbolic of those who don`t have a `Ka` or spirit, that is, they`re `shells`, which the Klingons dispose of summarily when the individual life force dies. In simple terms, without a `Ka` there isn`t a `Ba` to join with, that is, the Klingons are `empty`, which is neatly antithetical to the Vulcans, who abhor slavery and have said so to their soi distant Romulan relatives, who enslave even their own Reman remains; the almost empty cans of the long ago lost tribes of the Vulcans. Although Kronos` Klingons have been pronounced completely empty by Kahless, who`s obviously mislaid his, the Klingons still cling on to their cans that they once got from some women behind bars in the hope of being slave drivel.

1 Shatner, William as Captain James T. Kirk, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

2 Andes, Keith as Akuta, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

3 David Soul, Hutch in the TV series, Starsky and Hutch (1975-9).

4 Nimoy, Leonard as Mister Spock, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

5 .

6 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

7 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

8 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

9 Reid, Don, and Harold, `Whatever`, The Statler Brothers, The Legend Goes On, Mercury, 1982.

An Apple With A Warped Drive

What has puzzled Bible scholars is what the fruit of Eden was. In most interpretations, `the fruit of the tree of the knowledge of good and evil`, which it was death to taste, and that was given to Eve, the first woman created by God, by the angel, Satan, who had been turned into a serpent, and left there in the paradise of heaven on Earth by God, for rejecting God`s plan that the human host would be greater than the angelic, was an apple. Later, the 17th century physicist, Isaac Newton, clarified God`s position when he demonstrated the `law of gravity`1 on April 15, 1726, by means of an apple falling from a tree. In simple terms, the human race wouldn`t escape death if it didn`t develop rejuvenative medical science conferring longevity, and so eternal memories and bodies, so that the species could run and escape to the planets amongst the stars of heaven above the Earth. Away from the enslaving host womb parasitism of the evil, represented by the serpent and the `serpent`s seed`, whose `enmity` God told Eve she`d incurred for her `seed` in rejecting God`s `fruit of the tree of life`, that is, immortality, for the power of war against her own `seed` in ephemeral unconsciousness, eternal knowledge retaining memory would have allowed her to deal with predators. God told Eve: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) When the Jewish Messiah, Jesus Christ, was born uncontaminated by male semen from his mother, the Virgin Mary, it was depicted in Christian iconography as Mary`s crushing of the head of the serpent with her foot, because human futanarian `woman`s seed` is able to sexually reproduce without men, who is fact can`t sexually reproduce without women, that is, human brains are women`s brains. Consequently, in terms of Newtonian physics, the human species can`t escape to the planets amongst the stars of heaven in starships of its own devising, if Eve`s apple remains fallen from the tree, because her `seed` won`t have the brainpower to lift itself from the floor of the Earth, where she`s doomed to be a slave of men in host womb parasitism for war against her own species of `woman`s seed` until she`s buried in her grave.

In parasitology, a parasite that emerges to kill the host is termed `parasitoid`: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) The angel, Satan, grown from a serpent to a `red dragon` in the prophetic apocalyptic Revelation of Jesus` disciple John from the New Testament of Jesus` teaching, which Christians believe supersedes the Old Testament of the law and history of the `chosen people` of the Jews` Torah and Talmud, is the parasitoid devourer as war, whereas Jesus taught: `Love your neighbor as you love yourself.` (Mk: 12. 31) Taken to the hill of Calvary outside the city of Jerusalem, as a `dissident` by the Roman Empire then occupying Jewish Palestine, Jesus was nailed to a cross of wood and left there to die as a `lesbian` advocating love between `woman`s seed`. Afterwards, Jesus had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` to the planets amongst the stars of heaven above through the power of her species brains to devise a means of escape from the enslaving parasitoid evil nature of her jailors. At least since the time of the founding of the ancient capital city of the Persian Empire, Babylon (c. 4000 B.C.), the human race had been manufactured as men and women, a single male brained creature wearing each others` clothes as a transvestite `TV` for the parasitoid to watch waging war against its own futanarian nature of `woman`s seed`: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Although the televiision `TV` machine wasn`t invented by John Logie Baird until 1926, the evil parasitoid couch potato had been planning to watch its pogroming of the human race for millennia.

