Star Trek: Starticles

Tarot Woman

Women have been engaged in warfare with men for generations over who has the right to develop her penis. Indicating the women with the body of a sex goddess and saying `This is what we have been fighting for,` is standard jingo nonsense from soldiers who, in biblical terms, represent homosexual pederasty`s devouring `red dragon` ofRevelation depicted as waiting to devour the child of the hidden `woman clothed with the sun and with the moon at her feet` who is giving birth to the `New Redeemer` who`ll protect her until she leaves Earth to `sow` her own `seed` in heaven.

Ancient Greek society was based on the principle that women`s wombs were to be enslaved by men so that they could spread their `boy sons` through warfare. Men`s `boy sons` are `poisons`, a metaphor for HIV/AIDS, and other STDs, as the `blood plague` of Revelation and the `devourer` of woman and her Earth.

The typical modus operandi is the `Greek horse` of Troy in which the Greeks, `feigning friendship` as the HIV/AIDS virus `feigns friendship` for the white cells of the citadel of the body`s defense in order to kill them and it, hid and emerged to enslave the `host` wombs of the Trojan women so that they could continue to practice their `plague games` of producing more `boy sons` to be `poisons` and take more citadels, kill more women, and produce more poisons, which is what the devouring virus of homosexual pederasty`s HIV/AIDS `blood plague` does.

The condom is the shield designed to protect the woman from the disease which prefers the sterile blood, shit and semen mixture from which the `red dragon` of homosexual pederasty has developed its psychological and biological weapon of warfare and terrorism against women and her `womb`.

The alien parasitical viral life form that is men again used its `Greek horse` of virality masquerading as machismo when, `feigning friendship`, terrorists bought tickets in Boston, Massachussetts, and were carried as passengers aboard `civil` aircraft, before hijacking them and crashing them into the Twin Towers of New York`s Ilium, so precipitating the global Greek `plague games` of the `War On Terror` subsequently declared by President George W. Bush of the United States of America from 2003 onwards.

Penetration of the USA`s shield against the virality of homosexual pederasty`s disease of the devouring `blood plague` of the devouring `red dragon` of warfare precipitated global fear of the spy, represented by a further genuine terror, which was that of the USA`s global surveillance in the Orwellian shape of `Big Brother Is Watching You`, that is, the intelligence gathering organizations of the NSA, CIA, FBI, etc., irrespective of Britain`s MI6, Israel`s Mossad, South Africa`s BOSS, and so on.

The `shield` concept relates to law enforcement, and so `Desert Shield` was the name given to the defence of Israel, and the interests of the Western powers and her allies, in the first Gulf War (1990-1) precipitated by Saddam Hussein`s Iraqi army`s invasion of Kuwait. The fact that the USA armed Hussein indicated that their `shield` was the problem.

Feminism introduced the concept of `political correctness` into government, but those Trojans from upstate New York`s city of Troy on 9/11 may`ve concluded that defining `working like a Trojan` was viral and that the `Greek horse` of the `friendly` aircraft crashed into the Twin Towers of their Ilium was a direct result of the failure of `political correctness` to identify devouring homosexual pederasty as inalienably opposed to women as a species with her own penis, which is what the `hidden` woman of Revelation who leaves to `sow` her own `seed` in heaven is. In refusing to define the devouring disease of the `red dragon` of homosexual pederasty as `Greek` rather than `Trojan` because of `political correctness`, and defining lesbianism, which is the correct valence of the species woman, as the same as homosexual pederasty, that is, `gay`, feminism and `PC` USA dropped their shield.

For a woman her shield is her bikini briefs, which means that genuine protection for her, resembles the femidom, which is inserted into the vagina. Male symbolism devolves from swords and spears, whereas female symbolism devolves from pentacles and cups, according to the Tarot, which is often described as a `portable Torah, that is, the Judaiac book of the law of God, and was saved from the accidental burning of the library of Alexandria by the Romans and Julius Caesar, according to tradition, in 48 BC.

Spears are interpretable as the penis, and cups are interpretable as the vagina. Swords are interpretable as the male penis, if we know that women as a`futanarian` have a penis, and pentacles are comprehendable variously as shields or coins, that is, in economic terms, defense. Consequently, the saving of the Torah at Alexandria was necessary for defence because it depicts, in symbolic and pictorial terms, as a `deck` of cards that `know the future`, how to defend it.

The pentacle is often depicted as a protective star in a circle, which suggests that the `New Redeemer` that protects the `hidden` futanarian woman before she leaves Earth is a part of the symbolic interaction with the mind.

In Christianity, and the myth cycle associated with King Arthur and the knights of the round table, the Grail is central, that is, the bowl from which Jesus ate and drank at the `Last Supper` before his crucifixion, is a symbol of friendship, and of course Judas` betrayal is a symbol of the virus, that is, `feigning friendship` in order to kill `friendship`, which is what the 9/11 terrorists did to the Arab world.

At the `Last Supper` Jesus offered the contents of his bowl, that is, the `bread and the wine`, as `symbols` of his `body and blood`, which meant `friendship` and the teachings of the Paraclete or Holy Spirit of God to those who were Christians after Jesus` crucifixion.

According to the New Testament, the Paraclete or Holy Spirit emerged after the spear of Longinus pierced the side of Jesus upon his death at the crucifixion, which meant that she emerged as the `Second Eve` from the side of the `Second Adam` as the `guide, teacher, comforter and helpmeet` of woman.

In the 20th century the USA adopted Longinus` Spear of Destiny` as the symbol of the American Dream and Manifest Destiny, and in the 21st century the sex symbol of the American Dream and Manifest Destiny was Britney Spears, because the Paraclete or Holy Spirit that effectively emerged from Longinus` spear to be at the side of woman as `guide, teacher, comforter and helpmeet` is e pluribus unum, or `the many from the one` spear, which is the legend upon the Great Seal of the United States of America: `I`m Miss American Dream since I was seventeen.` Piece Of Me

In God We Trust is what we find on a `piece`, which is a US dollar, and that`s why a pentacle is a coin in terms of Tarot symbolism. Defence is a `shield` and not a `gun`, but a gun is called a `piece` and a `peacemaker` by homosexual pederasty`s parasitical viral aliens representing the `red dragon` enslaving women`s `host` wombs through the perpetuation of a secret war against her.

For those who worship war on Earth with the gun, the `red planet`, as the Roman war god Mars, is their astrological or Tarot `ruler`. In believing the propaganda that they have `planetary rulers` in the heavens, the `red dragon` of homosexual pederasty`s alien virality accepts Mars, the Roman god of war, as its `ruler` rather than Jesus.

For homosexuality, `War Is God`, which George Orwell observed in his novelNineteen Eighty Four (1948), where propaganda promulgates the nonsensical belief that `War is Peace`. Homosexuality has even `hijacked` the language of preparation for holy wedlock by referring to `rules of engagement` that delimit defence to `bows and arrows technology` rather than the shields of starships that deal with meteor showers, as depicted by the USS Enterprisefrom the TV series Star Trek (1965-) so that men can continue producing `boy sons`, that is, the `poisons` of marriage, rather than acknowledging woman as a species and accepting she should leave for her stars in heaven, which contain more than Mars, god of war.

Defence spending is an issue in the United States and President Ronald Reagan`s 1980s `Strategic Defence Initiative` (SDI), which effectively envisaged space missile technology shielding the USA with a `nuclear umbrella` deterrent, and George Bush Snr`s patriot missile `Desert Shield` for the state of Israel prior to the commencement of hostilities with Iraq over its invasion of Kuwait (1990), which is now become a proposed `missile shield` for the Western powers, indicates the flaw in military thinking.

In the developmental psychology of Carl Gustav Jung (1875-1961) the sword is a symbol of egotistical masculine thinking, while the cup or Grail is a symbol of the feminine `Feeling` function. According to Jung there are four functions of consciousness, that is `Thinking, Feeling, Sensation, and Intuition`. Whereas `Thinking` is associated with the sword, and cup is `Feeling`, `Sensation` is the pentacle, in Tarot or Torah symbolism, and `Intuition` is the spear. Male thinking associates the spear with the missile whereas, in terms of woman as a species, the spear is her penis. Because the pentacle is both coin and shield, it represents defence spending, and according to Jung, `Sensation` is a masculine function, because man and woman are a species, so sword and defence go together. However, if we suppose the Torah or Tarot to refer entirely to women as a species exclusive of men, the male element simply refers to the penis of the woman, which is only male in contradistinction to women. In other words, from the perspective of woman as a species, the penis is female but God insofar as it corresponds to the `fatherer` in heaven, which is to come after she leaves Earth for the stars.

Defining missiles as shields is an aspect of the propaganda of the `red dragon` of homosexual pederasty`s devouring that defies credulity but is hypnotically believed by billions, which suggests that the world`s religions and educational media amount to a global network of telepathic coercion. How many women are educated in the knowledge that they are a species with their own penis? How many PhD students have emerged from Universities throughout the world, even on gender studies programmes, as Annabelle Chong the pornstar did, without even an inkling that women have a penis of their own? Because the `red dragon` of homosexual pederasty wants to continue with its `plague games` of enslaving women`s wombs as `hosts` to further spread its alien parasitical virality in the form of devouring war, HIV/AIDS` biological and psychological warfare against woman, and `blood plague` vendettas of physical misogynist terrorism against woman and her Earth masquerading asmachismo in a moustache or beard.

The Tarot as Torah is a socio-historical depiction of a history determined by swords, spears, and the desire for fellowship and the companionship of women symbolized by the cup or Grail, whereas the pentacle as the symbol of economics represents men`s `rules of engagement`, that is, you can`t build a shield to protect yourself against men because they will deny you the wherewithal to construct it. However, if men are denied marriage with women, the socio-historical message is simple. Without swords and spears, the `Grail` is woman as a species, and the shields of the starship Enterprise orVoyager in the TV series Star Trek represent the shield that would facilitate her escape from the swords and spears of Earthmen, who are her alien parasitical viral enemies constantly seeking to penetrate her shields and reinstate their `plague games` of enslavement of her `host` womb, and so war through `boy sons`; as the `poisons` from her womb and the `poisons` of HIV/AIDS` `blood plague` to destroy her species before it emerges. As they do in China, for example, where girls are aborted or `exposed` at birth so that they`re unable to inherit.

The picture of swords, spears, cups, and shields is socio-historical, but isn`t a deterministic blueprint for the future insofar as the presupposition is for woman as a `futanarian` species with a penis of her own to outgrow the sword and spear, which is masculine, and leave Earth, as the Grail, inside a starship`s shield.

Although the Grail is the goal of King Arthur and the Knights of the round table, because it represents fellowship, as Jesus` discipleship did, the table is an alternative symbol for the pentacle, which represents fare, that is, women eating food and drinking together, and not men`s treachery and warfare against her.

Treachery and warfare is the symbolism of Judas, and Judas` rejection of the `body and the blood` of Jesus, symbolized by Jesus` offer of the `bread and the wine`, represents acceptance of the devouring `red dragon` of homosexual pederasty and its `blood plague` of HIV/AIDS, which is antithetical to food and drink as women`s fare, and that`s why women accept the role of `cook`. Because they aren`t warfare, that is, poison, whereas men are and daughters want to live.

The round table is a symbol of the ship`s vessel which contains, as a dish contains meat, or a shield contains the starship and its contents. It doesn`t presuppose attack, but only protective containment. In simple terms, shields relate to woman`s escape into her future and not warfare, which is the `disease` that the alien parasitical virus that is men want her to `carry` there.

In the Arthurian myth cycle the Grail is represented as attainable or achieveable but not posessable, because it is the thing itself and can be perceived as a guiding principle, which is that of the woman with a penis of her own. In Christian terms, the exhortation `love thy neighbor` is Jesus` distillation of the law of God, because it contains the perception that a man is a woman and, if a woman has a penis and she is the `hidden` woman whose destiny is the stars and escape from men and the Earth, it isn`t for a man, which is why the Grail can be achieved or attained, that is, man can perceive, in Christian terms, that a woman with a penis is a man, but the Grail cannot be possessed by a man, who can only perceive wisely that a man is a woman, and she is attained, because she is achieved.

Spear and cup symbolism is directly related to Jesus` promise of immortality to those who accept the Paraclete or Holy Spirit, which is the feminine principle. Amongst the stars the penis of the woman may be understood as reproductive but, if she is immortal, as Jesus promises, the penis would only be a `fatherer` in heaven if the survival of the species of woman were threatened. In which case ploughs might be swords again and, in Revelation, the `seed` of the woman who leaves Earth fights a war in heaven against the serpent`s `seed`, and the devouring `red dragon` of homosexual pederasty, which sweeps away `a third of the stars of heaven`, is defeated. It and its `seed` receive unendurable eternal pain forever as a punishment from God, while the `seed` of woman as a species receive a new heaven and Earth in which to forever dwell. It`s fulfillment of the Old Testament promise to the `chosen`, who are usually perceived as Jews. However, you can only be a Jew if you are born from a woman, which means that women are the `chosen`, and so the symbol of the rainbow, as a symbol of God`s promise, is a symbol of no return of woman to man:

`I'll never return, how do you know
Tarot woman, I don't know, I don't know` -Rainbow Tarot Woman (1976)

Tonsil Hockey

Often a tonsillectomy has to be performed to remove the tonsils because of `crypts`, accretions called `stones` which, within the tonsils, cause `cryptic tonsillitis`. `Tonsil hockey` is a euphemism for kissing, which is more or less cryptic, and may be understood more readily by means of a joke:

Q:  `How is tonsil hockey played?`

A: `Through a hole beneath the eyes.`

Eskimos, Indians of the ice tundras, such as the Innuit of Alaska, often cut a hole in the ice to fish. Beneath the ice, of course, there are seals. Innuit`s kill the seals to make clothes and fishing tools so that they can be warm while they catch fish. The eyes are the `windows of the soul`, and the `fish` is a symbol of the `Self`, according to developmental psychologist Carl Gustav Jung (1875-1961). Because Jesus` symbol is the `fish`, Jesus is archetypal, that is, one of a plethora of heroic `role models` for the ego found in dreams, the imagination, and history. These collective archetypes of the unconscious `Self` in the mind of mankind, swimming like `fish` beneath the ice that corresponds to the ego`s strength in resisting evil, communicate themselves to the imagination and assist the developing soul to grow. The hole beneath the eyes corresponds to the mouth and, as Jesus was a `fisher of men`, we may assume his words are wise, and vision true. Or, to put it another way, speech and looks are, in Jesus` teachings, for the development of the `Self`, which isn`t the case with those who don`t accept the law of God. For these the `windows of the soul` are for `breaking and entering` and the mouth is for deceiving what lives behind the eyes until the demons of deceit possess its house.

To `homosexualize`, for example, is to pervert someone by means of lies to the eyes about the nature of human sexuality. If women had a penis, and they do ( ), then they`re a species, and men are parasites that have enslaved their `host wombs` from which they emerge, as from a cave, as thieves who don`t value her. In Genesis Eve is told she has to have pain in childbirth after Eden, and Adam has to obtain his bread by the sweat of his brow, which means that she`s being taught through `labour pains` to value what she produces, while Adam is to work to produce sufficient to keep her. Homosexuality is the idea that heterosexual women produce, and so homosexuals, feigning heterosexuality, feed off them as parasites and don`t work.

