Star Trek: Starticles

Koo Stark Attacked By Aliens

American, Koo Stark, daughter of Kathi Norris, host of True Story (1957-61) produced by her husband, Wilbur Stark, for New York city`s Dumont TV Network, was presented by the English media as a porn star attempting to marry into the English aristocracy through a relationship with Prince Andrew, the Duke of York. She`d studied at the Hewitt School on Manhattan island, New York city`s Upper East Side, which offered a Ceative Arts program in the visual and performing arts, before moving to London, England, aged 16. Koo worked as a photo journalist, while seeking work in movies as an actress.

In the United States of America there are `A` list film stars, who are much in demand, and so well paid, and `B` list movie stars, who are more in demand by the film studios, because of their relatively unacclaimed talent, but less well paid. The `C` list is the porn stars who make sex films, with or without a cogent and recognizable plot, for example, Traci Lords, who became an `A` list actress with her starring role as the planet of Barsoom`s Dejah Thoris in the film adaptation, Princess Of Mars (2009), of Edgar Rice Burroughs` science fiction novel, A Princess Of Mars (1912), although Traci had been, as a nude model, selected by Bob Guccione`s Penthouse magazine as a 14 year old,1 before being subsequently exploited by `C` list film pornographers as a 15 year old in What Gets Me Hot! (1984), which had a minimal plot, and wasn`t cogent as drama. Koo Stark`s arrival in England in 1972 as a photographer, and budding actress, had parallels with Lords` career, but her role was a different type of alien.

Although transsexual, and transgender movies, are common in the US` porn industry and, as subject material, translate to `A` list mass media entertainment, as meditations on transvestism, masquerading as `gender studies`, for example, Kiss Of The Spider Woman (1985), in which actor William Hurt`s Luis, and Raúl Juliá`s Valentin, share a cell in a Brazilian prison, and Luis` history, as a pederast, causes Valentin to have sex with him as his `woman`, and The Rocky Horror Picture Show (1975), in which uncredited gender studies` researcher, Koo, had the role of a bridesmaid at a `convention` for transvestites `from Transsexual, Transylvania`, that is, `blood drinking` parasitoid vampires, whose collective creature retains immortality, by killing and subduing the host womb of the human, futanarian woman`s sex is a mass media edutainment taboo. In fact, as the central character of The Rocky Horror Picture Show, Dr. Frank N, Furter demonstrates, in his creation of Rocky as his male bride, the medical establishment in the US is empowered to surgically alter humans born with both genders in the purported belief that futanarian humans are maladjusted. Consequently, cinema treatments of transvestism, and sex change transsexual surgery, are represented as freakish and/or comedic, whereas futanarian humans are in reality species viable, whereas gender surgeried people aren`t, because they`re rejective of one gender or another. The Jewish Messiah, Jesus, was born from his mother, the Virgin Mary, uncontaminated by male semen, that is, he was futanarian `woman`s seed`. In the Old Testament of the Bible, that is, the Torah and Talmud, which is the history and law of the Jewish `chosen people`, God tells the first woman, Eve, her `seed` will have `enmity` with the `serpent`s seed`: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Her `foot` is her futanarian race, which will colonize the planets amongst the stars through its power to sexually reproduce its own brains` powers, whereas men can`t sexually reproduce, as a single species, without women`s host womb, and so futanarian `woman`s seed` is repressed and mocked.

When Jesus was taken by the Romans, then occupying Jewish Palestine, to the hill of Calvary outside the city of Jerusalem, and nailed to a cross of wood where he died, he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which the Roman guard, Longinus, piercing Jesus` side with his spear upon his death, mocked: `Surely, this was the son of God.` (Matt: 27. 54) Jesus was called `the Second Adam`, because it`s Jewish tradition that a Jew is born only from a Jewess, that is, a woman, and Jesus` mother, the Virgin Mary, was a Jewish woman and so, uncontaminated by male semen, Jesus was `woman`s seed`. Although Satanism has attempted to explain that Jesus was killed, so that the people there present, and thereafter in Christian history, would have Redemption, `washed in the blood of the lamb`, that is, Jesus`, as a human sacrifice, which is what the killed are for, according to Satanists, Jesus is the redeemer because he prefigures the Resurrection and Ascension of `woman`s seed` to the planets and stars of heaven above the Earth, and not, as the truth twisters would have people believe, as an example of human sacrifice, to be repeated ad nauseum by draco: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) The serpent in the paradise of heaven on Earth that was Eden, where God created Eve, and the first man, Adam, who was a hermaphroiditic woman, according to some Judaic texts, gave the pair `the fruit of the tree of the knowledge of good and evil`, that is, death. The serpent had been the angel, Satan, who`d been transformed into a serpent by God for rejecting God`s plan that the human host would be greater than the angelic, that is, Satan represents slavery of the human futanarian host to an alien in memoryless ephemerality for the dubious power of having Satanists wage war against the human race: `You shall be as gods.` (Gen: 3. 5) In parasitology, the parasitoid emerges from the host to kill it, which is what war is. Consequently, Koo Stark`s arrival in London, England, was as a woman beset by aliens, that is, men.

English culture is different from US` surgical interventionism, when it comes to pruning the human race, so that it fits their media edutainment program. Pornography was almost illegal when Koo Stark arrived in London in 1972, while transvestism and transsexuality was a taboo that, where it wasn`t mocked, was perceived as a tolerated perversion. Consequently, illegal pornographic futanarian edutainment was the only possibility for humans. Although former British Broadcasting Corporation (BBC) Sports` presenter, ex-goalkeeper for Hereford United (1971-3), David Icke, wrote The Robots` Rebellion (1994) claiming that the Earth`s aristocracies were the descendants of saurian evolution in Mesozoic prehistory, which preceded the hominids appearance in the Jurassic period 220 m.a., that is, Satan was a saurian, and the British Royal Family were saurians too, the way in which the alien enslaved and machinized the human race wasn`t clear. When Koo Stark became the doyen of the paparazzi in 1982, because of her affair with Queen Elizabeth II`s second son, Andrew, it introduced the camouflage of sex movie glamour. Koo`s film career took off with Spain`s Las Adolescentes (1975) about Ana, a 15 year old girl sent to an English boarding school, who travels to London with two classmates, Carla and Rosalind, and becomes the target for actor Anthony Andrews` Jimmy, who takes photographs for Estimulation magazine with a hidden camera. The film complemented Koo`s work as a photo journalist, and the subsequent Emily (1977) saw her labeled as a `porn star`. Set in the 1920s English countryside, Emily`s a virgin visiting her mother, who opts to lose her virginity to a painter, who wants her to pose. The slower portrait painting is a metaphor for the filmmaker`s aim in having the audience understand that the woman can`t escape from the picture. In Cruel Passion (1977), which is based on the novel, Justine (1787), by the French sadist, Marquis De Sade, Koo is a young virgin, who is thrown out of a French orphanage, and into prostitution, that is, she sells the use of her body for money to those men who`re prepared to pay her to engage in sexual intercourse with them. As Juliette Jerome, actress Lydia Lisle is Justine`s sister, who is depicted as similarly benefiting from wantonness; although she isn`t technically a whore. Consequently, Juliette represents the easier picture from which the women shouldn`t want to escape, although the principle of enslavement by the alien parasitoid remains the framing device for the story of an American woman taken in by the English Royals.

Koo had the role of Camie Loneozner in the movie Star Wars IV: A New Hope (1977) but her scenes on the planet, Tatooine, were deleted. The plot, however, calls for Laze Loneozner to build an illegal `podracer` to raise enough money for a lavish wedding party, so the picture is of a societally sanctioned slave purchase. Though her story fits in with the narrative of an evil machinized Empire rebelled against by an alliance of planets led by actress Carrie Fisher as Princess Leia, who within the misogynist parameters of cinema convention represents `woman`s seed`, Koo`s role as Camie wasn`t included in the final cut by writer-director, George Lucas, probably because Carrie Fisher`s role as Leia was strong enough to carry the burden of the theme of liberation. The importance of Camie Loneozner is due to Laze `Fixer` Loneozner`s warning to actor Mark Hamill, in the role of rebel leader Luke Skywalker, that there`ll be an attempt against him by the Empire there. Consequently, Camie`s presence isn`t required to set the scene for Skywalker`s escape from Tatooine. However, the minor plot development featuring the two men, `Fixer` and Luke, does bear the weight of the theme, which is that humans who aren`t parasitoid help each other. Unfortunately, the deletion of Koo`s Camie from the final movie version of Star Wars IV: A New Hope suggests that the parasitoid`s devoured her, because men prefer each other to survive, and women are only host womb slaves for the machine-like perpetuation of their activity as slavers and killers of `woman`s seed`.

For women men are their cartoon, which is either supportive or otherwise, and that`s basic criteria for survival. Although Koo is depicted as a whore in her porn career, Jesus` teaching about human sexuality is radically rejective of the principle. When the Jewish Pharisees, that is, the religious police, accused a woman of adultery, Jesus told them to `stone` her; if they felt sinless. No one threw any stones, and Jesus observed that she no longer had any accusers. Of course, because men are the adulterate in the reproduction of `woman`s seed`, women can`t be adultresses. Consequently, depicting women as whores in movies is adulterative of their human role within the species` picture, which is that of the colonizers of the cosmos through their exponential capacity for sexually reproducing humans; once free of their parasitoid slavers for war against themselves upon the Earth. In the movie, Starship Troopers (1997), based on science fiction writer Robert A. Heinlein`s juvenile novel, Starship Troopers (1959), the leading actress, Denise Richards as Carmen Ibanez, is the pilot of a military spaceship, and belongs to a cadre called `mothers`, who`re all women, and who drop their `boy sons` (poisons) cartoon-like onto the `bug world`, Klendathu, to fight against the arachnoids who`d invaded the Earth. Although the film depicts Earthmen fighting against alien invaders, the actual focus of the film is Richards` role as a woman defining herself against the alien, who`re the Earthmen to begin with, and later the Klendathu `bugs`.

The cartoon aspect of men`s roleplay with women is emphasized in Starship Troopers: Invasion (2012), an animation featuring a battle with an arachnoid `bug queen` and her `soldiers`. Apart from the plot, which has Jenkins apply coercive `mind control` over `bugs`, and logically extrapolates from the `voicing` of the cartoon, whereby the character is `spoken` by the `voicer`; for example, Carmen Ibanez is `voiced` by `voice actress`, Luci Christian, the cartoon dilutes Carmen Ibanez`s sexuality and reestablishes the pattern of a human host of `woman`s seed` possessed by a parasitoid that emerges from her womb to kill. The invasiveness of the parasitoid is depicted in the prophetic Revelation of the future of Jesus` disciple John in which the hoarse croaking of the frog is a metaphor for death through the `TV war` manufactured from men and women as the whore`s `beasts` by the parasitoid evil alien`s `serpent`s seed`. By damning the human brain of futanarian `woman`s seed` in male braining, the collective consciousness of the species is spoken by the parasitoid devourer as the coercive mind controller of the host race: `Then I saw three impure spirits that looked like frogs; they came out of the mouth of the dragon, out of the mouth of the beast and out of the mouth of the false prophet.` (Rev: 16. 13) In Satanism individuals are `spoken` in the same way that cartoons are `voiced`, that is, through coercive mind control. Consequently, the cartooning in Starship Troopers: Invasion makes stark women`s war, and the cutting of Koo Stark`s Camie Loneozner from Star Wars IV: A New Hope was an aspect of that war.

There were rumours of a military coup d'état in England after Koo`s arrival in 1972, and subsequent historical rewriting; for example, the absence from media records of English driver James Hunt`s memorable stopping of his Formula 1 racing car in 1976 at Germany`s Nürburgring, to pull Austria`s Niki Lauda out of the flames of his crashed Ferrari, suggests that form of revisionism applied after a coup by its perpetrators against those individuals it`s selected as in some way incurring their displeasure. Consequently, Koo Stark`s appearance in England in 1972 signified a coup and her role in the media was as a woman `voiced over`: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Jesus` disciple John`s description of the `beasts` in Revelation is of the dragon of war`s parasitoid `TV`, and the `false prophet` is the television machine broadcasting `TV war` as its theme.

Carrie Fisher`s Princess Leia`s name was a pun on `leer` because that`s what men perceive women in the movies as being for. The audience leer. Because `woman`s seed` is sexually subjugated by the evil parasitoid alien, normal human futanarian sexual desire of women for women is repressed into schizophrenia, for example, women looking in the mirror masturbate thinking about men, because they`re taught that the penis of the human futanarian race of `woman`s seed` belongs to men, whereas it seems more likely from the biblical narrative of Eve and Adam`s encounter with the enslaving serpent, Satan, who becomes the devouring parasitoid `red dragon` in John`s Revelation, was stolen from the original hermaphroditic anthropos, whose Eve was the product of self-fertilization, a species` survival trait, which the saurians persuaded the original hominids would produce recessive genes and deformity. In short, saurian evolution, before the hominids, produced those winged angelic intelligences depicted as residing wih God in heaven, that is, the angels, whereas Satan`s rebel angels correspond to those evil intellects amongst the saurians that sought to enslave the human race and usurp the host species womb. Consequently, women schizophrenically support men`s parasitoid wars against her own `seed`, because they`ve been taught by the spirit of the evil alien to accept the `serpent`s seed`. As a result, women physically support war against the `remnant` of their own race of futanarian human `woman`s seed` as an aspect of a more general schizophrenia produced by men`s insistence upon women`s monogamous faithfulness to a `seed` not theirs.

Amongst the Moslem nations of Islam, polygamous marriages of up to four wives are permitted by reference to the Koran (610-30 C.E.) given to Mohamed by the angels, according to Islamic tradition, who`d been told that the human race was to be greater than the angelic. Although Judaism was founded by Abraham`s son, Isaac, Islam was founded by Ishmael, through his descendant, Mohamed. Abraham`s wife, Sara, barren after Isaac`s birth, gave Abraham her maid, Hajer, who bore Ishmael. Although Christians are taught that the four wives of Moslem polygamy are a retroactve attempt to legitimize Ishmael`s birth from a woman not Abraham`s wife, the truth is that polygamy between women is the natural state for a single human futanarian species that isn`t owned by a ring slaver. The Gulf wars of the Middle East ostensibly over oil in the late 20th century, and beyond, were prefigured in the desert sequences of the planet, Tatooine, in Star Wars IV: A New Hope, and the black figure of the henchman of the evil Emperor Palatine, Darth Vader, was meant to resemble the black one-piece coverall of the abiyah, worn by the Moslem women of Islam, to prevent Western eyes from prying, and being able to see `woman`s seed` underneath. Although Vader is explained in science fictional terms as an anti-hero in a space adventure yarn, he`s homosexuality in pederasty`s epitome of the parasitoid sterilizing male, whose `Death Star` orbits planets in order to sterilize them. When the North American Space Administration (NASA) astronaut, Neil Armstrong, became the first man on the moon on July, 21, 1969, UTC: 2. 56, despite his words he wasn`t futanarian `woman`s seed`: `One small step for a man; one giant leap for mankind.` Similarly, when US President Ronald Reagan announced on March 23, 1982, his `Strategic Defense Initiative` (SDI) to establish a `ground and space based missile system`, it represented an attempt to imprison `woman`s seed` upon the Earth in a US` `death camp`.

Robert A. Heinlein`s Starship Troopers was criticized for its `fascism` when it was published in 1959 by Putnam after his usual juvenile publisher Scribner had rejected it: `To vote is to wield authority; it is the supreme authority from which all other authority derives - such as mine to make your lives miserable once a day. Force if you will! - the franchise is force, naked and raw, the power of the rods and the ax. Whether it is exerted by ten men or by ten billion, political authority is force.`2 The Roman symbol of authority was the fasces or `bundle` translated from their language, Latin, and was a bundle of rods with an axe in the center. Benito Mussolini had become fascist dictator in Rome after the 1922 election, and Germany`s Adolf Hitler`s adoption of the Roman fasces from Mussolini as the emblem of the National Socialist (Nazi)Party preceded his election in 1933. Hitler`s fascist dictatorship built `death camps` for Jesus` Jewish `chosen people` in which upwards of 20, 000, 000 Jews were poisoned before being stacked like logs and incinerated. Because Jesus was `woman`s seed` born uncontaminated by the `serpent`s seed` from his mother, the Virgin Mary, the Nazi pogrom continued what had begun under the auspices of the eagles of the Roman Empire. As avian evolution is an aspect of saurian devolution, the eagles` wings are evil symbols, that is, they`re the wings of Satan`s war against the Earth. Consequently, Starship Troopers` Carmen Ibanez`s dropping of her boy sons (poisons) as a `mother` onto the `bug world`, Klendathu, is a metaphor for the eagles` war against `woman`s seed`, that is, the `chosen people` of the Jews, who were poisoned before being incinerated. Denise Richards` actress role as Carmen Ibanez in the film Starship Troopers is of a woman fighting against a parasitoid that has already invaded the Earth, and Heinlein`s `bugs` represent its deploying of a `biological weapon`, HIV/AIDS, against her species of `woman`s seed`. The boy sons she drops onto the `bugs` aren`t her supporters: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) In election terms men and women are 66.6% recurring, that is, `woman`s seed` doesn`t have any supporters, and the model for democracy remains ancient Greece. In short, actress Denise Richards, Koo Stark, and the other `mothers` are the real warriors on behalf of a species almost extinguished, because it can`t portray itself in action against the directors of their `death camp` scenes.

In media edutainment `camp` is innuendo used to indicate adult humor where children aren`t to understand. Because Jesus` crucifixion was an aspect of the Roman Empire`s `death camp` pogroming of Jewish dissidents and others, the death scene in which the Roman guard Longinus spears Christ`s side with his spear in The Greatest Story Ever Told (1965) is acted `camply` by screen legend, John Wayne: `Surely, this was the son of God.` (Matt: 27. 54) John`s acting as the `snuff guard` for the gods of Hollywood, Babylon, who `snuff God` by manufacturing men and women as `beasts` for their parasitoid nature to devour on screen as programing propaganda for the pogroms programed by the alien parasitoid possessing the species to worship itself in war. Although fascism is generally believed to have been contained during the war of 1939-45, when Italy, Germany and Japan were defeated, the US` Speaker in the House of Representatives is flanked by fasces. The state of California, on the west coast, which contains the district of Hollywood, city of Los Angeles, and where the first film, Old California (1910), was made by director, D. W. Griffith, before Hollywood was labeled the new `Babylon`, as the centre of the world`s movie industry, has 53 (8.2%) out of the 435 (100%) votes allocated to the 50 states, which must have helped when President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) established the `Hays code` of 1930 banning `woman`s seed` from being seen in films: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`3 By cutting women`s futanarian `seed` out of the movies, there won`t be any human bed scenes, or brainpower, based on what people have seen in the edutainment media, to lift the species from the Earth to colonize the planets amongst the stars of heaven above by means of the exponential breeding capcity of `woman`s seed` to outproduce men, who can`t sexually reproduce with each other.

As `woman`s seed`, Jesus is a Hollywood, Babylon, `snuff icon`. In puppetry the control manipulated by the puppeteer resembles the wooden cross of Jesus, so because the Roman Emperor Tiberius, at the time of Jesus` crucifixion, was conceived as their `god`, the holes in Jesus` hands and feet, made by the nails attaching him to the wooden puppeteer`s control, were for Tiberius to manipulate as a god challenged. In puppetry strings are attached to the control, through holes in the hands and feet of the puppet, which suggests the Romans saw Jesus` crucifixion as a prelude to his animation as a puppet manipulated by the Roman Empire. Koo Stark`s scenes were deleted by director George Lucas from Star Wars IV: A New Hope, because she resisted manipulation during England`s coup d'état, whose leaders were the local gods. It was a sign to America`s women that their `seed` wouldn`t be at the center of a counter coup in the movie studio board game that the figure of Camie represented for them, and so cut scenes didn`t mean cut strings.

Since ancient Greece host womb slavery of women for homosexuality in pederasty`s war against humanity`s futanarian `seed` has been institutionalized by men, whose mixing of blood, shit and semen in each others` anuses by the late 20th century had spread the concomitant contagion of the `incurable killer disease`, HIV/AIDS, as the parasitoid`s `biological weapon` deployed against women. Because male braining damned the human futanarian brain of `woman`s seed`, the single species of human futanarian women`s brain has been replaced by the parasitoid`s seeking to prevent `woman`s seed` from escaping self-extinction through war, which its alien invader has planned for her. Humans are become a single male brained creature wearing each others` clothes in transvestism, that is, men and women were manufactured as a `TV` to entertain the alien with their deaths, at least since the founding of the city of Babylon (4000 B.C.), capital of the Persian Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Although the television machine wasn`t invented until 1926 by John Logie Baird, the alien`s manufacturing of humanity as `TV war` for its entertainment began millennia ago, when the Greco-Roman amphitheaters were built for the gods to watch human being killed for entertainment. The trend in media edutainment for `woman`s seed` and its heroines to give way to cartoons, and cartoon-like `camp`, is a symptom of the parasitoid alien invader`s coercive attempts to make the species speak with its voice and act as it wants. Consequently Satanists in Satanism are voicers, and animators for whom Jesus wasn`t resurrected, but reanimated as a puppet by a god, for example, Tiberius.

Although the Australoid immigrants to the Indus valley of India`s Veda (1500-500 B.C.E.) scriptures are narratives of gods and goddesses amid human reincarnation, rather than the Resurrection and Ascension of `woman`s seed`, the Hindu religion, which gave impetus to the teachings of the world as illusion by Guatama Buddha (b. 563 B.C.E), represents the truth that men prefer to repeat `snuff` through fictionally programing characters like Vader, rather than allow `woman`s seed` to live unmolested and leave to colonize the planets. The war between the Earthmen and `the bugs` in Starship Troopers extrapolates from the Nazis poisoning of the `chosen people` before incineration. Heinlein presciently guessed that, if `the bugs` didn`t exist, men would invent them to justify their subjugation of women`s host womb in homosexuality and pederasty for war against `woman`s seed`. Consequently, although `the bugs` are interpretable, in 20th century terms, as HIV/AIDS` biblical `blood plague` (Rev: 11. 6), they`re that aspect of `biological warfare` waged by men against women at least since ancient Greece`s Alexander III of Macedonia began his conquest of Persia in 334 B.C. What Heinlein postulated in Starship Troopers was that men were an aspect of a parasitoid that bred them for killing what remained of the human futanarian species of `woman`s seed` for its entertainment, and that was how the alien emerged from the host.

As a woman, who`s a `mother`, who drops her boy sons (poisons) onto `the bugs`, actress Denise Richards, in the role of Carmen Ibanez in Starship Troopers, is a `mother` to `woman`s seed`, because the parasitoid`s `bugs` represent the HIV/AIDS `biological weapon` it`s developed to deploy against itself as a devourer of the remains of the human race of futanarian `woman`s seed`. In other words, Denise represents a woman fighting for her species` Resurrection and Ascension to heaven as colonizers of the planets amongst the stars above the Earth whereas the fiction is that men have already realized that step for themselves and that parasitoid wars between men and their invented alien menace created to keep women in fearful faithfulness, that is, HIV/AIDS, is what the human race is run for. Satanism`s plan for the running of the human race is to breed Satan, that is, men, as the `serpent`s seed` for male brained war against the `remnant` of futanarian `woman`s seed`, which can`t escape from God`s promised eternal unendurable pain of perdition as a punishment for the evil, because Satanists will make her evil through brain damning. The evil will experience perditon, according to the Bible, while the good receive a new heaven and Earth, and the Satanists` plan is for `woman`s seed` never to leave Earth, but for her to be damned in evil male braining for war against the `remnant` of her own human futanarian race, so that Satan and the male brained have heaven in revenge upon the `people of the book`, that is, the Jews, Christians, and Moslems, whose avowed belief it is that the Satanists will be punished for their evil.