According to scientists,2 life could have originated on Earth through a space borne virus, while saurian evolution, 248 m. a. in the Mesozoic period of Earth`s prehistory, encountered hominid evolution in the Jurassic period 220 m. a., which suggests that Eve and Adam`s encounter with the serpent, Satan, represents the hominids` encounter with saurian evolution. Because Satan is depicted as a fallen winged angel, that is, a fallen intelligence, whose species still remains amongst the planets of the stars in God`s heaven above the Earth, according to the Bible`s description of God`s winged angels, his role as a winged `red dragon` in John`s Revelation is understandable in terms of Eve`s acceptance of power through death in host womb slavery to the saurian`s `seed`. In Judaism Adam is portrayed as a hermaphroditic anthropos, which accords with an apparent capacity for self-fertilization, that is, Eve`s emergence from Adam`s `side` is a euphemism for the species` survival trait of `woman`s seed` able to sexually reproduce alone and unaided. Or, in other words, Adam was a human futanarian woman, whereas Satan, the `fallen angel`, was a saurian male, which suggests that men are descended from saurians` `serpent`s seed`. Consequently, conversion from `original sin` is the basis for religion, that is, the prevention of misogyny inducing race war. If, as scientists believe, a space borne virus somehow untold millennia ago inveigled itself into the host womb of the human futanarian species of `woman`s seed` to steal her penis and replicate itself to kill her as a parasitoid enslaver, she`d have to remain unconscious, while her brains and penis were removed, which is what happened. Either the saurians fell because of a space borne virus, that is, they lost intelligence, so enslaved and infected the hominids to survive as a `master race`, or the space borne virus infected the hominids directly as a viral life form manifesting as men, and which possessed the host womb of the human futanarian race as its parasitoid killer for entertainment approximating to what Hollywood, Babylon, terms `snuff` films, that is, the illegal recording of human extinction to be enjoyed as repeats. The philosopher George Santayana wrote in his The Life Of Reason (1905), `Those who cannot remember the past are condemned to repeat it.`3 `TV` repeats show that those who repeat the past are doomed to repeat it, which is what `snuff` is. Without `woman`s seed`, men`s `seed` is reincarnation, that is, a repeat of an earlier `snuff` theme: `Your candle burned out long before your legend ever did.`4 Bernie Taupin`s lyric to pianist Elton John`s song, `Candle In The Wind` (1973), is about `sex symbol`, Marilyn Monroe, found dead in the nude in 1962, a type of the penisless and brainless Babylon `babe` representative of the secret illegal `snuff` movie visible everywhere upon the Earth.

Although Judeo-Christianity teaches itself that Moslem Islam is antithetical, its four wife marriages afford the possibility of human futanarian sexual reproduction within the family, which accords with God`s plan for the `seed` of humanity. Judaism and Christianity derive from Abraham`s wife Sara`s species of woman`s survival plan. Barren after the birth of Isaac, founder of Judaism, Sara gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels, which is the basis for their permission for polygamy. `Moslem` and `Islam` translate as `those who choose to accept`, whereas Judeo-Christianity translates as `the chosen`, because it`s about gender cowardice, that is, men are gender cowards who don`t want to be born amongst the mass of futanarian `woman`s seed` even though that`s heaven above after the prolific species of `woman`s seed` rises from the Earth to colonize the planets amongst the stars as the race that God exhorted Abraham`s belief in: `I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17) Of course that would be impossible without `woman`s seed`, because of men`s wars against her. When the Christian German National Socialist (Nazi) Party was elected in 1933 it began to exterminate upwards of 20, 000, 000 `chosen people` in `death camps` built specifically for that purpose, because men`s parasitoid devouring evil alien nature didn`t want `woman`s seed` to escape from slavery to death in war against herself in their `snuff` movie theaters. The war of 1939-45 `snuffed` a lot and enhanced the economy of the United States of America through its mass media Empire of Hollywood, Los Angeles, west coast state of California, which had banned `woman`s seed` from ever being seen as edutainment for a species made into a repressed schizophrenic, and psychopathic `lesbian`, after President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays` establishment of the `Hays code` of 1930: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 By the late 60s, the `Hays code` had done its evil work of slavery, although the release of actor Robert Redford and actress Jane Fonda`s comedy, Barefoot In The Park (1967), which featured Jane as the semi-nude just wed Corie in bed with Paul, did mutedly celebrate the release of the human futanarian `foot` from the grip of the hand of Satan`s that was bruising it, and so preventing `woman`s seed` from leaving the cutting floor of the editing room and rising to heaven from the grass of Central Park overlooked by the apartment in the film. The role of the leader of the German Nazi Party in the 1930s, Adolf Hitler, was of someone able to implement the Nazi `love farm` ideology, but he didn`t understand that was what `woman`s seed` was for. Consequently, the `death camp` was a perversion of human nature deriving from the male spirit of the alien parasitoid devourer, which had been producing amphitheaters at least since the ancient Greeks, where the parasitoid audience would watch people being killed for its `snuff` entertainment; as indeed cinema theaters would later be built for essentially the same reason inspired by the Hollywood, Babylon, mass media capital of the world in Los Angeles, California, where the angels, though undoubtedly `fallen`, were also irredeemably unrepentant.