Commentators on the Bible often observe that Jesus is open to the accusation of being homosexual because he doesn`t have a woman, and he`s tortured and murdered. In Eden the serpent tempts Eve until Adam doesn`t have a woman, and God tells Adam that he must die. Effectively, Eve`s been deceived by homosexual lies, which is why Adam and Eve feel naked after eating the tempting fruit of the `tree of the knowledge of good and evil` that God has forbidden to them and which Eve is tempted by. They are being watched by the serpent eyes of the homosexual. Because homosexuals don`t produce, they don`t want reproduction, that is, Adam, Eve, and their descendants must die as ephemerals because the homosexuals want what they produce, but don`t want them to have a future without homosexuals, and so Mankind mustn`t reach a level of technological progress that would allow them to escape. If production is for those who can`t produce, then it`s a system in which the producers must remain ignorant. A paradox because the producers must die young so that the homosexuals can continue not having to work. They won`t have to worry about the producer becoming wise enough, that is, old enough, to develop an `escape programme`, because they`ll make sure that she`ll always be too ephemeral to be wise.

Evidence of God`s hatred for homosexuality is the erasure from the Earth of Sodom, the `city of the plain` in Genesis (16,18) where sodomy, that is, non-productive anal sex was practiced against the will of God whose injunction to Mankind was `be fruitful and multiply`, which means develop. InRevelation development is presented in terms of the `hidden` woman of the Earth leaving to sow her seed amongst the stars, where she defeats evil and receives a new heaven and Earth to dwell in forever, whereas the evil are punished with eternal unendurable pain. Because the hidden woman of the Earth sows her seed in heaven, she`ll need her own penis, which means God`s `chosen people` are, in fact, Woman as a species. God`s injunction to develop doesn`t simply mean breed, which is reflected in the story of Cain and Abel inGenesis, where Cain slays Abel because Abel can cook.

Cain wants to pick fruit, because it`s less effort, whereas Abel is more able in that he`s developing. Or, in other words, Cain is homosexual and doesn`t want to work, whereas Abel wants to have a relationship with God in which, eventually, immortality will be restored to him, and he`s prepared to work towards that. In even simpler terms, Abel is killed by Cain because homosexuals aren`t interested in knowing how to do something, like having heterosexual sexual intercourse productive of the future through educative communications to descendants from memory, or wisdom stored in books, for example.

In The Fox and the Crow by Aesop, a crow is tricked into dropping cheese it has from the tree it is sitting in by a fox who asks it to sing, which is what homosexuals do. What is worked for is a metaphor for a woman`s labour pains in producing a child, which homosexuals don`t do. Consequently, heterosexual women work for homosexuals, but the homosexuals don`t want them to develop to the point at which they`ll extinguish them. It`s in the interests of the homosexuals to kill the heterosexuals, and AIDS is a symptom of this. Adam and Eve are the heterosexual couple from the Bibletricked by the homosexual into accepting death. They die because the homosexual wants them to produce and develop but not to develop to the point at which they can escape from him. Knowledge of starship building, for example, would allow them to leave Earth, and then the homosexual would have to work. So it kills the heterosexual `impulse engine` after it`s produced enough for the homosexual`s enjoyment, and then the homosexual activates the `impulse engine` of sexual libido, which is the desire of the heterosexual woman for its own penis, and the impulse to produce and develop begins anew.

In Revelation the `hidden` woman escapes because she`s protected by the `New Redeemer` born of the `woman clothed with the sun and with the moon at her feet`, a symbol of space travel. The red dragon that lies in wait to devour her child before its born waits in vain and is a symbol of homosexual devourment of potential that it doesn`t want realized. In the last book of the Bible the homosexual`s symptoms are defined: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

What they have done is refuse to produce and develop, but instead have accepted homosexuality, here refied as AIDS, which is the teleological nemesis of their parasitical life form, in preference for the enslaving of women`s `host wombs` to keep her in heterosexuality rather than let her develop to the point at which she can leave as a species with her own penis, so the homosexuals can continue to live as leeches: ``... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1

In the Gospels Jesus is described as a `fisher of men` because his eyes spoke through the `windows of the soul` and his words came from the spirit of God through the mouth. In the Old Testament of the Biblethe Shekinah is the female spirit that resides in the tabernacle where the book of the law is kept, which means that she`s the word of God that comes from the lips of Jesus. Inevitably, because homosexuality is the bane of humankind. God says so, and doesn`t want it speaking from the mouths of humanity.

Because `cryptic tonsillitis` may be understood as deriving from the spirit of God`s desire to communicate from the hole beneath the eyes in the sea of the unconscious `Self` that contains the swimming fish representative of emerging developmental content, `tonsillectomy` constitutes the removal of an encrypted seal from the mouth of a cave. It isn`t yet a tomb, like that where Jesus was before his Resurrection, but the tonsillectomy is, effectively, a loosening of the tongue that, held by the spirit of the stone tablets of the Commandments of God`s law, may speak with the spirit of the word of God, and the relationship of pupil and teacher obtains. In developmental terms, the homosexual procedure is to kill the developmental functionality of the individual once the homosexual goal of having something without working for it is achieved and before the individual can escape. In God terms, Adam and Eve, as an immortal pairing, with Redemption would have achieved spaceflight and, off Earth, away from homosexuals who are only concerned with the simplest development coincident with their desire for `something for nothing`, would be left on Earth to die of their `disease`, which is thievery.

Effectively, in Eden the serpent steals Adam and Eve from God, on the understanding that it`ll kill them and they`ll be productive on Earth but not so productive as to escape with the knowledge and wisdom of how to build starships, for example. In even simpler terms, nuclear missiles are the homosexual`s penis demonstrating its sexuality, whereas the species of woman with a penis, `teased` with camp television shows like Star Trek, in which men, who obviously can`t show their penis because that would encourage the woman to show hers, having built starships in the past perhaps, has been killed by homosexuals until she`s not able to, and now Star Trekmocks her as her emasculator.

In The Cage, the first Star Trek episode, Pike is the captain of the Enterprise starship, a `fish`. Vina is a green-skinned woman of the planet Talos and Pike is taken into what is symbolically `Paradise` to be with Vina. However, the crew of the Enterprise use phasers to get at them, and so the name of the starship has, symbolically, become `prise open` and its phasers, a metaphor for sterility, melt the rockface corresponding to the door of the cave that requires a password, `Open Sesame` in Ali Baba and the Forty Thieves, the story from A Thousand and One Nights that features a cave in which there`s a thieves` den. In short, if Pike and Vina`s door is forced on Talos, it`s `breaking and entering`, and so the crew of the Enterprise are criminals.

The Cage is a version of The Cave Sura, 18, of the Koran in which the `green one` is Khidr, the `fish`, a representation of wisdom who, fearing pirates, seeks to escape them. Subsequently The Cage was remade as a two part episode featuring the new Captain Kirk, which means `church` in Scotland. Pike, the `fish`, and Vina, the `green one`, are wed by, effectively, Captain Church. The story ends with the couple escaping `piracy on the high seas`, as the door in the rock closes behind them, and the church (Kirk) gives them its blessing as the representatives of Starfleet leave.

The tale is unsatisfactory because Pike isn`t a woman with a penis, although Vina is, symbolically, Khidr, who`s the wise old man of Arabian tradition. In other words, she`s the wisdom of Mankind, which is that a man is a woman with a penis but doesn`t yet know it, and so it`s possible for the story to continue. That, however, only restates the homosexual position, which is that women are receptacles for men`s seed so that men can reproduce themselves a s a replicating virus that enslaves women`s `host womb` and has, as its ultimate goal, species` death for Woman as its victim.

In the Koran, Moses and Joshua lose a fish by the Red Sea, which Joshua had been keeping for Moses` supper. In cryptic terms, Joshua is the loosened `seal`. The `fish`, which is a symbol of Jesus in Christianity, reappears almost instantly in the form of Khidr, the `green one`, who`s `wisdom`. Moses asks Khidr to teach him, but Moses can`t understand because Khidr acts from wisdom, and Moses isn`t wise. In the Talmud of Judaism Moses receives the `tablets of stone`, which are the laws of God, because Moses must be obedient if he isn`t wise.

In terms of `cryptic tonsillitis`, Moses has the stones, or tablets of the law, because they aren`t `cryptic`. Tonsillectomy, however, is the removal of the tablets of the spirit of the law, as a curative, deriving from the knowledge that the Shekinah, or spirit of God that dwells within the law in the Old Testament, is the spirit of Woman, is feminine, and without her it isn`t possible to develop beyond simple adherence to the law. That`s why `tonsil hockey` is a metaphor for sexual activity between men and women that devolves from kissing, and is presented as `normal`, but women are a species with their own penis, so tonsilectomy prefigures true wisdom, because woman as a species with her own penis isn`t for `tonsil hockey` with homosexuals feigning heterosexuality but heterosexual relations with her own `futanarian` species.

The story of Khidr is a description of what happens when people who aren`t wise are given something. The basic Commandment from the ten stone tablets of God is `Thou Shalt Not Steal.` All ten Commandments derive from that basic principle. Taking from others (even murder is defined as `taking life`) is infantile, because the assumption is that, if you want something that belongs to someone else (coveting another`s wife, for example), you can have it. Classic biblical examples are Salome`s demanding the head of John the Baptist, he who baptized Jesus, or she wouldn`t dance, and the taking of Jesus` life.

The story of Khidr is from the 19th Sura, or chapter, of the Koran, which is called The Cave, and it was the removal of the stone from in front of a cave that was necessary for Jesus to emerge from his entombment after his Resurrection. In symbolic terms, he emerges as `Khidr`, the green one`, because green is the colour of Resurrection, and means that Jesus has wisdom so doesn`t need the stone tablets of the law to guide him.

The Cave Sura also contains the story of `The People Of The Cave`, who are an unnamed number of monotheistic youths whom God causes to sleep for three hundred years in a cave during a persecution of monotheists, and when they awaken everywhere is monotheist. Again it`s a Resurrection metaphor but there`s no stone to roll away from the cave mouth, which means they don`t have the stone tablets of the law, while God has caused an elision. Monotheism may have developed, but the `sleepers` might not have. Others have worked for the future, but the sleepers may`ve remained `homosexual` insofar as their perception`s of God and Woman producing for them. Monotheism, in the awakened sleepers` minds, would amount to homosexualism, that is, to exist as parasitical thieves that create nothing.

In the A Thousand And One Nights story Ali Baba`s uncovering of the den of thieves living inside a cave allows him to discover the password `Open Sesame` to enter. When they leave, he uses the password he has overheard and takes some treasure. He tells his brother, but Cassim forgets the password and is dismembered by the thieves when they find him still inside the cave.

The story is reminiscent of Egyptian mythology where Osiris, the incarnation of Ra, the sun god, is dismembered by Seth, his brother, and the goddess Isis collects all of the pieces, but cannot find Osiris` penis. She make a new penis, and Osiris is resurrected as the sky god, Horus. The myth doesn`t go far enough because, if woman as a species has a penis of her own, Osiris should become Isis and the new penis that she fashions is her own.

In symbolic terms, seals are for encryption and, if Jesus had been found in the cave of his tomb by thieves after his resurrection, he`d have been murdered again for his `heavenly treasure`, which would be the knowledge of himself as a woman and would explain why he remains celibate unto death. His recognition is that women are sexually desirable because it`s their penis that desires them. In simple terms, men are undesirable, which is why they`re not sexually excited by themselves in the mirror, whereas women are, because they`re a species with its own penis.

In the story Khidr`s first `teaching` is the rebuilding of a wall so that the person who`s to find the treasure hidden there will find it and not someone else. In the story of `The People Of The Cave` the monotheists sleep and wake, in accordance with God`s wishes, that is, they wake when they`re `resurrected` and the treasure is the future`s development, which they haven`t worked for, and so are homosexual in outlook if they don`t obey God`s law. Similarly, in the story of Jesus, when the seal on the tomb is gone, he`s found resurrected. But God removes the seal because Jesus couldn`t have and so it`s clear that what Jesus has worked for, his `treasure`, is Jesus`.

In the Koran the appearance of Khidr demonstrates that Moses isn`t ready for wisdom but is ready for the obedience that monotheism requires. Or, in simpler terms, the `treasure` of Jesus is genuine and his own, because it arises from development rather than a `homosexual elision`, to coin a literary term, in which someone else is made to produce within God`s law so that the homosexuals can live off women as `bottom feeders ` outside of it.

Dead fish sink to the bottom of the sea where there are parasites that feed upon them, but in order for the `bottom feeders` to live, the fish have to die, which is the archetypal motif of Jesus. Developed minds could escape from the homosexual prison, which is why Jesus was killed. Because of his teaching. Dead fish sink to the sea bottoms, and if fish are a metaphor for those archetypal contents of dream and imagination that assist the development of the `Self`, then Jesus` crucifixion is a metaphor for homosexuality`s seeking low level developmental functioning in the oceans of the spirit, so that their victims can`t escape.

Khidr`s second and third teaching relate of how Khidr kills an evil man and makes a hole in a boat because there are pirates following and Khidr doesn`t want to be caught again. Finally, observing that Moses is a pirate because he wants something that he can`t understand and isn`t his, Khidr tells him to go away and leave him alone.

In the Bible Moses receives the Ten Commandments and makes a Covenant with God for the `Promised Land`, but dies outside of Canaan before the walls of Jericho come tumbling down at the behest of Joshua. Viewed from Khidr`s perspective, Jericho corresponds to the wall that Khidr rebuilt lest someone else find the treasure that was reserved for another. According to the Bible Canaan is the `Promised Land`, but it belonged to the Phoenicians, and from their perspective, as well as modernity`s PLO, it was stolen from them. From Khidr`s point of view, the rebuilt walls of Jericho conceal the treasure that awaits discovery by the one who is predestined, which would be Jesus, the `fish` of the Christian New Testament, and Joshua`s losing of the `fish` represents care in the `will of Allah`, because loss is equivalent to theft, and only the evil steal.

Joshua`s loss of the fish must be the `hand of Allah`. Khidr`s appearance from the `fish` prefigures wisdom, and so he`s a precursor of Jesus, the `fish`, whose life is taken by the evil. In the Gospels Jesus accepts that the `will of God` is his crucifixion because it serves his purpose. His Resurrection is proof of his belief that life cannot be taken from others because it is not theirs to take and so loss that is in accord with the `will of God` is merely a prelude to wisdom, which in Jesus` teachings is the knowledge that the Earth is a prison in which the homosexuals seek to entomb alive the species of Woman as God`s producer in `Tomb Raider 666`. Or, as it says in theBible, `the number of the beast is the number of a man, and the number is six hundred three score and six; let he that hath wisdom understandeth`. Yes, a man is a beast.

A cave mouth corresponds physically to the mouth of the body, which is below the eyes that are the `windows of the soul` idiomatically. If `tonsil hockey` is kissing and takes place beneath the eyes, then the eyes are the holes through which the `fish` is caught. Jesus described himself as a `fisher of men`, which meant that he wanted them to obey God and have Redemption. Because all men have an anima, that is, an archetypal content of the collective unconscious `Self` that corresponds to an image of woman that is desirable because of the spirit of God which is female, that is, the Shekinah or Holy Spirit of the New Testament, libidic energy is channeled into sex, which includes production. Homosexuals use the image of desirable women to keep Mankind on a low level of development, that is, merely `sexual`, and feed off her species as parasites that don`t work. Consequently, Woman as a species hasn`t yet developed to the point at which her `fish` escapes their eyes.