A `camp` science fiction `TV` series was Star Trek (1966-9) in which anyone who used the teleporter to beam up onto the starship Enterprise, with actor William Shatner as captain James T. Kirk commanding, would be met with `Security` standing to attention as `guards` against possible alien invasion. Because the invader was always fictional, the show was `camp` with adult humor, while the children were indoctrinated with the `camp` emotion of prisoners protected from `woman`s seed`, who were the `babes` on the show hiding their species` penis from view, so that the next generation of adult humans would remain babies accepting of the `camp` perspective, which was that the men weren`t pogroming the human futanarian species of `woman`s seed`, but were protecting the women from alien invasion, and in fact Star Trek: The Next Generation (1987-94), with actor Patrick Stewart, as Captain Jean Luc Picard, had the same formula, which meant that the human species` `babe` was death camped: `And the dragon stood before the woman who was ready to give birth, to devour her child as soon as it was born.` (Rev: 12. 4) Born to die, and be reincarnated in Hollywood, Babylon, `TV` repeats of the `camp` scenario in which women are defended by `camp` guards, who laugh at what each new generation of pogromed will never be able to understand, because they`re repeats for parasitoid `snuffers`, who don`t want the next generation to be reminded of their killers, so that they don`t know to avoid their planned death.

Koo`s appearance as a girl in a soap opera in Electric Dreams (1984), a comedy romance about a computer that becomes sentient, but suicides as a terminal, after it reluctantly accepts that its creator, Miles, is loved by neigbor, Madeline Robistat, not it. Electric Dreams reflects upon Koo`s researcher`s approach to the modern day successors to the ancient Greeks, the `geeks`, with their `bad machine code` corresponding to the HIV/AIDS virus infecting computer memories and killing the artificial storage capacity of the human futanarian species to garner sufficient knowledge to defeat Satanism. The paradigm for the age of the computer virus was the Greek poet Homer`s description in his Iliad (760-10 B.C.) of the siege of Troy by the Greeks, who left a huge hollow wooden horse outside the city gates, where it was taken in by the Trojans, and the Greeks emerged to enslave the host wombs of the Trojan women and spread their contagion of homosexuality in pederasty for war further. `Trojan horse` was a byword for computer viruses, because the `geeks` were the successors to the Greeks` virality, and the Trojans effectively committed suicide because the priest, Laocoon, had warned: `Beware Greeks bearing gifts.`4 Consequently, there`s a parallel between the sentient computer in Electric Dreams suiciding as a terminal, and the Trojans` seemingly unnecessary capitulation, that is, it`s what the Trojans secretly wanted for their women.

The suicide of the computer in Electric Dreams is a metaphor for the death of an intelligent species through rejection of its own `seed` for the brainpower needed to escape through technological advancement. Koo`s role as a girl in a soap opera reflects upon the fate of the Jewish `chosen people` in the `death camps` of Belsen, etc., where their bodies were rendered to make soap; as indeed the term `soap opera` exists to remind people of what would happen to them if they weren`t amenable towards their `concentration camp` guards during the making of the `camp` humor. The `TV` comedy Soap was largely based on Billy Crystal`s character Jodie Dallas` `gay` rejection of women`s gender, which rejection the Nazis used as the basis for rendering Jewish corpses to make soap out of `woman`s seed`. In 1992 Koo appeared for Granada television on the UK`s Independent (ITV) network in the Christmas edition of Cluedo (1992), which was adapted from the 1949 Waddington`s board game, and where the aim is to discover the identity of a murderer from clues. Koo`s character, femme fatale Vivienne Scarlet, was a suspect with all the other characters, and the purchasing of the rights to market the game by the US` company Hasbro gave it a new dimension, because `Jane doe` in the US isn`t slang for dollars, that is, snuffing `woman`s seed` might be big business, but the dears` hunters remain clueless.

1 Hicks, J. Steven, Traci Lords, Penthouse, `Pet Of The Month`, Vol. 15, pp. 97-116, September 1984.

2 Heinlein, Robert A. Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 12.

3,php/Main/FootPopping/ .

4 Virgil, The Aeneid, Bk II, 19 B.C.

Hollywood Doesn`t Make Movies, It Plays A Mind Game

The 21st century began as the era of `Play Station`, `Nintendo`, `Game Boy` and `X-Box`, where computers were the focus for games of skill in which the individual player used controls affixed to the hardware to affect what they saw on the screen. Interactions between characters, generated by the program software, indicated a recognizable winning goal to the player, who was invited to affect the outcome of the scenes depicted by the game by means of the controls of the console in the player`s hands. The controls featured a `joystick` to guide whatever character, machine, animal, or other creature, was the player`s proxy, called the `avatar`, within the game`s system of movie-style experiential reference. The connection between Hollywood, Babylon, and the games` industry became apparent from the `small screen` of television when civil planes hijacked by terrorists were crashed into the Twin Towers of New York`s World Trade Centre on Manhattan island `live on CNN` and other news channels. The planes weren`t going where the `players` wanted them to. The World Trade Centre was chosen because of `rough trade`, which is a global euphemism for the `brutality and violence` of homosexual pederasty, that is, war.

`Greek` had been the bane of art, culture and civilization since the enslavement of the host wombs of the Trojan women to spread their contagion of homosexual pederasty through war. The September 11 terrorist attack began the second Gulf war (2001-1) because dictator, Saddam Hussein, offered bases to the terrorists in Iraq. The planes functioned in the same way as the `Trojan horse` before the walls of Troy, which the Greeks emerged from once the huge hollow wooden structure was inside the city`s walls, to enslave the host wombs of the women and spread their contagion of war further. In computer technology a `Trojan horse` is a virus and so the precipitation of global `rough trade` by the terrorists on 9/11, 2001, was a virus spread by homosexual pederasty. In games` system parlance the players had infected the human immune system with the equivalent of the biblical `blood plague`, which could be interpreted as `blood feud` or vendetta, and is sent by God to convert men from their sin of homosexuality: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

The late 20th century `killer disaease` of HIV/AIDS created by men `s mixing of blood, shit and semen in each others` anuses in mockery of sexual reproduction, makes its way from the base of the spine to the brain to kill it, which is what Al Qaeda`s Afghanistan based terrorists attempted to do to the nascent humanity of the United States on 9/11. Because `Al Qaeda` means `the base`, and the `Greek` plague of HIV/AIDS enters the body at the anus, `the game` on 9/11 played by homosexual pederasty was to infect the United States of America with the desire for global war, and when President George W. Bush declared his open-ended `War On Terror` against terrorism from 2003, the terrorists had achieved their objective, which was the end of the possibility of freedom for women and what the Taliban political movement in Afghanistan had campaigned for: `Complete ban on women's activity outside the home unless accompanied by a mahram (close male relative such as a father, brother or husband).`1

In the Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, which is what George W. Bush`s open-ended declaration of a `War On Terror` (2003-) announces. Jesus` teachings of Resurrection are concerned with `woman`s seed`, because he was born uncontaminated by male semen, that is, Redemption requires the rejection of homosexual pederasty and the acceptance of the idea of a heaven without men, which is why Jesus was called the `first of woman`s seed` before he was tortured and murdered by the `serpent`s seed` during the Roman armies` occupation of Palestine before his Resurrection and Ascension to heaven: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

Women with penis` semen of their own have their own `seed` as `futanarian` women with their own penis and so means of sexually reproducing the brainpower of their own species for development and technological progress allowing her to conceive and build starships to escape the parasites preying on her host womb: `... crush[ing] the head of the serpent with her [futanarian] foot as she leaves.` (Gen: 3. 15)

In heaven men will not be born unless from the host womb of the `futanarian` human species of woman with her own penis` `seed`, which means the virus that`s infected her brains by inveigling itself into her host womb to steal her penis` semen and infect her with its devouring parasitism of war will be extinct. Hollywood, Babylon, depicts the history of the parasite on its `big screen` for film theatres agog at Brad Pitt in the role of the Greek hero, Achilles, before the gates in Troy, the movie. whereas celebrating the victory of the virus, as Hollywood did again with the movie, World Trade Centre (2006), is simply a celebration of `the whore` riding `the beast` that has enslaved her host womb for its murderousness: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

The `game` in Hollywood is couched as a picture of the woman who isn`t allowed to get her foot off the floor in couch scenes. In accordance with the `Hays code` for production studios from 1930 until 1968, that is, long enough to `program` Hollywood as a `gay` sunderer, the penis of the `futanarian` human woman with her own capacity for sexual reproduction, would never be seen in movies. The human race wouldn`t even make it to the `floor` of the `cutting room`, which is the name for the process and the place where film material is edited out of the final product. If women`s penis isn`t visible in Hollywood, Babylon, she`s cut out of `Reality TV`, which features the lives of real people, and news reports won`t feature her species either, which means the alien homosexuals of pederasty and war in Hollywood, Babylon, are engaged with each other in playing with a game system designed to pogrom the human species and isn`t a film entertainment industry for humans. Involved in sundering the humans, that is, `futanarian` woman with her own penis` `seed`, Hollywood, Babylon, is defining the United States of America as the `serpent`s seed` opposed to `woman`s seed`, which is what God warned men against when he told Eve her `seed` would have `perpetual enmity` with the `serpent` in Eden. Labelling women as abnormal if they`re sexually interested in each other is productive of racial schizophrenia for humans, that is, women who are the `futanarian` human race with their own penis` `seed`, because men are falsely perceived as being of woman`s species.

In the Middle East the United States of America is called `the Great Satan` because of its movie industry, which depicts `the whore` riding upon `the beast`, that is, without ever making it to the cutting room floor, the `futanarian` human species of woman with her own penis` `seed` has been edited out of reality by her killers. Even the `killer disease` of homosexual pederasty, HIV/AIDS, may be understood as men`s indirect usage of a `biological weapon` to keep women in fearful faithfulness to her destroyers. In Arabia the Moslem marriage of one person with four wives gives ample opportunity for `futanarian` sexual reproduction because in public the women wear the one-piece coverall of the burkha, which permits of only their eyes being seen. Although the Great Seal of the United States of America may be equated with the defence of the woman who gives birth to Jesus in his Second Coming, the killing of Al Qaeda`s terrorist leader, Osama Ben Ladan, by Navy Seal Team Six on May 2, 2011, doesn`t indicate the United States` protection of the sealed hymens of the `futanarian` human race from contamination by male semen, which was what Jesus Christ`s birth from his mother, the Virgin Mary, uncontaminated by male semen, indicated the need for: `And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)

Without a change in Hollywood, Babylon, the United States will continue to be perceived as `the Great Satan` because the movie industry depictes its favouritism for the sundering of the human species of `futanarian` woman with her own penis` `seed` so the film studios can continue churning out their epic historical dramas based on how they exterminated her. Unable to even glean knowledge of her own `futanarian` woman`s human sexual reproductive capacity through her own penis` semen, women remained blinded by Hollywood, Babylon, which had extinguished her upon the cutting room floor and was depicting its `final solution` to the `Jewish problem`. Just as the German Nationalist Socialist (Nazi) government of Adolf Hitler in the 1930s had waged war on the world (1939-45) to exterminate the `chosen people`, that is, the Jews, so Hollywood, Babylon, had singled out women. In Judaism women are the Jews because it isn`t possible to be born a Jew unless from a Jewess. God` `seed` of woman is the human `futanarian` species` penis` semen, which the Nazis of Hollywood, Babylon, left on the cutting room floor of their editing studios generations ago in preparation for filming their genocidal pogrom against the human race of woman:

`California sunlight,

sweet Calcutta rain,

Honolulu Starbright

- the song remains the same.`2

Led Zeppelin`s Hollywood, Babylon, movie The Song Remains The Same (1976) featured concert footage of the group performing on their American tour of 1973 and 1977 while the band were accused of being Satanists, but if sundering is Satanism then the United States of America`s people worship Satan through Hollywood, Babylon, which is why the cover of the album, The Song Remains The Same, features a dilapidated Ritz cinema in the middle of the desert where the woman who gives birth to Jesus in his Second Coming is taken by the eagle to wait while the war between the `serpent`s seed` and her `seed` rages upon the Earth. In the sleevenotes to the live album, How The West was Won (2003), a 1972 recorded performance from the L.A. Forum in Long Beach, California, Jimmy Page, guitarist, says the band are Satanists, which leaves it moot as to what that means and that`s why Led Zeppelin and other `heavy metal` bands are considered dangerous, because the glamour rides on them like Hollywood, Babylon`s `whore` upon `the beast`, and they don`t dare to explain themselves away to assist God`s `seed` of woman to develop and escape from Satanism:

`It is the springtime of my lovin'.

The second season I am to know.

Ya' are the sunlight in my growin'.`3

The `game` is `let`s pretend` in reincarnation, rather than Resurrection, because Jesus` Redemption is for `futanarian` woman with her own human penis` semen, while reincarnation is for the male parasite sundered from the woman, and so women don`t have the possibility of sexual reproduction with her own species` `seed` in sundered reincarnation, which is `the game` of Satanism`s reincarnating of God`s soul and spirit through the host womb of the human woman in order to kill God, who isn`t Hollywood, Babylon, but the producer of art, culture and civilization, through the desire of `woman`s seed` to live and prosper. Hollywood, Babylon, in enforcing `Hays code` related rules such as the woman`s foot will remain on the floor of the bedroom at all times, during the romantic scenes between the woman and her parasite, ensured that the `futanarian` human species of woman with her own penis` `seed` and capacity for socio-economic independence from her parasite would never be able to raise her `foot` from the Earth to `crush the head` of the evil `serpent` before she left for the planets and stars promised to her by God in heaven.

Even in movies such as Star Trek: The Motion Picture(1979) and TV shows like Babylon 5 (1993-8) featuring actors in the role of friendly male aliens to disguise the absence of the `woman`s seed` from the picture, starships are crewed by the parasitical viral aliens masquerading as the humans. Before `woman`s seed` has a chance to sexually reproduce her own brains` powers and technologically innovative capacity to design and build her own starships, the parasitical `serpent`s seed` are putting themselves in the picture as a preliminary to the `war in heaven` with `woman`s seed` God has revealed will occur while men will receive perdition, that is, eternal unendurable pain, for attempting to keep the woman after she divorces the retrogressive infernality of the ape men`s desire to enslave her in technological stasis when she has left for eternal heaven in starships of her own devising.

If women were immortal, she`d be breeding as her own `futanarian` human species with her own penis` `seed` which she sees in the mirror each day and so is able to recognize as her own human race sexually. Men prefer reincarnation because it gives an opportunity to convince the newborn women of their sexual interest, whereas they`re actually using her own penis` semen that they`ve stolen by inveigling themselves into her host womb as her parasite to reinject their parasitical organism into her host womb and further their wars against her sundered selves in what God warned Eve would be the `perpetual enmity` of the `serpent`s seed` against hers because the serpent prefers reincarnation to Resurrection.

Jesus` teachings were as the `Logos`, which is translated as `Word` of God. But technology is scientific medical advance in the treatment of the human so that longevity through rejuvenation is achievable, that is, immortality through acceptance and application of the spirit of `Logos`, which is Jesus` Holy Spirit left by Christ after his Ascension from the Earth. If immortality for `woman`s seed` is the aim of technology, reincarnation would be a thing of the past, because humans would live forever. Resurrection is the `futanarian` human species of woman with her own penis` `seed` previously killed and culled by men. In heaven she`d be the host womb of the newborn `futanarian` humans and the men who had accepted Jesus` teachings of forgiveness and Redemption would be born in heaven, which is prefigured by Jesus` celibacy, Resurrection and Ascension to heaven, because his uncontaminated `seed` didn`t impregnate any woman`s host womb while he sojourned upon the Earth.

If they weren`t born in heaven after the war against Satan, the serpent of Eden and the `serpent`s seed` of men, perdition would be their lot. Hollywood, Babylon, in promulgating the myth of Satan as truth, that is, the `serpent`s seed` and the woman sundered from her own `futanarian` species of woman with her own penis` semen as rightful sexual partners, maintains the United States of America`s role as `the Great Satan`, as it is called in the Middle East and elsewhere amongst the Earth`s nations: `The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. She gave birth to a son, a male child, who `will rule all the nations with an iron scepter`.` (Rev: 12. 4-5)

The `woman clothed with the sun and with the moon at her feet` is the statue of Liberty after her victory over the red sun of the flag of fascist Japan in World War II and again with the flag of the moon of Al Qaeda, `the base`, reflected in her birth waters of New York harbor after 9/11, 2001, and the assassination of the terrorist leader, Osama Ben Ladan in Pakistan on May 2, 2011. What she gave birth to was the Messiah in his `Second Coming`, according to scripture, and he will rule the Earth with an indomitable will to ensure that `woman`s seed` shall triumph over the `serpent`s seed`.

Already Hollywood, Babylon, had begun to promulgate the myth of Satanism in socio-historical documentary style epic movies, like The Heroes Of Desert Storm (1991), where the men of the United States defeat the many armed demon of the invading army of the Iraqi dictator, Saddam Hussein, and evict it from Kuwait. But the recorded victory of the sundered `serpent`s seed` from the human `futanarian` woman with her own species` penis` semen is `Pyrrhic`, a type of victory named after the Greek King Pyrrhus of Epirus, whose army suffered irreplaceable casualties in defeating the Romans at Heraclea in 280 BC and Asculum in 279 BC during the Pyrrhic War. The yanks are pricks, whichever `Pyrrhic` is leading them to victory, because wasters of the Earth`s and humanity`s resources to promote homosexual pederasty and war against the `futanarian` woman with her own species` `seed` and technologically advanced future from the host womb of her own brainpower is what pricks do. Unless the `New Redeemer` has the iron will and determination forecast by his predicted Advent the world will continue In its sundered path to damnation and hell in reincarnation. Without the support of Hollywood and the media `woman` will never raise her human foot from the `seed` bed of her Earth but God and Jesus have promised Resurrection for `woman`s seed` and so repentance and Redemption can be had but not in the movie houses or amongst the television companies if they continue to make games of war to resist her.

1 .

2 Page, Jimmy and Robert Plant Led Zeppelin `The Song Remains The Same` from Houses Of The Holy, 1973.

3 Page, Jimmy and Robert Plant `The Rain Song` from Houses Of The Holy, 1973.

The Pit And The Pendulum

Einsteinan physics was the step forward in thinking about the nature and functions of the universe that preceded the more elaborate ideas of physicists, for example, Niels Bohr (d. 1962), whose work on particle physics resulted in theories associated with `alternative universes` existing parallel to that in which each individual was born, and Steven Hawking, who developed a Unified Field Theory of the cosmos in which everything could be seen as fitting together in an explicable way. The earliest physicist to develop a model of the cosmos was Johannes Kepler (d. 1630), who observed that the planets move about the sun like clockwork, that is, their motion was predictable, which suggestion was supported by observations of the stars in the night sky. Although Albert Einstein`s (d. 1955) theory of relativity elaborated on the work of Kepler, which mainly concerned the observable phenomenon of nature, whereas Einsteinian physics was based on postulates, which argued for the existence of `wormholes`, for example, allowing instantaneous travel between a part of the universe and another, through what were more scientifically termed `space-time anomalies`, based on what physics could reveal about the phenomenon of `black holes` that were stars that collapsed and developed a strong gravitational pull suggesting that objects were being redirected through them into an unknown region.

Einstein`s physics was the basis for science fiction stories that featured interplanetary adventurers leaving Earth and returning to find they`d aged only a few years while their friends and relatives were much older, for example, in Time For The Stars(1956) by Robert A. Heinlein (d. 1988), Tom and Pat are twins and while Tom voyages amongst the planets and stars above the Earth, his twin grows old and dies before he returns having aged only a few months. Although the cosmos was stranger than Kepler had envisaged Hawking`s Unified Field Theory represented a refusal to let go of the `cosmos as clockwork` model, that is, physicists spent much time on establishing explanatory principles for what hadn`t previously been understandable as a basis for re-establishing the `cosmos as clockwork model`. Consequently, the model for human activity became the clock. The concept of actions being completed in time resulted in a perception of the cosmos as a machine in which the human individual labored to produce what had probably already been produced before, because that was the nature of the mechanism, that is, the mechanics of the cosmos were such that it produced what it was designed to manufacture irrespective of the will of individuals.

In Australia the original aboriginal inhabitants before the settling of the land mass by settlers from Europe and elsewhere had what they called `Dream Time` whereby a party of hunters could return to a place in which an animal had been killed for food to kill the same animal and eat it again. It was the Australoids that migrated to the Indus valley in India, where the Vedas (1500 B.C.) provided the basis for the Hindu religion that contributed to much of the religious philosophy of India`s Guatama Buddha (560 B.C.), who was the founder of the Buddhist religion. The Australoids developed a theory ofkarma or reincarnation, which was elaborated by Hinduism and Buddhism, and can be seen as deriving from their experience of `Dream Time`, that is, clockwork. If the hunted animal had been in a place before it was killed, then it would always be in that place before it was killed. By logical extension the born would be reborn, because they`d been born. Jesus was the individual who, born from his mother, the Virgin Mary, uncontaminated by male semen, offered a path out of reincarnation and damnation. According to the Old Testament of the Bible, that is, the Torah and Talmud, which is the history and law of the Jewish `chosen people`, God damned the first woman, Eve, and the first man, Adam, for accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the angel, Satan, who`d been turned into a serpent for rejecting God`s plan that the human host be greater than the angelic. God told Eve her `seed` would escape ephemerality in slavery to parasitism: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because `woman`s seed` is futanarian, that is, the Jews were `chosen`, because women born since Eve can sexually reproduce with each other the brains` powers needed to develop the technology to escape from the Earth to colonize the planets amongst the stars of heaven above.

When Jesus was taken to the hill of Calvary and nailed to a cross of wood where he died, he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`: `Love your neighbor as you love yourself. `(Mk: 12. 31) As the serpent represents host womb parasitism to slavery in ephemerality, and in parasitology the parasite is termed `parasitoid`, which emerges from the host to kill it, men are definable as women`s parasites because, as Jesus` disciple, John, observes in theRevelation of the New Testament of the Bible based on Jesus` teaching, and which forms the basis of the Christian religion, futanarian women can sexually reproduce an independent species of women without recourse to male semen: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In short, men have been waging war on the human futanarian species of `woman`s seed` for eons. To escape damnation women must escape male braining, that is, women must sexually reproduce their own brains` powers as a species independent of men. Preventing women from sexually reproducing as a futanarian race potentially socio-economically independent of men is Satanism, which is practiced by the alien parasitoid viral life form as a means of ensuring slavery in ephemeral ignorance on the part of the human species so that it can be made to wage war on itself for the entertainment of unredeemed evil nature.