Heaven was represented in the movies by TV shows like Star Trek (1965-68), which took place aboard the USS Enterprise starship, captained by actor William Shatner as James T. Kirk, who was on a five year mission to seek out new life and civilizations: `To boldly go where no one has gone before.`6 The theme of a new Eden was apparent, which isn`t unusual for US` culture, because of the history of the colonization of the New World of North America after its supposed discovery by queen Isabella of Spain`s explorer, Christopher Columbus in 1492. Colonization was subsequently characterized by a movement Westward from the East coast, and New York city, to the West coast, California, and the founding of Hollywood where the first film was made by director, D. W. Griffith, Old California, in 1910. Space exploration was initially seen as a new frontier for Americans, and North American Space Administration (NASA) Apollo 11 astronaut Neil Armstrong`s words upon stepping onto the moon on July 21, 1969, UTC: 2. 56, can be seen as carrying the weight of a heavy irony: `One small step for a man, one giant leap for mankind.` Absent from the picture was `woman`s seed`, that is, the futanarian `foot` of the `seed` of Eve. In fact US President Ronald `Ray Gun` Reagan`s March 23, 1982, `strategic defense initiative` (SDI) of a `ground and space based missile system` effectively preventing women leaving without permission was closer to the men only science fiction ethos of intercontinental ballistic missiles, that is, ICBMs, poised like the `bug eyed monsters` of alien invasion movies, so human children`s eyes see BEMs everywhere. The original series of Star Trek preceded the movie, Star Wars (1977), by a decade, but it was `star wars` that `SDI` was labeled, because the evil Empire of Palatine in the movie featured the `Death Star` built to orbit planets to kill them; much in the way that the US sought to imprison the people of the Earth, while the ICBMs were aimed more accurately. In short, the frontier of `TV` grew while the actual frontier shrank to nothing.

The starship Enterprise looks like a women`s prison to anyone with even a casual knowledge of futanarian `woman`s seed`, and the almost total absence of sexuality indicates that`s the plan. The third season of Star Trek, the original series (TOS), featured `The Way To Eden` (1969) in which a stolen space cruiser attempts to elude the Enterprise. Kirk employs a tractor beam to hold the Aurora, which begins to break up, and the Enterprise uses its teleporter to bring Dr Sevrin and the crew of the stolen vessel aboard. They`re preternaturally relaxed, given their recent circumstances, because they`re on their way to the paradise of Eden, which they religiously believe they`ll reach; whatever might transpire to hinder their progress there. Dr Sevrin is quarantined, after being found to be a carrier of the synthecoccus novae virus, which has been accidentally created by a technologically careless society; although Sevrin believes that Eden will cure him. Sevrin and the others take over the Enterprise, rendering the crew unconscious with an ultrasonic device, before teleporting down to Eden. Adam, a member of the rescued crew of the stolen Aurora, is found dead with an apple in his hand. It`s discovered that all of the flora of Eden secrete burning acid. Sevrin suicides by biting an apple, which kills him, so he wasn`t yet in heaven. The narrative presents a belief that Eve accepted death for her `seed` that they might enter heaven, which wasn`t paradise. `The Way To Eden` ignores the obvious fallacy, which is that TV isn`t heaven, that is, Eve`s `seed` hadn`t escaped Newtonian gravity, but was effectively the `remnant` of `woman`s seed` with the `serpent`s seed` of men as her captors. Only when `woman`s seed` can escape men`s viral life form to run her own race to the planets and stars will heaven above be achieved.

The second season of Star Trek: TOS had featured, `Who Mourns For Adonais?` (1967), and in some ways `The Way To Eden` was a reprise. The Enterprise is held out in space by what seems to be the physical hand of the god Apollo living below on surface of the planet, Pollux IV, about which the starship is orbiting to survey. The god wants the crew to worship him, which Kirk refuses to countenance. Apollo selects actress Leslie Parrish, in her role of ship`s specialist in archaeology and anthropology, Carolyn Palamas, to be his consort. Despite chief engineer Mr Scott`s protests, Apollo uses his god`s power to take her. Kirk learns that Apollo was amongst the gods and goddesses of Earth. When the people there no longer worshipped them, they faded `... upon the wings of the wind.`7 Apollo orders the crew of the Enterprise to Pollux IV. They`ll be his worshippers there, and he`ll destroy the starship to keep them. Kirk tells Carolyn she must reject Apollo, or the crew will be enslaved, that is, she`s Eve to Apollo`s Satan. Mr Spock, the Vulcan first officer left aboard the Enterprise, because Apollo said his pointed ears resembled those of the god Pan, who he didn`t like, concentrates the starship Enterprise`s phaser weaponry on Apollo`s temple. Bereft of the source of his power, Apollo fades. Although Apollo doesn`t seem to have any resemblance to Jesus Christ, the Romans` nailing of the Jewish Messiah`s hands and feet to a wooden cross made holes that a puppeteer might use. By threading string through Jesus` hands and feet, and then using them to reattach Jesus to holes in the cross` extremeties, a puppeteer would have made a `control` which is termed `airplane` in puppetry. The power of the god, Apollo, to hold the Enterprise with his hand above the planet, Pollux IV, is representative of the puppeteer`s role. The Romans were taught that the Emperor was a god, because he used men as puppets. Consequently, `Who Mourns For Adonais?`, is about Adonis` role as a god, who is similar to the Roman Emperor during the occupation of Jewish Palestine by Rome`s legions, Tiberius, who made `airplane` controls for those who, like Jesus, were crucified, because gods want puppets. The `airplane` control of the puppeteer is an important terminology, because puppeteers want slaves, rather than starships, which would confer freedom on `woman`s seed`, so Star Trek: TOS is a carefully constructed plan to have women accept the guards as controllers by presenting their authority as a fait accompli. If there aren`t any starships, it`s because the puppeteers want puppet slaves, so Jesus` `airplane` control, that is, his cross to which he`s attached by strings as a puppet, is the Roman Emperor Tiberius` demonstration of his power as a god to keep slaves. Of course, Jesus` Resurrection, and Ascension to heaven above prefigures escape and colonization of the planets amongst the stars, through the sexual reproduction of human brains` powers by `woman`s seed` to devise starships to carry her there, but men only want airplanes as a symbol of their power to enslave and keep a host womb for their parasitoid devouring nature to emerge from and kill her `seed`.