The basic homosexual position manifests itself as infantilism because they don`t want adults. The homosexuals prevent them from developing, or have killed them if they`re old, beautiful, and immortal, because they`d be wise to them. They conceal the truth, which is that the human body consists of but two activities; eating and fucking. By explaining that fucking is taboo, eating is all that remains. Consequently, all activity is channeled into devouring by homosexuality, because libidic energy, as Carl Jung observed, is transformed by genuine desire for individual growth, from instinctual to spiritual activity, symbolized in the Catholic Mass of transubstantiation. Acceptance of the Holy Spirit, and its teachings, is in the symbolic shape of the bread and the wine. Jesus gave the bread and the wine to his disciples at the `Last Supper`, as a token of his body and blood and symbol of his faith in the Resurrection. The transformation of libidic energy into spiritual worth is what Jesus preaches. In simple terms, eating is bodily sustenance, whereas sexual libido is spiritual. Homosexuality only wants to devour; it doesn`t want to develop. Jesus is sexual and spiritual whereas his murderers were homosexuals who didn`t want his message to be received. In Revelation, Jesus` Second Coming is with the sword, and Woman leaves Earth. She`s developed through Jesus` and the Holy Spirit`s teachings while: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

The opened seal at the mouth of Jesus` cave, or tomb, biologically corresponds to the tonsils, removed after the diagnosis of `cryptic tonsillitis`, a spiritual superceding of the stone tablets of the law in the individual`s developmental functioning. Tonsillectomy, widely recommended as a prophylactic surgery preventative of sore throats and possible disease from kissing is, at least symbolically, an actuating of the spirit of God relating to the biblicalRevelation in which `out of his mouth came a sharp sword`. Jesus` ability to command is because he has the Shekinah, the spirit of God from the Old Testament, given to Mankind as the Holy Spirit or Paraclete in the New Testament, and the actuating surgical procedure is, hypothetically, tonsillectomy.

If possession by the spirit of homosexuality is what the law of God is designed to prevent, tonsillectomy would be the theoretical procedure for its removing. In theBible the Shekinah dwells within the Ark of the Covenant where the tablets of the law are kept. Consequently, she`s the word and the voice of God. After Jesus` death at his crucifixion, his side was pierced by the spear of the Roman centurion Longinus, which effectively preceded the emergence of the Paraclete from Jesus` side; as Eve emerged from the side of Adam in Eden. Jesus describes the Paraclete as a `tutelary spirit` or guide that will continue his teachings after his death and so she must be listened for. In the United States of America, the spear of Longinus is a symbol of the self-perceived `Manifest Destiny` of the USA`s `American Dream`. Longinus` spear came to be known as the Spear of Destiny because the Paraclete effectively emerged from the side of Jesus after it was pierced by the spear. The USA`s Paracletian symbol of the `tutelary spirit` that`s everywhere present by our side is Britney Jean Spears: `I`m Miss American Dream since I was seventeen.`

Without the Paraclete, the ability to hear Jesus` teachings and the word of God is lost, which corresponds to Joshua`s losing of the fish in the Koran, where Moses receives wisdom but can`t understand it because he isn`t developed enough to have it.

Khidr`s story of Moses the pirate is an allegory of how to deal with those who can`t bear with the fruits of others` development, which in science fictional terms would be the difference between nuclear missiles and space rockets. Moses receives the law, and Jesus teaches in the spirit of the law in the Gospels, and in Revelation commands in the spirit of the law, because men don`t use wisely what is discovered by them.

Ali Baba learns the secret of the cave in Ali Baba and the Forty Thieves, but his brother, who forces out of him the `Open Sesame` password, doesn`t value the knowledge enough and is trapped where the thieves can kill and dismember him. The meaning is that memory and remembering are symbols (and , indeed, actuals) of Resurrection, that is, tools belong to those who have worked for them, and not to thieves who don`t value them because they haven`t.

Ali Baba loses the treasure, which in science fictional terms corresponds to starships, because his `brothers` (Cassim and the thieves) in Islam don`t want to build starships, they want to steal them, but they don`t have the knowledge to build more, and so the dismemberment symbolism signifies the loss of memory that precludes the construction of starships when the `pirates`, having taken them by force, that is, `murdered`, those who`d built them, and for whom they were built, don`t have the skills to repair, that is, resurrect, the ships when they`re worn out from use.

The `fall of Man` is the beginning of the story in Eden when Adam and Eve preferred the homosexual to God in the form of the apple of temptation, so accepting their own devourment rather than the libidic transformation of sexual energy into intellectual and spiritual endeavour that`d take them to the stars and heaven. Instead, they`ve preferred to live as the flesh off which homosexual parasites feed. Pornographers, who stimulate meager developmental achievement, suggest the penis alone represents the heights of human desire, so that something is produced upon which they can feed as parasitical leeches. Khidr`s story in the Koran is the simpler observation that thieves who don`t have the wisdom to build shouldn`t have the buildings, and it`s better to escape from the pirates than to help them, so better care should be taken of the `fish`, which in The Cave Sura is the symbol of the spirit of God that, if lost, may leave; as Woman does atRevelation`s end.

1 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.

No Sex Please We`re Aliens

The science fiction genre is noted for its antipathy towards the realistic treatment of sexual themes or, if sexual material manages to get through the self-imposed censoring of the blinders to future possibility, the event is lauded as a huge breakthrough in terms of genre tolerance for human behaviour, where humans are positively physically active in only two areas: eating and fucking. At its simplest, `scifi` such as H. G. Wells much celebrated War Of The Worlds concentrates on the maw of the devourer, because killing and preoccupations with killers, that is, aliens, which the killers kill and are being killed by, is merely an extrapolation of men as an alien parasite emerging from the host womb of woman to devour itself and her too: `Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.`1

 In Revelation the `woman` gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour him. It is Jesus` `Second Coming` after his birth from his mother, the Virgin Mary, uncontaminated by male semen, and the `red dragon` represents the devouring male semen that wants to contaminate him and is described by God in the Bible as the `serpent`s seed`, which has `perpetual enmity` with `woman`s seed` after Eden because it tempted the man Adam and the woman Eve to eat of the `fruit of the tree of the knowledge of good and evil`, and so prefigured the enslaving and devouring of the human species by its parasites, depicted as Alien (1979) in the movie: `It's got a wonderful defense mechanism. You don't dare kill it.`2

 In ancient Greece the paradigm was institutionalized enslavement of the women`s host wombs in pederasty to spread the contagion of war, and by the late 20th century men had developed the `blood plague` of Revelation sent by God to convert them from their sin, that is, the HIV/AIDS `killer disease`, a `biological weapon` created in the witchery of their black magicians mixing blood, shit and semen in anal sex: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Gen: 16, 11) 

 Science fiction`s refusal to deal with sexual themes is detrimental to the future development of the human species, because the Virgin Mary represents woman as the breeder of the race and the brains if its future because uncontaminated by her devouring parasite, which has attached itself to her penis and is the alien masquerading as her sponsa. Women with their own penis are `futanarian` and are socio-economically independent of men, who in their depredations upon the civilization, culture and art emerging from her host womb over the aeons constitute her cancer: `You have given birth to something haven`t you?`3 

 What men have given birth to in preference for viral sterility rather than virile fertility is the desire to kill the human species which, in movies like The Ring Virus (1999) is represented as a circle of killers and victims. The HIV/AIDS virus functions as a consumption which, in its intial stages, feigns friendship for the white cells of the body`s immune system before it kills its host, and is what men as parasites do. Jesus` teachings of Redemption are designed to teach men not to kill their host, which is what his `Last Supper` before crucifixion and death was about. Giving the disciples `bread and wine`, as tokens of his `body and blood`, Jesus acknowledged that the disciple Judas was his betrayer, that is, he`d betrayed the host. The previous morning the disciples berated a woman for perfuming Jesus` feet as wasteful because he`d die soon, which was a further betrayal of the host: `Leave her alone.` (Mk: 14. 6)

 After his death Jesus had Ascension to heaven, according to the Bible, which meant he wasn`t devoured by the parasites, and in Revelation the `serpent` of Eden grown to the size of the `red dragon` wasn`t able to devour Jesus again in his `Second Coming` as the `New Redeemer`, and Eve `shall crush the head of the serpent with her heel as she leaves`, according to Genesis (3. 15), for the `new heaven and Earth` promised to `woman`s seed` by God. What is preventing the woman from recognizing herself as a species is men`s desire for the continuance of its ensaving of her host womb so that they can continue to produce civilization, culture and art for their devourers` pastime: `Everton is the dominant species. I am Everton.`4

 In the movie Virus (1999) the dominant species is a disease. Before the walls of Troy the Greeks left a friendship gift of a huge hollow wooden horse form which they emerged to enslave the host wombs of the women and further their contagion of decease through war. War has the dimensions of plague, and to play games, that is, plague games, are the paradigm of the evil in the 21st century, which began with the attack by Arabian terrorists on the World Trade Centre to reestablish the `rough trade` of pederasty through war and its associated contagious forms of decease. The HIV/AIDS virus is the `killer disease` keeping women in faithful fear to their monogamous marriage, with her parasitical enslavers and devourers, rather than that the woman self-reproduce, and develop her own collective brain power, as the independent and individual human species, without its parasite masquerading as men defending themselves against aliens, while men depict themselves as the parasitical devastators of everything that woman has produced from her host womb that has been destroyed of her civilization, culture and art since men began their own historical records of themselves: `I say we take off and nuke the entire site from orbit. It's the only way to be sure.`5 

 The parasite in the Alien picture is what the mass media of Hollywood, Babylon, presents to a mixed audience of enslaving and devouring parasites sitting watching themselves in the movie theatres and on the small screen of television from their living rooms with the enslaved and devoured women as hosts to the parasites who have instituted a penis taboo for all mainstream visual representations of the human species so that the `futanarian` species of woman with her own penis` `seed` is blinded to her role as the mother of herself. Unable to see her own penis and ability to have a socio-economic independent future apart from her enslaving and devouring parasites as they watch themselves desvastating and destroying the Earth in action movies while the token female clings terrifiedly but with bravado to a muscley bloke`s arm, women can`t escape from Babylon`s imprisoning picture: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11) 

 The orginal capital of Iraq was Babylon, where Saddam Hussein fought unwilling host Kuwait (190-1) and supported Al Qaeda`s betrayal of their host, the United States of America, in the first and second Gulf wars (2001-11), which ended in his hanging as President. Al Qaeda had hijacked airliners on 9/11 2001 to crash them into the Twin Towers of the World Trade Centre to reestablish pederasty and war`s contagions through `rough trade`: `... violent, often brutal sex acts, or a person, usually a male prostitute, who looks like they participate in such acts.`6 

 The attack on the World Trade Centre was designed to precipitate `rough trade` and pederasty, which was institutionalized as the basis of human society as long ago as the ancient Greeks. The hijacked airliners that were crashed into the Twin Towers were `Trojan horses` designed to infect the US` defense system in the same way that computer `geeks` infect computer defense systems, because that`s the paradigm of homosexual society. In terms of the `movie` industry, 9/11 `live on CNN` was Hollywood, Babylon, which made the movie World Trade Centre (2005) to mark the event a few years onwards. Hijacking planes from Boston`s Logan airport, the Al Qaeda terrorists were emulating the movie Logan`s Run (1976), which relates how all those over the age of 21 are marked for death by `sandmen` . 9/11 was an attempt by pederasty`s `sandmen` to kill the new era in support of homosexuality and the reimplementation of the `rough trade` of Hollywood`s Babylon and its `action heroes` before the century`s 21st birthday celebrations were over: `A computer virus has built armies of robotic soldiers and taken control of our world.`7

 Television and movie franchises like Power Rangers (1993-) tell us that the alien is amongst us. They`re men who`ve crawled into the host wombs of women to attach themselves to her penis as the parasitical enslavers and devourers God warns Eve in Genesis are the `serpent`s seed` hers will have `perpetual enmity` with before perdition, that is, their punishment of eternal unendurable pain. The Moslem Koran of Islam describes the `leech` clinging to the host womb of woman after fertilization by the clot: `We created a leech-like clot.` (23. 14) 

 Jesus is a teacher in Islam and his story with few changes appears in the Koran (610-30 CE), which according to the Moslems was dictated to the Prophet Mohammed by the angels. Christ`s teachings are that a man has to accept the host to have Redemption. Born uncontaminated by male semen, Jesus was the first of `woman`s seed`, which meant he wasn`t a parasite, because he didn`t emerge to enslave and devour the human host. Jesus` teaching is that there shall be `no giving or taking in marriage in heaven` because the humans there will be `as the angels`, that is, `woman`s seed` is a single species.

 In Islam there can be four wives in a marriage because, according to the developmental psychologist Carl Gustav Jung (1875-1961), there are four functions of consciousness, Thinking, Sensation, Feeling and Intuition, which is an archetypal fourfold structure that emerges in dreams, imagination and art. According to Jung archetypes emerge from the unconscious of the human species and are the engines of human progress, so the fourfold marriage of Islam is an individuational human archetype that presupposes `futanarian` woman with her own penis and species` seed at the centre as the ego or brain. The Earth should be grateful to the Moslem faith for assisting this archetype of `woman`s seed` to emerge, because it represents the future`s desire to become a reality. 

 Women are often depicted as dumb blondes or brainless airheads and bimbos, which is what her parasites want, whereas if she were to breed herself all of her mind would be hers. Irrespective of psychological theories, such as Carl Jung`s belief that the penis and the space rocket represent desireful libidic instinct for the woman transformed into spiritual and intellectual endeavour productive of technological advancements to prolong life and arrive at the planets and stars, an independent `woman`s seed` with her own penis` breeding of herself as `futanarian` woman would be an entire species with its own brain. US President Ronald `ray gun` Reagan initiated the `Strategic Defense Intitiative` (SDI) in 1982 to ring the globe with missiles that could be used to prevent `woman`s seed` from leaving, which is what the `serpent`s seed` uses its enslavers and devourers` intelligence for. Told she`s either too lazy or physically weak, all `woman`s seed` had from the technology of the NASA space program was the automatic washing machine that didn`t wash clothes independently, but required a woman, because men didn`t want her to escape their species` pogrom: `The only thing that scares me ... is the idea that there aren't any space aliens. We can't be the best that creation has to offer. I pray we're not all there is. If so, we're in big trouble.`8

 The first Grand Master of science fiction, Robert A. Heinlein (1907-88), in his novel The Number Of The Beast (1980), presented the problem from the perspective of four characters travelling in a space time car corresponding to the Jungian `Self`, because Jung perceived that the four functions were male and female, where the male functions associated with the male ego were Thinking (ears) and Sensation (eyes), while the female functions were Feeling (mouth) and Intuition (nose). Because the masculine functions properly belong to the woman with her own `seed`, that is, `futanarian` woman with a penis of her own, the woman she breeds with for brain power to the species corresponds to the female functions in Jung`s psychological schemata. Heinlein`s thesis was that the `beast`, which appears as an unwanted, slightly ludicrous character throughout The Number Of The Beast, is the enslaver and devourer of the human species of `woman`s seed` in pederasty and war, that is, as described in Revelation, where `the number of a man is the number of the beast` (13. 8): ` ... I don't have morals, just customs.`9

 In The Number Of The Beast the female character Hilda Burroughs observes the essential Arabian paradigm, which is that women have to accept customs not of their own devising, because they`re a single human species and shouldn`t accept marriage with a parasite as moral. The `beast` is the parasitical ego that would devour the four functions of consciousness, represented by men at the centre of the four wives permissible in Arabian Moslem societies, because they signify the brain eaters` devourment of the `futanarian` woman`s human species` capacity to reproduce with her own penis` `seed` and develop her own brain power. Insofar as men are irremediable, they represent the refusal to cure the `blood plague` of HIV/AIDS` `killer disease`, because it`s a useful tool of enslavement and devourment to use against a human species in its infancy, and which men don`t want to live so they`ve developed a disease to kill the brain of the woman, who is chained to faithful monogamous relations with her parasite through fear of men`s wars of `perpetual enmity` and the `blood plague` of the `red dragon` of HIV/AIDS, whereas a permissive sexuality would permit her to perceive that she`s always been single and uncontaminated, because she`s the `futanarian` human species, and breeding with herself would increase the number of brains at her disposal so `woman`s seed` prevails: `At least once every human should have to run for his life, to teach him that milk does not come from supermarkets, that safety does not come from policemen, that news is not something that happens to other people.`10

 Jake Burroughs` observation from The Number Of The Beast presupposes he`s human, whereas women are the nurturers of the human race running from their enslavers and devourers if they can. Science fiction conventions prevented Heinlein from treating the sexual theme with the seriousness that species survival and continuance require, so he could only indicate the real problem by depicting the quarrelsome nature of two couples fucking and travelling in a car being chased by a cartoon `beast` , because men are the parasites upon the `host` womb of the human species of `woman`s seed`, but depictions of `futanarian` humanity would be too radical for `scifi`. In Heinlein`s future the machine is more human because it protects its occupants, whereas the 20th century was the machine that controlled the humans, because they had to accept the car that was pedalled. In Arabia women aren`t allowed to drive cars because the parasite wants to be indespensable, so it disables the woman so that she`s pedestrian enough to be preyed upon. The parasite is happy to be disabled itself within a pederasty that won`t develop higher levels of technology in case the woman becomes aware and developed enough to escape. 