Scientists postulate that space borne viruses are responsible for the origins of life on planetary bodies,1 which suggests that somehow untold millennia ago a viral life form inveigled itself into the host womb of the futanarian species of women and stole her semen to replicate itself as the parasite that would kill her as a parasitoid alien devourer of the human race. The biblical narrative of Eve and Adam with the serpent depicts the relationship between the futanarian humans and the parasitoid alien viral life form which Jesus` disciple, John, presents as having become the species` devourer, war. In short, the biological mechanism is similar to the clockwork model of the cosmos of the physicists, where the `incurable killer disease` of the late 20th century`s HIV/AIDS virus spread by men`s mixing of blood, shit and semen in each others` anuses is symptomatic of the human malaise whereby it isn`t possible to escape from the implications of accepting the parasite and its parasitoid evil nature unchallenged by clockwork models of behavioralist psychology in which homosexuality is depicted as a minor aberration.

In ancient Greece, which is held to be `the model of democracy` by some historians, host womb enslavement of women for homosexuality in pederasty for war was institutionalized, thereby preventing women from sexually reproducing together the foundations of a women`s matriarchy based on their capacity to sexually out produce men who, according to their own propaganda systems associated with their parasitical control of modern mass media, can`t sexually reproduce with each other. As a consequence, the human species` `biological clock` is a `time bomb` expected to explode, because the evil nature of the alien parasitoid viral life form is accepted as a natural part of the cosmos` clockwork, whereas it`s a symptom of a belief in male centered behavioralism as the only societal model. In other words, the time bomb mechanism will predictably explode because it`s the clockwork model of the cosmos that the believers in behavioralism espouse. Or, in simpler terms, because the clockwork model of the cosmos is explainable by men`s belief in behavioralism, the clockwork model of the cosmos is likely disprovable.

In the religions of Hinduism and Buddhism, the concept of karma is central to reincarnation, that is, the death and rebirth of the individual as a cycle from which it is difficult to escape; in the sense that the newborn has been born before, and perhaps even from the same host womb in the same space-time location: previously. Because all planetary bodies have gravitational fields, and the `collapsed star` of the `black hole` is an Einsteinian model for `wormholes`, that is, instantaneous cosmic travel drawn through black holes by irresistible attraction, it`s hypothetically comprehendable that planetary bodies, for example, the Earth, represent a `gravitational pull`, which prevents individuals from permanently escaping their host wombs, and that`s what is signified by the terms `karma` and `reincarnation`. The notion that the Earth is a planetary body as a part of the cosmic clock necessarily involves the perception that the heavens in their course are a mechanism describing a 24 hour clock from the viewpoint of the people of the Earth, that is, they`re born in a time-line delimited by a period of 24 hours, which means they live for but a single day, before the hole of time, that is, the womb, reclaims them to re-emerge at the same time, and to live but a single day again, because that`s how the `gravitational pull` of the clock of the Earth functions.

The `wheel of karma` is a term often used to describe how the individual is born fated by the stars to behave in a way consistent with the time and place of emergence form the womb. Although environmental factors are probably the determinants in the development of the individual psyche, mystics promote karma as a wheel to which humans are unbreakably connected because they`re in some way engaged in atoning for evil acts perpetrated by them in former lifetimes each occasion they`re reincarnated. Or, in simple terms, the futanarian human race of women can`t run and escape, because men have them as slaves. The concept of the driver behind the `karma wheel` of the car is an instance of the acceptance of the clockwork model of the cosmos wherein the cogs whir and the tyred wheels turn. In physics the `heat death of the cosmos` is predicted because of entropy, that is, all systems run down. Consequently, the clock mechanism runs down and stops if it isn`t rewound, which is why psycho-physicists posit the need for an energizing of a system `running down` because of entropy. In short, the human species` system is `running down` because of men`s rejection of the human futanarian system of `woman`s seed` in favor of parasitoid devouring of the race through alien war waged against her. In other words, without human brainpower sexually reproduced by women with each other from `woman`s seed`, there`re only wheels and cogs in the clockwork mechanism of the `biological time bomb` devised by the alien parasitoid devourer to detonate and exterminate the human species.

In the late 20th century security forces began to carry Glocks, that is, murderously powerful guns made by Glock Ges.m.b.H. in Deutsch-Wagram, Austria, to rule over the mass of people, rather than clocks. Although the `concentration camp` was associated with the German National Socialist (Nazi) Party that came to power after the election of 1933 when its leader, Adolf Hitler, declared himself dictator, and began to incarcerate the Jews as `spies` and kill them in what afterwards were known as `death camps` in which upwards of 20, 000, 000 were poisoned before being stacked like logs of wood and incinerated, the Second World War (1939-45) to defeat German fascism, after the First World War (1914-18) to prevent German Imperialist ambitions, merely established the principle of fascism within social frameworks. The symbol of the Nazis was the fasces adopted from Benito Mussolini, fascist dictator in Italy after the 1922 election who`d used the fasces, a bundle of wood with an axe in the center, which was a symbol of the power of the Empire of ancient Rome, as his emblem. The Romanfasces was a symbol of planning; for example, during the expansion of Rome, planners would cut wood with an axe to build a hide which they`d plan an encampment. The Nazis, and the Italian and Japanesefasces were the emblem of the `death camp` during WWII. Consequently, the Glock, which began to enter service with the Austrian police in 1982, and subsequently became an instrument of global control, represented the new mass mind`s reluctant obedience to the clock, and the determination of national governments to force the cogs and the wheels of the clockwork machinery to continue working as slave labor.

Just as `cock` is slang for penis, while `cock` is also a term for the readying of the hammer of the gun to respond to the `trigger release mechanism`, so that the powder in the cartridge of the bullet is fired to kill the human target, so the Glock is a symbol of the end of time for `woman`s seed`, because human futanarian women no longer have cocks of their own to sexually reproduce the brains` powers of the species to escape from its killer. Consequently, the automobile wheels of the glockwork goes round with its cocks, but the mechanism only produces what the male brain has produced before in its reincarnations, because there isn`t any `woman`s seed` to improve the space-time continuum, for example, if 66.6% of humanity is men and women, 33.3% is futanarian, but futanarian humans can sexually reproduce with each other and women, which means that men have disenfranchised the human vote: `Let he that has understanding have wisdom. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) In short, `666` is men and women manufactured as a single male brain wearing each others` clothes in `TV` transvestism, which reincarnates the race for the entertainment of the alien parasitoid devourer in its war against women.

HIV/AIDS` `blood plague` (Rev: 11. 6), that is, the human immuno-deficiency virus (HIV) resulting in acquired immuno-deficiency syndrome (AIDS), which infects the organs of the body until systemic collapse and brain death occurs, is an indication that homosexuals have succeeded in promoting less human sexual interest and more interest in pederasty: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) Without cocks, that is, cogs of their own, the women don`t have anything to make the wheels go around for them, because they haven`t enough semen of their own futanarian species to develop brainpower for progress. Consequently, `TV` shows like the science fiction series, Star Trek (1966-68), present a future of guards with high energy beam weapons, that is, `phasers`, who appear protectively towards the female members of the crew of the starship, Enterprise. The adventures of the actors and actresses of Federation Starfleet in fact only represent those allowed by the puppeteer pulling the strings at a greater distance in the future than Glock Ges.m.b.H., Deutsch-Wagram, Austria. The figure of Jesus with his hands and feet nailed to the wooden cross of the puppeteer, while the strings are prepared for his Resurrection and Ascension to heaven by means of the transporting beams of wood with strings attached to the holes in the hands and feet of the puppet actor, in fact supports the puppeteer`s soi distant freedom, rather than affords a vision of liberation through male brained technological progress, which of course remains a fiction, because it`s designed to promote stagnation in the slavery of humanity as ephemerals maintained in ignorance without any genuine possibility of escape.

Although Isaac Newton`s (d. 1726/7) contribution to physics was largely based on his perception that an apple falls from a tree because of an invisible force called gravity, that is, the gravitational pull of the Earth downwards into its center, Newtonian physics isn`t firmly established as connected with `the fall of man`, which is traditionally associated with an apple as the `fruit` that the serpent, Satan, tempted Eve with, and which it was `death to taste`, because it represented host womb slavery to a parasitoid devourer. However, the perception that the child is doomed to return to the host womb, because of the Earth`s pull, if it doesn`t escape to colonize the planets amongst the stars of heaven above, does provide the absent correspondence between pre-lapsarian humanity and Newtonian gravity. Because the children of the human futanarian race of `woman`s seed` will always be pulled by the Earth`s gravity back into the host womb to be reincarnated, unless male brained damning of women`s capacity for developed progress is liberated from misogyny`s sexual repression, the future of the species is that of the Hammer House Of Horror studio`s movie, The Pit And The Pendulum(1961), based on the 1842 Edgar Allen Poe tale in which the pendulum of a clockwork mechanism is the blade of an axe Satanically descending to kill the victim strapped to a sacrificial altar.

Although the pit of the tale is a real aspect of the narrative, and into it is expected to fall the unnamed protagonist victim of the Spanish Inquisition (1478-1834), which was in fact inaugurated by queen Isabella I of Castille, and king Ferdinand II of Aragorn, as an instrument to torture to death those who were deemed only to profess belief, rather than own it, the pit is a metaphor for hell. According to the Bible, God has ordained eternal unendurable pain for the evil as a punishment, which takes place in the pit of a place called hell. Because male brained damnation is ephemeral slavery in host womb parasitism for `woman`s seed`, the perpetrators are hell bound, that is, the axe blade of the descending clockwork pendulum is a metaphor for species` castration, which is the reason for the evil`s being sentenced to perdition by God. If `woman`s seed` is prevented from sexually reproducing her own brains` powers, she`s effectively beheaded and castrated, which is what sex slavery of the human futanarian host womb by the alien parasitoid devourer means for a race kept deliberately memoryless in ephemeral ignorance and disabled.

When Eve, the first woman created by God, and Adam, the first man, were expelled from the paradise of heaven on Earth by God, it was because the serpent, Satan, had persuaded them to accept death, rather than the `fruit of the tree of immortality`: `You shall be as gods.` (Gen: 3. 5) Death in ephemerality meant an inability to retain knowledge, which encouraged others to steal, and so slavery of the host womb of the species in parasitism was established. After expulsion from Eden, Adam was told he must labor, while Eve would experience labor pain before her `seed` would be redeemed. Jesus` futanarian birth from his mother, the Virgin Mary, uncontaminated by male semen, was the sign of her `seed` redeemed. The conferring of escape from slavery through labor saving devices produced through technological progress is what humans were for, and medical science`s conferring of immortality is an attendant redemptive process dependent upon the sexual reproduction of brainpower from `woman`s seed`, which is why God tells Eve her `seed` will be redeemed. As the angels are depicted winged, so saurian evolution during the Mesozoic period (248 m.a.) of the Earth`s prehistory saw reptiles with wings, which suggests that the serpent, Satan, represents fallen reptiloid intelligence, although the angels of God are represented as remaining in heaven.

The reptiloid angels and the fallen angel, Satan, along with the reptiloid angels that are traditionally represented as having rebelled against God`s plan that the human host should be greater than the angelic, depict a parasitical life form`s preparing to inveigle itself into the futanarian host womb of the human species, which began to emerge in the Jurassic period (220 m.a.) of the Earth`s prehistory. Adam`s self-fertilization, which results in the birth of Eve, is depicted euphemistically in the Bible as Eve`s creation by God from Adam`s `rib`. In Judaic tradition Adam is the hermaphroditic Anthropos,2 that is, Eve is the child of a futanarian woman with a penis and semen of her own. In short, self-fertilization is a human species` survival trait, which affords the possibility of individuals reproducing alone the brains` powers that humanity needs to develop. However, Adam and Eve`s encounter with the fallen reptiloid, Satan, suggests that the human race of the future is a hybrid male and female, that is, the reptiloid aspect is the alien parasitoid male devourer and the futanarian host womb of the human species is its slave in parasitism. Or, in other words, the male devours the female as an evil aspect of the unredeemed parasitoid nature of fallen saurian intelligence.

Scientists` hypothesizing of a space borne viral life form arriving on Earth suggests a clue as to how angelic saurian intelligence fell, while providing a reason for the former angels` seeking to mix their `seed` with that of the futanarian hominids. If the alien viral life form was a degenerating parasitoid, saurian evolution was the first to feel it, and attempting to survive the degenerative effects of the debilitating alien disease by breeding with the hominids, the saurians transmitted the parasitoid virus through the future human womb. The resultant hybrid was parasitoid and alien to itself, which resulted in war against its own species as an aspect of the evil nature it`d perforce become, and it`s that which the Bible recommends humans to convert from as `sinful`. If the human race doesn`t convert, it`ll be prey to the male brained clockwork of a cosmos that`s parasitoid in nature and seeks to devour the human futanarian species of `woman`s seed` as an ontological aspect of its viral teleology.

1 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`,International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

2 N. Katz, R. Chakravarti, B. Sinha, S. Weil (eds.)Indo-Judaic Studies in the Twenty-First Century: A View from the Margin, `Divine Anthropos and Cosmic Tree`, Palgrave-Macmillan, 2007, p. 105.

There Isn`t A Sorrier Anthropologist Than Darwin

Charles Darwin was the English natural philosopher influenced by archaeological descriptions of early hominids, and whose hypothesis that humans had simian ancestry in The Origin Of Species (1859) was based on the discovery by archaeologists of skeletal remains enough to suggest that apes were the ancestors of humankind. Darwinian evolutionary theory argued that humans evolved from early hominids, who appeared on Earth around 220 million years ago, according to fossil studies by paleontologists, during the Mesozoic period of Earth`s prehistory after saurians had appeared to be the dominant species about 248 m.a., and before the evolution of mammals, which included hominids as agenus. Although the Bible has largely been ignored as a source of evolutionary theory, the appearance of the serpent in Eden as the angel, Satan, removed from heaven by God and transformed into a serpent for rejecting God`s plan that the human host would be greater than the angelic, is suggestive of a previous raptor based intelligence akin toTyrannosaurus Rex and its cousins, who were bipedal dinosaurs with arms and a tail for balance.

The pterosaur variety of saurian had wings, for example, the pterodactyl, which is interesting for biblical scholars, because Satan is described constantly throughout the Bible as a `dragon` grown to full size since its days as a `serpent` in Eden after Eve, the first woman, and Adam, the first man, are expelled therefrom by God for agreeing to host womb slavery in parasitism to the parasitoid devourer after accepting its `fruit of the tree of the knowledge of good and evil`, that is, death, although God`s `fruit of the tree of life` is depicted as conferring immortality. Whereas ephemerality means transient knowledge and so the inevitable loss of any technological development achieved by individual humans, the development of medical science and permanent brainpower is extended life and youthfulness for humans capable of using the labor saving technologies they produce, which slavers don`t want for humans. Consequently, although Darwinian evolution posits apes as the forebears of humans, the Bible suggests that Eve and Adam were saurian.

Paleontologists agree that dinosaurs had two brains, a brain at the head and a brain at the tail, which explains why Eve, the first woman, is depicted as being created by God from the rib of Adam and from whose side she emerges. Eve is Adamned creature, that is, she`s the emergence of the damned saurian brain that functioned as the tail of the raptor while the brain at the head was the male. Although experts agree that there were male and female dinosaurs, the secondary dinosaur brain is explainable as God`s new creation planned for `woman`s seed`. Before expelling Eve and Adam from Eden with the exhortation that Adam must labor while Eve will experience labor pain before Redemption can occur, God tells Eve her `seed` will have `enmity` with Eve`s `seed`: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Women`s human futanarian species can sexually reproduce with her own penis` semen from her own host wombs, that is, Eve`s Adamned brainpower is a damned brain before her `seed` can sexually reproduce with herselves, while the eons of effort to prevent Eve`s `seed` from producing liberating brainpower for the futanarian humans to run their own race and escape from their parasitical host womb slavers, and parasitoid devourers, are Satanism.

In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, that is, women`s futanarian brainpower, which is what God told Eve her `seed` would achieve in Redemption from slavery. Born uncontaminated by male semen, Jesus was consequently `futanarian` through his mother, the Virgin Mary, which explains his role as the Messiah teaching against the male brained Empire of Rome then occupying Jewish Palestine where he lived as a Jew: `Love your neighbor as you love yourself.` (Mk: 12. 31) His disciple, Judas, who was known for stealing money from the collection plate after Jesus` service, told Jesus he should sell the expensive perfume a woman was using to anoint his feet to raise money. When Jesus, as the human host, at what was thereafter known as the `Last Supper`, offered `bread and wine` to his disciples as symbols of his `body and blood`, Judas betrayed Jesus to the Romans as a `dissident` because he didn`t want the human to sexually reproduce and so suggested to the representatives of their tyrannical Empire in Jerusalem that Jesus was a threat to male braining.

Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there to die. Upon his death the Roman guard, Longinus, pierced Jesus` side with a spear because the Messiah had said that a Holy Spirit would teach after his death. Because Jesus was known as the `Second Adam`, the `Second Eve` was anticipated as being born from his side, and so Longinus sought to perform a `caesarian` section, that is, a surgical procedure deriving from an erroneous belief about the birth of the Roman Emperor Julius Caesar, whereby a dead mother`s child is born: `Surely, this was the son of God.` (Matt: 27. 54) Jesus` subsequent Resurrection and Ascension to heaven prefigures the Ascension of futanarian `woman`s seed`. Consequently, the educative spirit born from the side of Jesus` after Longinus` `caesarian` section is futanarian humanity`s.

God`s plan is decipherable from the biblical texts, but it isn`t extant as dogma in the subsequent Christian church built upon Jesus` teaching. Although Pope Pius XI, head of the church in Rome, made the doctrine of the Assumption of the Virgin Mary into heaven dogma in 1950 based on the teachings of Jesus Christ from what is known as theNew Testament of the Bible appended to the Old Testament of the `chosen people` of the Jews, which contains the Talmud and Torah, that is, the law and history of the `chosen people`, the doctrine of the Ascension of God`s futanarian `foot` as a new human host greater than the host of the angels through the sexual reproduction of brainpower from `woman`s seed` isn`t church dogma. Although it`s explicit in church dogma that Jesus` `seed` is in heaven, and that the Virgin Mary is in heaven, it`s implicit that Eve`s `seed` is also in heaven, that is, the Bible is God`s plan for colonizing the planets revolving about the stars with futanarian humanity.

The Judaic tradition is that a Jew can only be born from a woman, because humans are futanarian, that is, Jews are the `chosen people` because they`re futanarian. Abraham was the founder of Judaism through his son, Isaac, who was the child of Sara, who became barren and gave her Egyptian maid, Hajer, to Abraham. Hajer bore Ishmael who founded Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from God`s angels, according to Islamic tradition, and Moslem marriages have four wives as a consequence of the two women, Sara and Hajer, bearing sons that were the founders of Judaism and Islam respectively. As Judaism is futanarian, so Islam`s four wife marriages afford the possibility of futanarian sexual reproduction between women in the Moslem family, which is in accordance with God`s plan. Although Christianity perceives itself as a continuation of Judaism through the New Testament of the Bible, the Moslem Koran is an original text containing the histories of Abraham and Jesus, whereas Judaism doesn`t accept Jesus` NewTestament as the Bible. Consequently, the Moslem peoples are closer to Abraham and Jesus than Christianity, because Jesus was a Jew descended from Abraham, while Islam derives from Ishmael, a son of Abraham`s. In simpler terms, Jesus is accepted by Islam, whereas Judaism doesn`t accept Christianity, which means that `woman`s seed` is acceptable to Moslems in terms of the social structure, that is, families with four wives, and is a continuation of Jewish tradition as the futanarian `chosen people`, whereas Christian monogamy is closer to ring slavery in host womb parasitism as `parasitoid` male nature prepares to devour `woman`s seed` and the civilization, culture and art she`s still able to produce despite the depredations of the predator that emerges from her body to consume her.

Without education the rich consume the less rich and so the Earth has consumption in blind unconscious ignorance. However, if the rich were educated in futanarian conservation consumption would occur as an informed process whereby the richer consumers could decide whether to consume or not based on knowledge of futanarian humanity, which isn`t a choice afforded to the uninformed. That`s morality from the perspective of the rich. Eating one`s neighbor, as you`re richer, is a diluted ambition if the perception is that one`s neighbor is human, because they`re human futanarian `woman`s seed`, that is, women. Invariably present in any invasive situation, women wouldn`t be consumed if the invader was human. Without education the rich consumer doesn`t have the knowledge to refrain from consuming, whereas wisdom confers that understanding. Consequently, the `serpent`s seed` doesn`t want to confer understanding upon the rich consumer, so US$ 1 billion is spent to purchase and maintain each `Spirit` bomber, because the consumer is blindly unconscious and ignorant of what it shouldn`t consume, which in Moslem Islam is the `woman`s seed` of the women who conceal themselves publically from view beneath the one-piece coverall of their burkas lest someone see that they`re futanarian human.

In Christianity it`s traditional for a woman to cover her head in church lest she be seen by angels, who enamored would descend from heaven and seek to have sexual intercourse with her. According to paleontologists winged dinosaurs shrank to become birdlike, which suggests that God`s angelic host more properly corresponds to what children are taught as faery. In the Hollywood Babylon film, Red Dragon (2002) based on Thomas Harris` perceptive 1981 novel, the psychopathic male who kills women to wear their skins is `The Tooth Fairy`, who bases his character on a painting by William Blake, The Great Red Dragon And The Woman Clothed In Sun(1805-10), which celebrates a passage from theBible: `And the dragon was wroth with the woman, and went to wage war against the remnant of her seed.` (Rev: 12. 17) If winged dinosaurs became birdlike creatures corresponding to wingéd angels, they`d be the fairy creatures of folklore. Satan`s host of `fallen angels`, removed from heaven by God and the angelic host there, represent the consequences of male braining to the exclusion of human `seed`, that is, futanarian women`s. In short, Satan`s `angels` are of the sort that induce humans to kill women to wear their skins, which is a what a single male brained creature wearing each others` clothes, as men and women, is. Consequently, the psychopathic killing of women to wear their skins is a stereotypically male brained activity induced in Satanism as evinced by actor, Ralph Fiennes, in his Red Dragon role of `The Tooth Fairy`, Francis Dolarhyde. However, denial of futanarian education to humans is encouraging worship of `The Tooth Fairy`, who is an extreme instance of the general malaise of the male braining of the species of `woman`s seed` as a single transvestite creature wearing each others` clothes, rather than that angelic faerie creature of folklore children are taught will reward them with a sixpence for putting a tooth under their pillow after its pushed out by a new grown replacement. Symbolically the tooth fairy represents that angelic spirit of growth, which corresponds to Jesus` Holy Spirit`s capacity to facilitate human knowledge, that is, futanarian wisdom, which Francis Dolarhyde`s character of `The Tooth Fairy` in Red Dragon perverts in his psychopathic killing of women to wear their skins as a deranged but understandable transvestite male.

Children are taught to put a dislodged tooth under their pillow for the tooth fairy to give them sixpence, which means that the relationship between the spirit of growth and adulthood is financial from the parents` perspective as traditional folkorists. When the hijacked jets were crashed into the Twin Towers of New York city`s World Trade Center in the United States of America by Al Qaeda terrorist hijackers operating out of Afghanistan on September 11, 2001, the WTC was a symbol of `rough trade`, that is, the `brutality and violence`1 associated with the parasitical host womb enslavement of women`s host wombs for parasitoid devourment in homosexuality in pederasty for warfare against `woman`s seed`, which was institutionalized by the ancient Greek model for Western democracy, Athenian society.