Jesus` crucifix is a puppeteer`s `airplane` control to slavers. What Eve needed in Eden was an apple with a warp drive to take her to the planets amongst the stars to colonize and escape slavery by running her own race without Satanism`s `airplane` controls. When the Al Qaeda terrorist group, led by Saudi Arabia`s Osama Ben Laden, and operating under the auspices of the misogynist Taliban regime in Afghanistan, hijacked civil airplanes to crash them into the Twin Towers of the World Trade Centre in New York city, it was an attempt by the puppeteers to reestablish `airplane` controls through `rough trade`, which is that `brutality and violence` associated with homosexuality in pederasty for war against `woman`s seed`. Although it`s unfashionable to argue it, because of the pity aroused by the HIV/AIDS `blood plague` (Rev: 11. 6) transmitted sexually as an `incurable killer disease` by men`s mixing of blood, shit and semen in each others` anuses, it`s a `biological weapon` against `woman`s seed` prepared at least as long ago as ancient Greece where homosexuality in pederasty for war was institutionalized to spread the contagion. The US` response to Al Qaeda`s reestablishing of `rough trade`, by destroying the World Trade Centre (WTC), was to invade Afghanistan and depose the Taliban regime by December 31, 2001. Iraq`s Middle Eastern dictator, Saddam Hussein, voiced his support for Al Qaeda, which resulted in the US` invasion of Iraq to depose him in March, 2003, and he was executed after a lengthy imprisonment on December 30, 2006. The role of the US` B2 `Spirit` bombers in quelling Iraq during the `TV war` watched by the world on television, supposedly was Jesus` Holy Spirit being worked by God as an `airplane` controlling puppeteer. However, in Revelation Jesus` disciple, John, specifically describes the `beasts`, that is, men and women, as being manufactured since ancient times as a single male brained creature wearing each others` clothes in `TV` transvestism, before the television machine for the receiving of `TV` pictures in the average home was invented by John Logie Baird in 1926, that is `TV war` was what the alien parasitoid devourer, Satan, was for: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The first beast was the B1 bomber, which was improved after seeing its performance in the 1990-1 war to recapture Kuwait from Iraq, because that`s `TV`. Although the US is based on the `Greek model of democracy`, John writes: `Let he that has wisdom have understanding. The number of the beast is the number of a man and his number if six hundred three score and six.` (Rev: 13. 8) Because 66.6% recurring is men and women`s continued reincarnation as the beasts` TV image, without that 33.3% of the human futanarian `seed` of women`s, which could sexually reproduce the human race for the planets amongst the stars alone, if they weren`t suppressed and disenfranchised by the world`s men, who can`t sexually reproduce without humans.