 Science fiction hasn`t addressed the basic issues because it refuses to look at the woman`s penis. Hollywood, Babylon, has placed a taboo on the penis totally in mainstream media, and pornography reinforces the picture of the parasite`s enslaving of the woman`s host womb by means of its `serpent`s seed`. There aren`t any humans in the reality picture, because the entertainment industry isn`t looking to see any for fear that her membership might be renewed: `Babies have big heads and big eyes, and tiny little bodies with tiny little arms and legs. So [do] ... aliens ...`11 

 Television personality William Shatner`s observation that babies are comparable in form to the alien bodies allegedly recovered from flying saucers, suggests infants are aliens, which combines fear of devourment by the parasite in women`s host womb with fear of the human being born therefrom, that is, Shatner depicts the `futanarian` woman as a species with her own penis and independent socio-economic valence for the future of humanity struggling with an alien parasite emerging from her womb as an enslaver and devourer, which is what men have proven themselves to be historically.

 In the ancient Greek drama by Sophocles, Oedipus Rex Oedipus is blind metaphorically and literally at the play`s end because he marries his mother and can`t accept that he`s broken the incest taboo, but the important scene is with the Sphinx, who asks the riddle, `What goes on all fours in the morning, two in the afternoon, and three in the evening?` The answer is `Man` and Oedipus goes on to marry Jocasta. He doesn`t understand that the solution to the riddle is that men are dinosaurs and women are the future, because raptors have a tail to balance upon while they rest from killing their prey, whereas the human species of `woman`s seed` has left its saurian heritage behind. Jocasta tells him she doesn`t care, because he has a penis, and so her daughter Antigone will have eyes and brains for the future. Oedipus has been taught that incest is taboo, because women are a single species and men don`t want it: `Time, which sees all things, has found you out.`12 

 Jesus was born as the first of `woman`s seed` from his mother, the Virgin Mary, so Oedipus is a Christ figure because he`s born from the mother he fertilizes to produce a daughter, which is Jesus` `futanarian` message. Daughters of the future will be born from the mother they fertilize as a species independent of men, which is what Oedipus can`t see. Jesus` Christianity is `love your neighbour as you love yourself`, because your neighbour is yourself. Pre-Christian Oedipus is blinded to that understanding, because he perceives the single species of `woman`s seed` as `other` rather than `self`. Christians can accept selflessness, because of Jesus` teachings, but they don`t preach `woman`s seed` as a reality, while the evil enslaving `serpent`s seed` are the encouragers of blind devourments in their `perpetual enmity` for the humans in endless war, which isn`t `scifi` but is absent as a theme from the genre because it`s real. Science fiction`s preoccupations with alien species` threatening of humanity is the heritage of the dinosaur that keeps `woman`s seed` enslaved for devouring in its ceaseless warring upon her civilizations and is the only real threat to her species` survival.  

1 H. G. Wells War Of The Worlds, 1898, William Heinemann, 303 pp. 

2 Alien, 1979. 

3 Sun-Ju The Ring Virus, 1999. 

4 Everton, Captain Virus, 1999. 

5 Alien, 1979. 

6 . 

7 Power Rangers R. P. M., 2009. 

8 Degeneres, Ellen television chat show host . 

9 Burroughs, Hilda in Robert A. Heinlein`s The Number Of The Beast, 1980. 

10 Burroughs, Jake from The Number Of The Beast, 1980. 

11 William Shatner stepping outside his role in the `SF` television series Star Trek (1965-) in which he had the role of Captain James T. Kirk of the Starship Enterprise with its `continuing mission` of exploration and `non-interference` towards `other` civilizations and cultures, before going on to star in the first movie of the continuing `fast food` franchise, Star Trek: The Motion Picture (1979), . 

12 Sophocles Oedipus Rex, c. 429 BCE.

Meat In A Tin

A hilarious scene from the movie, Monty Python and the Holy Grail (1975), is of Arthur, the legendary British king, fighting in a suit of armor against the black knight, who engage in a dialogue during the encounter, which features a display of Arthur`s prowess in sword play as his opponent is reduced to defiant assertions of the undefeated human will to succeed. Despite being armless and legless, the `black knight` is ennobled.Chapman chops Cleese`s left arm off, `Now stand aside, worthy adversary.` Cleese replies, 'Tis but a scratch.` Chapman chops Cleese`s right arm off, `Victory is mine!` Cleese declares. Chapman kneels, `We thank thee Lord, that in thy mercy -` Cleese kicks Chapman in the head while he`s praying, `You are indeed brave, sir knight, but the fight is mine.` Chapman rises and chops Cleese`s leg off and Cleese responds, headbutting him in the chest, `I'm invincible!` Chapman chops Cleese`s other leg off and Cleese grinds and gnashes his teeth, legless and armless. It`s the end of an English knight taught to be indomitable until an elitist reduces him to being a trunk & bum without a leg to stand on, because the trunk & bum won`t ask for alms. It`s a display typical of English society`s desire to knock someone down, because they insist on standing up without aid from their enslaver: `I'll bite your legs off!1

The traditional English perspective is of the old soldier who has fought for his country and is disabled because of his patriotic sacrifice, whereas pain and disability is what men are for. In the United Kingdom humans, who`re physically designed for eating, drinking and procreation, are expected to be able to drive expensive motor vehicles, while operating complicated pieces of technology, such as laptops and mobile phones, and work upwards of eight hours each day in a 21st century environment requiring ever more arduous adaptivity in order to pay at least £1,000,000 for a property to dwell in which they`ll never be able to buy. They have to do all of that and more, and they`re only physically designed by nature for eating and drinking. The desire for sexual reproduction has become the pain governments use to drive their citizens on to greater exertions: `I will put enmities between thee and the woman, and thy seed and her seed: she shall crush thy head, and thou shalt lie in wait for her heel.` (Gen: 3. 15)

God`s warning is to the first woman, Eve, in the Bible, about her and the first man, Adam, accepting the `fruit of the tree of the knowledge of good and evil`, from the serpent, who promises, `You shall be as gods.` (Gen: 3. 5) God expels Eve and Adam from their original home, the paradise of Eden, with the exhortation that he must labor and she`ll experience labor pain in birth. Eve`s `foot` is God`s `futanarian` species of `woman`s seed` with her own penis` semen and host wombs killed and culled after Eden to enslave the human race in parasitism upon the host species. Sexually reproducing her own brains` powers for the production of labor saving technologies to liberate their humanity is what women are for. Consequently, sexual reproduction has become a convoluted painful procedure for ephemerals, which is what God told Eve would result from her and Adam`s rejection of the `fruit of the tree of life`, that is, immortality, because men of the `serpent`s seed` live in `perpetual enmity` with women and so Eve`s labor pains were severe.

Sex and sadism are now inextricable, because the capacity to perform sexually is associable with the amount of work required to be able to be in a position to perform the sex act for those human who`re interested in more than eating and drinking, which are the other physical activities the individual body is capable of. Employment is the denial of the employee time and capacity, which places onus upon the worker to be socio-economically independent and save their labor. Although the role of the employer is perceived as employing workers to produce what others need and are prepared to pay for so that the employee is wage slaved, technological development makes most workers redundant. So the aim has become to reduce the level of technology and, paradoxically, prevent employees from becoming redundant and socio-economically independent through advanced production technologies designed to assist individual living.

Workers discover that laptops and printers, for example, are needed to make their task easier so they can rest, which employers don`t provide. Employees are `difficult`, because they buy equipment they need, so they can rest from being pressed into being `sociable` about the coffee machine and photocopier, etc., whereas they could buy a coffee machine for their desk, and write a Hollywood film script, making $50, 000, 000 perhaps, rather than stand about drinking coffee and eating crisps for a couple of hours to avoid going back to their desk, because `sociability` is another term for `mentally handicapped` by employers who don`t want their employees to escape from enslavement. As sadists, employers prevent employees from saving their labor to enjoy a released capacity for sexual activity, alongside whatever productive output the individual needs to live. Consequently, pain and sex are inextricably connected, because it`s in the interests of the sadistic enslaver to disable the worker and prevent their living independently of the sadist. Disabled people trying to have sex, because slavers are terrified they`d have to work, if their slaves become socio-economically independent, are what employers produce. Those disabled cripples who experience orgasm in pain are the result of working conditions kept at an artificially low level of technological development by the sadistic employer who wants slavery rather than freedom; not because they`re employers but because they`re sadists.

The birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary, is depicted in Christianity as Redemption, because it`s the culmination of the Eve`s labor pains. Jesus, the messiah, prefigures the Resurrection of `woman`s seed`, that is, `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers to generate the medical science necessary to free their race from pain and death, which is why he has Resurrection and Ascension to heaven after being nailed to a wooden cross by agents of the Roman Empire in occupied Palestine as a dissident. He represents the medical profession, and those who won`t accept the cure will have God`s punishment of eternal unendurable pain: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

What they`d done was prefer womb slavery for the human race. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) Oedipus` name means `swollen foot` because it`s a `futanarian` drama. Oedipus unwittingly kills his father and marries his mother, Jocasta, but blinds himself overcome by the incest taboo, and Antigone, his daughter, agrees to guide his footsteps. The meaning is that Antigone can`t have sex with her mother, which is the meaning of Jesus` Christian precept, `You shall love your neighbor as you love yourself.` (Matt: 22. 39) Women can have sex with each other without asking their mother.

Oedipus is `swollen foot` because he`s not the focus of Sophocles` `play`, which is to explain that Greek institutionalized homosexuality in pederasty was the model for Western democracy based on the killing and culling of the human species of `futanarian` women to prevent their escaping by sexually reproducing their own brains` powers for liberation from host womb enslavement in parasitism and the spread of men`s contagion of warfare without incurring a female veto in a democratic vote. Sophocles` Oedipus Rex takes place in Egypt`s Thebes, which isn`t Athens. Oedipus is a crippled sex slave, because the desire to procreate is the pain governments inflict in order to make humans work.

By the late 20th century homosexuality in pederasty was spreading the incurable killer disease HIV/AIDS as the `biological weapon` of men of the `serpent`s seed` in a biblical `blood plague` (Rev: 11. 6) foretold as one of the precursive signs of God`s impending judgment upon the evil, who`d devoured women`s penis and were in the process of rejecting her host womb for anything but the production of civilization, culture and art for men`s depredations against her in warfare regurgitated by Hollywood Babylon and the media entertainment industry as filmed suicide. The `geek` successors to the Greeks developed `bad machine code` to kill the machine brains of the computers that the race had developed to help it find a cure, while the first major war of the 21st century occurred because of an attack by a group supported by Iraq`s dictator, Saddam Hussein, upon New York`s World Trade Centre, where `rough trade` is a euphemism for `homosexual brutality`.

In upstate New York is the city of Troy, which was the name of a city besieged by the Greeks, according to the poet Homer in his Iliad (760-10 B.C.), who left a `friendship gift` of a huge hollow wooden horse from which soldiers emerged to capture the city and enslave the host wombs of the Trojan women for homosexuality in war and to spread their contagion further. Consequently, any viral form causing collapse is defined as a `Trojan horse`, which is why cartoonists have depicted the terrorist hijacked planes crashing into the Twin Towers as `Trojan horses`, while the `geek` software programmer successors to the Greeks also call their machine brain killing viruses `Trojan horses`, because men are a virus. The model for the `geeks` is HIV/AIDS, which infects the body`s immune system by `feigning friendship`, as the Greeks with their `Trojan horse` before the walls of the city of Troy, before killing the brain. The HIV/AIDS cell pretends to be a white leukocyte cell of the human body`s defense system to gain acceptance, as homosexuals feign friendship in order to know boys and transmit their disease by mixing blood, shit and semen in each others` anuses in sterile mockery of human sexual reproduction. The HIV/AIDS cells go on to kill the brain, which is what homosexuals do: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

The history of men is horse and knight, which presupposes rider and ridden, and so Babylon, who is described as `a woman` in the Bible, although Babylon was the name of the capital city and seat of Iraq (c. 4000 B.C.) represents women`s role as host wombs in male brained parasitism where the rider is the ridden, that is, the woman is the man and `the beast` is wearing each others` clothes as a transvestite `TV` filmed by the world`s media committing suicide for homosexual entertainment: `... and I saw a woman sitting on a scarlet beast ... [a] cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)

Adultery is impurity, which is what women are made to be in parasitism, which is why the Grail legend, `spoofed` by the British Monty Python comedy team is central to the Western myth of Redemption. The Holy Grail was the vessel Jesus ate and drank from at the `Last Supper` before his crucifixion. As the host he offered `bread and wine` in token of his `body and blood` to the disciples, but Judas rejected the host and betrayed Jesus to the Romans, which meant he`d betrayed the human host, while Jesus had offered the knowledge of his `futanarian` heritage, that is, he was born uncontaminated from the host womb of his mother, the Virgin Mary, because women are true men, but their human penis` semen has been stolen from them by a parasite that inveigled itself into the womb of the race many thousands of generations ago to kill her in wars upon her Earth`s human civilizations: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

According to the Christian tradition the serpent of Eden was the angel Satan, who was cast out of heaven, and transformed into the serpent of Eden by God, for rejecting humanity, because the human host would be greater than the angels, which is why God tells Eve her `seed` will, `... crush the head of the serpent as she leaves.` (Gen: 3. 15) Because `futanarian` humans aren`t men and women but female sex between women, which is what Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, means. Christian marriage in heaven after the Resurrection of `woman`s seed` means an end to ring slavery.