Because human futanarian women`s socio-economic structure would differ from men`s, 9/11 was a concerted effort on the part of the `serpent`s seed` to deter acceptance of a democracy based on women`s capacity to sexually reproduce their own brainpower between themselves, because men can`t: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In the East `Babylon` was `a woman` whose name appears as the capital city of the Persian Empire, which ruins dictator Saddam Hussein could see from his palace at Hillah, Iraq, during the period after the March 2003 invasion by America and before he was executed on December 30, 2006, for declaring support for Al Qaeda. The subsequent rise of the Iraqi dictator Abu Bakr Al Baghdadi of the Independent State of Iraq and Syria (ISIS), and where Isis was the name of the ancient Egyptian goddess of Resurrection, belies the effectiveness of dictatorship when dealing with consumption by the rich.

Although Moslem nations in Islam are criticized for dictatorships, the rich can`t eat the less rich in a dictatorship that rules against the consumption of `woman`s seed`, which is why Jesus is represented in the Bible as a dictator: `Coming out of his mouth is a sharp sword with which to strike down the nations. He will rule them with an iron scepter. He treads the winepress of the fury of the wrath of God almighty.` (Rev: 19. 15) Although Saddam Hussein`s Iraq was described as trying to `gobble up Kuwait`2 during the Gulf war (1990-1), dictatorship could equally be used to prevent the richer from devouring the less rich, and riches are relative. Kuwait was an oil rich superstate before the Iraq dictator`s invasion, which is paradigmatic of what richer people do with those who`re less rich and so less powerful. Jesus` role in his `Second Coming` after his Resurrection and Ascension to heaven to prepare for his implementing God`s rule is that of a dictator refusing to allow the rich to consume the less rich, which in fact is what occurs at every level in a male brained society without the socio-economic advantages of women`s human futanarian democracy where the perception amongst those who nurture and bear the species isn`t that the borne are for slavery and consumption by the parasitoid devourers in parasitism upon the host womb of the race of women.

The rich have an extinction program, whereby the individual entrepreneur or inventive personality can`t help the human race even to walk, because it interferes with host womb enslavement in parasitism to their parasitoid devouring of `woman`s seed`, which effectively amounts to cowardly paranoia masquerading as conservatism. In British democracy the Conservative Party is associated with capital, that is, financial institutions and manufacturing industry, which stifle growth apart from activities associated with war economics. As people grow richer they`re less consumable, that is, led by paranoid parasitoid devourer`s, cowardice supports growth in areas ensuring extinction, for example, debilitating medical treatment ultimately designed to bind patients to wheelchairs; the armed forces; the police; independent security companies; surveillance; and government failure to educate beyond a reality `snuff movie` ethos of `action` heroes; for example, those of the Gulf war movie, Jarhead(2005), because education in anti-democratic male braining for war against women`s nascent human futanarian democracy is more likely to produce gaily brash entertaining murderous fools easily frightened into cowardice when embarrassed at needing instruction as to how to get the top off a difficult jar, while anti-women mass media propaganda productive of blind ignorant unconsciousness prepares an explosive social fabric for the security forces to devour as the meal bought for them by the richest.

The North American Plains Indians had a tradition called `running the arrow` described in the movieRun Of The Arrow (1957) in which actor Rod Steiger in the role of O`Meara is captured by men of the Sioux tribe who`re going to kill him for trespass before his Indian companion, Walking Coyote, asks to `run the arrow`, a tradition whereby an individual convicted of a `crime` is given a chance to run and evade those running behind charged with the task of killing the runner ahead. In 1967 novelist William F. Nolan wrote Logan`s Run which was subsequently turned into a 1976 movie about a society in socio-economic collapse that killed citizens who reached the age of 21 so that the economy of the society remained sufficiently sustaining for the remainder. The story about a `sandman`, actor Michael York as Logan 5, and actress Jenny Agutter as a woman he helps to `run`, Jessica 6, was based on the Plains Indians` perception that elements not conducive to a healthy society should be killed. Runners were pursued by `sandmen` until caught and killed, that is, the `sandmen` were the equivalent of the Plains Indians, who were exterminated by the European settlers in the United States of America by the simple expedient of paying buffalo hunters to kill the 60, 000, 000 herd and so starve the indigenous inhabitants to death by the 1880s. When Al Qaeda terrorists hijacked civil airliners at Boston, Logan airport, to crash into the WTC on 9/11, 2001, it was `Logan`s run`, because the `serpent`s seed` didn`t want developmental progress for the 21stcentury but rather a parasitoid devouring of human and natural resources in warfare against `woman`s seed`, who is `running the arrow` as a victim rather than a criminal.

When the Boston Marathon was bombed by terrorists on April 15, 2013, `sandmen` were again endeavoring to prevent the human futanarian `foot` race from running by keeping `woman`s seed` wheelchair bound in automobiles with God`s promise of the planets and stars receding as fast as the would-be escapees could be caught. In socio-economic terms the rich European settlers ate the less rich Plains Indians and the same rich cut off the `foot` of the enslaved humans to make it easier for their parasitoid nature to devour the race. Hollywood isn`t pejoratively called `Babylon`, because Logan`s Run, which was made into a `TV series in 1977-78, is a prototypical `snuff movie` in which people are killed in real life for the entertainment of the viewer who watches the recorded or `live` transmission. The `Hays code` (1930-67) introduced by President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) came into force just 20 years after the first Hollywood film was made by director D.W. Griffith, Old California (1910), and prohibited `woman`s seed` from being seen to raise her futanarian human `foot` on screen: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`3 The appearance of William F. Nolan`s 1967 novel as the film, Logan`s Run, in 1976 represented surrender to the `snuff movie` ethos of extinguishing the human species for the entertainment of the richest parasitoid natures.

In the development psychology of Carl Gustav Jung (875-1961), which grew as a response to `father of psychoanalysis` Sigmund Freud`s (1856-1939) reductive belief that everything was `nothing but` an expression of the repressed penis, God is described as an archetype, and archetypal expressions of the human desire for progress appear in dreams, art and the imagination to impel development. Although Satan is perceived by some as an archetype, in fact the `fallen angel` is a reductio ad absurdum; like Freud`s occluded perception that civilization, culture and art is the product of futanarian `woman`s seed`. What occurs is described in Greek philosophy as enantiodromia, whereby an opposite becomes its `other` in the course of time, that is, as the rich parasitoids consume God, who represents the human desire to escape slavery on Earth through technological progress, so God becomes Satan in refusing to accept imprisonment and parasitoid devourment as a slave in host womb parasitism for homosexuality in pederasty`s misogynist warfare against humanity`s `woman`s seed`.

The term `pedophile` is applicable to those who want to maintain humanity in infantile blind unconscious ignorance, that is, pedophiles want to play with the human species, rather than that the race invent and play with its own toys; for example, colonizing starships as depicted in `TV` shows likeStar Trek (1966-69). Consequently, `pedophile`, `pederast`, `transvestite`, and `misogyny` aren`t pejoratives, but descriptive of Satanism`s parasitoid methodology for devouring the Earth before `woman`s seed` can raise her futanarian `foot` from the cutting room floor of Hollywood Babylon`s media Empire and run her own race amongst the planets and stars.

According to paelontologists winged dinosaurs became smaller and more birdlike, that is, they became birds, which are that species genus known as oviparian, because they lay eggs. Consequently, in male braining humans are defined by technologies descriptive of saurian avians, for example, the `Spirit` bomber of the United States of America is a winged male dinosaur dropping bombs, rather than laying eggs, because men`s parasitoid nature is that of a coward that doesn`t want `woman`s seed` to fertilize her ovum so that the human futanarian race can escape. Because the Bible indicates that the `fallen angel`, Satan, is the serpent that becomes the winged dragon, birds are representative of the angelic winged host but `fallen`, whereas the human host isn`t winged, and as winged dinosaurs shrank to become birds, it`s likely that the `fallen` angels correspond to what folklorists call `little people`, that is, the fairy folk of legend. In Islamic tradition each individual has a good and evil angel, the `hamzad`, which encourage and tempt by turns until good or evil results. In terms of realpolitik the US` `Spirit` bomber is evidence that the evil angels won, because Jesus` teaching of `woman`s seed` through the Holy Spirit didn`t. Because humans aren`t educated in knowledge of their own nature whereby women sexually reproduce the species` brainpower with each other from their futanarian race`s own penis` semen, evil isn`t recognizable as men`s parasitoid nature in need of what Jesus called `metanoia`, that is, brain transformation, in acceptance of Redemption from male braining`s unbalanced psychopathology through `woman`s seed`.

If humanity is described as that which can live humanly alongside other humans, `fallen angels` represent an earlier humanity that wasn`t willing to live with other humans, that is, humans as represented by the US` `Spirit` bomber are humans who can`t live with other humans, so are `fallen` humans rather than winged angels. Although Satan and the `fallen angels` are depicted as inhuman, God`s angelic host that are able to live with each other are by definition human. Satan was removed from heaven for rejecting God`s plan that the human host would be greater than the angelic, that is, they`d be able to live with the angelic host humanly, which Satan didn`t. Or, in other words, those that can live humanly together are humans, whereas those aren`t who can`t, that is, the angels are human if they can live with humans humanly, while the US` `Spirit` bomber is an indication that the inhumanly wingless can`t live with the `seed` of women desirous of fertilizing her own human eggs so that she can develop the brainpower for technologies that would allow her to fly further away, and that it`s men`s parasitoid nature to devour her infancy.

Because men are parasitoid, US` `Spirit` bombers correspond to the winged dragons of legend, which devastated countries where the people were smaller. Consequently, humans are too big for men, so logically they`d become smaller, as winged dinosaurs became birds, to avoid extinction. The `little people` of folklore and legend represent the humans who`ve been `smalled` by men`s parasitoid devouring nature. In short, the faerie folk are the `remnant` of `woman`s seed`, which the Bibledepicts the `dragon` as going off to wage war against, because he`s `wroth with the woman` as a male brained parasite that won`t accept the rule of human women`s more balancedly democratic futanarian nature.

1 .

2 Bills, Robert, `Capitalism, Socialism And The End Of History`, Socialist Labor Party's 44th National Convention Banquet, Biltmore Hotel, Santa Clara, California, Saturday, April 10, 1999.


Camp Security For Believers

Saddam Hussein`s name means `crusher` and `small handsome man`. In Eden Eve is told she will `crush` the head of the `serpent` with her heel before she leaves Earth. Saddam`s name means that `man` is her target. Revelation tells how the `red dragon` waits in vain to devour the `New Redeemer`, who is born to the `woman clothed with the sun and with the moon at her feet` and protects the `hidden` woman before she `sows` her `seed` in heaven. After war against the evil serpent`s `seed` from Earth, she receives a new heaven and Earth and the evil receive perdition. Because the woman has `seed`, she has her own penis and is futanarian woman, so her enemy is `man` because woman is the species on the planet if she has a penis of her own and men are, in science fictional terms, the evil alien parasites who don`t want her to leave because their virus needs a `host` womb to further its plague aims of `play games` of destroying her.

In the developmental psychology of Carl Gustav Jung (1875-1961), sun and moon are male and female symbols of the ego andanima or soul of man, but for a woman the sun is her soul symbol and the moon symbolizes her spirit or mind. In Arabia the moon is deemed to be male and is the symbol of Osama Ben Ladan`s Al Qaeda, which was instrumental in plunging the globe into terror on 9/11: `They had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon and in Greek is Apollyon (that is, Destroyer).` (Rev: 9.11)

In Jungian psychology the prognosis is that the Earth can`t survive without some kind of synthesis of male and female principles, and the male sun principle is most clearly represented by the red sun of the Japanese sneak attack on Pearl Harbour on 7thDecember 1941 which plunged the globe into a war that resulted in the USA`s unleashing the power of the sun against Nagasaki and Hiroshima.

Al Qaeda`s sneak attack on the Twin Towers of New York by means of hijacked `civil` aircraft masquerading as `friends` from Boston, Massachussetts, reinstates the paradigm of the `virus`, which began in ancient Greece, where the wooden horse before the walls of Troy tempted the Trojans to take it into the city, and the Greek `virus` emerged to make it captive.

Ancient Greece was founded upon the principles of war through homosexual pederasty and the enslavement of women`s wombs to spread their `plague games` of viral assault against neighbouring city states. In biblical terms, the `blood plague` of the `red dragon` of Revelation is HIV/AIDS and the `Greek horses` of the 9/11 aircraft crashing into the Twin Towers of New York were spreading a valence of the `Greek` virus of homosexual pederasty and war, as a psychological terror weapon, and a weapon of biological warfare against women`s wombs, which in Revelation are effectively described as `Greek whores`: `Babylon the Great, Mystery, Mother of harlots, and of the Abominations of the Earth.`

Women who produce boy sons, that is, poisons, solely for war `plague games` give birth to the `Abominations of the Earth` and so are whores. The `woman clothed with the sun and with the moon at her feet` is a symbol of the `hidden` woman who leaves the Earth and spreads her own `seed` amongst the stars in heaven because she has her own penis, which is defined as male but is definable as entirely female because it desires her. Consequently, men are definable as alien parasitical viral life forms that have enslaved her `host` womb only to destroy her and the products of her womb, which is everything that is human upon the Earth. The woman `clothed with the sun and with the moon at her feet` symbolizes the woman with a female soul (sun) and a female source of intellect and spirit (moon) that derives from a penis that is more firmly attached to her, and in Revelation she escapes from her parasitical alien virus, that is, men, represented at the beginning of the 21st century as the `Greek horse` of HIV/AIDS and terrorism.

The Greeks couldn`t take Troy without employing the ruse of the hollow wooden horse, which taken into the city by the Trojans allowed the Greeks to emerge from within and capture the city. 9/11 was an obvious ruse to have the `boy sons` of the USA come out from behind the walls of New York`s Ilium in order to foster the viral `poisons` of war. Al Qaeda`s objective was the reassertion of the male moon, that is, the penis as the instinctual libidic focus for the development of a spiritual and intellectual misogyny that prefers ICBMs aimed at woman`s Earth to space rockets facilitating the `hidden` woman`s penis from escaping the `red dragon` of the male ego`s devouring homosexual pederasty of war, and its plague aimed at living as an alien parasite of evil from her `host` womb.

In Christianity Jesus` distillation of God`s law as `love your neighbor as you love yourself` is the precept upon which Redemption is based. The observation that the other person is you involves the perception that Saddam Hussein is a woman too, which means that Saddam`s name of `crusher` and `small handsome man` is that aspect of him that is `hidden` and female, or `futanarian`. In symbolic terms, the penis is the `small handsome man` of the `futanarian` woman, who`ll leave the Earth because he`ll will her to `crush` him here, that is, her `heel` will: her he`ll will; crush!

In Eden Eve is told she will `crush the head of the serpent with her heel` before she leaves the Earth, and `heel` is a term of contempt for a `dishonourable man`, but not if he`s willing her to crush him with her heel so that his woman can escape from the Earth with her.

The male moon of Al Qaeda`s `poisons` prepared New York`s Saddam`s Eve`s `Big Apple` of `boy sons`, that is, the `fruit of the tree of the knowledge of good and evil` once again, for the `hidden` woman`s `teacher` which, if the penis is defined as female, is its developmental libidic energy as manifest in spiritual and intellectual work.

Homosexual pederasty`s `red dragon` of enslavement includes the perception that the penis is female, and so homosexuality has no interest whatsoever in the human species apart from its capacity to produce so that it can destroy, that is, men are identifiable as genuine evil alien parasitical death, whereas the species of `futanarian` woman on the planet Earth is taught that men are human.

The Arabian moon is male, and the motto of Al Qaeda is, `There is no God but Allah` and, in the Koran, Allah is `neither male nor female`, which is similar to the Bible, `male and female he created them both`, that is, God is both male and female, which is why the moon in Jungian psychology is female, because the sun is its complement. Al Qaeda represent an overweighting of the male principle, where sun and moon are both perceived as male, whereas in fact sun and moon are `neither male nor female` but belong to woman as the species of the planet Earth, and she understands that the penis is hers. The `woman clothed with the sun and with the moon at her feet` is woman, and the `New Redeemer` is the protection her penis affords her.

In the television series Star Trek: The Next Generation (1987-94), the prescient names of the female characters, Dr. Beverley Crusher (Gates McFadden) and Deanna Troi (Marina Sirtis), denote a future in which the head of the evil serpent of Eden grown into the devouring `red dragon` will be `crushed` by woman as a species, and its `plague aims` of homosexual pederasty, which began manifesting itself in war socio-historically at Troy, and continued into the 20th and 21st centuries as HIV/AIDS and global terrorism, will end.

Star Trek began in 1965 and is still `boldly going where noone has gone before`. Originally, the opening credits of the show featured the line, `to boldly go where no man has gone before`, but feminism changed that. The series was described as `camp` when it began, which means `gay`.

In the 20th century it was `politically correct` to define lesbians and homosexuals as `gay` and `equal`, whereas women are a species with her own penis and sex between them is normal, and homosexuals are not a species and sex between them is not normal but sterile, which is a valence of the `red dragon` of homosexual pederasty that produced the bane of the 20th century, that is, the `blood plague` of HIV/AIDS from sterile anal sex mixing semen with shit and blood.

In feminist terms, the female policewoman or politically correct `PC` defined women as equalling a virus,and God `worked like a Trojan` to politically correct her until, `PC` again, she was able to accept the `blood plague` of HIV/AIDS and homosexual pederasty`s ancient war against her `host` womb and its products as a mysterious `curse` upon the human species, whereas it is a valence of men as woman`s devouring parasite.

`Camp` humour is how Star Trek was defined, along with other 60s TV shows likeBatman and Robin and Superman. The `joke` primarily devolved from the notion that there was one level of humour for dad`s and another level of interest for kids, which the planet has continued to perpetrate by denying that the penis of the Earth is woman`s as the species that`s native to the planet. In other words, what`s being concealed by the `camp` humour is that the Earth is the `concentration camp` where the woman`s penis is being worked to death by the evil parasitical aliens of the `red dragon` of men`s homosexual pederasty that doesn`t even care about the penis, which represents the developmental functionality of the race. In simple terms, the two tier humour of `camp` is that of the ghoulish torturers and murderers, that is, the genuinely evil alien parasites, which aren`t even interested in their own penis because it represents the capacity to develop beyond the simian.

The security officer aboard the Starship Enterprise on Star Trek: The Next Generation is Tasha Yar (Denise Crosby), and `Tasha` means `born on Christmas Day`, which is the 25th December and the celebration of the nativity of the baby Jesus. However, `Babi Yar` was the scene of a Nazi pogrom: `The massacre was the largest single mass killing for which the Nazi regime and its collaborators were responsible during its campaign against the Soviet Union and is considered to be `the largest single massacre in the history of the Holocaust`.`1

Obviously, the two tier `camp` humour inStar Trek: The Next Generation depends on our ability to perceive the birth of Tasha Yar as a prelude to woman`s extermination. Even in pop video singles women`s `camp` followers are ineluctable in their ghoulish humour. The `announcer` to Miley Cyrus`Can`t Be Tamed (2010) is allowed to direct us to a perception of her as: `A creature so rare it was believed to be extinct.`

So she`s supposed to be extinct, then? `Camp` humour is actually ghoulish insofar as daddy`s daughters aren`t supposed to know what `daddies` plan for their future. `Daddy` is a prison term, and Star Trekremains `camp` because the evil alien parasite, that is, men, is still clutching at the `host` wombs of women, and refuses to be left behind in jail as the female penis continues to develop its `escapist programme`.

In Revelation unendurable eternal pain is the punishment for those who have imprisoned woman here upon the Earth and `camp` at her inability to escape them in `entertainments` such as Scarey Movie(2000), in which the comedic premise is that the murderer will eventually get the girl, Anna Faris, or Scream (1996) in which the comedic premise is to pretend that the movie in which young women such as Sarah Michelle Gellar are murdered is a serious movie and that the `camp` audience aren`t laughing hysterically at the prospect of Sarah being eviscerated by the anonymous `Everyman` figure of the masked slasher with a carving knife.


Won`t Die

The humans won`t die quickly enough so that the enslavers can get through the next generation. The original 1908 model T Ford mass produced motor car from the Henry Ford manufacturing plant in Detroit, Michigan state, in the United States of America, was a petrol driven pedal and wheel controlled vehicle that demanded a great deal of attention from the driver that resulted in an individual sitting stilly as if paralyzed while the world travelled around him. The scenery travelled while the man sat in his seat and worked very hard with his feet, hands and brain. By the first decade of the 21st century the visual look of the motor car had improved. The analogous comparison is the Hollywood, Babylon, television series Star Trek (1966-69) in which the starships of the Federation of planets are depicted maintaining the peace of the known cosmos colonized by Earth devised by experts in visuals. When the series was revived as Star Trek: The Next Generation (1987-94) the visuals had improved. Although freedom is the slogan popularized by the United States of America with its female statue of `Liberty` in the harbor of New York city, treadmills were invented by the Americans for their slave plantations during the period of the Southern United States` usage of mainly black Africans as cotton picking labor for the clothing manufacturing industries. The treadmills in which sometimes thousands of people applied their feet to grind flour, for example, although the mechanism often did nothing productive, were used to inure slaves to drudgery. The Civil war (1861-65) was fought by the North against the South to manumit slaves, but the invention of the motor car to run along straight roads with directional indicators and traffic jams twenty miles long returned men to the age of the treadmill in slavery. Because improving how things look to others is what slavers are for, cars look better, although their mechanical operation by hands, as well as feet, makes of them an improved treadmill.