Although Judeo-Christianity is taught that Moslems in Islam are antithetical to the teachings of the Bible, the Koran (610-30 C.E.), which was given to Mohamed by the angels, authorizes marriages with four wives, so that `woman`s seed` can sexually reproduce within the human family. Judaism was founded by Isaac, the son of Sara and Abraham, while Sara was barren afterwards and gave Abraham her maid, Hajer, who bore Ishmael, who founded Islam through his descendant, Mohamed, who received the Koran from the angels of God. Judeo-Christianity believes that the four wives of the Moslem peoples in Islam are a retroactive attempt to legitimize the birth of Ishmael, whereas Jewish tradition that a Jew can only be born from `woman`s seed` is futanarian and Christian, that is, Jesus` birth from his mother, the Virgin Mary, was that of a Jewish man. Although Star Trek: TOS appears to be supportive of expansionist freedoms, it depicts a `camp guard` environment as normatively suppressive of `woman`s seed`, and in the Bosnian war (1992-5) `rape camps` were constructed by Christian militia after the model of the Christian Nazis` `death camps` to male brain a generation of futanarian women in Moslem Islam to prevent their being able to plan and devise an escape from Earth`s slavers to the planets amongst the stars of heaven above. Camp humor is based on idiom, that is, the young don`t understand it, because it refers to what is beyond their knowledge, and so Jesus is the `airplane` controlled `snuff god` to adults, and for children he`s the `son of God`, because slavers need ignorance. Consequently, Star Trek: TOS and all of those `TV` shows that speak to adults above the heads of the innocent are evil, because they presuppose that children should be blind. If the Federation Starfleet of Star Trek: TOS existed, the children would be blind, because of the `airplane` controls that are visibly there, in the form of airports and civil airliners, to persuade that movement through the air, rather than between the planets amongst the stars in space, is the zenith of technological progress. Or, in simple terms, men hate their children, and seek to control them as puppets, so they can be bombed into submission if they try to escape.

In the second season of Star Trek: TOS (1967), `The Apple`, a paradisal society, on the planet Gamma Trianguli VI, is criticized by the Enterprise`s medical expert, actor DeForrest Kelly as Dr `Bones` McCoy: `Jim, you`re not just going to stand by and be blinded to what`s going on here. These are humanoids, intelligent. They need to advance and grow. Don`t you understand what my readings indicate? There`s been no progress here in at least ten thousand years. This isn`t life. It`s stagnation.`8 McCoy observes to science officer, Mister Spock, who`s opinion is that the people are happy with the machine that maintains their ecology: `Humanoid living so they can service a hunk of tin.` Despite the obvious appeal to libertarian thinkers, servicing a hunk of tin is what the crew of the Enterprise do, because men don`t want `woman`s seed` to be seen to service each other and sexually reproduce human futanarian brainpower to help them escape from the `camp humor`. In `airplane` control by puppeteers, stagnation is the system, because it`s a slave society. Consequently, the Enterprise is a `snuff tin`, where `snuff` is `ground tobacco`, snorted through the nasal passages as a metaphor for the spiritual extinction of `woman`s seed` on `moral grounds` by misogynists, who believe Eve`s `seed` should still be punished for her and her partner`s, the hermaphroditic anthropos, Adam`s, acceptance of Satan`s `apple`: `You shall be as gods.` (Gen: 3. 5) The Jewish religious police, the Pharisees, who were responsible for giving Jesus over to the Romans for crucifixion, had attempted to persuade him that a `woman taken in adultery` should be stoned, but Jesus said: `Let he who is without sin cast the first stone.` (John: 8. 7) They weren`t able to, because men aren`t `woman`s seed`; they`re her contamination, that is, she`s `stoned` or unconscious, because men have made the human race penisless and brainless. Or, in other words, men are women`s adulterate, whereas `woman`s seed` is a single unadulterated species that doesn`t marry: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) Resurrection is that of `woman`s seed`, which isn`t enslaved by her adulterers. In short, misogynists worship Jesus as their `snuff god`, and the Enterprise is a `snuff tin` for `the snuff, man`, which is the `fruit` of `woman`s seed`. The cigarette symbol of the modern age is phallic fellatio, and so `smoking` is a euphemism for killing, that is, the smoking gun of the secret `snuffing` of the human futanarian race of `woman`s seed` to prevent her running and escaping to the planets amongst the stars of God`s heaven above.

1 Stukely, William Memoirs Of Sir Isaac Newton`s Life, 1752.
2 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.
3 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.
4 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
5,php/Main/FootPopping/ .
6 Shatner, William as Captain James T. Kirk Star Trek, `The Way To Eden, Season 3, Episode 20, February 21, 1969, Op. cit.
7 Forest, Michael as Apollo Star Trek, `Who Mourns For Adonais?`, Season 2, Episode 31, September 22, 1967.
8 DeForest Kelley, Jackson as Dr `Bones` McCoy Star Trek, `The Apple`, Season 2, Episode 34, October 13, 1967.