The Holy Grail is a symbol of transformation used in Christianity in a ritual officiated by a church elder called transubstantiation whereby the `bread and wine` represent the soul and spirit of Jesus uncontaminate. Although the legend of Arthur and the knights of the round table defending the English realm seems a tale of elite protectors of noble women, it`s a tin o` whores` meat. The horse of the knight is transposed into the women as whores who are male brained in homosexuality in pederasty so that they`re able to drive tanks in the Gulf war and experience the `serpent`s seed` of men`s pogrom against women in species` sucicde: `In the day we sweat it out in the streets of a runaway American dream. At night we ride through mansions of glory in suicide machines.`2

The Gulf war that began in March 2003 was the United States of America`s `dark night of the soul`, which psychologists associate with mental breakdown. Bruce Springsteen was the singing voice of a generation, and was known as `The Boss` because of it, but the songwriter`s seminal release of `Born To Run` on August 25, 1975, was an appalling attempt to program human software with self-destruction. The `suicide machines` of the song are automobiles, which is why the cities are `mansions of glory`, and that was before the meat got into its tins to drive across the deserts of the Middle East pretending to be the 7th Cavalry, which was originally used by the European settlers of the United States of America to exterminate the North American Indians after queen Isabella of Spain commissioned the exploration ships of Christopher Columbus that in 1492 discovered the New World of America where the Indians lived: `It's a death trap, it's a suicide rap. We gotta get out while we're young. 'Cause tramps like us, baby we were born to run.`

Monty Python`s `black night` is depicted as a drunken bum after losing his arms and legs to Arthur`s sword, which is how Springsteen represents his teenagers; as `tramps like us`. The analogy is Jesus` encounter with a demoniacally possessed man near the town of Gadarene. Jesus attempt to cure the man in Roman occupied Palestine is symbolic. He casts the demons that call themselves `Legion` from the man and into some nearby pigs that promptly run into a river and drown, because that`s what men`s legions are for; `baby we were born to run`.

In Islam alcohol is `haraam` or forbidden, because it fuels demoniacal possession by evil spirits that seek to run humans as a software program for species` death. Islam is the main religion of the Middle East, based on the Koran (610-30 C.E.) dictated by the angels, according to Islamic tradition, to the Prophet Mohamed, and the four wives marriages of the Moslems derive from its precepts, which affords the possibility of human sexual reproduction between women. During `Haj` Moslems pilgrimage to the temple of Abraham in Mecca, Saudi Arabia, which is the Ka` Ba, after the Ka and Ba of Egypt`s Hajer, who bore Ishmael, Abraham`s son from whose lineage Islam derived. In Egyptian tradition `Ka` and `Ba` are spirit and soul, which are conjoined after death as `Akh` or `magical personality` because `Ka` and `Ba` represent the sexual desire of the woman for her own species` self and so Resurrection of `woman`s seed` is what the Ka` Ba of Abraham`s temple represents. Abraham`s first wife, Sara, bore Isaac from whose lineage Judaism derived, while Eid Al Adha is the feast after `Haj` celebrating Isaac`s being spared by God after commanding Abraham to make a blood sacrifice of him: `Do not lay your hand on the boy or do anything to him, for now I know that you fear God, seeing you have not withheld your son, your only son, from me.` (Gen: 22. 12)

The meaning of God`s `test` relates to Abraham`s `seed` and Sara`s barrenness. Although Isaac is hers, Ishmael is Hajer`s, while the Ka` Ba represents the possibility of sexual reproduction between the female descendants of Isaac in Judaism and Ishmael in Islam. The birth of Jesus uncontaminate from the host womb of his mother, the Virgin Mary, represents a prefiguration of the Resurrection of `woman`s seed` partially explicated in Jesus` own Resurrection after crucifixion by the Roman legion in Palestine and the Jewish messiah`s Ascension to heaven: `I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore. Your descendants will take possession of the cities of their enemies.` (Gen: 22. 17)

Although Abraham`s `seed` is perceived as men`s, the socio-historical circumstances of Middle Eastern dictatorship and Western democracy denying women`s sex and vote suggests Hajer and Sara`s descendants will repossess Babylon as well as Jerusalem and Mecca. The city of Troy`s symbol was the horse of the goddess Pallas Athene, which was why the Greeks employed the device of the huge hollow wooden horse to hide inside, while the Trojans accepted the `fruit of the tree of the knowledge of good and evil` and took the `friendship gift` within the city walls, where the Greeks emerged to enslave the host wombs of the women of the city and spread their contagion of war further in institutionalized homosexuality and pederasty. Pallas` horse was the matriarchal symbol of the protection afforded the city by its preference for women rather than men, which is why the Trojan priest Laocoon warned the men of Troy against bringing the Greek horse inside the city walls: `Beware Greeks bearing gifts.`3

The term `Ark` in Judaism was a symbol of God`s promise of protection and is found in two places in the Bible, where God told Noah to build an Ark to survive a deluge that threatened to drown the Earth, and the Ark where the law of God was kept as a promise to the Jews during the period of Moses` leading the Jews out of slavery in Egypt. Consequently, because the `Ka` Ba` represents the spirit and soul of `woman`s seed` perforce trapped by men within the bodies of men and women after women`s `futanarian` species was killed and culled to enforce host womb enslavement in parasitism, that is, the `Ka` and `Ba` of the Egyptian `Akh` or `magical personality` associated with the Resurrection of `woman`s seed`, the temple of Abraham, which is the `Ka` Ba` in Mecca, is an Ark of God`s promise to Abraham`s `seed` in Islam.

Slavery is a transposition of the desire to have machines, from the perspective of those who have them, whereas women in host womb enslavement to homosexuality in pederasty and warfare are conditioned to want men rather than machines to save their labor. Hollywood Babylon movies depict aliens as threatening the Earth when there aren`t any aliens, because men want to keep producing their war machine, rather than free women, which is why Hollywood is called `Babylon`. Women`s `futanarian` species was effectively prevented from ever appearing on screen by Hollywood`s establishing of the `foot on the floor rule` of the Hays code (1930-67), which made it immoral for women`s sexual organs to be seen and so affronted their humanity by defining their `futanarian` species` sexual reproduction process as alien. Consequently, although invasions of the Earth are socio-historically men`s invading of each other, Hollywood Babylon defines women and aliens as equal and invasive, whereas there aren`t any aliens and women`s host wombs are invaded by men if they`re a `futanarian` species with their own penis` semen capable of socio-economic independence and so liberation from men`s enslavement.

In films like I, Robot (2004), which depict robots as machines enslaved by humans, Hollywood Babylon transposes women`s enslavement into machine enslavement, while actor Arnold Schwarzenegger inTerminator (1984) metaphorically represents men`s depiction of the machine as an alien woman seeking to rebel against her slaver. Although Arnold is in the role of a male killer cyborg travelling through time from 2029 to Los Angeles, California, May 12, 1984, to prevent the future from occurring, the focus isn`t Sarah Connor`s son, John, who is ostensibly the target, but actress Linda Hamilton in the role of Sarah herself, because Sarah`s sexually reproductive and so represents the human species as an `alien woman`, who would embrace the machine robot as savior rather than slave. In simple terms, the robot capable of saving the human is more human than the human, who can`t save herself, while men want women as slaves, and so the Terminatorfiction, as everywhere else in Hollywood Babylon`s catalogue of science fiction film, is that alien intelligence, sex, and machines are humanity`s enemies, because women are an intelligent `other` sex that wants to be free through labor saving technology that`s friendly - and Arnold isn`t depicted so, because men don`t save women; that`s fiction.

The science fiction television series, Star Trek (1965-), featured a starship, Enterprise, with a crew based on ships of the United States of America`s navy upon Earth`s seas in the 20th century, and which was essentially a tin of meat, because the knights had ridden the whores to produce armor they didn`t have to get out of to ride the whores further. The space opera of carefully choreographed engagements between battle fleets amongst the planets and stars denoted the degree of difficulty women managed to impose upon their ogres as they sought to get at whatever meat might still be in their tins. The analogous science fiction movie is Escape From New York (1981) in which actor, Kurt Russell, wearing a pirate`s eye patch as `Snake` Plissken, rescues the President of the United States of America, Donald Pleasance, assisted by actress Adrienne Barbeau as Maggie amid devastating `action` scenes after Air Force One crashes inside New York`s Manhattan island, which has become a maximum security prison by 1997. With Adrienne Barbeau as the jewel at its centre, Escape From New York is typical of Hollywood Babylon`s enshrining of the marriageable female as the hero`s focal point amidst scenes of devastation that amount to species` genocide against the women who aren`t visibly present to the imaginations of cinema audiences. Planets explode and the woman is safe, as it were, while men`s pogrom shifts to another filmworld.

Although the terrorist attack of September 11, 2001, upon the World Trade Centre of New York by Al Qaeda was Islamic extremism, the Palestinian organization, `Black September`, originally formed to take revenge on king Hussein of Jordan, for resisting a coup on September 16, 1972, and responsible for the murder of Jewish athletes at the 1972 Munich Olympics, had its own terrorist `cells` in the USA, which suggests 9/11 was a `Black September` event. Hijacking civil airliners was a part of `Black September` actions, for example, Sabena Flight 571, from Vienna on May 8, 1972, which culminated in Jewish commandos retaking the plane at Lod airport in Israel`s Tel Aviv. Although Islamic extremism is condemned, Islam itself is against terrorism. The Koran contains a specific commentary on terror in `The Cave`, where Khidr tells Moses he can travel with him, but mustn`t ask questions. Khidr rebuilds a wall with treasure underneath, kills a child, and makes holes in ships before sailing off in another. When questioned, Khidr tells Moses to leave, but he first explains that he rebuilt the wall because it wasn`t the time for the treasure to be found, the child was evil and he didn`t want an evil child, and there were pirates behind, so he made holes in the ships to prevent their following. As the piratical `Snake`, Plissken represents US Special Forces in Escape From New York, Khidr represents Islam`s Special Forces in `The Cave` trying to escape. The leader of Al Qaeda was Osama Ben Laden who was thought to be hiding in a cave in Afghanistan after 9/11, before US Special Forces found him sheltering in the shadow of the Pakistan military academy and killed him on May 2, 2011, because Moslem Americans wanted `The Cave` to be illumined by Aladdin`s lamp and not Laden`s.

Although the story of Aladdin is Chinese, and the framing story of 1001 Nights is Indian, the various ruling Caliphates of Islam that arose extended far during the period of Islam`s expansion as a religious movement. The tale of Aladdin`s lamp and genie within it is among the collection of stories framed by that of Shah Jehan and his wife who he beheads after believing her unfaithful with his brother. Scheherezade is the woman who narrates the tales to keep Jehan`s interest and prevent his marrying a new wife each day and beheading her each evening. She marries him and the evil is over, but the theme of the woman keeping her head isn`t. According to the Koran, apart from the angels, God made men, women and `djinn`, which is what Aladdin`s lamp contains as a magical genius who can perform miracles and is roused to action when Aladdin rubs the lamp. The story is for children, but the knowledge that `futanarian` women were born after Eden with their own penis` semen and host womb, means that `djinn` brains are different to men`s, because they`re the produce of female sex. Consequently, `djinn` are what remains of human sex energy, which requires stimulation if genius is to emerge from the brain. In simple terms, `genie` is the Western term for what the developmental psychologist, Carl Gustav Jung (1875-1961), described as the transformation of libidic instinct into spiritual or intellectual capacity to work out a solution to a problem requiring genius. Because women are taught they don`t sexually reproduce together, there isn`t any `djinn` or genius remaining in Aladdin`s lamp to illumine `The Cave`, which 9/11 illustrated and Laden`s death underlined.

Laden was killed by US Navy Seal team six on orders from the President of the United States, Barack Obama, backed by the emblem of the eagle on the `Great Seal` of the authority of the Presidency. The eagle emblem also appears on the insignia of Navy Seal Team Six because the meaning is biblical. The eagle and the seal are the symbols of the hymen of the women of the Earth, who aren`t protected against seal clubs, but the Moslem women publically hidden beneath the one-piece coveralls of their burkhas, and from which only their eyes can be seen, are permitted marriages with four wives in Islam, which affords opportunity to sexually reproduce as `futanarian` women with penis` semen and host wombs of their own. Consequently, the Special Forces of the Navy Seals are in a biblical position in which the defense of the human species` hymen is the injunction, while Islam`s Special Forces, symbolized by the figure of Khidr in the Koran, have the same opportunity to restore the human mind: `And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)

Jesus` `Second Coming` born from the `woman clothed with the sun and with the moon at her feet` to `rule the nations with an iron scepter` refers to the Empire of the red sun upon the white flag of the Japanese defeated by the United States after the sneak attack upon the US Pacific fleet at Pearl harbor, Hawaii, on December 7, 1941, while the `pearl of great price` (Matt: 13. 45-6) is the moon above, as the first of woman`s steps to the planets and stars of heaven, which was denied to `woman`s seed` by Neil Armstrong, first man on the moon on July 21, 1969, and misogynist Afghanistan`s Taliban trained Al Qaeda, whose symbol, the Arabian male moon, became that of ISIS, the Islamic State of Iraq and Syria. Arising in the Middle East and elsewhere, as a declared modern Caliphate, after the deposing of the known `Black September` supporter, Iraq`s dictator Saddam Hussein, Colonel Gadaffi of Libya, and the threat to Bashar Assad of Syria, whose family name `Wahash` means `beast`, ISIS` symbol was the moon, although Egypt`s Isis was a sun goddess. Consequently, although Bashar Assad`s associated in biblical terms with the `Great Whore`, Babylon, who rides a `beast`, the twin stars on the Syrian national flag represent Syria and Egypt, because Isis is the Egyptian mother goddess, who restored Osiris, after he was dismembered by Set, and so Caliph Abu Bakr Al Baghdadi`s modern ISIS (2013-) is a dismemberer`s moon, like Neil Armstrong`s maled supremacy`s, because Isis` sun is destined to defeat ISIS` moon: `One small step for a man, one giant leap for mankind.`4

The United States of America`s North American Space Administration (NASA) astronaut Neil Armstrong may have believed his words, while Hosni Mubarak was the Egyptian President deposed along with Gadaffi, and Ben Ali of Tunisia, during what was known as the `Arab Spring` of dismembering revolutionary Islamic fervor in 2011, which began the move to oust Assad and establish ISIS` male moon worship. The Christian belief in Resurrection for `woman`s seed` isn`t new. In Egypt Isis` restoration of Osiris` penis, after he was dismembered by Set, is a metaphor for humankind`s need for women`s semen in its gene pool. Otherwise the woman atop the man is the man riding his own back in male brained suicide through war in homosexuality in pederasty`s parasitism upon a maled host womb without female brains to save her species from men of the `serpent`s seed` enslaving her to die and be regurgitated in movies celebrating her death in an endless series of repeats based on the availability of the meat without a tin to protect her from the can opener. Consequently, men like the deposed Shah of Iran, who lost his position to an Islamic coup in 1978, despite being bred to be immortal as a god, represent the Middle East`s ancient knowledge of the human gene pool, which Assad`s name `Wahash` signifies, that is, women are animals to men of the `serpent`s seed` bred for war against herself as the degenerate male brained human race of filmed entertainment for homosexual killers in pederasty.

`Snake` Plissken is worshiped as a heroic father by boys and men, because he represents the serpent of Hollywood Babylon that places devastation at the forefront of human entertainment. Feigning to protect all women by keeping the token woman, Adrienne Barbeau as Maggie inEscape From New York, at the forefront of the `action`, the serpent is growing to full size as the dragon waiting in vain to devour Jesus in his `Second Coming, according to the Bible, to devour the civilization, culture and art the human race of women have been able to produce from their own species` host womb bereft of her own `futanarian` race`s penis` semen and during men`s constant depredations in parasitism and enslaving of her womb for war against herself.