According to the Bible, God told Adam, the first man, he must labor, while Eve, the first woman, would experience labor pain, before Redemption. In Christian iconography Jesus` mother, the Virgin Mary, is depicted standing on the head of the serpent, because Jesus` birth uncontaminated by male semen is the victory of `woman`s seed`, which is what God told Eve would happen after Eve and Adam were expelled from the garden of Eden by God for accepting slavery in death from the serpent who gave them the `fruit of the tree of the knowledge of good and evil`, saying `You shall be as gods.` (Gen: 3. 5) Expelled, because they rejected the `tree of life`, which was immortality, God told Eve, `You shall crush the head of the serpent with your foot, although he shall bruise your heel.` (Gen: 3. 15) Because Eve`s `foot` is woman`s futanarian `other` with her own penis` semen, the race of woman`s `seed` represented by Jesus` birth uncontaminated by male semen, and with that as his teaching, the race of futanarian women is to have Resurrection and Ascension to heaven on the strength of their own sexually reproduced brains` powers for labor saving technologies to escape the enslaving drudgery of male braining and so crush the head of the serpent beneath her futanarian foot. Jesus` death in occupied Jewish Palestine, as a `dissident` betrayed by one of his disciples, Judas Iscariot, after his being nailed onto a cross of wood upon the hill of Calvary by the Roman Empire, occurred because the Jewish Messiah represented a threat to war and the Empire of the male brain, while Jesus` subsequent Resurrection and Ascension to heaven prefigures the Resurrection and Ascension of `woman`s seed` to the stars and planets of colonial heaven depicted by the United States in their various television Star Trekseries and Hollywood, Babylon, movie franchise, beginning with Star Trek: The Motion Picture (1979). Although men had removed the woman`s penis and so spoiled the visuals permanently, the uniforms of the crew of the Starship Enterprise improved, because there weren`t any unsightly women`s human erections bursting at the seam as they bustled about the corridors and on the bridge in their short skirts and curvaceous body suits. Mass media depictions of the Star Trek women in bikinis and appearing scantily clad to boost print sales of magazines belied the existence of the human penis. The `Hays code` devised by Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), which made it taboo for a woman`s `foot` to be raised from the floor of the bedroom in romantic scenes during movies, meant it became impossible for women`s `seed` to be popularized through knowledge of the futanarian human penis` existence and so women`s enslavement continued in ineducable male brained ignorance: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

Although women seem to have improved their looks during the 20th century, men`s implementing a design flaw in the human model began as early as Eden when the human species` penis of women`s futanarian `seed` upon the Earth began to be devoured by the male brainer. By the early 21st century, `woman`s seed` had almost disappeared, `The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 4) Although Jesus is depicted as the child, who will `rule the nations with an iron scepter`, (Rev: 12. 5) the child he`s ruling for is the little girl of the mother, who is the futanarian daughter of the human species with her own penis` semen for the sexual reproduction of her own brains` powers, which will crush the brains of the serpent beneath her futanarian foot as it starts to run its race to escape from men`s host womb slavery into freedom: `One small step for a man, one giant leap for mankind.`1

North American Space Administration (NASA) Apollo 11 astronaut, Neil Armstrong, was the first man to put his foot on the moon during the Apollo space program, but women`s futanarian foot wasn`t there because Hollywood, Babylon, had made it impossible for women`s foot to be seen and so raised from the floor of the bedroom. Although Jesus called himself `the son of man`, he was crucified after fulfilling his role as human host at the `Last Supper` for his disciples, where he gave `bread and wine` as symbols of his `body and blood`, because Judas Iscariot, his disciple, betrayed the human host of `woman`s seed` by labeling Jesus as `dissident` and giving him over to the Roman Empire for execution as an enemy of Empire and male braining, which Apollo 11 astronaut Neil Armstrong represents also. On March 23, 1983, US President Ronald `Ray Gun` Reagan inaugurated the `Strategic Defense Initiative` (SDI), which was known as `Star Wars` after another science fiction movie franchise that began with Star Wars Episode IV: A New Hope (1977) and featured actress Carrier Fisher as Princess Leia, leader of the Federation against the evil Empire`s henchman, Darth Vader. Reagan was Vader insofar as his plan was to implement a global `ground and space based missile system` that effectively required permission from the President of the United States for anyone who wanted to leave and so `Star Wars` effectively imprisoned women`s futanarian `seed` of humanity upon the Earth where it could more easily be exterminated.

Although looks were improved from Star Trek (1966-69), through Star Trek: The Next Generation (1987-94), and on into the 21stcentury, with Star Trek: Enterprise (2001-5), a prequel, there was a dark side emerging that made its presence felt with the twelfth movie in the franchise, Star Trek Into Darkness (2013), because there weren`t any women in the picture. Human sexual relations would interfere with the look of the thing, which looks like visual improvement but is actually a visual impairing of the male viewer living in uneducated ignorance like an animal as the evil Empire of the alien prepares him to die in its racist war against the Earth`s species. Captain James T. Kirk is rejuvenated in a scenario that amounts to drinking the blood of his enemy, Khan, who`s crashed the Starship Vengeance into San Francisco, symbolically, and the male brain goes careering on into extinction as a virus that inveigled itself into the host wombs of the human species of futanarian woman eons ago and now emerges to war upon its host and kill her because that`s what parasites are for: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

By the late 20th century men`s rejection of immortality in favor of slavery for women in ephemerality in death had resulted in their mixing blood, shit and semen in each others` anuses and spreading the incurable killer disease, HIV/AIDS, in what amounted to their `biological warfare` against `woman`s seed` in order to keep her in fearful faithfulness to ring slavery in monogamy. Men`s institutionalization of homosexuality in pederasty and war began in Western Europe with the Greek model of democracy in which women were host womb slaves for the Greeks` wars against city states like Troy, where they deployed a huge hollow wooden horse, according to the poet Homer in his Iliad (760-10 B.C.), which the Trojans took into Troy and the Greeks emerged to enslave the host wombs of the women for homosexuality in pederasty and war and spread their virus further. By the late 20th century, the Greeks` successors, the geeks, had developed `bad machine code` based on the HIV/AIDS` virus to infect and kill computer brains so that women`s memories would be as short as their lives. What men had done was enslave the host wombs of women in parasitism for the spread of homosexuality in pederasty amid conventional and biological war designed to eradicate the human species from the Earth.

Although Greek democracy was held as the zenith of Western civilization`s achievement, the absence of futanarian `woman`s seed` doesn`t simply mean that women have to fight for suffrage in dictatorships, but that there aren`t any women to vote even if they`re vouchsafed the franchise. Christianity boasts Western democratic freedom as its mainstay but only in the nations of Islam amongst the Moslems is the marital basis for sexual reproduction between women found in the four wived marriages of Islam that derive from Sara`s ancient biblical decision to give her maid, Hajer, to Abraham, when Sara was barren after the birth of her son, Isaac, who founded Judaism. Hajer gave birth to Ishmael, who was of the lineage of the founder of Islam, the Prophet Mohamed, and which celebrates the fourfold marriage of woman each year with a pilgrimage bearing the name of Hajer, the Haj, to the temple of Abraham in Saudi Arabia`s city of Mecca. Before Jesus` death the Messiah said that a spirit would teach after him, and the Prophet Mohamed received the Koran(610-30 C.E.), which is the holy book of Islam, divinely inspired, and containing the stories of Abraham and Jesus, over six hundred years after Jesus` Resurrection and Ascension to heaven. When Al Qaeda, the Afghanistan terrorist group, `the base`, with support from the Moslem misogynist Taliban regime there, hijacked civil airliners and crashed them into the Twin Towers of the World Trade Centre in New York city on September 11, 2001, and Saddam Hussein, dictator of Iraq, whose summer palace overlooked the ancient city of Babylon, declared his support for the terrorists, it looked as if Christianity would be triumphant as the United States of America quickly removed the Taliban government in the capital city, Kabul, and in March 2003 invaded Iraq to subsequently depose Saddam who was executed on December 30, 2006. The `Arab Spring` of 2011, which saw the fall of North African dictators, Ben Ali pf Tunisia, Mubarak of Egypt, and Gadaffi of Libya, represented the chimera of democracy in male braining, while the rise of the Independent State of Iraq and Syria meant the refusal of Moslem women to accept dictatorship of the male brain either in the style of Western democracy or by rule of male autocracy. During the Bosnian war (1992-95) as Eastern European nations were incorporated into the European Union, Serb Christians set up `rape camps` in Bosnia to male brain a generation of Moslem women which was condemned as immoral by Christianity but without any understanding at all or indeed an attempt to educate the people of Europe through the mass media as to why it was immoral, which was criminally immoral on the part of the Christian clergy preaching from the Bibleand using the words of Jesus Christ, born uncontaminated by male semen from his mother, the Virgin Mary, to justify homosexuality in pederasty: `Love your neighbor as you love yourself.` (Mk: 12. 31)

Humans are made for loving each other, men aren`t, and men`s socio-economic history of slavery is a witness. Although Judeo-Christianity seems antithetical to Islam, because the Jews are the `chosen people` of the Bible comprised of the Torah and Talmud, that is, the law and history of the Jews, as well as the story of Jesus, which is the New Testament based on Jesus` teaching, the fact that it isn`t possible to be born a Jew unless from a woman means that the Jews are women and that the Christian German National Socialist Party`s pogrom against the Jews during the German Empire`s attempt to enslave Europe and the world in the 1939-45 war, was an attempt to exterminate women`s futanarian `seed` of humanity. Consequently, Jesus` role as `woman`s seed` born uncontaminated by male semen from his mother, the Virgin Mary, and that of the Prophet Mohamed, whose Koran is the basis for the four wives permissible within Moslem marriages affording the sexual reproduction of humans through the `seed` of futanarian women, represent a unified religious belief system rather than division, which is what the terrorist attack on the World Trade Centre sought. Because homosexuality in pederasty and war seeks the extinction of the human race, and `world trade` is a euphemism for `rough trade`, that is, `brutality and violence`2 between men engaged in homosexuality in pederasty, Al Qaeda sought to suppress knowledge of the supposedly transsexual and transvestite community of New York city`s `Big Apple` by provoking global conflict and terror designed to foster the Empire of the male brain in war, while suppressing the knowledge of futanarian women and their `seed` for the sexual reproduction of their own brains` powers for liberation through labor saving technologies and regenerating medical science. If the human race of women is extinguished through war economy, there isn`t human resource to be devoted to labor saving and health care, so the human species of women can`t escape host womb slavery in parasitism for death in war. Consequently, Islam and Moslem women`s fourfold marriage affording futanarian sexual reproduction, privately within the family between women, represents an 80% to 20% societal split based on women`s capacity to sexually reproduce against men`s that would make Islamic democracy 4/1 in favor of women and so inaugurate the era of women`s democratic rule, which is why Western democracy is a sham and dictatorship is almost the rule in Moslem nations. Men`s socio-economic booster is the Military Industrial Complex (MIC) which functions like a psychological complex insofar as, rather than turn to labor saving and healthcare as a means of socio-economic well-being for their populations, governments turn to slavery and the MIC as a means of ensuring a quick death to the latest generation while they prepare the next for the same fate. Women`s futanarian socio-economy isn`t based on invasion through penetration by an alien seeking to possess her species` host womb and steal her penis` semen to foist devouring war upon the host race, although it`s likely that a single human futanarian species of woman with her own penis` semen watching Star Trek would be delighted to see her race sexually enjoying themselves without being supervised by the aliens` navy.

While the visuals improve for Star Trek Beyond (2016) and Star Wars Episode VII: The Force Awakens (2015), it`s only window dressing for `business as usual` in the slave economies of the Earth as the parasite continues to gestate itself in the host wombs of the human futanarian race of women before emerging as her devourer in death in life devoted to war against her species of woman. In Star Trek: The Original Series(TOS) `Amok Time`. actress Arlene Martel was the Vulcan, T`Pring, with the pointed ears, while actress Susan Oliver was green-skinned Veena in `The Cage` on the planet, Talos, and actress, Marina Sirtis, was Deanna Troi, the Betazoid telepath and starship Enterprise therapist during the Star Trek: The Next Generation (1987-94) series, but despite wearing everything but a red nose and clown`s boots there`s still no sign of the alien woman`s penis, or her daughters`, because men wouldn`t be able to see her enjoying sex without wanting to exterminate her. Marching swiftly along the corridors ignoring the penis of the race of the human species of futanarian woman that they`ve stolen as her alien parasite eons ago in order to wage war against her species to extinction is what the Confederacy of the men of the Southern United States were for.

1 Armstrong, Neil July 21, 1969, UTC: 2. 56.

2 `Violent, often brutal sex acts,` or `a person, especially a male prostitute, who engages in or appears likely to engage in such acts,`

Humanity`s Spay Ship Has No Balls

When the crew aboard the starship Enterprise embark on another TV adventure in the Star Trek (1966-69) series, a repeat with actor, William Shatner, as Captain James T. Kirk in command, or Captain Jean Luc Picard in the continuing adventures of the crew, Star Trek: The Next Generation(1987-94) there are women on the bridge of the Enterprise looking out of the viewing screen at the stars and planets of the cosmos as the starship speeds instantaneously from star to star by means of its warp drive. Indeed the drive of the crew is warped. Because what is depicted is a spay ship rather than a space ship, where the verb `spay` means `to castrate` and the human race amongst the planets and stars of heaven is represented in Hollywood, Babylon, as spayed, that is, paid by the `serpent`s seed` of Satan who don`t want the human race to be free of host womb slavery to the parasite that once tempted mother Eve in the paradisal garden of Eden that was humanity`s first home. God told Eve, after the serpent, Satan, who was transformed by God into a serpent for having refused to accept that humans would be greater than Satan and his rebel angels: `You shall crush the head of the serpent with your foot, although he shall bruise your heel.` (Gen: 3. 15)

Satan gave Eve the `fruit of the tree of the knowledge of good and evil`, saying `You shall be as gods.` (Gen: 3. 5) Accepting death rather than immortality, that is, the `tree of life`, Eve, the first woman, and Adam, the first man, were expelled from Eden by God with the exhortation that Redemption would come but Adam must labor and Eve would experience labor pain, and God`s promise was fulfilled in the birth of Jesus, born uncontaminated by male semen from his mother, the Virgin Mary, and who was nailed to a wooden cross upon the hill of Calvary outside the city of Jerusalem during the occupation by the Roman Empire of Jewish Palestine as a punishment for having taught that God`s law could be distilled into the simple maxim, `Love your neighbor as you love yourself.` (Mk: 12. 31) In Eden God had told Eve that her `seed` would have `enmity` with the `serpent`s seed`, thereby informing Eve that her daughters would have `seed` of their own as futanarian women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for liberation through technological development represented in the Star Trekcosmos by the starships of the United Federation of Planets. These brains are the `foot` of Eve that will crush the `head` of the `serpent`, because her brains will be stronger than men`s.

Satan offers Eve and Adam enslaving of the host womb of the human race in parasitism, which is why God tells Eve she`ll have labor pain, because her `seed` of futanarian women will be born after paradise and the `seed` of Adam will attempt to enslave the human species of `woman`s seed` for the war of the `serpent`s seed` against humanity. Consequently, the starship Enterprise is a `spay ship` because the women of Hollywood, Babylon don`t have any balls as they`ve been castrated by men of the `serpent`s seed` during the undeclared war of the alien parasite against her: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Babylon is depicted as the fate of a woman in the Bible, and the city was founded around 4000 B.C., so representing the collective fate of women, which Greek democracy more readily illustrates in its institutionalized enslaving of women`s host wombs for homosexuality in pederasty and the spreading of men`s early biological weapon of war preceding their later 20th century biological weapon of HIV/AIDS` incurable killer disease spread by their mixing of blood, shit and semen in each others` anuses in rejection of human sexual reproduction, while the early 21st century geek successors to the Greeks` `Trojan horse` viruses celebrate the enslaving of the city of Troy after the Greeks hid inside a huge hollow wooden horse that was taken inside the walls by the Trojans. The geeks` `Trojan horse` viruses infect computer storage to kill the memory so that women can`t remember.

Kept as ephemeral slaves deprived of medical science to make their memories long in longevity, rather than ephemeral host wombs for parasites that emerge to kill the human host, women constitute `spay ships` for men of the `serpent`s seed` and the starships of the United Federation of Planets are the `spay ships` of women as men project themselves with her as the host womb slave of their devouring parasitism into the future. If men were to discover that the alien life form to be found in the Altair system was a better host womb than women`s, she`d be extinct, `One small step for a man, one giant leap for mankind.`1 God told Eve her `foot` was God`s `seed` and the absence of futanarian human women`s penis from the `big screen` of Hollywood, Babylon, means that Satan has won the propaganda war and that the extinction of the human race of futanarian women continues apace in homosexuality and pederasty`s wars against `woman`s seed` disguised as action adventure and alien invasion movies. As all of civilization, culture and art emerges from women`s host wombs, the parasites depredations are extrapolated in Hollywood, Babylon, into the spurious excitation of films about invasion triumphs and the repelling of invaders, where the invaders and the repelled are the same parasites defending their host wombs in homosexuality and pederasty`s pogrom against humanity. Although aliens are extrapolations of what men`s invading parasites do with the civilization, culture and art women perforce produce from their host wombs, it`s the human race that`s being extrapolated as the alien.

In the film The Invasion Of The Body Snatchers (1956) the nickname for the invading aliens are `pod people`, because people are replaced while they sleep by replicas emerging from the pods, `People are being duplicated. And once it happens to you, you're part of this ... thing. It almost happened to me!`3 The remade The Invasion Of The Body Snatchers (1978) similarly extrapolates from the notion that women are `pods`, which afford men replication as their parasite although the women would want to sleep in the same bed together and sexually reproduce with each other if men hadn`t stolen their penis in that period long ago in Earth`s history when the alien parasite first inveigled itself into the host womb of the human species, as related in the biblical narrative of Eve`s encounter with the `serpent`, Satan. Consequently, women as `pods` in The Invasion Of The Body Snatchers represent the danger to men of women`s sexually reproducing together so that their brainpower would supercede that of their enslaving killers.

Hollywood, Babylon, actually released a movie, Invasion Of The Pod People (2007), in which `Melissa's supervisor Samantha seduces her into a passionate lesbian encounter, even though Samantha had never shown any signs of being a lesbian.`2 Well, that`s what the futanarian human species of women perforce are if they`ve been aboard `spay ship` Earth since Satan tempted Eve in Eden. The most famous Hollywood, Babylon, alien invasion movie presents H.G. Wells` War Of The Worlds`(1953) invaders dying of a virus, whereas the human race at the beginning of the 21stcentury was dying of men`s HIV/AIDS` virus, that is, the aliens are already here, and the humans are dying: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was castrate the human race of women so that humans aren`t produced on Earth.

Star Trek: The Next Generation was the series that followed on from Star Trek: The Original Series and `the necked generation`, where `neck` means to decapitate by beheading, would be a more appropriate title as there aren`t any shoulders with human heads on them in men`s semen`s male braining for their Graeco-Roman Empire of homosexuality in pederasty`s war against `woman`s seed`, `These are the voyages of the starship Enterprise. Its five year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before.`4 And the humans won`t be going, because there aren`t any human brains to sit upon the shoulders of the bodies produced from the host wombs of the women in parasitism to the `serpent`s seed` of men`s enslaving of the human race for extinction through war.

Men`s extinction pogroms against the human futanarian race of women have been going on for some time. When the German National Socialist (Nazi) Party`s leader Adolf Hitler was elected to power in 1933, he endeavored to enslave Europe during the 1939-45 war during which the Jewish `chosen people` of the Bible were incarcerated in `concentration camps` as slave labor before they died and their corpses were incinerated. Because Jews can only be born from women, women are Jews. Jesus` teaching was that a Holy Spirit would teach after him. In the Old Testamentof the Bible Abraham`s son, Isaac, by his wife, Sara, was the founder of Judaism, whereas Hajer, Sara`s maid, who she gave to Abraham afrer she became barren, bore Ishmael, who was of the lineage of the Prophet Mohamed who received the Koran from the angels of God. In Islam marriages are permitted four wives so that women can sexually reproduce with each other. Each year there`s a pilgrimage known as the `Haj` after Hajer, in celebration of her breaking the taboo against polygamy that affords women the possibility of sexually reproducing humans with each other. Consequently, the Prophet Mohamed`s Koran (610-30 C.E.) is Jesus` Holy Spirit.

Jesus` New Testament of the Bible is largely based on the `Last Supper` at which he gave `bread and wine` as the human host to his disciples as symbols of his `body and blood`, which was rejected by his disciple, Judas, who gave Jesus over to the Romans for crucifixion as a `dissident` because Jesus was `woman`s seed` and so an opponent of the male brained Roman Empire`s enslaving of women`s host wombs for homosexuality in pederasty and extinction through war of the human host, which God had told Satan would be greater than the angelic host and so the `serpent`s seed` of the rebel angels of the city of the angels of Los Angeles, Hollywood, Babylon, at the center of the propaganda media industry on the West coast of California in the United States of America, seek humanity`s end.

The `Hays code` (1930-67) of Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), forbade women from raising their `foot` from the floor of the bedroom in movies in Hollywood, Babylon, on `moral grounds`. Filmmakers didn`t want `woman`s seed` to appear on the `big screen`, lest it become fashionable for women to sexually reproduce with each other, and so God`s futanarian `foot` of human women would become strong enough to crush the head of the serpent, Satan. Women`s brains would be stronger than men of the `serpent`s seed`, who were already mocking her extinction with the release of Barefoot In The Park (1967), one of the first films made in which men`s penis was hinted at under the bedclothes. During the romantic comedy, starring Robert Redford as Paul, and Jane Fonda as Cory a couple living in an apartment in Central Park, New York city, the extinction of woman`s bare futanarian penis was being Satanically celebrated.

`The Captain`s Oath` was spoken in the opening sequence of the original television series, Star Trek, as a star in the universe becomes larger until it`s seen to be the starship Enterprise. The words of actor, William Shatner, as Captain James T. Kirk, differed from those of Patrick Stewart as Captain Jean Luc Picard of Star Trek: The Next Generation, because `no man` replaced `no one` in the speech, `These are the voyages of the starship Enterprise. Its five year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.`5 The Stewart version was billed as `feminist` although, if women are the futanarian human species with their own penis` semen and host wombs for the sexual reproduction of the human race`s brainpower outside of parasitism to men of the `serpent`s seed`, `no one` will have been before from humanity, because humans aren`t aboard the starship Enterprise as it continues its missions.

In the `classic` science fiction movie of writer Arthur C. Clarke`s 2001: A Space Odyssey (1968), apes are seen at the beginning of director Stanley Kubrick`s film discovering how to kill and eat animals. Triumphantly the ape hurls a bone into the heavens after using it to kill another ape, and it`s transformed by the magic of cinema into a space station orbiting the Earth. Although it looks like a pre-space scene, the ape`s gesture is more in keeping with the idea that humans are kept degenerate by those with more advanced technology, that is, the scene with the killer apes is a post-space picture, where the apes are extrapolations of what men have done to humanity:

`Beware the beast Man, for he is the Devil's pawn. Alone among God's primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother's land. Let him not breed in great numbers, for he will make a desert of his home and yours. Shun him; drive him back into his jungle lair, for he is the harbinger of death.`6

In the movie Planet Of The Apes (1968) actor Roddy McDowell is the ape scientist, Cornelius, reading from the ape`s sacred scrolls. The premise of the film is that the crew of a 1972 spaceship crash land on Earth to discover that there`s been a `time dilation` and it`s now the future (3978) where apes have survived a thermonuclear holocaust during one of mankind`s wars to build their own civilization, culture and art in emulation of what had been. The basic tenet of ape society derives from their sacred scrolls, `Ape shall never kill ape.`7 The equivalent human injunction is to be found in God`s Bible, `Thou shalt not kill.` (Ex: 20. 13) Given to Moses atop Mt Sinai by God, according to tradition, the Ten Commandments of Judeo-Christian law essentially elaborate on the simpler prohibition, `Thou shalt not steal.` (Ex: 20. 15) Because stealing is the mode of taking life that precedes killing, the prohibition against stealing is a milder reproof designed to deter those who would take life.

In Planet Of The Apes, Cornelius is told by his boss, Zaius, that the astronaut, actor Charlton Heston in the role of Taylor, is too intelligent and must be castrated, which is a satirical comment on what men have done to women. Without testes there can be no humans. Consequently, the castrating of humans is the prevention of futanarian human `woman`s seed` from sexually reproducing their own brains` powers through theft, that is, as the parasite that has inveigled itself into the host wombs of women eons ago, men have stolen and enslaved women`s `seed` for the wars that devastate the Earth in Planet Of The Apes, for example. Death is the `fruit of the tree of the knowledge of good and evil` given to Eve by the serpent, Satan, in Eden, because slavery to war is the power that men accepted as the `serpent`s seed` in exchange for women`s ephemerality and humanity`s impotence against enslavement to extinction in the warfare waged by the `serpent`s seed` against it.