You Will Cease To Exist If You Don`t Accept Woman`s Seed

In the US television series Star Trek (1966-67), which featured the exploration voyages of the starship Enterprise (c. 2260-), in The Changeling episode the crew encounter an entity describing itself as `Nomad`. The `perfect intelligent thinking machine` had been launched in 2002 to reach out to other life forms, which was what the later Starship Enterprise had been designed to achieve with a crew. Nomad encountered an alien space probe, Tan Ru, and merged to produce a being that was intolerant of anything it perceived as imperfect and destroyed it. Nomad`s creator was Dr. Jackson Roykirk and so Nomad mistook Captain James T. Kirk of the starship Enterprise for Roykirk and was dissuaded from continuing its atttack on the `imperfect` Enterprise after Kirk introduced himself: `My function is to probe for biological infestations, to destroy that which is not perfect.`1

 Because `kirk` is the word for `church` in Scotland, the British Isles, the encounter between the creature created by Roykirk and Captain Kirk is religiously symbolic, because Roy derives from `roi`, the French word for `king`, and so the `captain` of the `church`, which is the starship Enterprise, is encountering a church `king` who, insofar as Nomad represents God`s desire for perfection, corresponds to Jesus, mocked by the Roman Empire in occupied Palestine as the `king of the Jews` when they were torturing the Messiah to death as a political dissident. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus was the `perfect man` and `the first of woman`s seed`, which God said would have `perpetual enmity` with the `serpent`s seed` before, leaving Earth for a `new heaven and Earth`, her `seed`: `... will crush the head of the serpent with her foot.` (Gen: 3. 15)

 Because `futanarian` woman has her own penis` `seed`, she`s the `foot` which will leave the Earth; despite men`s desire to keep humanity`s `futrace` program from being `run` by God. Nomad`s perception on meeting the black female communications officer, Lt. Uhuru, is that her brain is imperfect and Nomad erases her mind, `That unit is defective. Its thinking is chaotic. Absorbing it unsettled me.` Psychologically, the meaning is that her brain contains a false picture of reality, because men aren`t her race, `A mass of conflicting impulses.` In the developmental psychology of Carl Gustav Jung (1875-1961), the `collective unconscious` of humankind contain images to be found in dreams, art and the imagination, which are the `impulse engines` of the species. If men aren`t `futanarian` women`s `seed`, their starships correspond to the `red dragon` of Revelation, waiting in vain to devour Jesus, in his `Second Coming`, as the `New Redeemer`.

 The `futanarian` woman wants to self-reproduce with her own penis` semen and have daughters with their own brains` power. Her `woman`s seed` seeks to create advanced technologies to escape from men`s alien parasitism upon her host womb, which has enslaved her to produce the civilization, culture and art her spirit from God is able to. In its ceaseless wars of `perpetual enmity` men are the `serpent`s seed` that, if women have a self-reproductive system of her own, men can no longer pretend to be defending her.The rising of the `futanarian`, from the floor of the Earth to the planets and stars, is analogous to the `foot` being raised from the ground so that the `futrace` can `run`, but the `serpent`s seed` of men don`t want her to escape. Delayed by men`s killing of her `futanarian` penis` `seed`, and supplanting her own archetypally developmental self-image, in her conscious and unconscious mind, with a picture of `the false hero` who has killed her, men seek to maintain the enslavement of women for their worship of the devouring god of war in pederasty. Hollywood, Los Angeles, which is the centre of the United States` film industry, is sometimes called `Babylon`, because it produces `propoganda` for the `serpent`s seed` in its depiction of `woman`s seed` as an enslaved species being killed by an alien parasite for entertainment in `action` movies: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Actresses like black Nichelle Nicholls, who had the role of Lieutenant Uhuru, and Susan Oliver, who had the role of the green-skinned alien woman, Veena, in the original Star Trek episode, The Cage, represent the brainless woman because she can`t self-fertilize her own species` host womb with her own `futanarian` penis` `seed`, which is what her evil parasite has done to her. In The Cage Veena is a green-skinned `alien` metamorph, who can alter her appearance so she doesn`t appear undesirable, which is what men have made woman to herself. In other words, she is the `classic` schizophrenic multiple personality` alienated from herself by men`s lies: `I contain no parasitical beings. I am Nomad.`

 Without knowledge of her own penis` `seed`, woman perceives herself as physically and psychologically disgusting, if she has what men have taught her are `lesbian` abherrant tendencies, while in fact she is `normal` if desirous of reproducing her own race`s brainpower through sexual fertilization as a `futanarian` woman with her own penis` semen. When Nomad erases Uhuru`s `imperfect` mind, symbolically it`s because she`s been `maled` by her alien devourer, and the starship Enterprise, armed with its photon torpedoes and phaser weapons, represents her as the `serpent`s seed`.Nomad is depicted as having killed billions in the Malurians `star system` on a recent imperfection purge, but that`s Hollywood Babylon propoganda, whereas men`s seeking to explore the cosmos in starships armed to the teeth of its devouring `red dragon` is what Revelation describes as `war in heaven` against `woman`s seed`, which is the `futarian` woman with her own penis` `seed` living in socio-economic independence from her parasites. As Jesus Christ indicated, as the host at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven, when he gave the disciples `bread and wine` as tokens of his `body and blood`, betraying the host womb of the species of woman`s `seed` of `futanarian` humanity with its own penis` semen is what men have done: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