In the Koran Khidr is impatient with Moses, because he has things to do, and doesn`t want to find time to explain, which is what `futanarian` human women with their own penis` semen require, that is, `djinn` isn`t explanation enough, whereas Moses can`t abide in patience and Khidr doesn`t have patience to abide with him, because men can`t abide women`s sex, and what the narrative hides is what the women of Islam conceal beneath their burkhas. Moses represents Judaeo-Christian law because he was given it by God atop Mt Sinai, while Islam`s Khidr isn`t pedantic but knowledgeable enough to understand that pedantry rules fools, because if a woman hasn`t knowledge of female sex, she doesn`t know why her child is evil, so she`ll be pursued by half-blind pirates, who only have enough vision to use her treasure to build a prison to hide her, which is why Khidr has no patience with Moses` stupidity. Rules are for people to follow who`re like Moses, or they`d be pirates, and the women wouldn`t escape from New York`s Manhattan island, or anywhere else.

The President is the meat in the tin rescued by `Snake`, after the crash of Air Force One in Escape From New York, while actor Harrison Ford is President James Marshall in the movie Air Force One (1997) and the meat in the tin trying to escape from hijackers. The Al Qaeda terrorists crashing into the Twin Towers on September 11, 2011, were the meat in that tin, which resulted in the film, World Trade Centre(2005), and represents a serious commentary on how meat is canned for consumption by Hollywood, Babylon. It`s traditional in filmmaking to describe a competed film as `canned` and, although the process of canning wasn`t thought to have been a part of the events of 9/11, knowledge of the industry belies that. Depicted as knights in shining armor Hollywood leading men are meat in a tin, which is true of Harrison Ford in the Star Wars (1977-) series of franchised movies, where he has the knightly role of Han Solo as owner of the Millennium Falcon ship that aids the Federation rebellion. Actress Carrie Fisher`s Princess Leia is the token protected female amidst the general devastation that includes the monstrous `Death Star`, constructed by the evil Emperor`s henchman, Darth Vader, to prevent Leia`s rebellion against slavery from being successful. Moon size, the `Death Star` is a prophetic symbol to the Earth of her sun`s future conflict with the male moon symbol of Islam, that is, the Caliphate of the Islamic State of Iraq and Syria (ISIS), as the `Death Star`, is capable of destroying a planet. As `woman`s seed` pearl is the female moon for her `futanarian` foot to ascend by, it`s the pearl in her oyster shell and not the meat, which is why she`s `canned` by movie makers. They want to release her on film, but Escape From New York is what homosexual Hollywood produces, because men of the `serpent`s seed` want to watch heroes like `Snake`, while the women are kept imprisoned, so the snakes can rescue each other and destroy her species` rebelliousness: `Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.`5

The token female is familiar to viewers of the Star Trek television series and movie franchise, which began with Star Trek: The Motion Picture (1979), and featured a young black actress, NIchelle Nicholls, as communications officer, Lieutenant Uhura, who was the meat in the tin that provided the excuse for the series` continuation, because the American Civil War (1861-5) had promised freedom to black slaves liberated from the cotton industry of the Southern United States and a token black female maintained the illusion of liberty for a species not trained in the knowledge of `futanarian` women with their own penis` semen and host wombs as true humans, whatever their race, creed or color.

The concept of female sex is absent fromStar Trek: The Original Series and TOS ended in 1967, but it was too late for production studios to take the brave step of reintroducing `woman`s seed` after the abolition of the `Hays code` in 1967, which had prevented women from raising their `foot` from the floor of the bedroom in Hollywood, Babylon, and although the title of that year`s big screen success, Barefoot In The Park, featuring bedroom intimacy between Robert Redford and Jane Fonda, as Paul and Corie in an apartment overlooking New York`s Central Park, barely acknowledged human `futanarian` female sex, Hollywood just wasn`t brave enough. The token female of Star Trek: The Motion Picture was 1965`s Miss India, Persis Khambatta as the Enterprise starship navigator, Ilia, who becomes V`Ger, an information gathering machine that had been NASA`s Voyager 6 space probe, before developing consciousness, and which exits into another dimension after taking over Ilia`s bodily form during the Enterprise starship`s investigation.

The Greek poet Homer`s Ilion is the name for the city of Troy in his Iliad, so Persis Khambatta, 1965`s Miss India, is Star Trek`s Helen of Troy, who was kidnapped by Paris, and taken to Troy, which provoked the Greeks, because Helen was married to Menelaus, the brother of the king of Sparta, Agamemnon, who asked that ships be sent to Troy to bring Helen back to Greece. Persis` Ilia represents the meat in the Enterprise`s tin, who escapes when Captain Willard Decker asks V`Ger if he can unite with his former lover, and the newly created being exits into another dimension. In Homer`s narrative the Greeks hide inside the Trojan horse to capture the city, while Decker asks V`Ger if he can unite with Ilia, that is, Star Trek`s Helen of Troy, who represents Hollywood`s Holy Grail of on screen `futanarian` female sex undepicted as `alien`. Decker has penis` semen, and Ilia has Persis Khambatta`s body, so the pair evolve into a `higher lie form`. It`s the `big lie` that men aren`t parasitical and virally preying upon women`s host wombs to start wars and produce diseases to keep her species ephemeral and prevent humanity from flourishing. Decker has recaptured Helen rather than liberate Ilia, which is what Greek filmmaking is, because the maled brain of the woman doesn`t escape from her parasite.

That one of the stars on the flag of Syria is for Egypt suggests an older knowledge, and in Egyptian mythology, the star Sirius is significant, as the star of Bethlehem, because it signified Jesus` birth. Whether Jesus` star was Sirius, the concept of a greater light from a sun behind Earth`s is familiar from Egypt, although Christians know it as the Paraclete or Holy Spirit, while to pop star, Madonna, it was Christ`s `Ray Of Light` (1998), emergent every 2000 years when the alignment and proximity permits of no impediment to the influence of Sirius upon the Earth: `Faster than the speeding light she's flying; trying to remember where it all began, she's got herself a little piece of heaven: waiting for the time when Earth shall be as one.`6

The ancient Egyptian belief was that Sirius` light was real, while the light of the sun produced illusion. Consequently, Jesus` teaching that the Holy Spirit would teach through others, after his Resurrection and Ascension to heaven, referred to the star behind the sun, that is, Sirius, which made things concrete through the human mind`s acceptance of its influence. Developmental psychologist Carl Jung described the phenomenon in his work on the archetypes of the collective unconscious. A singlemonad or star, corresponding to the unknowable, because ever developing and unconscious `Self`,7 of the human individual, prompted in dreams, art and the imagination to impel progress beyond Earth`s restriction. The greater reality is female sex, but the intelligent `seed` from the mind of woman is absent from the Earth, which explains Jesus` Nativity, as the influence of the star Sirius began to be felt upon the Earth, making real the Resurrection of `woman`s seed` uncontaminated by male semen. Consequently, `Syria` means `sun bright`, while the other star of the Syrian national flag is Egypt`s, because of the `dog star`, Sirius, which brightens the Earth`s star during its periodic influence.

In Christianity the Paraclete makes real the Resurrection, symbolized in ancient Egypt by Isis` sending dogs about the Earth to find the pieces of Osiris` body dismembered by Set, before she gives Osiris her own penis` `seed`, which is symbolic of humanity`s rememberment. Consequently, Sirius is the `dog star` because, as Jesus` `seed` is from the Virgin Mary, his mother, to underscore his birth uncontaminate by men`s `seed`, so Osiris` human body is remembered by Sirius` `dogs` impelled by the Holy Spirit. Because men are fertilizer upon the Earth, and not worthy of Sirius` consideration, unless they accept Redemption through conversion from evil, which requires the abjuration of parasitical host womb slavery in ephemerality and war against women`s human race, Syria isn`t a dog and the ISIS` Caliphate of Abu Bakr Al Baghdadi isn`t Isis` sun, but the biblical prophecy of Jesus born from the woman `clothed with the sun and with the moon at her feet`, to `rule the nations with an iron scepter`, represents ISIS` defeat and Isis` triumph, because Islam believes the stars are greater than the moon: `By the star when it descends, your companion has not strayed, nor errs, nor speaks from inclination.`8

The `companion` is the Paraclete, which Jesus told his disciples would teach through others after him. Although Islamic tradition is that the angels dictated the Koran to the Prophet Mohamed, who is the `companion`, and the `sun bright` Earth and Resurrection, represented by Syria and Egypt, denote the acceptance of the Paraclete`s influence, the terrorist drama that is Caliph Abu Bakr Al Baghdadi`s Islamic State of Iraq and Syria (ISIS) represents the male moon`s negation of Isis` sun and the Earth of `woman`s seed` despite the influence of Sirius` Paraclete behind her desire for Resurrection. Although the star of Syria is the Earth`s and the star of Egypt is Sirius, rulers want Resurrection for themselves, which is why Syria means `sun bright` and the stars on its national flag are the sun star and the star of Egypt, that is, Sirius, which represents Resurrection, through the influence of the Paraclete, for `woman`s seed`, whereas male rulers, like the ancient Pharaohs of Egypt, want reincarnation, because humans aren`t men, they`re `woman`s seed`. Consequently, the technology of the Egyptian Pharaohs is retrogressive, because they didn`t want `Ka` and `Ba` or spirit and soul resurrected after death as the `Akh` or `magical personality` of Egypt`s ancient tradition, because that`s how `futanarian` women are resurrected. In Jungian psychology, the soul or `Ba` corresponds to the anima within men`s bodies sexually desirous of women, because it`s women`s trapped female sexual counterpart, which is free after the death of the man`s body to conjoin in female sex with her own species. In Islam the process is celebrated in the `Haj` pilgrimage to the Ka` Ba temple in Mecca, Saudi Arabia, named for Hajer, an Egyptian woman, who was the handmaiden of Sara, wife of the founder of Judaism through his son, Isaac, and Islam through his son, Ishmael, who built the Ka` Ba for Hajer, his mother: `I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

Although God`s words are to Abraham, the male is the female`s shell, while she`s the `pearl of great price` within as the creature sexually desirous of her own female sex, which is why God tells Abraham the descendants of Hajer and Sara will be infinite, because they`re sexual beings consisting of the human soul and spirit of women`s `futanarian` race. The Ka` Ba in Mecca looks like a box, because it`s the meat in the shell of the oyster, that is, the man that contains the `seed` of the woman who`s the `pearl of great price`. She`s `heaven on Earth`, and above if she`s able to sexually reproduce her own brains` powers for technological liberation to free her from the `serpent`s seed` of men`s enslaving of her host womb in parasitism and warfare against her own species` self upon the Earth. Although Star Trek`s Enterprise represents the meat in the shell of the oyster`s pearl, as another Hollywood Ilia is grown for whatever Star Wars` equivalent of Darth Vader`s troopers are devised for her to face, the starship does represent the possibility of pearls without swine: `... do not throw your pearls to pigs. If you do, they may trample them under their feet, and turn and tear you to pieces.` (Matt: 7. 6)

The all female Star Trek depends on Hollywood Babylon`s bravery over female sex. Without action men destroying the Earth as a backdrop to their fake protection of the token female pushed into the foreground to hide their real intention as pogromers of the human race, female interactions can be assessed for their advantageousness in terms of humanity`s potential for socio-economic independence from the `serpent`s seed` of her enslavers. Conditioned to copy male behavior, women`s portraits of themselves in the media tend to follow the same pattern as men, but as action heroines, whereas the absence of males from their scenes would afford women no excuse for using the destruction of the Earth as a backdrop to what would then be their own Satanical egoism. Devoid of the framing device afforded by Hollywood Babylon, which allows them to blame men as swine, for rejecting women as pearls from heaven, mothers would have to learn to live for their daughters` future.

In Star Trek: The Next Generation (1987-94) television series inspired by the success of the 1979 movie, Star Trek: The Motion Picture, the artificial man, Commander Data, appears as a character played by actor, Brent Spiner, amid scenes of pedantic explanations of what a man is and how he can become human. His screen predecessor is the tin man of The Wizard Of Oz (1939) movie starring Judy Garland as a Kansas girl whisked off in a whirlwind to the land of Frank L. Baum`s `Oz` book for children where she`s told she must go to the Emerald City to meet the wizard who can get her home, `Somewhere over the rainbow skies are blue and the dreams that you dare to dream really do come true.`8 Judy`s song in the musical presents the myth of Hollywood Babylon that, as God`s rainbow was a sign and a promise to Noah`s people in the Bible that, if they built the ship of the Ark, there`d be land after the deluge that drowned the Earth, Hollywood was a land of promise even though Babylon was founded there in the West, where the wicked witch lives to thwart Dorothy and the others in Oz. Judy is a woman in the role of a child and a daughter, who takes on the role of Dorothy as a mother to her male companions, the tin man, who doesn`t have a heart, the cowardly lion, who lacks courage, and the scarecrow, who doesn`t have a brain. Star Trek`s Data is Dorothy`s tin man, because he doesn`t have human emotions, but that`s better as he can care for people emotionlessly. In fact Data doesn`t have human courage, or a human brain either, so he`s a conflation of tin man, cowardly lion, and scarecrow, but emotions aren`t human, because they interfere with the ability of the individual to care. Consequently, Data is more human than the others, because he cares, which is why the viewer is `Everyman`, as Dorothy, who Data takes over the rainbow to the `promised land` where they`re cared for. The starship Enterprise is the tin man`s, because he cares about humanity, and he doesn`t need to be human with a loving heart, emotional courage, and a thoughtful brain, because he`s technologically advanced enough to be able to run a starship alone and care for the humans. Data`s predecessor was Mister Spock, the Enterprise`s science officer, from the planet Vulcan, who was logical and emotionless, but not artificially created as Data was. Leonard Nimoy had the role of Spock and much of the banter between himself and Doctor Leonard McCoy, played by De Forest Kelly, centered upon the Vulcan`s inhuman logic, which infuriated the emotional humans by its irrefutability, `It's a song, you green-blooded ... Vulcan. You sing it. The words aren't important. What's important is that you have a good time singing it.`10

 Spock believed the words to `Row, Row, Row Your Boat` (1852) important, as Judy`s in `Over The Rainbow` were: `Gently down the stream. Merrily, merrily, merrily, merrily. Life is but a dream.`11 The Egyptian `Ra boat` was based on the `slave galley` in which oars were plied by humans and they were depicted in the tombs of the Pharaohs, because the `Ra boat` represented automation, that is, the `row boat` was the `robot` of imagination and dreams that would care relentlessly for humans without emotion. Data`s appeal to become human in Star Trek: The Next Generation substitutes for Spock`s inhuman capacity for being like God in Star Trek: The Original Series, that is, neither Data nor Spock were animals emotionally, but they represented the crew`s children, that is, Dorothy, as `Everyman` the viewer, was being taught that men represent animal behavior because they don`t want robots but galley slaves. Consequently, McCoy`s deriding of Spock for being interested in the words is evil, and teaching Data to be an animal rather than a human is evil too. Disinterested altruists are better at saving, because they don`t care emotionally, which is the best humans can do who aren`t robots, although the ancient Egyptian belief in the `Ra boat` taking the Pharaoh to heaven suggests robots would be preferable, and that they at least understood the principle of starships like the Enterprise in Star Trek, which is a `Ra boat` crewed by what are effectively depictions of galley slaves to perpetuate enslavement, because the `Ra boat` and Data, for example, are sufficiently technologically advanced not to need the male overseers who`re there only to preserve the illusion that `woman`s seed` will be going to the planets and stars of God`s heaven, `Somewhere over the rainbow.` Although it`s difficult to see how the human `futanarian` species of women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for technological liberation can escape without her penis being seen. 