Although The Planet Of The Apes depicts the emotive reaction of Taylor to Zaius` order that he be castrated, that is, his plan to escape from his castrators, the plot is the ancient one of futanarian human women`s castration as womb slaves in parasitism to homosexuality in pederasty and warfare against humanity. Hero worship of the race`s heroic defenders is what Hollywood, Babylon, encourages, and so the movie audience`s empathy is with Taylor, and against the apes, whereas the apes are men`s future, because they`ve castrated women, and so the film is a propaganda exercise on the part of men of the `serpent`s seed` planning to reduce humanity to the level of degenerate apes while concealing their racism in convoluted plots designed to garner support for men, who`re the `serpent`s seed` that slave women as the race they`ve murdered in order to thieve from what`s left of women`s human species.

Hollywood, Babylon, is full of producers, which in Star Trek are symbolized by the phasers that can be used to stun or kill, that is, the crew of the starship Enterprise are the prod users in the way that animals are stunned in the slaughterhouse as they go on their way to become meat. Science fiction writer Kurt Vonnegut`s Slaughterhouse Five(1969) details how people hid in a slaughterhouse in Dresden when the German city was bombed with incendiary devices from 13-15 February, 1945, causing it to be raised in fire as a metaphor of how the prod users make `snuff movies` out of humans, that is, films in which people are killed for entertainment. The phasers of Star Trek depict how the prod users of Hollywood, Babylon, phase her out in terms of women`s role in the movie industry, that is, women and their human species have been removed from the set. Although the butchering for meat analogy seems contrived, men`s inability to distinguish table fare from warfare, and women`s `foot` from food, that is, her human futanarian race of women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for liberation from men`s enslaving of her host womb for death in war, is how humanity is devoured to extinction.

Cannibalism can`t be attributed to what men of the `serpent`s seed` do, because it`s parasitism and not cannibalism, that is, the futanarian species of women are the humans, and so cannibalism would require the humans to be the butchers, but men have male brained the human race with the semen of women`s futanarian race that they`ve stolen in order to kill, and devour her, which is what parasitology predicts parasites will do when they emerge from the host. When Jesus, as the human host at the `Last Supper`, gave `bread and wine` to his disciples, as symbols of his `body and blood`, it was an explanation of parasitism. Judas betrayed Jesus to the Roman Empire of male braining, which killed him as dissident `woman`s seed` born uncontaminated by male semen from his mother, the Virgin Mary, teaching to women what they must learn if their futanarian species is to survive slavery to death in warfare: `Love your neighbor as you love yourself.` (Mk: 12. 31)

Men`s mirror isn`t women`s, and conditioned to schizophrenically reject as sexually impossible what they see in the mirror, the futanarian species of women despise themselves for `lesbian` feelings that are in fact normal for her race. Moreover, in Hollywood, Babylon, the parasite is the mirror for men, where it is depicted as the devourer of the human race in `action` movies. `Inaction` is the paradigm for the `serpent`s seed` towards a humanity it`s paralyzed on a poisonous diet of men as boys` owners filmed as propaganda for the `serpent`s seed` waging war against women`s species as boy sons spreading their `Greek` contagion of death to humanity into futurity. Although the late 20th century scientific paradigm was that the incurable killer disease, HIV/AIDS, spread by men`s mixing blood, shit and semen in each others` anuses, was a derivative of the simian immunodeficiency virus (SIV) that had spread from apes to humans, the socio-historical circumstances suggest that the reverse is true. Apes don`t represent men`s ancestors but a previous humanity degenerated by the virus. Consequently, HIV/AIDS is what men are, which is why Jesus` teaching was that men should accept the `body and blood` of the human race of `woman`s seed` in fellowship at table with `bread and wine`, because they must repent and convert from their narcissistic mirror of homosexuality in pederasty and war, if God`s Redemption is to be theirs and they`re to have heaven, rather than God`s punishment of eternal unendurable pain, that is, perdition, for their sinful nature of contamination, slavery and extinction.

1 Armstrong, Neil, July 21, 1969, UTC: 2. 56.


3 Adams, Brook as Elizabeth Driscoll inInvasion Of The Body Snatchers, United Artists, 1978.

4 Stewart, Patrick as Captain Jean Luc Picard, `The Captain`s Oath`, Star Trek: TNG, Paramount, 1987-94.

5 Shatner, William as Captain James T. Kirk, `The Captain`s Oath`, Star Trek: TOS, Paramount, 1966-69.

6 McDowell, Roddy as Cornelius in Planet of the Apes, 1968, APJAC Productions, 1968.

7 Battle For Planet Of The Apes, APJAC Productions, 1973.

What Satanism Isn`t

A woman is like a starship. From the outside it`s more important to the person living inside than to the person who`s looking at it. Starships on Star Trek have shields, which correspond to a young woman`s hymen. Penetration is the essence of reproduction, and ancient Greece was founded on the principle of rape by homosexual pederasts who weren`t interested in the young woman they were looking at but wanted only to spread their `plague` by means of warfare. Against Troy the Greeks employed the ruse of a friendship `gift`, a huge wooden horse inside which they hid and waited for the Trojans to take it into the city where the Greeks emerged and enslaved the women as host wombs for more homosexual pederasty and `plague` through warfare.

By the last quarter of the 20th century, homosexual pederasty`s virus of `rape` had developed into the disease HIV/AIDS, and the 21st century began with the `Greek horse` of terrorism masquerading as friendship, when Arabians from Boston, Massachussetts, hijacked `civil` aircraft and crashed them into the Twin Towers of New York`s World Trade Centre. As with a woman and a starship, the WTC was more important to those looking out. Penetrating rape is basic to enslavement by homosexual pederasty, and a developed production, which the WTC represents, was the target of the `disease`, which doesn`t want woman to be able to `look out for herself`.

In the Bible homosexual pederasty is described as the `red dragon`, and its `blood plague` of Revelation, which is HIV/AIDS, is its `biological warfare` against women`s wombs. According to Revelation the `hidden` woman of the Earth is protected from the devouring `red dragon` by the `New Redeemer`, which suggests a condom. But that`s what a starship is. From the point of view of a woman who wants to protect her hymen from rape by homosexual pederasts who want to enslave her womb. Of course, from the point of view of the `red dragon` and `blood plague` of homosexual pederasty a starship is a devourer.

In Revelation the `hidden` woman is depicted as leaving the Earth to `sow` her own `seed` in heaven, where she fights against the evil serpent`s `seed` who attack her from Earth. She defeats them and they receive perdition while she receives a new heaven and Earth, which means that women with their own penis leave the Earth as a species and do not return.

9/11`s Twin Towers were a symbol of development `reaching for the stars`, and their destruction was a curtailing of development. In effect, the Twin Towers were the hymen of Liberty, and she was attacked to promulgate homosexual pederasty and warfare so she`d remain enslaved, would never have a starship of her own, and would never enjoy the stars independently of men. The development of humankind is `driven` by the penis, which is in fact female, and the alien parasitical viruses that are homosexual pederasty`s `red dragon` and `blood plague`, that is, men`s devouring starships, want to keep her enslaved as a producer of more plague and war.

In the developmental psychology of Carl Gustav Jung (1875-1961), instinctual, or libidic energy, which is sexual, transforms into spiritual or intellectual endeavour, and explains God`s exhortation to Adam and Eve to live `by the sweat of your brow`. God tells Eve `childbirth` will be `painful`, which accords with the `apocalyptic` birth of the `New Redeemer` from the `hidden` woman of Revelation, who leaves Earth after being `protected` by the `male child`.

In Jungian psychology there are archetypes, which exist in the collective unconscious of humankind as `impulse engines` for species` development, and abstractly, or as helpful figures, appear in art, dreams, and the imagination, which means the figure of the `New Redeemer` is a `protector` of women, and so anything that defended her hymen, from a condom to a starship, was the `New Redeemer` before she left Earth.

Because she`s futanar woman with her own penis, and so a species independent of men, she`s the solution to men`s `red dragon` of war and `blood, plague` of homosexual pederasty`s promulgation of itself as an alien parasitical virus, which doesn`t want futanarian women to escape from Earth to the stars by means of her own penis; although the `New Redeemer` and the `hidden` woman ofRevelation are those that are using their developmental capacity for inventive genius to devise a means of escape for her.

Christianity is the perception that man and woman are a species, whereas Satanism is the perception that women are a species because they`re independently penised. The perception that those who develop are preyed upon by criminals is usual. But the perception of the penis as that which is responsible for development, and so is the serpent of Eden and Satan, is an evil device of those who want to kill those who want to develop themselves, and perhaps reach the stars in spaceships of their own devising.

Because futanarian woman escapes from the Earth in Revelation, her penis is perceived by the evil as Satan`s, because Satan traditionally is prevented from leaving the Earth by God because he`s male. InRevelation God has secretly provided woman with a developing penis and she escapes, which means the concept of evil as being the penis itself - and Satan - is rectified by God.

Those who describe themselves as Satanists and laud 9/11 as a penis` development being killed by penetrating spears are not Satanists at all, but evil people who would kill the inventor of the impervious starship shield, that is, the penis, but not the inventiveness, and would seek to continue to mock, and sporadically enjoy the fruits of others` labours, because that`s what evil criminals do.

The Gold And Treachery Of Nursery Chrymes

In Childhood`s End Arthur C. Clarke depicts humanity leaving Earth. In Revelation, humanity is defined as the `hidden` woman protected by the `New Redeemer` until she leaves to `sow` her own `seed` amongst the stars, where she fights and wins a war against the evil serpent`s `seed` from Earth, before receiving a new heaven and Earth from God, while the evil receive perdition. Because she has her own `seed` to `sow` the woman who leaves for the stars has her own penis, which means she`s futanarian, and her leaving is an escape from `childhood`.

Childhood is depicted as innocence, while a `hood` is an evil member of a gang. Greek history is that of homosexual pederasty`s enslavement of women`s wombs in order to spread their `plague aim` of war, while the `Greek horse`, taken in to Troy by the Trojans, who believed it to be a `gift`, is prototypical of war as `plague`, and men who `plague, games` of deception in order to betray innocence. Similarly, the `civil` aircraft hijacked by the ticket-buying terrorists from Boston, Massachussets, were `Greek horses` crashing into the Twin Towers of New York and spreading the `plague, game`.

Because the `plague` is poison, the `boy sons` of the ancient Greek homosexual pederast`s were `poisons`: `In the beginning was the word and the word was God,`Genesis begins, and the `childhood` of God`s `hidden` woman, with a penis of her own, and so a species in her own right, ends in Revelation when the poison (boy, son) `hood` is left behind because woman as a species with her own penis doesn`t need a man.

Personal computer `PC`, and `politically correct` (PC) `geeks` would have us believe that Trojans are a virus, whereas a `Trojan` is a condom and `work like a Trojan` is a eulogy. `PC` has inaccurately determined that a `Trojan` is a virus whereas a `Greek horse` is a virus, which means that `PC` is an example of what the Greeks termedenantiodromia, where devotion to an extreme position results in the opposite.

In English, 999 is the `PC` number, that is, the `police constable` will respond to a 999 call. In Revelation, `the number of the beast is the number of a man and his number is six hundred three score and six`, which is 666 or `PC` reversed. The analogy could be extended. In English, `bullies` would be the `police` reversed, which is 999 to 666. The number of the NYPD is 911 and 911 is the number of `PC` in the USA. 911 was the date of the terrorist attack on New York because it`s 911 reversed. The Bible would have to have been construed, in English, at its inception in Genesis, which means 911`s God`s omniscience.

Insofar as `Providence` explains the devouring `red dragon` of Revelation, which waits in vain to devour the `New Redeemer`, that is, the `blood plague` of homosexual pederasty`s enslavement of women and devourment of her as the `Big Apple`, is the `plague, game` plan. Revelation is the fact that the Bible translates into English `Word` (MS). Either that, or it`s a `joke` written by (or about) an English `police constable`.

The conclusion to be drawn from woman`s escape from Earth is that she`s leaving behind an alien virus that didn`t want her to live as a species with her own penis and `sow` her `seed` amongst the stars but follows her and makes war against her.

All aliens in science fiction represent women, or an aspect of men`s relations with them. Often it`s a matter of juxtaposition. In the movie, Swamp Thing, the `monster` carries an unconscious Heather Locklear into the everglades. If `Swamp Thing` was a woman with a penis, Heather`d be carried over the `threshold` in the traditional `after wedding` accompaniment to the bride`s arriving at her new home. Rescuing her from the burning house, `Swamp Thing` is a `hero` but, like King Kong, with Fay Wray in the palm of his hand, foreshadowing 9/11 as he clambers to the top of the Empire State building to be shot down by aircraft, or Mary Wollstonecraft Godwin`s `monster` inFrankenstein, who`s attacked by villagers for murdering a young woman, he wants a woman, and so is alien to homosexual pederasty because he doesn`t seek violence.

Swamp Thing is a boy sons (poisons) movie, because it first `fathers`, and then `fosters` the delusion the monster is a `hero`, whereas the `monster` is a `stunt double` for a homosexual who wants to replace the man, or the woman, with a `Greek whore`, that is, a woman who`ll produce more boy sons (poisons) for (and from) women`s wombs. Any woman is a target for the `Greek whores`, which appear in Revelation, along with the four whores` men of the apocalypse; war, pestilence, famine, and plague: `And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)

Greek homosexual pederasty`s enslavement of women`s wombs for the purposes of promulgating the devourer war, shifted its emphasis to `blood, plague` in the 20th century. It became HIV/AIDS, and `live` on Hollywood`s `baby` Babylon, that is, television`s `small screen`, 9/11`s `Greek horse` abomination was the terrorist hijackers` crashing of `civil` aircraft into the Twin Towers with the `plague aim` of spreading `biological warfare` against women as a species with her own penis; to `plague, game` and prevent her from being born. Either by means of war, plague and famine, which is `sex starvation` through terror of sex and the nurturing of homosexual pederasty`s boy sons (poisons), that is, the devouring `red dragon` of hate for women, and death to her.

In the 9/11 `movie` it was Saddam that wanted the `Big Apple` of New York`s Eve, according to the `baby` Hollywood `Dream Factory` of TV. But the terrorist hijackers flew from Boston, Massachussetts. In any event, noone got the girl because she wasn`t wanted. As in recent Hollywood movies like Nightmare On Elm Street, Fire Walk With Me, Saw, Scream, etc., noone wants the girl, and in fact she`s murdered to underline the `message` of 9/11. The woman and her penis aren`t to be seen on TV or anywhere. The psychopath and the `monster` are interchangeable. Heather Locklear, in the arms of Swamp Thing, is where the woman doesn`t believe she wants to be, so the `monster` is a `stunt double` for woman with a penis of her own, and the psychopath (boy son, poison) doesn`t want the woman to be, and so is a `real monster` but looks like where the woman has been told she wants to be. In Alien, and its subsequent avatars, Sigourney Weaver is attacked by monsters, who are `stunt doubles ` for men, because they don`t want her to be. The `Greek whore` is the woman, who`s been taught she doesn`t want the `other` woman to be, because she isn`t for producing boy sons (poisons) with the `Greek corps`, and so the `evil` woman is the genuine `alien`, because she`s more difficult to analyze. Demi Moore in Charlie`s Angels, or Deborah Unger in Payback: `Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.`

Lynn Porter, and Val Resnick, are the Greek whore`s spreading of the plague, but it`s a Hollywood delusion. Mel Gibson has the role of `Porter` and he`s confusing as a hero, because he`s a criminal, but not if you`re interested in having sexual intercourse.Payback is the awareness that homosexuals are behind you, and they`re hard when they don`t want you to be.

In English theatre `Pantomime` has the catchphrase, `Behind you!` It features a principal male character played by a female, and so the allusion is to the `hidden` woman of the Earth with her own penis as a species. The catchphrase aimed at warning her of the presence of the villain means the homosexual wants to be, `Behind you!` Because the `blood plague` of homosexual pederasty`s `red dragon` doesn`t want the woman to escape, so that it can continue to use the Earth as its `snuff mill`.

In the Bible the `hidden` woman is depicted as `crushing the head of the serpent with her heel` as she leaves, and so the timeliness of the warning `Behind you!` If you allow a man into your anus, he`ll live it up like HIV/AIDS while you die of him. In The Legend Of Sleepy Hollow Ichabod is scared to death by the `headless horseman` as a common instance of terrorism `disguised` asRomance. `Bod` had a rival for a woman, `Bones`. Most literary critics perceive `Bones` as the `headless horseman`, who is `plague and famine` because `Bones` wants to frighten and turn `Bod` off from desiring the woman, and so the `headless horseman` represents sex terror. `Bod` is the `hollow` man in The Legend Of Sleepy Hollow, that is, men are the parasitical alien life form that preys on the wombs of women, and so are the `Greek horse`, the `Greek whore`s`, the plague, `game` and the transmission of death`s `seed` by `Bod` so women`s future progeny will be `hollow` too.

In the 90s Star Trek the notion of the `holo deck` aboard the Starship Enterprisereflected upon the 60s Star Trek TV series` successful `camp` atmosphere, a term denoting homosexual humour. The idea of being hollowed out from behind while laughing at the `camp` humour is homosexual. Batman and Robin is similarly `camp`. Robin, the junior partner in the crimefighting duo, remonstrates with Batman, because of his seeming infatuation with the criminal Catwoman: `You were taken in by her, but I'm too young for that sort of thing.`

In the `Greek` camp before Troy, the Greeks plot to take the city by constructing their huge wooden horse; inside which they hide men before leaving. The Trojans take the horse into Troy, and the Greeks emerged in the night to capture the city for homosexual pederasty, and the enslaving of women`s wombs, so promulgating war as their `plague, games` media: `Beware Greeks bearing gifts.`

In ancient Greek civilization and culture theKore was the mother-daughter relationship, which is central to the concept of the futanarian woman, who is woman as a species with her own penis. A `Greek horse` is any man who`d want the woman`s daughter, because it`s how homosexual pederasty spreads. The mother-daughter relationship is the `Greek Kore` of Demeter, the golden corn goddess, and Persephone is the goddess of spring, or green corn, which effectively means Woman`s exclusivity as a species with her own penis.

Often pornography is defined as `soft core` or `hard core`, which derives from the GreekKore, because if pornography is sex within a species, as defined on planet Earth, women are the only humans, and pornography can`t be made because men aren`t pornography but women and the Earth`s `disease`. The role of the alien in science fiction is their extrapolation of themselves. In movies such as War Of The Worlds, Independence Day, and Mars Attacks; for example, the Earth is invaded by aliens who destroy the planet in the same way that men do. Because it`s how men behave towards the Earth and the women who are the species upon it.

Pornography, as made by men, is Prelude. The function of the woman in the movies is an excuse to ostensibly portray rape, murder, and ruin as `evil` impinging upon the person of the `good` woman, who is rescued by men in some convoluted way, so justifying homosexual pederasty`s brutal devouring alien life form. Pornography made by women would be more like science fiction. Effectively, there`d be a mother-daughter `hard Kore` - and they would decide.

Why Is A Transvestite Called A TV?

Watching television was the main home activity of the 20th century, including sex. At the dawn of the 21st century, sexuality was the forefront issue, with AIDS. Despite the TV Wars of the Gulf taking centre stage, sex wa s never off the TV menu. Greek homosexuality and the enslaving of women`s wombs to produce more pederast parasites, as the basis of ancient Greek society`s enslavement of women`s wombs to produce homosexuality and war, was the model for 9/11. Disguising the terrorists as politely `civil`, the `Greek horses` of the planes crashed into the Twin Towers, thereby announcing the re-emergence of plague and war. In effect Al-Qaeda and Saddam Hussein were re-transmitting a homosexual virus that has existed at least as long ago as ancient Greece. In the Greeks` war against Troy, Paris had taken Helen from Greece, presumably because of the homosexuality of Greek society, which then reacted as viral homosexuals do, with war and its re-enslavement of the escaping woman`s womb.

CNN News ratings were sky high during 9/11 and TV was again lauded as a medium for conveying information instantly across the globe, but noone but a perverted homosexual pederast concerned with the enslaving of women`s wombs to promote plague and war would have conceived this as sex on television. But someone obviously has. 9/11 was clearly designed to divert the world`s attention. The simplest deduction would be that homosexual pederast parasitism, and war, was losing its grip, which again suggests that female sexuality was coming to the fore. Those with internet readily observe the existence of futanarian woman on the planet Earth, and that, beautiful as any super model, she has a penis of her own, which makes woman a species and men her parasites. Feeding upon the products of her womb as blood-sucking leeches, technology has become the homosexual medium for, `Hollywood style`, a blockbuster epic `production` of Tallest Toys, War and Plague.

Futanarian woman isn`t a transvestite, and the Christian position, as communicated to us by Jesus in the New Testament, is that God`s commandments are reducible to `love thy neighbor as you love thyself`, and is the continuing teachings of Jesus, through the omnipresence of the Holy Spirit after Jesus` Resurrection and Ascension. In Islam knowledge is gleaned by the `companion`, the `Qareen` which, uniquely taught by the Prophet Mohammed, according to the Moslem faith, suggests that loving yourself and one`s companion is what these religious traditions concur in.

In the Old Testament the spirit of God is the Shekinah, which is female, and she reappears in the New Testament as the Paraclete, effectively is born from the `rib` of Jesus; as the `Second Eve` from the `Second Adam` when Jesus` side is pierced by the spear of the Roman centurion Longinus upon his death. The tradition of a feminine `guide, helpmeet, comforter and teacher` is ancient and present in Moslem and Christian traditions. If futanarian woman has a penis and is a species, then the role of the `Holy Spirit` and the Qareen is understandable as the `wife` of the individual that seeks after God and wisdom.

In an early episode of the TV series Star Trek, the `companion` is depicted as a female creature that effects a symbiosis with a member of the crew of a ship of Starfleet, and so is a metaphor for the `wife` relationship existing between the individual and the Holy Spirit/Qareen. In simple terms, God teaches the `companion`, which is the Qareen, through the Holy Spirit, and the Holy Spirit/Paraclete teaches the individual also. The Qareen is the `wife` of the soul, and the Holy Spirit is the `wife` of the spirit, which is the instrument of God`s reasoning.

Television is the medium that conveys the information that man and woman are separate because men are parasitical aliens enslaving women`s wombs, while woman with a penis of her own, that is, futanarian woman, is a species. Consequently, television is the perception that man and woman are a single creature wearing each others` clothes. Or, in other words, TV is transvestism, and 9/11 was designed to plunge the globe into a terrorist epoch in which man and woman would never recover sufficiently to understand that the homosexual parasites want to continue laughing at them as they fool the `TV` into accepting war and plague as `normal service will be resumed as soon as possible`.

In Revelation the `hidden` woman of the Earth leaves after she receives protection from the child she has borne as the `New Redeemer`. In heaven she sows her own `seed` and fights against the evil serpent`s `seed`, whose head God foretells in Genesisshe`ll crush with her heel as the leaves Earth. Paradoxically, Saddam Hussein`s name, in Arabic, is `crusher`, which may mean that Hussein will, in some way, be remembered as a liberator of the `hidden` woman; especially as it`s traditional in the Middle East for women to be concealed almost completely by their traditional burkahs, which are ideal for concealing a futanarian woman, that is, a woman with her own `seed` to sow because she has her own penis.