In ancient Greece men enslaved the host wombs of women to spread their contagion of pederasty and war, and nothing has changed. By the late twentieth century men had developed the `blood plague` of Revelation by mixing blood, shit and their own semen in each others` anuses to produce HIV/AIDS as a `biological weapon` to keep her in fearful faithfulness to the enslaving and devouring `serpent`s seed`, while God`s Bible promised perdition, that is, eternal unendurable pain, to those who `refused to repent`. `Greek` is a euphemism for pederasty and so the Graeco-Roman civilization, culture and art of Jesus` era was devoid of `woman` s seed` because she`d been murdered. Jesus` teachings are of her Resurrection as an extended single human family where marriage will be only a memory of her period of enslavement:  `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Rev: 22. 30)

 The host womb of woman will produce and be the host of the angels of God in Resurrection as `futanarian` woman with her own penis` `seed` in heaven and she shall have `the pearl of great price` too, which is the `kingdom of God` upon the Earth. The `New Redeemer` is to be born from `the woman clothed with the sun and with the moon at her feet` and `he will rule the nations with an iron scepter`. The statue of `Liberty` in New York harbor with the moon of the flag of Al Qaeda, `the base`, at her feet after the assassination of Osama Ben Ladan, on May 2nd 2011, represents the woman of Revelation, because the United States` defeat of the red sun of the flag of Japan after the `sneak` attack upon the US Pacific fleet on 7 December, 1941, is `the pearl of great price`, `the kingdom of God`, which is what the US fights for.The Gulf war (2001-11) to depose President Saddam Hussein, who had offered bases in Iraq to Al Qaeda, `the base`, makes `Liberty`, the mother of the `New Redeemer`, looking at the moon reflected in her birth waters at New York harbor, after the Al Qaeda terrorist hijacking of `civil` planes to crash them into the World Trade Centre of New York. Al Qaeda, `the base`, at the feet of `Liberty` after September 11, 2001, had reestablished global `rough trade`, that is, homosexual `brutality and violence`, and Hollywood Babylon made the terrorist `action` movie World Trade Centre (2006) to continue the propoganda of the `serpent`s seed` and maintain `perpetual enmity` for `woman`s seed`, which the United States` movie industry had been doing since its `foot on the floor` rule in `bedroom scenes`2 prevented the `futanarian` penis of woman`s `futrace` from being seen to take itself off the Earth in Star Trek or other `science fiction` television and movie vehicles, like Babylon 5 (1994-98) for example, which focused on hiding the male pogrom against `woman`s seed` inside a plot with alien males in control of ethnocentricities differing from those under which women were enslaved on Earth and so seemed interestingly exotic but acceptably the same to the human race of `futanarian` woman with her own penis` `seed` kept in censored blindness and ignorance of her pogromers by Hollywood Babylon.

 Battlestar Galactica (1978) was another US space opera television series facing cybernetic aliens, the Cylons, where the humans became nomadic to find a new home after the Cylons had destroyed Earth. A nomad is a wanderer, and the term is applied to desert tent dwellers, such as the Tuareg of Arabia, or the North American Plains` Indians, who followed the paths of the animals, that is, the food, which they hunted. The `futanarian` is the `foot` which men have hunted almost to extinction because she`s the human species` host womb and the `serpent`s seed` don`t want the `futrace` to `run`. In the later version of the TV series, Battlestar Galactica (2004-9), the Cylons are revealed to have been humanoid and, reconciled, live together with humans. Tricia Helfer, the actress who has the role of `Cylon Number Six`, admits: `All of this has happened before. But the question remains, does all of this have to happen again?`3

 Not if `woman`s seed` can overcome her `false picture makers`, Hollywood Babylon, which wants to plague; games of virality with the alien `serpent`s seed` of men`s against hers in wars of `perpetual enmity` because it refuses to leave the stage. In Sophocles` Oedipus Rex (c. 429 BC) Oedipus is `slow foot`, because he won`t leave the stage after blinding himself. He`s married his mother and can`t deal with the strength of men`s incest taboo, which is designed to prohibit `woman`s seed` from breeding with herself as `futanarian` woman with her own penis` `seed`. Guided away by his daughter, Antigone, at the end of the play Oedipus is still the central `lame` figure, because Antigone can`t penetrate her own censored blindness to prefer her own species. Before becoming king of Thebes by marriage, Oedipus had to solve the `riddle of the Sphinx`: `What goes on all fours in the morning, two legs in the afternoon, and three in the evening?`4

 Oedipus gives the answer `Man`, because he`s a baby who`ll be blind and walking with a cane in old age, but the third `foot` of `Man` is the `futanarian` woman with her own penis` `seed` who`s the `futrace` being slowed by men. She can`t `run` in a three-legged race. The word `futanar` comes from the words `fut` and `tanar`, which is Hungarian for `run` and `teacher`, so Jesus is the `futanarian` teacher. Although the psychological term `Oedipal` is used to denote Oedipus` killing of his father, Laius, so he can marry his mother, that is, a more than usually perceived desire on the part of the son, who seeks sexual access to the wife, Jocasta hangs herself in Sophocles` drama, which makes her `choke a star`, because the symbol of Jesus` Advent was the mysterious `star` over Bethlehem heralding his birth.