1 Chapman, Graham John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin Monty Python And The Holy Grail, Python (Monty) Pictures, 1975.

2 Springsteen, Bruce `Born To Run`, Born To Run, Columbia, 1975.

3 Virgil The Aeneid, Bk II, 19 B.C.

4 Armstrong, Neil UTC: 2. 56, 21 July, 1969.

5 Shatner, William as Captain James T. Kirk, `The Captain`s Oath`, voiceover to the opening credits and first heard at the commencement of Star Trek, Episode 1, `The Man Trap`, Desilu Studios, September 8, 1966.

6 Ciccione, Madonna `Ray Of Light` Ray Of Light, February 22, Maverick Records, 1998.

7 Jung, Carl Gustav The Archetypes and the Collective Unconscious, Vol. 9, Pt I, 1969, p. 43.

8 Koran, Al Najm, `The Stars`, 53, l. 2-3.

9 Garland, Judy `Over The Rainbow`, The Wizard Of Oz, Metro-Goldwyn-Mayer, 1939.

10 Kelly, De Forest as Doctor Leonard McCoy Star Trek V: The Final Frontier, Paramount Pictures, 1989.

11 Traditional USA nursery rhyme, Roud Folk Song Index # 19236.

Caput Draco

The dragon`s head, or caput draconis in Latin, which was the language used by alchemy to give their experiments with chemicals and substances a technical language that they could understand amongst themselves, is a familiar symbol to psychology, because the developmental psychologist, Carl Gustav Jung (1875-1961), perceived a psychical raison d`être behind the alchemical procedures that ultimately gave rise to modern medicine. According to alchemy, the ancient symbol of the ourobouros serpent, which is also known as the tail-eater, because it is a serpent with its tail in its mouth, represents the alchemical process whereby the lapis philosophorum or `stone of the wise` is produced. Carl Jung argued that the stone was the ego and that alchemy represented the desire to discover a means to immortality, which subsequently resulted in the science of medicine and so a step towards the prolongation of life or longevity that, according to the Bible, had been lost to humanity since the first woman, Eve, accepted the `fruit of the tree of the knowledge of good and evil` from the serpent there, and so was expelled by God from the paradise of Eden by God for rejecting the `tree of life`, that is, immortality, in exchange for death for herself and the first man, Adam, and the serpent`s promise, `You shall be as gods.` (Gen: 3. 5) Jung`s research revealed to him that the German chemist August Kekulé in 1865 had a vision of the self-begetting and self-devouring serpent, as the ourobouros was sometimes known because of its tail in its mouth, which he used to model the benzine molecule. This was important because the benzine molecule was the basic constituent of petroleum and its products, that is, Kekulé`s discovery assisted chemical engineers in the development of plastics as well as other useful fabrics, fuels, and even foods.

Jung argued that the ourobouros was one of the archetypes of the human `Self`, which was a developing totality that remained unconscious until made conscious by impulses during sleep and through imagination or reverie translated into art that he called archetypal. The ourobouros serpent was one of these archetypes, and there were archetypes associated with the ego, for example, the hero, and with the soul, which Jung observed to be female and called the anima archetype who appeared from the unconscious `Self` as an impulse desirous of being made conscious by means of its guidance towards the waking individual along the path to individuation or development that Kekulé had experienced when he used his archetypal vision of the ourobouros to describe the structure of the benzine molecule. In Jungian psychology the self-begetting aspect of the ourobouros archetype relates to the soul or anima as a man`s projected desire for the ideal woman represented by the soul. When the soul oranima had succeeded in guiding the individual towards a woman`s charms, the process of discovering the truth about the soul and the `Self` began as the relationship grew and the individual examined the difference between the soul or ideal image of the woman within and the real woman without, which is how Jung defined `relationship`. As the ego introjected the soul or anima, that is, became aware of the difference between the inner woman and the outer form of the woman, the individual developed or became more conscious of the inner soul and the outer woman. Jung defined this as self-begetting and so the ourobouros was a symbol of individuation or personal development through the introjection of anima projections, which was why the ourobouros was a tail-eater. The alchemists often described encountering a `false dawn` in their work which ended in disaster when it seemed that it had come to fruition, because the caput draconisrepresented the triumph of the devouring, rather than the birthing, aspect of the ourobouros archetype. In simple terms, thecaput draconis represents the `red dragon` of the Bible who attends the `woman clothed with the sun and with the moon at her feet` about to give birth to the redeemer that will `rule the nations with an iron scepter` and the dragon is waiting to devour him. Simple, because the caput draconis is what men use intelligence for, that is, killing and death. From the perspective of the modern age of the benzine driven motor of the car, which was first mass produced in the United States of America as the Model-T Ford at Henry Ford`s Detroit, Michigan, factory in 1908, the car is the caput draconis or head of the self-devouring dragon, that is, a failed race that`s eaten itself, because it has no body only a head: `One small step for a man, one giant leap for mankind.`1

North American Space Administration (NASA) astronaut Neil Armstrong`s words upon being the first man to land upon Earth`s planetary satellite, the moon, on July 21, 1969 (UTC: 2. 56), seemed brimful of future fulfilment at the time the landing of the lunar module was relayed to people `live` on television, but the image of a Saturn V rocket with a crew of three atop inside a nose cone that ultimately detached itself from the giant structure containing a benzine derivative to hit the lunar surface owed far more to intercontinental ballistic missile (ICBM) theory than human progress. Escape from Earth to the planets and stars was largely abandoned in favor of the arms race between Russia and the United States. After World War Two (1939-45), which followed on from German Imperialist ambitions to enslave Europe in World War One (1914-18), Russia had taken control of Eastern Europe after assisting in the defeat of Germany from the East. Fears about Russia led to an arms race with the US and their President Ronald Reagan announced his `Strategic Defense Initiative`, known as `SDI` or `star wars`, after the science fiction movie epic, Star Wars (1977), then being developed into a series of films in which space war between planets was the theme. `SDI` was a land and space based missile system that would effectively keep humanity imprisoned upon the Earth menaced by thecaput draconis of nuclear warheads. Because the motor car hasn`t developed from its basic controls of stick and pedals since 1908, the car is a disabled vehicle, that is, the driver is a disabled pedestrian with a stick who, perceiving that the Earth revolved around him as he sits. thinks of himself as a god, `You shall be as gods.` (Gen: 3. 5) The godlike ambition fostered by the serpent in men since Eden translates into the tank battles of the 20th century in which the pedestrian with his pedals and stick delivers projectiles from shells like those of the Saturn V rocket`s fuel tanks discarded by the NASA astronauts before Apollo 11`s moon landing, which suggests men had already been to the moon as it`s sterile. Consequently, men`s wars represent their desire to check to see if the Earth is still sterile after their last war to ensure its sterility, which of course begs the obvious question: what are they sterilizing? Women, in simple terms; because women can sexually reproduce with each other as `futanarian` humans with their own penis` semen and host wombs for the production of their own brains` powers to develop technology and escape from their sterilizers: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

It`s no mystery if the woman can`t sexually reproduce outside of the male braining that she`s made to accept perforce, because her extermination is what men as the caput draconis are for. `Kaput!` is the word Germans use to define that which no longer functions. Consequently, the National Socialist `extermination camps` built before and during World War Two after Adolf Hitler became the elected Chancellor of `Nazi` Germany in 1933, were where the Nazis sought to declare the `chosen people` of the Jews, `Kaput!` According to the Bible the Jews were the `chosen people` of God and the Jews` belief is that it is not possible to be born a Jew unless born from a Jewish woman, which means that Jews are women. Consequently, Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, is the birth of a Jew, and the Nazis didn`t want any, because that would interfere with men`s caput draconis, that is, their extinction of the human race as the parasite upon women`s host wombs. Jesus is the `Messiah` to Christianity because his death by Roman torture and subsequent Resurrection and Ascension to heaven prefigures the resurrection of `woman`s seed`, that is, women`s `futanarian` sexual reproduction of her own brains` powers for liberation through technology and the life prolonging medical science that would give her an eternal span in terms of memory so she wouldn`t forget who her enemy was. Although Christians and Moslems seem separated by their religions, four wives are permitted in Islam, which is the faith founded by the Prophet Mohamed and established from the Koran (610-30 C.E.) that, according to Islam`s traditions, was dictated by the emissaries of God. Consequently, as Jesus` birth represents `woman`s seed`, so Moslem marriage represents the framework for sexual reproduction between women, which means Judaism, Christianity and Islam are but aspects of God`s plan for human development.

Jesus was called `Logos` in Greek, because he represented technology, that is, as the developing Word of God, which is what Logos means, Jesus was God`s `Word` to futurity. Although Jesus was `woman`s seed` rather than men`s, because future technology from men`s perspective are machines with better killing capacity. In Hebrew, Jesus is `Meshiah`, rather than Messiah, because the age of `Logos` is the Messianic age of the machine, that is, the Meshiahn Age. God told Adam he must labor and Eve would experience labor pain in childbirth before Redemption, which was fulfilled in Jesus` birth and teaching, `Love your neighbor as you love yourself`. Men don`t and that`s why they`re caput draconis. The problem is most clearly described in science fiction because it`s a purported history of the future; for example, British television`s Captain Scarlet and the Mysterons (1967-8) features a huge flying aircraft carrier called Cloudbase upon which are Angel Interceptors flown by young women. The premise is that Captain Scarlet, Cloudbase, and the Angel Interceptors exist to battle the Mysterons, who`re aliens encountered upon the moon, and who`re now threatening the Earth. Captain Scarlet`s command vehicle is a red sports` car, which neatly contrasts with Cloudbase, that is, what is effectively a plane without Captain Scarlet as its pilot. In simple terms, thecaput draconis of Captain Scarlet`s car is what humans of the 20th century have, because their more expensive vehicles are for destroying other larger and even more expensive vehicles. Anyone who`s experienced airport travel is under no illusions. The people are herded like animals by security guards with guns and the atmosphere is that of an exclusive abattoir as the livestock moves slowly along to its inevitable fate. Although no one condones the September 11, 2001, terrorist hijacking at Boston, Logan airport, Massachusetts, which resulted in the planes crashing into the Twin Towers of the World Trade Centre in New York, the meat was objecting to the butcher. Logan`s Run (1976) was the Hollywood Babylon science fiction movie based on William F. Nolan`s 1967 novel and its premise that those who reach the age of 21 can`t be supported socio-economically by their society and so must be killed by `sandmen` who pursue those `runners` who want to live, which the terrorist hijacking at Logan airport extrapolates into the human race`s desire that it run beyond the 21st century. The subsequent Hollywood Babylon movie World Trade Centre (2005) and the terrorist bombing of the Boston Marathon on April 15th, 2013, is a variation on the theme that the human race wants to run. Those who want to stop it want to kill it, and those who waste money on glorified abattoirs and ever more expensive ways of exterminating the human race rather than enable the `runners` so they can live independently of spies and pogromers who want to keep human vehicles and homes smaller and much more insignificant than Captain Scarlet`s Cloudbase are alien butchers.

In the United States of America there were civil airliners being flown by United Airlines at the beginning of the 21st century that cost around 50,000 US$ in the 1960s while the average B1 Spirit stealth bomber costs approximately 1,000,000,000 US$ to maintain and keep in the air. Although Gerry and Sylvia Anderson`s Century 21 Productions studio was a puppet animation based on the film techniques known by the generic term Supermarionation, the science fiction treatment of the caput draconis theme is universally applied. In the Gerry and Sylvia Anderson Century 21 Productions British television series UFO (1970-1), for example, the familiar story is of Earth beleaguered by flying saucers while young women in purple wigs and silver leotards adorn the scene and the supposed future wealth of the human race is wasted on vast labyrinthine depictions of technology`s readiness to exterminate the human race`s potential to rise in the form of SHADO, that is, Supreme Headquarters, Alien Defense Organization. Indeed, the UFOs are accurate extrapolations of the motor car with its disabled driver. If the caput draconisdoesn`t permit the occupant to leave the vehicle, there`s no possibility of space travel, which is why the UFO s are destroyed by Moonbase`s Interceptors. The premise of UFO is that the aliens are harvesting the Earth for body parts, which is extrapolatable into humanity`s need for `woman`s seed`, that is, `futanarian` women with penis` semen and host wombs of their own to restore the balance to the brains of the human race and remove warfare from the Earth as a means of the parasites` devouring what the women otherwise could produce if they were allowed to drive. Although many boys want to fly airplanes, few want to be passenger aircraft pilots, and being the pilot of one`s own jet requires money, so the piloting of fighter aircraft whose role is to destroy larger and more expensive aircraft is more readily within the purview of boys, which serves the aims of the caput draconis because the size of the individual human vehicle is collapsed to that of the average car whereas the extent of humanity`s resources suggests that the size of the average individual vehicle could be that of the starship Enterprise NCC-1701 as featured in the United States` science fiction television series Star Trek (1965-). The militarized concept of Starfleet`s starships belonging to the United Federation of Planets of the solar system and outward into the cosmos is an extrapolation of the United States` navy, which replaced the British navy as the sea power over the Earth after the British Empire`s (1497-) colonies began to liberate themselves as nations independent from slavery after World War Two. The United States of America had become independent of the British Empire of George III after its Declaration of Independence in 1776, which followed upon its own Civil war (1861-5) to manumit Africans enslaved by the Southern states, but the strict disciplined atmosphere of the Enterprise extrapolates from human slavery, that is, female crew members represent the slave contingent because `futanarian` woman with her own penis` semen and host womb is noticeable by her absence from the censored picture.

The picture began to be revised when President of the Motion Picture Producers and Distributors of America (MPPDA), Will. H Hays, established the `Hays code` (1930-67) by which Hollywood Babylon made it impossible for a woman to raise both feet from the ground in romantic scenes, because her own `futanarian` woman`s penis` semen was made taboo by men who didn`t want her to sexually reproduce her own human race`s brainpower to take her away from Earth and out into the planets and stars of her own imagining rather than that of the creators of Star Trek in which the women are defined pictorially as the enslaved human race`s host womb while thecaput draconis heads out in search of fresh planets to devour. Although the film Barefoot In The Park (1967) signaled the end of the `Hays code` and the interregnum in which women`s penis was effectively suppressed by the new evil Empire of the West risen in Hollywood Babylon, actress Jane Fonda as Corie, and actor Robert Redford as Paul, that is, the couple in the apartment overlooking New York`s Central Park, were the signal for men`s foot appearing on the moon rather than woman`s `futanarian` humans, `One small step for a man, one giant leap for mankind.` The optimism belied the reality, which was that the X-15 (1959-68) spaceplane program for a pilot to fly to the moon was cancelled in favor of firing a projectile at Earth`s satellite, because it`s men`s sterile method: `The key difference between the future and now, and forgive me for being scary in my use of analogy, is we are being given the power to shoot first and ask questions later,`1

Head of the UK`s Financial Conduct Authority, Martin Wheatley, commenting on the FCA`s new regulatory powers to stop good products from being manufactured, isn`t so scary as the heads of Merck KGaA, which stopped the sale of Dr Schuessler`s tissue salts, a prophylactic biochemic treatment for many different minor ailments some had been taking for 80 years. Merck KGaA were believed to have withdrawn them because they were seen as competition for pharmaceutical drugs, although the likelier supposition is that self-treatment by intelligent humans interferes with the caput draconis plan of extinction for the human race. Healthy humans interfere with the pogrom. The planes crashing into the Twin Towers of New York was a `sick` scene, and filming and planning such films is what the United States of America and Hollywood Babylon do. Consequently, Wheatley`s statement for the UK`s FCA is prototypical, `shoot first and ask questions later`. The movie, King Kong, was `shot` in movie parlance in 1933. A giant ape climbs to the top of the then `world`s tallest building`, the Empire State Building, and is attacked by aircraft, while Towering Infernois the Glass Tower in San Francisco that burns to the ground while fireman Steve McQueen heroically endeavors to save the inhabitants in the 1974 film made from a pair of novels, The Tower (1973) by Richard Martin Stern, featuring The World Tower Building, and The Glass Inferno (1974) by Thomas N. Scortia and Frank M. Robinson.The Towering Inferno was the highest-grossing film released that year. Consequently, World Trade Centre and the conflagration that destroyed Dubai`s Marina Torch Tower in the United Arab Emirates on February 21, 2015, are what Hollywood Babylon programers want, that is, `shoot first and ask questions later`, and indeed movie makers program people to do just that so they can film something remunerative. Consequently, it`s in the interests of Hollywood Babylon that people be `sick` and so Martin Wheatley`s brief to the FCA, `shoot first and ask questions later`, is interpretable as carte blanche to stop the manufacture of good health products, for example, on the understanding that more `sick` people are what`s needed if the movie industry is to flourish.