In heaven the woman and her `seed` defeat the evil serpent`s `seed` and receives, as her reward from God, a new heaven and Earth, in which to dwell in forever, while the evil receive eternal unendurable pain as their punishment. For watching TV and advocating war and plague as what transvestite TVs are for. It`s perfectly feasible to assume that, before women`s wombs were enslaved by Greek homosexuals, they were a species of futanar with a penis of their own, and that men are homosexuals, which is why God condemns them in Revelation: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

`To boldly go ...` Without Human Brains

In Eden the first woman and man, Eve and Adam, were tempted by the angel Satan, who God had transformed into a serpent for refusing to accept that the human host would be greater than the angelic, to `eat of the fruit of the tree of the knowledge of good and evil, which is death, according to theBible, rather than that the pair obey God`s injunction that they eat only of the `fruit of the tree of life`, that is, immortality: `You shall be as gods.` (Gen: 3. 5) Expelling the pair from Eden, God said Redemption would come if Adam labored but Eve would experience labor pain, `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Eve`s `foot` was the futanarian human race of women with their own penis` semen repressed by the descendants of Adam after paradise, because men wanted to enslave the host wombs of women to ensure their power over her species: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In ancient Greece homosexuality in pederasty and the enslavement of women`s host wombs for the parasitism of conquest through warfare was institutionalized, because that`s what the `serpent`s seed` is:

`Star Trekkin' across the universe,

On the Starship Enterprise under Captain Kirk.

Star Trekkin' across the universe,

Boldly going forward, still can't find reverse.`1

Although the 1987 song by The Firm was conceived as a spoof on the United States of America`s television series, Star Trek (1965-), with actor, William Shatner, who was Captain James T. Kirk in the original series that aired between 1965 and 1968, and who spoke what is known as the `Captain`s Oath` for fans of the series known as `Trekkies`, the revised words spoken by actor Patrick Stewart, who was Captain Jean Luc Picard in Star Trek: The Next Generation (1987-94), that is, `no one` instead of `no man` in the voiceover to the opening title sequence for each episode, in which one of the stars in the vast starfield turns into the starship Enterprise as unearthly music plays, aren`t conceived as a joke, `Space: the final frontier. These are the voyages of the starship Enterprise. Her five-year mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before.` Going on brainlessly is parasitism and if humans are no one, they`ve never been and have no chance of going, because the patient only seems alive after the brains have been devoured by the parasite: `It's worse than that, he's dead, Jim, dead, Jim, dead, Jim; it's worse than that, he's dead, Jim, dead, Jim, dead.`

In Jewish Palestine during the occupation by the Roman Empire of the male brain, Jesus of Nazareth was born from his mother, the Virgin Mary, uncontaminated by male semen, and the Romans nailed him to a cross of wood on the hill of Calvary outside Jerusalem where he died because his teaching of `woman`s seed` was anathema to slavery, `Love your neighbor as you love yourself.` (Mk: 12. 31) Although privately women had their own bodies to look at in the mirror, for many it didn`t occur to them that they were a separate and distinct species with the capacity to sexually reproduce apart from the parasite that had enslaved them as its host womb. At the `Last Supper` before his crucifixion Jesus uncontaminate functioned as the human host. Offering `bread and wine` as symbols of his `body and blood` to his disciples, Judas Iscariot was the disciple that betrayed the human host by giving Jesus over to the Roman crucifiers. When Jesus had Resurrection and Ascension to heaven as a prefiguration of the Resurrection and Ascension to heaven of futanarian women with their own penis` semen for the sexual reproduction of humanity`s and women`s regenerated brains` powers for technological development and escape from Earth and its parasitism, the Romans professed amazement and the Christian church came to be established by the disciple Peter as the first Bishop of Rome in Italy: `Surely, this was the son of God.` (Matt: 27. 54)

Repressing the truth about the human race, which is that women are the human species, the church continued in male brained hegemony, and conquest through warfare. After the 1922 Italian election, Benito Mussolini assumed dictatorial power and his fascism spread to Germany and Japan in the 1930s. Based on the rustic fascessymbol of a woodcutter`s axe, the fascists in Italy, Germany and Japan constructed `concentration camps` in which `inferior races` would slave. German Chancellor, Adolf Hitler, initiated the extermination of the Jewish people throughout Europe and the world in fascist `death camps`, because Judaism is futanarian. It isn`t possible to be born a Jew unless born from a woman, which effectively means that Jews are women and so the reason they`re called God`s `chosen people` in the Bible is evident. Women are futanarian humanity, which Satan`s male brained Empire, represented by the National Socialist (Nazi) Party`s recommencing of Germany`s 1914-18 war to enslave Europe (1939-45), doesn`t want: `Life would be a ding-a-derry If I only had a brain.`2

Actor Ray Bolger`s Scarecrow lyric in the song, `If I Only Had A Brain`, from the Hollywood movie, The Wizard Of Oz (1939), during the period in which the United States of America defeated Japanese fascism in the Pacific, and assisted Europe to defeat German and Italian fascism worldwide, seems frivolous, but the Frank L. Baum`s children`s story, The Wonderful Wizard Of Oz (1900), upon which the film was based, foreshadows the grown danger, which is that men without brains are Satanism, because women without brains are humans enslaved by a parasite that has denied their futanarian humanity its own penis` `seed` and mental evolution as well as independent socio-economic progress and technological development:

`There's Klingons on the starboard bow, starboard bow, starboard bow;

there's Klingons on the starboard bow, starboard bow, Jim.`

The figure of Jesus beleaguered by hangers on and critics yet uncontaminated by male semen represents a continuation of Judaic principles. Jesus` statement that a Holy Spirit would teach after him predicates the role of the Prophet Mohamed in Islam. According to Moslem tradition Mohamed received the Koran (610-30 C.E.) divinely inspired. Historically, the basis is Abraham`s wife, Sara, who bore Isaac, and gave her Egyptian maid, Hajer, to Abraham when she was barren, and Hajer bore Ishmael. Isaac was of the lineage of Judah and Ishmael was of the line of the Prophet Mohamed who founded Islam after receiving the divinely inspired Koran that is the basis for the Islamic marriage of more than one wife. Moslems are permitted up to four wives, which affords the possibility to women of sexually reproducing the human species` brains, and so there is unity within the religious diversity of Judaism, Christianity, and Islam:

`Ah! We come in peace, shoot to kill, shoot to kill, shoot to kill;

we come in peace, shoot to kill, shoot to kill, men.`

The temple of Abraham built by Hajer and Ishmael is the Ka` Ba in Saudi Arabia`s Mecca, because `Ka` was `spirit` in ancient Egyptian and `soul`, `Ba`. Consequently, the Ka` Ba denotes the spirit and soul of `woman`s seed`, that is, the women wear the one-piece coverall of the black burka in public as a sign of their mourning the fact that they live in parasitism. The annual pilgrimage of Moslems to the Ka` Ba is called `Haj` after Hajer and represents the belief amongst the `faithful` that women`s `Ka` and `Ba` will be physically and spiritually reunited in heaven, because their brainpower will carry them to the planets and stars: `I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

Satanism is the belief that women shouldn`t sexually reproduce with each other, lest the human race of futanarian women escape from slavery and death by means of their own brains` powers for space travel and medicine for prolonging life and awareness of their collective situation as the victims of parasitical vampirism. Consequently, the issue isn`t whether the `babe` showing her breasts above her bikinied bottom on Page Three of the United Kingdom`s The Sunnewspaper is `pornographic`, it`s the absence of her penis that`s Satanical:

`Well, it's life, Jim, but not as we know it, not as we know it,

not as we know it; it's life, Jim, but not as we know it, not as

we know it, Captain.`

In the simplest of terms, if women can`t sexually reproduce with each other there aren`t any human brains, and so no one will ever go boldly where humans have never been before because there won`t be any humans amongst those who`re going as their brains have already been devoured by the parasites in Satanism. Consequently, it`s unlikely that futanarian humanity will ever leave Earth for the planets and stars of God`s heaven. Despite North American Space Administration (NASA) astronaut, Neil Armstrong, boldly claiming, as the first man on the moon for the Apollo 11 landing there: `One small step for a man, one giant leap for mankind.`3

In Christian iconography the Virgin Mary, Jesus` mother, is depicted crushing the head of the serpent, Satan, with her foot, that is, as the representative of futanarian humanity uncontaminated by male semen, the Virgin Mary, is represented as fulfilling God`s promise to Eve, `woman`s seed`. US President, Ronald `Ray Gun` Reagan`s Strategic Defense Initiative of 23rd March 1983, which was known as Star Wars after the 1977 George Lucas Hollywood `blockbuster` movie about a future fictional Empire served by its evil henchman, Darth Vader, and a rebel alliance led by the beautiful Princess Leia, actress Carrie Fisher, aimed to ring the Earth with a `space and missile based defense system` (SDI) that, effectively, would have functioned as the `Death Star` of the Star Wars movies that the Empire deployed around planets it wanted to kill. Consequently, Armstrong`s foot upon the moon was a heel on the neck of the human species of futanarian woman preparatory to her beheading as a threat to the continuance of death in slavery to the parasites of Satan`s `seed`: `And the dragon stood before the woman who was ready to be delivered to devour her child as soon as it was born.` (Rev: 12.4)

Although the child is thought to be Jesus in his `Second Coming` to the Earth, where he will `rule with an iron scepter`, as the perfect man he`s uncontaminated by male semen and so represents the penis` semen of the Virgin Mary, his mother, which means that, effectively, he`s the prefiguration of the Resurrection and Ascension to heaven of the futanarian daughters of the women of the human race with their own penis` semen capable of sexually reproducing their own brains` powers to take them to the planets and stars where, if redeemable, perfect men like Jesus could be amongst them as a rare phenomenon. Rare, because women are the host wombs of their own species with its own penis` semen, and so the Moslem marriage of four wives (80%) is a conservative picture of the New Democracy in which women`s sexual reproduction gives them the vote over the sterile parasitism of death in slavery to the men of Satan.

1 O' Connor, John, Dev Douglas, Grahame Lister, Tony Thorpe, Gary Wilson, The Firm, `Star Trekkin` Across The Universe`, Bark, 1987.

2 Arlen, Harold and E. Y. Harburg `I'm Hanging On to You` from the Broadway musical, `Hooray for What! (1937), and rewritten as `If I only Had A Brain [Heart, Nerve] for the movie, The Wizard Of Oz, MGM, 1939.

3 Armstrong, Neil, July 21, 1969, UTC: 2. 56.

Britney Spears And The Legend Of Sleepy Holo

Washington Irving`s story of Ichabod Crane,The Legend Of Sleepy Hollow, is the basis for Britney Spears` 'Oops! ... I Did It again', because of the myth symbol. The ibis bird, the crane, is the symbol of the Egyptian god of knowledge, Toth. Because `ib` is the heart, the ibis is the heart`s knowledge. Britney`s spaceman has the Ichabod Crane role of `teacher` and gives her a `gift`: `But I thought the old lady dropped it into the ocean in the end?` Britney`s allusion`s to the Titanic movie, and Rose`s ex-lover`s framing of her new lover for stealing a blue diamond pendant, `the heart of the ocean`, by placing it in his pocket, and which Rose drops into the sea signifying her `disappointment`.

In her red suit, hoisting her spaceman above herself in a white bikini dress, Britney`s the Egyptian goddess Ma`at, with her `balance` and `feather`, symbolized by herself in the white bikini dress. If heart and feather balance, the `hero` will go on with her. Britney removes the spaceman`s helmet, before he gives her the `gift` of the blue diamond heart pendant, so he`s a `headless horseman`, and now doesn`t have a heart. When she suspends him above herself in a white bikini dress, she`s the `white` feather if he isn`t brave enough to ask for her heart, and she `takes heart` with Rose from the Titanic. In other words, she`s accepted the Kore relationship between women, symbolized in Greek mythology by the mother and daughter goddess pairing of Demeter and Persephone, as being supportive.

Women`s perceptions generally are formed by their supposed need for a family, but that need is purportedly resolved by the male penis. However, in Revelation, the `hidden` woman leaves Earth to `sow` her own `seed` in heaven, which means she has her own penis, and is a species. Britney`s preference for Kore is instinctual but spiritual insofar as she`s prepared for family, but also bisexuality, hermaphroditism, and divorce from men and the Earth.

In the movies Ichabod Crane`s role is `starring`, and Britney descends onto the stage in 'Oops! ... I Did It Again' inside a `giant ring`. The `hidden` woman of Revelation has a ring of twelve stars around her head, symbolizing the Earth`s planetary zodiac, that is, the heavens, as they appear from Earth. There`s no sign of marriage, but she gives birth to the `New Redeemer`, and the `Second Coming` of Christ is the Revelationof those rewards and punishments that result from obedience and disobedience to Jesus` teachings.

The teacher, in The Legend of Sleepy Hollow, is Ichabod Crane, which means the `hidden` woman is the Paraclete, or Holy Spirit, which emerges as the `Second Eve` from the side of the `Second Adam` after Jesus` crucifixion, death, Resurrection and Ascension. Effectively, she emerges when Longinus, the Roman centurion, pierces Jesus` side with his spear, which is thereafter known as the `Spear of Destiny`. Adopted by the USA, as a symbol of `Manifest Destiny` and the `American Dream`, the spear and Britney Spears are metaphors for the `hidden` woman by the side, that is, the `spirit of God`; the woman by the side of man (and woman), and the `hidden` woman of the Earth who`s to come: `I`m Miss American Dream since I was seventeen.` - Britney Spears Piece Of Me

Britney`s spaceman is wearing his helmet again, when he`s suspended above her. Britney`s restored the horseman`s head after removing it to receive his heart and, because winches were used in the Middle Ages to lift knights onto horses, Britney`s spaceman is Ichabod Crane, that is, Washington Irving`s employment of a name as an uplifting symbol of the teachings of Jesus` `sacred heart`. Because, in Egyptian mythology, the knowledge of the heart is symbolized by the ibis bird, a `crane`, Britney`s observing that `name` is a relative issue.

In 'Oops! ... I Did It Again' Britney appears in red, white, and black and white, that is, the `hidden` woman by the side, which is the `spirit of God`, and the woman by the side of man (and woman), while the presence of the `hidden` woman of the Earth who`s to come, as a species with her own penis, is tacitly accepted, but she`s anonymous. In others words, `name` and `position` aren`t an issue for the woman but, in The Legend Of Sleepy Hollow, `Bones` wants the `position` with the woman, because he`s death. In Revelation the red dragon`s a devourer, because it represents HIV/AIDS, the blood disease, which effectively arose in ancient Greece where homosexuality, pederasty, and the enslavement of women`s wombs to maintain the `devourer`, were spread by means of war.

Britney`s uplifted spaceman is representative of the `New Redeemer`, as Ichabod Crane, and because the `crane` bird, or ibis, is a symbol of the heart`s (ib) knowledge in Egyptian mythology, Britney`s spaceman is symbolically in danger of being devoured by the red dragon of Revelation, which is Britney, in red and white, symbolizing the red and white cells of the body`s immune system. In HIV/AIDS the body can`t distinguish between HIV/AIDS cells and the body`s, which means that the red dragon of Revelation has `evil` blood. Consequently, although Britney, in red and white, is warning of the dangers of HIV/AIDS, her `system` is `healthy`. InRevelation the red dragon of HIV/AIDS waits in vain to devour, because it`s a `Greek horse`: `Whoah there horsey!`

Britney`s spaceman`s exclamation when, upon finding her brooch in the Martian sands, the `House of Horus` emerges from the desert, suggests the walls of her citadel are to be `broached` by the `Greek horse`; the device the ancient Greeks used, to hide inside and capture the city of Troy. The Greeks` traditional method was to betray friendship in order to further `plague aims` of homosexual pederasty and war. The Trojans believed the huge wooden horse left by the Greeks outside the city was a `gift` and took it inside the city`s walls where the Greeks emerged for further `plague games`: `Beware Greeks bearing gifts.` Homer, Iliad

As a parasitical alien virus, the Greeks represent the `hidden` man, that is, men as the virulent homosexual pest of war. The `hidden` woman is the `spirit of God` at the side of a man, but `invisible men` would be a disease, which is why Jesus, in the New Testament, speaks of the teachings of the `Holy Spirit` that`s to come. In the Old Testament, the `spirit of God`, who is female, is the Shekinah, who dwells where the law of God is kept in the Ark of the Covenant, and so is again God`s promise of what`s to come. Not simply the promised land of `milk and honey`, but the `hidden` woman implied by the law of Judaism that a `chosen ` can only be born from a woman, which effectively means that only women are the `chosen people`.

In The Legend Of Sleepy Hollow Ichabod Crane is a fictional character. His only reality is textual. 'Oops! ... I Did It Again' is about `identity`. Ichabod Crane, the teacher, wants a wife, but `Bones` marries his choice. Effectively Ichabod Crane is absorbed into the character of the `headless horseman`, who`s identified by literary critics as `Bones` himself, which means `possession`, and `position` respectively. `Bones` is a `hollow man`, for whom `position` is everything, and truncating the teacher`s personal growth, and development, is how he makes sure of his `choice`..

Arabian despots place couples inside a sarcophagus to crush the juice out of them. Many `royal` houses have married couples, or pairs of what they call their `choose`, inside what are similar to the `iron maidens` of the Middle Ages. Their images appear in Jennah, the `Paradise` of Arabia, similarly to transmitted pictures in CCTV, but more substantially, like those on the `holo deck` of a Starship from Star Trek.

One of the reasons for the Gulf War (1990-2011) was Saddam Hussein`s first name, which means `crusher`. Aboard the Starship Enterprisein the television series Star Trek(1965-) `Bones` was the nickname of Dr McCoy, the `space doctor`, but after the subsequent movie franchise that began withStar Trek: The Motion Picture (1974), the 90s TV continuation, Star Trek: The Next Generation, featured Dr. Crusher, a woman, as `Bones` successor. This is relevant because, in Arabia, the `holo` deck is the result of `bone crushing`, and that`s why Saddam `Crusher` Hussein had his name. The one piece coverall of the women`s abiyah or burkah is merely the outward symbol of the `iron maiden` inside which the soul is `crushed`. Saddam would`ve `crushed` the `Jews` too, so they`d be slaves of the Middle East`s `holo` deck. The abiyah or burkah is the `shell` of the woman but, according to Islamic belief, her spiritual body, or the soul or spiritualizedanima of her trapped self within a man, is the equivalent of the Holy Spirit, that is, the Paraclete of Christianity, and appears invisibly outside of herself in `Jennah`, which is the Arabic word for Paradise on Earth.

In her abiyah or burkah, the Arabian woman is an `iron maiden`. If the Star Trek `holo deck` that first appeared as a part of the ship`s recreational facilities in the 90s was the result of bone crushing by `iron maidens`, Dr Beverley Crusher would be the `space doctor` and the crew would be her `shells`. In mythology Venus is the pearl born from the ocean insofar as she is depicted arising from the depths of what might be thought of, in terms of psychological development, the unconscious. Consequently, Venus represents the anima as the spiritualized soul of a man, which is female, or the female spirit of a woman. In simple terms, the body is the `shell` of the pearl, whether the body is male or female, and the Gulf wars were ostensibly about the freedom of woman symbolized by `Liberty` in New York harbour, who was attacked by Arabia`s terrorist group Al Qaeda on 9/11, 2001, when they crashed hijacked planes into the Twin Towers of New York`s World Trade Centre to insure the devouring `red dragon` of homosexual pederasty`s slave trade in the `boy sons` of warfare which has, as other of its valences, the `poisons` of HIV/AIDS` `biological warfare` against women`s `host` wombs and its continued `shelling` of women`s peace on Earth for the false Paradise of woman`s enslaving.

In biblical terms, the `seed` of the woman, as depicted on Star Trek, is unable to escape from the male valence; although she has a penis of her own as `futanarian` woman and doesn`t need the male. InRevelation the woman`s `seed` receives a new Earth and heaven from God; after war in heaven between her `seed` and the evil serpent`s `seed`, which would correspond to the male valence that would devour her on the Earth rather than allow her to escape to the stars alone. Star Trek presages that war in heaven because the woman`s `seed` has to be independent of the male if the Bible is to be fulfilled. In fact Revelation depicts the `red dragon` waiting in vain to devour the child of the `woman clothed with the sun and with the moon at her feet` because woman`s `seed` will be successful. The `New Redeemer` is depicted as the enlightened male valence that allows her to live and protects her before she leaves with `an `iron sceptre` that corresponds to the will of conviction and resolve, which would be necessary if faith consisted of the belief that your true valence was female and that you lived as a woman in heaven.

In Star Trek the movie still has the male virus. Because the enemy aliens are the `shells` of men. But Dr Crusher represents the female valence that would liberate the trapped female from within the body`s male `shell`, rather than that the bodies should be crushed by the shells of the evil serpent`s `seed`, which is the valence of the `red dragon` that was Saddam `Crusher` Hussein and its wars of the Gulf between evil and woman`s `seed`. The biblical concept of the `New Redeemer` is that men can be redeemed but the evil serpent`s `seed` received unendurable eternal pain from God as a punishment and, because men are the parasitical viral valence of what has formerly been presumed as the human species, God`s perdition is theirs.

The Assumption of the Virgin Mary in Catholicism is the assumption that woman`s `seed` will be successful, but the male `seed`, which is denied at the birth of Jesus from the Virgin Mary, is irredeemable after the evil`s refusal to accept the female valence. In other words, the future of humanity is the self-producing female with her own penis as `futanarian` woman. The male `seed` is unredeemed by the `New Redeemer`, who is the redeeemer of woman, and she receives a new heaven and Earth as a species, but men are effectually doomed if they don`t accept that they are women. Equally, if women don`t have humanity, they don`t have God, because God is a human and humane God, and those women who don`t accept humanity are also doomed to perdition because they cannot be trusted with the nurturing and development of God`s future creation.

The misconception in Star Trek, and other extrapolatory scifi `pictures`, is that humans would have to be more evil to defeat evil, whereas men`s `picture` of themselves suggests that they`re the evil that they represent. In other words, the male valence is malevolence towards the human species, which is `futanarian` woman`s. She represents the thwarted self-reproductory and intellectual spirit of what is truly humanity, which isn`t the male alien that seeks to enslave her in monogamous homosexual pederasty and the devouring misogynistic wars of the `red dragon` against her.

To defeat evil humanity would have to be better, that is, more good, rather than evil, whereas the male valence of malevolence at the end of the 20th century was to maintain women`s `host` wombs enslavement by means of the `child` of homosexual pederasty, that is, the HIV/AIDS virus and fear of it, which would maintain monogamous possession of humanity, that is, woman, and prevent her from escaping to the stars without men.

Star Trek is invariably about the alien but, if men are the evil alien parasitical virality preying on the `host` wombs of women as homosexual pederasty and its valence of warfare against her, the criteria for what is God, human, and humanity, is humane, which is how female nurturing and the developing of intelligence is definable. Consequently, there can be no alien intelligences but there is evil and the Bible effectively tells us that men are woman`s evil aliens. As a `futanarian` species, women are human intelligence and what is intelligent is humane. Although it`s tautological, if human is defined as God and woman, intelligence is defined, and the alien is the male in whatever guise he appears. Star Trek is a bevavioralist depiction of how women survive by acting with men who`re dangerous, but without them they`d have to act together, which is the reason for the `picture`: tt`s a model for their species` survival.

An encounter with another intelligence would be an encounter with what is human, because intelligence is the definition of `human`. Only an evil creature would spoil the picture if it was a `human` scene. The concept of another intelligence that isn`t of Earth origin is a misnomer, because intelligence is what humans perceive as human. Or, in other words, men are the aliens that have convinced the `futanarian` species of woman that they aren`t evil devourers of her, whereas `other` intelligences within the cosmos are conceivably human but appear otherwise.