 Because Jesus is `futanar` in Hungarian, Jocasta is `choke a star`, that is, Jesus` future `futanarian` message is choked in Sophocles` Oedipus Rex, because Christ`s `archetypal star` won`t be seen there. In Hungarian `sok` means `plenty` and `asztal` means `table`. The psychological term `Oedipal` is a misnomer, because it should be `Jocastal` for the psychological complex representing the desire of `woman`s seed` to be born from the teachings of the `futanar` Jesus` table at the `Last Supper`. Sophocles` drama Oedipus Rex is like the teachings of Jesus because the message is there but needs a `futanar` to teach it, whereas classical scholarship, and schools of psychology, particularly `the father` of psychoanalysis, Sigmund Freud (1856-1939), who argued that women are the `victims of penis envy`, obfuscate. Bible preachers arrogate Jesus` spiritual authority as a `futanarian` teacher of `woman`s seed` without being able to teach and so the human race remains ineducable and possessed by demons.

 In the Bible Cain killed his brother, Abel, because he wasn`t able and wouldn`t `cook`, which is a metaphor for blindman`s Cain`s refusal to develop, which is the story of `Man` and the `futanarian` woman of the human species` `seed` with her own penis. Enslaving and devouring her, in its wars of `perpetual enmity` for developing `woman`s seed`, the `serpent`s seed` has put woman`s `fut` on the table, and its feet under it, because rather than `Man` becoming `able`, women can always be made to have a `bun in the oven`, that is, a slave child for devouring in pederasty, and so Cain can continue to walk alongside a three-legged handicapped race with the human `slow foot` he`s censoring, blinding, and keeping in unconcious ignorance of his murdering of it.

 Captain James T. Kirk (church) of the starship Enterprise manages to disable Nomad by logical reasoning, because he reveals himself to be James Kirk rather than Roykirk (king, church), which means Nomad`s made a mistake and is `imperfect` itself. Ironically, the Christian church`s inability to perceive that it isn`t perfect, because it doesn`t teach Jesus` message, makes it more `illogical` than Nomad because the machine seeks the perfection of God: `... your creator, is dead. You have mistaken me for him. You are in error! You did not discovered your mistake; you have made two errors. You are flawed and imperfect, and you have not corrected by sterilization; you've made three errors!`

 Nomad self-destructs and so fulfils its program of sterilizing the `imperfect`. Ironically, the Moslem `church` made up of `nomad` desert dwellers, in their acceptance of the Prophet Mohammed and the holy book dictated to him by the angels, the Koran (610-30 CE), with a `fourfold marriage` of wives with someone at its centre, is closer to the teachings of Jesus` breeding of `woman`s seed` so that she can live in socio-economic independence from her own brains` power as a species of `futanarian` woman with her own penis` `semen hidden publically from prying eyes beneath her one-piece traditional covering of the burkha, which disguises everything of her, and men`s eyes are required to be publically averted from hers to prevent them from discovering the secret:`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The black flag of the Prophet Mohammed with an eagle at its centre was `Al Uqaab` and the symbol upon the `Great Seal` of the United States of America is the eagle. Assisted by the Moslem peoples from the heart of Islam, Saudi Arabia, where Mecca contains the tomb of Abraham, patriarch of Judaism and Ilsam, `Liberty` deposed Iraq`s President, Saddam Hussein, supporter of `the base`, Al Qaeda, which had attacked the USA on September 11, 2001, by means of terrorist hijackers` crashing of `civil` airliners into the Twin Towers of New York`s World Trade Centre in an attempt to reimplement the `rough trade` of pederasty and war. But the hymen of `woman`s seed` was protected by the `Great Seal` of the eagle of the United States and the black flag of the eagle of the Prophet Mohammed, while the Seals of Navy Team Six killed Al Qaeda leader, Osama Ben Ladan, on May 2nd 2011, and that`s eagles and seals.

1 Star Trek, `The Changeling`, Season 2, Episode 3, September 29, 1967.
2 The Production Code of the Motion Picture Industry (1930-1967), Part II Sex (2b), `Scenes of passion`; `Excessive and lustful kissing, lustful embraces, suggestive postures and gestures are not to be shown.`
3 Helfer, Tricia Battlestar Galactica, `Daybreak`, Season 4, Episode 22, March 20, 2009.
4 Frazer, Sir James George (ed.) Apollodorus Library, Apollod, 3.5.8.