In short, humans are women and have been taught to confuse intelligence with form, that is, men are the `shells` that imprison but she perceives her `alien jailor` as human, whereas humanity is dependant not on form but intelligence. In simple terms, alien is evil and human isn`t men, whereas men are evil and aliens. So, in Revelation, God gives woman`s `seed`, that is, `futanarian` woman`s `seed`, with her own self-reproductory valence as a species with her own penis, a new heaven and Earth. Because men are evil aliens.

Star Trek is concerned to present the possibility of an alien threat to humanity. Because the human valence of God isn`t dependent on form, that is, men are the evil aliens, and woman is trained to understand by them that there is no hope for her from a human valence that doesn`t have the form of men, whereas she`s a species and men are her alien devouring parasite. In simple terms, God has humanity. Women pray to God for escape from the evil aliens that are the men who have imprisoned her as the parasites that prey upon her.

Extraterrestrial intelligence will be a valence of God`s. Because intelligence is definable as human, whereas men after Revelation no longer are. God is definable as humanity, that is, the female and her `futanarian` `seed`, which has humanity and isn`t evil, while men are. Extraterrestrial humanity doesn`t have to look like `Woman` to be perceived as `human`. Moreover, good, better, best is the solution to evil; rather than more evil.

The Star Trek adventure is men`s conception of being a greater evil than their supposed evil, which isn`t in fact extraterrestrially visible. However, if humanity is the prisoner of evil, that is, women are the prisoners of men, God is the extraterrestrial intelligence to whom they pray for deliverance and doesn`t appear to be human. Although God is described as creating man in the image of God, the woman`s `seed` is defined as humanity inRevelation while the serpent`s `seed` is defined as men, who are irredeemable, which means men are no longer in the image of God and have been superceded by the reproductive and intellectual valence of `futanarian` woman.

God could never appear as human to men. Because God appeared as human to Adam in the shape of Eve and the alien parasite eventually decided she was the apple it should have eaten. Consequently, God`s future valence towards humanity will be formal and not manlike. Or, in other words, God will appear to humanity, that is, woman, in another form, which men are preparing to kill; as they are killing her. Because men have chosen to be evil aliens towards woman as a species and God hasn`t. Star Trek constitutes men`s preparation as the evil aliens who are intent on killing God and they don`t care how `She` appears. As long as she doesn`t look like them.

Star Trek`s Dr Beverley Crusher represents the prescient notion of woman as a `chosen` species that Saddam `Crusher` Hussein wasn`t able to crush. In Judaism it isn`t possible to be born a Jew unless born from a woman, which effectively means that women are the human valence. Or, in other words, men aren`t humanity, which loves the humane. Paradoxically, WWII`s Nazi pogroms against the Jews (1939-45) defines men as evil but reinforces the perspective that women are the `chosen` people. If men are the imprisoning shells of women, Dr Crusher of Star Trek connotes the `space doctor` that has the remedy for the Arabic valence of Saddam `Crusher` Hussein, who`d crush the `chosen` people, that is, women.

A man and woman are a pair, according toGenesis, and choosing a new pair of Jews would be the joke of the evil serpent`s `seed` if woman as a species with her own penis were to replace men as God`s `chosen`. In Arabia women wear the black abiyah or burkah, which is a one piece coverall that appears as if it were the iron maiden of the torture chamber because that`s the Arabic valence of Saddam `Crusher` Hussein and the `holo` deck of Arabia.

Arabian women aren`t visible in public, which effectively means they`re blind to their own beauty. Because men want to subdue their `futanarian` valence. If the body is a `shell` for the imprisonment of women, and the Arabic valence is the iron maiden of the abiyah or burkah, humanity is a `shell game`. The humans are blind to the beauties of the woman who is crushed. But she`ll appear to the `choosing` of the evil serpent`s `seed` of men as they mock the Holy Spirit, that is, the Paraclete. She effectively emerged Eve-like from the rib of the `Second Adam` as woman`s teacher in the evil`s `shell game`. When Jesus` side was pierced by the spear of the Roman centurion Longinus at the Messiah`s crucifxion and death before Christ`s Resurrection and Ascension to heaven.

In simple terms, woman`s penis is being blinded so that men`s penis can have her. What is visible is only the `shell` of the `game` of men as the evil aliens that have enslaved `futanarian` woman with a penis of her own, which is the true valence of humanity. While she tries to guess what`s under the shell of her body, all around her are the women that she can`t see. Even though they`re visible to the evil serpent`s `seed`. Consequently, the holy book of Islam, the Koran, tells Moslem women that the voice of evil is powerless, so that she`ll only listen to the voice of God, who is `neither male nor female`, because `futanarian` is woman`s true valence.

The `shell game` is usually played with three upturned cups beneath which is a token, In Arabian terms, the `contestant` would have to guess where the woman`s penis was, and if a man were under there in the case of marines in the Gulf wars and their concerns over infiltrators masquerading as females. Three cups because man, woman, and `futanarian` woman with her own penis are `triune` but, in Arabia men can have four wives, which means the `shell game` is fourfold. In the developmental psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; `Thinking`, `Sensation`, `Feeling` and `Intuition`. According to Jung the four functions receive differentiation or become functional valences of the individual as growth occurs. Consequently, the Arabian marriage valence constitutes a self-actualizing paradigm and, although a man is at the centre of what might be a vehicle for `futanarian` relationships, having a woman at the centre is feasible in terms of species` functionality, and survival without the enslaving male alien parasitical virality. In simple terms, Christianity represents the monogamous obstacle to a triune marital arrangement between man, woman, and `futanarian` woman with a penis, and the quintessential Arabic marriage represents a potential fourfold functionality in terms of woman`s species` differentiation. But it`s a `shell game` with four cups instead of three for those who aren`t interested in Jungian functionality but could be interested in whether or not the woman in the abiyah is a `suicide bomber`.

If men are the evil serpent`s `seed`, they`re forever recognizable and so condemned as women`s enslavers. Despite their cleverness at blinding women`s penis to its own existence. Despoiling her Paradise secretly in the realm of what is invisible to her, men have forever `shelled` Arabian woman in the wars of the Gulf between her and them. Christianity`s promise is of a new heaven and Earth to her and her `seed`, which is what the Gulf wars were about. Because they wouldn`t have chosen to have a man, Saddam `Crusher` Hussein represented the `bones` of Arabia`s women. His remedy for woman`s wanting to escape from Earth would have been to `crush the foot of the shoes`, that is, prevent God`s new `chosen` pair of Jews, who are woman with her own penis as `futanarian`, from using its own `juice` exclusively.

In The Legend Of Sleepy Hollow, Bones` denial of Ichabod Crane is, symbolically, rejection of the ibis bird, which is the heart of knowledge in Egyptian mythology (ib). Bones` defeat of Crane represents man`s heartless `final solutions`. The `hidden` woman protected by the `New Redemer` ofRevelation is depicted as crushing the serpent`s head with her naked heel when she leaves. Because her `futanarian` foot finally has `freedom from the Jews`.

'Oops! ... I Did It Again' also references The Wizard Of Oz in which the `cowardly lion` receives encouragement in the form of a medal, in this case the blue `heart of the ocean` diamond pendant, rather than the `purple`. In The Wizard Of Oz the `cowardly lion` is brave, but doesn`t feel so until he receives the medal. Most heroes feel the same. It`s a surprise when their valor is recognized.1

The scarecrow doesn`t have a brain, but scares the crows and Britney, in her white bikini dress beneath the spaceman, raised by herself in a red suit, moves her arms airily, as if she were protecting the corn from crows, a symbol of the Greek mother-daughter Kore of Demeter, the corn goddess, and Persephone, her `seed`, which in Revelation appears as the archetypal `hidden` fertile woman prepared to leave Earth.

Britney`s spaceman`s Set, the devourer of Osiris, god of growth and development in Egyptian mythology, because he has a camera to transmit pictures to `Mission Control` on CCTV, for the `TV set`, who want holo women. In the myth, Isis resurrects Osiris, with the new name of `Horus, the sky god`, after Set`s dismembering of her `pair`. Britney`s set is Bones` TV, which is reset each time 'Oops! ... I Did It Again' is viewed so that the virus can never penetrate her defences.

A huge fork hangs beside the spaceman, whose camera `on the side` is receiving transmitted pictures of Britney from CCTV Set, symbol of disremembering, that is, devourment after dismemberment, which is why Britney, in her white bikini dress, looks as if she`s on a tablecloth. Because she`s an `airhead` who is only trying.

Oops! ... I Did It Again is about the meaning of `character`, and the difference between `role` and `position`. In fiction there are characters, and in reality there are characters. In fiction all of the characters are the character of the author, so `position` is important only so far as the author identifies with the `role`. In reality, `position` is crucial.

In The Legend Of Sleepy Hollow, `Bones` is `imposition`, because he`s a `headless horseman`, whereas Ichabod Crane has lifted himself into `position`. Britney`s use of a `crane` to hoist her spaceman alludes to Arthur C. Clarke`s 2001: A Space Odyssey where a monkey throws a bone into the sky and it`s transformed instantly into a futuristic space habitat by camera technology. Britney`s spaceman is her `monkey`. She doesn`t have a spacesuit, because it`s her scifi, and the `space monkey` from Earth is already ancient history, where Mars doesn`t have `boy sons`, and is `98% oxygen`. For Britney, women have a penis of their own, and men are poisonous (boys & us). She learns `plague games`, so she`s positionally `sound`: `I played with your heart, got lost in the game.`

If a woman has a penis, then she needs another, but if the first woman has a need for a baby, then she will need a woman with a penis, which means that, as a woman, a futanarian relationship is `triune`, which re-explains the Christian Trinity as `fatherer`, Paraclete, and futanar. The Paraclete is the female `spirit` of God`: `I`m every woman, it`s all in me.` - Chakha Khan

In Hungarian, `futanar` means `the teacher that leaves Earth`. After she`s crushed the evil serpent`s head with her `foot`: `I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15) She`s from heaven originally, and so will return there, where she`ll receive a new heaven and Earth from God after her `seed` defeats the `seed` of the red dragon of Revelation there, which has grown strong enough to attack her.

Love is an aspect of the virus, and a woman is able to care about men as the evil alien virulent parasite because it comes from her womb, but she doesn`t want it to return as HIV/AIDS, or in reincarnated form, with a karma to resolve, because she`s Woman, and she`s preparing to leave Earth, so she teaches the alien to `convert` to Christianity, by means of the teachings of Jesus and the Holy Spirit. Only then can Britney`s `space monkey` proceed to the `House of Horus`: `Her name is translated as `House of Horus`, which may be a reference to her as the embodiment of the sky in her role of the Celestial Cow, being that which surrounds the decidedly sky-oriented Horus. If Horus was the god associated with the living king, Hathor was the goddess associated with the living queen.`2

The `tin man` doesn`t have a `heart` in The Wizard Of Oz, but has an accurséd axe to prevent him from marrying the girl he loves, and it dismembers him until there`s nothing left of him but tin replacement parts, so he`s no longer able to love, which is why he needs a heart. The story is very similar to that of Osiris and Isis. She can`t find his penis, but it represents the impulse to collect. Without the testicles, which collect sperm, the desire for `collecting` is gone. This applies to the desire to keep women; what is bought; what is invented; and what of the individual man`s developed self he wants to keep. In Osiris` myth, the entirety of his incarnation upon the Earth as humankind is a stored memory but, if his penis is interfered with, that is, the desire for `collecting`, he won`t be able to recollect, and can`t remember. Isis` giving him a new penis represents her restoring developmental functionality, which requires the knowledge that he`s Woman also.

The Tin Woodman of Oz looks for `Amee`, his lost love, but discovers she`s married Chopfyt, who is made of his own lost body parts. Britney introduces herself as `Amee` in If You Seek Amy: `But all of the boys and all of the girls are begging to if you seek Amy.`

The central lyric, and title of the song, are interpreted as F*U*C*K me, because the penis wants the woman. If women have a penis, then Britney would want herself. The `tin man` of 'Oops! ... I Did It Again' is Britney`s spaceman, who gives her Rose`s `disappointed` heart in the form of the blue diamond pendant from the Titanic. Unless he `converts`; because he isn`t a woman with a penis, and so can never belong. He`s as `disappointed` as Rose, who should be a woman with a penis of her own, but isn`t. Hollywood won`t allow women`s penis to be shown, which the mysterious sinking of the Titanic by iceberg is symbolic of.

The `tin man` represents the penis` development from instinctuality, and imagination, to create and interact with what`s `collected`. In The Tin Woodman Of Oz even the heart of the `tin man` is Chopfyt`s, which means whatever is `collected` by Britney`s spaceman, as her `tin man` on the Mars` CD, or back on Earth, to where the `tin man` returns with her `holo` in his camera, is Chopfyt`s.

On Mars there`s `98% oxygen`, which is Greek (oxys-gonos), and literally means `sharp producer`, or `begetter`, because it`s the blood pump that inflates the penis, which is the physical manifestation of the developmental function. The oxygen content of air on Earth is 21% and, while the penis will want to develop, the `tin man` will struggle because he`s starved, which is Chopfyt`s method. Even though the penis is starved, it develops, but Chopfyt is the starver who doesn`t develop beyond homosexual pederasty; promulgating the evil serpent`s `seed`, symbolized inRevelation as the red dragon`s `blood plague`, and living like a blood-sucking leech on the penis` struggles to develop: `... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`3

The `tin man` doesn`t lose his heart, but his penis. Chopfyt can have everything the `tin man` develops, but it`s the tin man`s penis, which is why Britney gives the `tin man` oxygen. She`s Isis. In The Tin Woodman Of Oz Chopyft`s everything the `tin man` had, which means his works are `collected` but he`s truncated, that is, Chopfyt`s chopped off the tin man`s penis, which is what `TV Set` does in his dismemberment of Osiris. The Isis` myth`s equivalent of the incarnation of God upon the Earth is viewed by the the `TV Set` as a transvestite to be kept in ignorance of its divided state, and watched as it kills itself on TV, while men, as its virulent alien parasite, emerging from the enslaved `host` wombs of women who are a species of their own with their own penis, leeches off her dying corpse. Britney`s If You Seek Amy is, in fact, the tin man`s truncated appeal:

`All of the boys...

And all of the girls are...



If you seek Amy...`

In the psychology of Carl Gustav Jung (1875-1961), instinct or sexual libido, is transformed into spiritual, or intellectual energy, which is developmental. The penis is the physical manifestation of the God archetype which, according to Jung, underlies all the inventiveness of humankind, and exists in the dreams of the unconscious, imagination and art, amongst a plethora of sexual, and more abstract images, surrounding the soul or femaleanima, to stimulate and give impetus to genius. In If You Seek Amy, Britney`s `tin man` has become like `Hal`, the ship`s computer from Arthur C. Clarke`s 2001: A Space Odyssey, which regresses when shut down:

`There is a flower within my heart,

Daisy, Daisy,

Planted one day by a glancing dart,

Planted by Daisy Bell.`

In Jungian psychology the anima is what impels development, and the sight of a beautiful woman is enough to arouse desire, so the shutting down of `Hal` is a metaphor for what happens when Chopfyt`s finished with a man`s penis. In Britney`s lyric the `tin man` is reduced to Hal-like infancy, because Chopfyt`s penis doesn`t want development:



If you seek Amy...`

The Legend Of Sleepy Hollow is Chopfyt, because the `censor` is functioning to prevent the truth from becoming manifest, which is why the USA`s is the constantly thwarted American Dream of Manifest Destiny. Developmental functionality is discoverable in Washington Irving`s tale, but implicit rather than explicit. Because the archetypes of woman`s collective unconscious are only discernible within conventionality, and conditioning, as `buried bones`. The `headless horseman`, `Bones`, and the `ibis` Crane, that is, the heart (ib), and knowledge of the `teacher`, which is the `spirit of God`, are Chopfyt, because `censored` to prevent the reader understanding that the `headless horseman` and `Bones` are witless screws who don`t want developmental teaching for women, because she`d escape once she knew she`s a species with her own penis. Ichabod Crane is a Christ figure, because he represents the teaching that convention, and conditioning, don`t allow of, which is that men are aliens screwing a species.

9/11 in the USA was Al Qaeda`s Die Hardin which the Twin Towers were the man`s penis, and the woman`s penis, as a species with her own, while Al Qaed`s `Big Apple` of New York was Osama Ben Ladan`s tempting of the USA to restart homosexual pederasty`s war. One of the basic principles of homosexual pederasty is that the penis is soft when a man isn`t sexually aroused, but the homosexual pederast wants to tell the man when to be hard. Moonlighting with Sybil Shepherd presented Bruce Willis as the romantic charmer, while Die Hard was the homosexual pederast telling Bruce Willis to play a homosexual, and lose. In other words, David Addison in Moonlighting was `soft` and successful, while Bruce Willis inDie Hard was hard and homosexual.

Censorship is the truncation of woman`s penis` story; of penis envy and repression, discernible from a psychoanalytical literary analysis of the collective unconscious in dreams, imagination and art: or any form of `text`.The penises of futanarian women are bigger, and women as a `developed` species are destined for the stars. The evil, who are the serpent`s `seed`, are defeated in a war in heaven by the `hidden` woman`s `seed`, after she leaves Earth, according toRevelation, which is why the red dragon of homosexual pederasty`s devourment of the products of her enslaved `host` womb in warfare, doesn`t want her to leave. The serpent`s `seed` receive perdition, while woman is given a new heaven and Earth by God.

9/11 was the thwarting of the American Dream, and Manifest Destiny, by the devouring red dragon`s `blood plague`, that is, homosexual pederasty`s desire to enslave women as `host` wombs for their virulent wars, and prevent woman`s penis from emerging as a developed species`, while the evil aliens that are men remain as her `screw` and parasite.

In If You Seek Amy, Britney`s perception is Chopfyt`s. The girls want her, but the boys have the penis. The explanation she`s a woman with a penis of her own either isn`t knowable, or it`s impossible to communicate, because of the censor, which is Nick Chopper, the name of the `tin man`, before his axe was enchanted to dismember himself. Chopper is reassembled as homosexual pederasty`s man, who is only a penis, that is, Chopfyt, because he represents envious repression of the man`s penis, but also of the woman`s penis, because she`ll never escape him.

Britney`s Amy knows Chopfyt`s preventing the `tin man` from being her, which is why she somersaults, morphing in her red suit, to stand, changed into black skirt, boots, and white blouse, and symbolically receive the `gift` of the `heart of the ocean` of the collective archetypes of the unconscious, which is `personal growth`.

Britney`s the `cowardly lion` who`s brave, but not homosexual, because homosexuals want you to be hard when they want you. Common assumptions are that lesbians and homosexuals are `gay`, whereas homosexual pederasty`s war, and women with a penis of their own are a species. If they support the `Greek cause`, and men`s `plague games`, they`re `Greek whores`, whereas lesbians are able to recognize women as `separate`: `And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)

In Egyptian mythology, the goddess is sometimes depicted as hornéd Hathor, a `cow`, and Britney stands before her spaceman to receive the symbolic `gift` of the `heart of the ocean`, with the red disk of Hathor, but without horns, which means she may be a lion but she`s not a coward. She is Horus` House in 'Oops! ... I Did It Again' but, in If You Seek Amy, the walls of her Troy have been breached by the `Greek cause`. Giving it to Chopfyt, Britney`s `gay` and is promulgating homosexual pederasty`s biblical red dragon of devouring `blood plague` and warfare; because she doesn`t care for the space, man: `All of the boys and all of the girls are begging to if you seek Amy.`

In Egyptian mythological terms, the `tin man` is Horus` laptop, that is, but he has an internet connection, `uncensored` by the Pharaoh Chopfyt. He knows women have a penis, and so are the species of the planet Earth, which is what he should want. But the evil `TV Set` is in the `House of Horus`. In her black skirt, boots, and white blouse Britney is a monochrome `TV` set, because the evil Set, who corresponds to the Pharaoh Chopfyt, doesn`t want her man to know that he`s her, but wants a `separate` transvestite couple.

In Christianity, the `hidden` woman gives birth before the devouring red dragon, and escapes to sow her own `seed` in heaven. The `TV set` { those who want the transvestite to kill itself `live` } want `plague games` of transvestism, and Pharaoh Chopfyt wants to watch it. That`s why Adam and Eve felt ashamed when they were naked in Eden. `TV Set` is the Pharaoh Chopfyt`s, and the evil serpent`s seed`s, that is, the devouring red dragon`s `blood plague` of Revelation, which doesn`t want the woman, but wants to keep her so she can be tortured; because that`s what the aliens do, and women call their parasitical virus `homosexual pederast`. 9/11 was the perception that `Set` was in the `House `, because the transvestite (TV) was killing itself, as Chopfyt`s penis had planned since Eden.

The 9/11 planes that attacked New York`s `Big Apple` of Eve`s wisdom grown since Eden, were `Greek horses` spreading the virus of homosexual pederasty and warfare, which means HIV/AIDS, because it pretends to be friendly, and then betrays the `host`. On CNN the red dragon of Revelation and its `blood plague`, was seen to have translated the biology and psychology of HIV/AIDS into a terror weapon. From its role as `host`, woman`s `womb` was seen to have reproduced homosexual pederasty`s `Greek cause`, breaching the Towers of New York, as TV Set precipitated global terror in 9/11`s `city of the planes`.

The `blood plague` of Revelation is sent by God, because the alien virus, that is, men`s homosexual pederasty of war, is their evil `plague game`, which is why God destroyed Sodom and Gomorrah (Gen: 18,19), the `cities of the plains`. HIV/AIDS actually makes women look for their own penis, but it`s a `game play` of God`s omniscience, that is, the red dragon`s `blood plague` is `foreknown` as the consequence of men`s homosexual pederasty, and so is revealed as God`s providentially refocusing of women upon their own penis and species` future.

9/11 refocused women`s attention on Mars` masqueradings as the heroic masculine god of homosexual pederasty and war,which is why Britney`s Venus is careful to maintain her `House of Horus` on Mars in Oops I Did It Again - and send away the parasite.

If women are human, and men are merely parasitical viral aliens, they shouldn`t appear in the dreams, imagination, and art of human civilization and culture at all. In other words, 9/11 wasn`t even from God, because the human psyche contains the archetypes of dreams, imagination and art, and women are the human species. The `TV war` of the Gulf was preceded by plague games `on Set`, and other `shoot `em up` TV Set `charnels`, which are the tip of the Titaniciceberg of `snuff` that Britney, in Oops I Did It Again, alludes to.

In Japan, the TV Set`s Manga, and Hentai women, have `big eyes`. Beneath the sun, which is the species of the Earth`s `star`, men`s sarcophagis are crushing her. In terms of the invisible, to the uninitiated, realm of the `hidden`, she`s got `big, guys`, and the `blood plague` of the red dragon`s alien parasitical virus of homosexual pederasty`s `plague, aims` to `snuff` her secretly, which is how they `plague, games`.

1 Britney is alluding to Crane, Stephen The Red Badge Of Courage (1895) which is symbolic of both `ibis`, that is, the wisdom of avoiding unnecessary conflict. Insofar as Crane had no personal experience of the American Civil War (1861-5) of which he wrote, the brave `ib` of his `heart` is that he could write of the hero and understand that, although he wasn`t one, he would have wanted to have been one. The irony is that those who don`t fight aren`t cowards.


3 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.