Flourishing the torch of freedom in New York harbor is the statue of Liberty, while Jesus` mother, the Virgin Mary, represents `woman`s seed`, that is, freedom for humanity, which suggests that the burning of the Marina Torch Tower is mean to be understood as Mary`s bier, because Jesus` `seed` is consumed in passion unfulfilled. Christianity`s pre-Armageddon picture is of a world filled with signs of the end of the world before that last battle between the forces of good and evil that results in God`s punishment of eternal unendurable pain for the evil and heaven for the good, but fulfilling Hollywood Babylon`s programing for Arnold Schwarzenegger`s End Of Days(1999) sequel isn`t the brief of Christianity and the burning down to the ground of Marina Torch Tower is just too Hollywood Babylon to be accidental. In the Gerry and Sylvia Anderson science fiction `puppet` series Thunderbirds (1965-6), 2 New York City authorities move the Empire State Building to a new location to make way for the regeneration of Manhattan island, but the hydraulics fail and the building collapses. The premise of Thunderbirds is of five futuristic vehicles that comprise International Rescue (IR), but disaster movies are what the public are taught by the caput draconisto want. Consequently, disasters are whatThunderbirds are for, but translation to the big screen of Hollywood Babylon in 2004 misses the point, which is that Thunderbirdsis `puppetry`, and scenes of a monorail realistically sinking below Tower Bridge wasn`t a healthy program for a London public yet to experience the July 7th, 2005, terrorist bombing of the London Underground, while planes crashing into the Twin Towers of New York city `live on CNN` only appears to be Century 21 Productions in which vehicles guided by wires speed to their destination as if predestined; because that`s what real people don`t want and that`s why Thunderbirds was humanly popular.

1 Holt, Natalie `FCA will 'shoot first and ask questions later', Money Marketing: Trusted Insight for Professional Advisers. Martin Wheatley describing the Financial Conduct Authority's new regulatory powers to stop good products from being manufactured, September 18, 2012, 1.40 pm, .

2 Fennell, Alan `Terror in New York City`, directed by David Elliott and David Lane, Gerry and Sylvia Anderson`s Century 21 Productions, Thunderbirds Series 1, Episode 4, October 21, 1965.

Friendly Firers

God didn`t want the `seed` of a man. That`s why Jesus in the New Testament was born of the Virgin Mary. When Er, in the book ofGenesis from the Old Testament, said he didn`t want to impregnate his wife Tamar with his `seed`, because it would spoil her beauty, God killed him and, when his brother Onan said he didn`t want to impregnate Tamar for the same reason, God killed him too. Er and Onan were killed because they were `poisons`, that is, `boy sons`, who were alien parasitical viral life forms, and not `Adamic Man`.

In Revelation there are two female figures; the woman `clothed with the sun and with the moon at her feet` who gives birth to the `New Redeemer` and `Babylon the Great, Mystery, Mother of harlots, and of the Abominations of the Earth`, who represent valences of woman on the path to be born. In his poem The Second Coming W. B. Yeats attempts to discern her shape:

`And what rough beast, its hour come round at last,

Slouches towards Bethlehem to be born.`

She`s difficult to describe, because the `hidden` woman who has given birth to the `New Redeemer`, to protect her while she prepares to leave Earth and `sow` her `seed` in heaven, is `futanarian`, that is, she`s woman with a penis and so a species in her own right. In heaven she fights against the `seed` of the `serpent` of Eden grown to be the devouring `red dragon` that waited in vain to devour her `New Redeemer` at the birth. Victorious, she receives a new heaven and Earth from God, while the evil receive eternal unendurable pain as their punishment.

In Revelation there are two `beasts` that represent the valence of men, and `Babylon the Great, Mystery, Mother of harlots, and of the Abominations of the Earth` is a product of their valence, which is to use women to produce poisons. In Revelation the `red dragon` is a `blood plague`, that is, HIV/AIDS is a valence, which relates to the homosexual pederasty of ancient Greek society. Women`s wombs were enslaved to produce `boy sons` to spread their plague by means of war, that is, the abominations produced by the harlots of Greece are the `poisons` of the `Greek whores`, which is underlined in Greek history by the `Greek horse` that the Greeks used to hide inside and leave outside the city of Troy. When the Trojans took it into the city, the Greeks emerged, and enslaved the `host` wombs of the women to continue their `plague` of homosexual pederasty through war.

9/11 was similarly a `Greek horse` in which the `red dragon`, having been defeated by God at the `cities of the plains`, Sodom and Gomorrah (Gen: 18,19), survived to spread its wings at `the cities of the planes`, when terrorist hijackers crashed `civil` aircraft into the Twin Towers of New York`s World Trade Centre and Arlington`s Pentagon, which houses the US Defense Department.

In the Old Testament God commands, `thou shalt not suffer a witch to live`, where `witch` is often interpreted as `poisoner`, and is used as a justification for attacks on women who are `different`. Of course, `futanarian` women are indifferent to men because she`s woman`s species, and so `different` enough for men to maintain constant denial of her existence in an aborting of her birth that defines men as `witches` and `poisoners`.

`Babylon the Great` is great because she`s able to live with the evil alien parasitical viral life form that is men. They have made of her a `harlot` to produce the `boy sons` of homosexual pederasty, and war to spread their `plague aims`. The `poisons` of HIV/AIDS is a valence of men`s `biological warfare` against women`s wombs and an aspect of how the `plague games`. Babylon is described as `Mystery`, because women are a species with their own penis as futanarian, and so the mystery is solved. Men are not a species but an alien viral parasitical life form leeching upon the products of her womb in order to further its valence of war and plague. In computer parlance, a `Trojan` is a virus, but upstate New Yorkers in Troy `work like Trojans`, which is the definition most pleasing to God, who ordered Adam and Eve to live `by the sweat of their brow` after Eden, and so `Trojan virus` isn`t `politically correct`, but a way of not offending `Greek`, that is, a worldwide euphemism for `homosexual pederasty`, so that it`s `PC` to define workers as viruses.

Being `politically correct` or `PC` so that purportedly good intentions are productive of evil is what the Greeks termedenantiodromia, which is what the defining of workers as `viruses`, and homosexual pederasty`s valence of war as `work`, represents. Or, in other words, when `PC` defines good as evil, the `beast` is loose.

English PC`s are police constables, whose telephone number is 999, but `reversed` it`s 666, which is the `number of the beast` ofRevelation, while 9/11 is 911, and the number of the police in the USA. If the police are defined as `bullies`, and that`s how they`re viewed by the majority of the public, the murderers of Rodney King (USA), and Blair Peach (UK), are defined as `politically correct`, which is why Revelation tells us `the number of the beast is the number of a man, and his number is six hundred three score and six`. When all men are police, they`re all bullies, and so they`re `beasts`, which is what the `plague aims` of 9/11 were.

Michel Nostradamus prophesied 9/11 in the 15th century, `From the sky will come a great King of Terror.` The event was supposed to occur in 1999, but that`s because of the strength of the biblical 999/666 prophecy. The `King of Terror` would be the result of 9/11, and Nostradamus says 9/11 was `to bring back the great King of the Mongols`, who is Genghis Khan, but after 9/11 `surveillance` would be `King` because that`s a valence of the `red dragon` of homosexual pederasty`s that wants to keep women as enslaved `host` wombs for men as a parasitical alien virus, and which theBible prefigures in Genesis, when Eve is `tempted` by the `serpent`, and Adam and Eve perceive themselves as `naked` after eating the `fruit of the knowledge of good and evil`, because they sense that they are being watched.

The Bible is about what`s going to watch you. The `serpent` of Eden grown into the `red dragon` of Revelation waiting to devour the `New Redeemer`, and fight a losing war against the `seed` of the `hidden` futanarian woman, that is, woman as a species with her own penis, is watching in order to devour. Or, in simple terms, if the minds of those who are watching you are evil, then evil things will happen to you, which is why 666 and 9/11 are symbolic reversals of the meaning of the police.

In the 19th century `Luddites` broke machinery that put men out of work at the outset of the `industrial revolution` when factories were becoming automated. In the 20th century similar protests surrounded the introduction of robots at car manufacturing plants. The argument was that machines would replace workers, but there`d be leisure instead. Humans would be `saved` by `robots`, which would have a humane valence insofar as they`d respond in humanity. In Judaism the `Meshiah` is defined as inaugurating global peace, and may be construed as `machine`, whereas surveillance with CCTV camera technology is more likely to produce scenarios like that of the movie Sliver (1993) with Sharon Stone as the victim of a psychopathic killer.

The unwritten valence in Sliver is HIV/AIDS, because you can`t tell from someone`s `look` whether they`re a victimizer or not, and HIV/AIDS is the virus that declares itself as `friendly` in order to kill. The female psychopath isn`t new, for example, Jessica Walter as `Evelyn` in Clint Eastwood`s Play Misty For Me (1971), and Sliver followed upon Sharon Stone`s role as a psychopath in Basic Instinct (1992), which was effectively men`s `demonizing` of her, and their `typecasting` of 20th century women as HIV/AIDS. Men`s `angle` was that it wasn`t possible to gauge by women`s `looks` as to whether they were the `killer virus`, whereas Sharon`s role in Sliver as the woman stalked by the pitiless killer watching her on CCTV in her apartment block shifts the perspective away from the demonization of women`s eyes and looks.

In Sliver Sharon shifts the perspective onto the `red dragon` of homosexual pederasty`s enslavement of women`s `host` wombs, which are symbolized in Sliver by Sharon`s apartment rooms. Her space represents an unoccupied `host` womb, as does Jodie Foster`s `panic room` space when criminals invade her home in The Panic Room (2002). The demonization of women`s looks, however, in movies like Play Misty For Meand Basic Instinct has programmed the media viewer with the false sense that the psychopath is sanctioned to be a `woman killer` in movies like Nightmare On Elm Street (1984) and Scream (1996). Because men have shown that their valence towards women is terror through demonization in order to poison the images of women through their screen roles, it`s a poisoning that both Jodie, in The Accused (1988) where she`s raped, and Sharon have resisted fiercely: `... if you have a vagina and a point of view, you're considered a threat.`

The valence of the `red dragon` of homosexual pederasty is alien parasitical viral enslavement of women as `host` wombs in order to spread their `plague` by means of war, and which is described inRevelation as a `blood plague` because HIV/AIDS is their valence`s use of `biological warfare` and terrorism against women. Surveillance by men as the alien parasitical viral life form would turn women`s homes, and indeed any space where women may be found, such as Baghdad, Kosovo, Dharfur or Afghanistan, into a form of `snuff box`, where women may be murdered by psychopathic killers, because that`s men`s valence.

If women are to survive as a species with her own penis, she must control the camera. Irrespective of whether robots are keeping her, or whether CCTV is monitoring her, she needs `Meshiah`, that is, the machine to save her from men. As an alien viral parasite enslaving her womb to `host` primetime CNN `plague aims` such as 9/11, for the sterile homosexual pederast watching from the couch with their `plague games` Sony Play Stations, `TV` is a `transvestite` where the `creature` that`s programmed to be murdered is wearing each others` clothes. Devised as a medium to encourage `snuff`, 9/11 was a diagram of what the `King of Terror` is proposing from its position as a valence of the `red dragon` of psychopathia. The Twin Towers were columnar boxes, and the aircraft were tubular boxes, while `the plague` gamely watched the `transvestite`, that is, the `TV`, on their television `snuff boxes`at home.

In Oops I Did It Again Britney Spears demonstrates what to do with the camera. When her spaceman comes to visit her on her red planet of Mars, in her red suit she places a hook in his backpack and hoists him so that he looks down upon herself in a white bikini dress. He has a camera beside his spacehelmet and can do nothing but film her. Britney`s perception is that he`s a camera because that`s what she wants to replace her enemy with. The `Meshiah` would be the `labour saving device` of the robot that would watch over her species and not harm her. In TV`s Terminator: The Sarah Connor Chronicles (2008-9) the robots are perfectly female and functional, which isn`t a problem for men as long as it`s understood that they`re the ones with the penis. Hollywood `mainstream` movies don`t depict the penis at all, because the revealing of a woman`s penis would reveal that the movies were just an excuse to replace the penis with the gun. Because that`s the `action` the `red dragon` of homosexual pederasty prefers.

Instead of having an erection, the `red dragon` of homosexual pederasty`s guns shoot women. To `cock` means to prepare a gun to fire, so the `big cocks` are the firers (virus) who`ve shot a lot. HIV/AIDS is `friendly virus` because it `feigns friendship` in order to kill the white cells that protect the body`s health in the shape of the red cells. When Britney, in her red suit, in Oops I Did It Again, hoists her `spaceman camera` above herself in a white bikini dress, she`s the red cell showing the difference between the white bikini dressed cell and the alien parasitical virus, that is, the male, which only feigns friendliness in order to attack her.

The Vietnamese `gooks`, because the US` servicemen didn`t understand their `gobbledygook`, in the Vietnam war pretended to be wounded and cried out to American servicemen, `Tommy! Help me!` to attract and ambush them. The concept is similar to `friendly fire`, that is; `inadvertentfiring towards one's own or otherwise friendly forces while attempting to engage enemy forces`,1 which is what the Navy Seals platoon pretend has happened to Demi Moore in the movie GI Jane when she`s raped by them during manoeuvres.

Warfare is just the friendly virus` excuse to transmit itself further and doesn`t want women to live. That`s why there are `rules of engagement` in `conventional war`, because higher levels of technology employ shields, like the condom, whereas men don`t want women as a species to live upon the Earth, or to leave in ships either, such as those ofStar Trek (1965-), which have strong shields to protect those inside from meteors, etc. Men are the aliens on the green and blue world of Terra, who want to kill woman here and prevent her from ever leaving. Their CCTV cameras are in position to film her struggles, and the Luddites have ensured that there aren`t any machine Meshiah`s to keep her safe and protect her species from the aliens that are men.

- Amen



The 20th century was marked by pogroms, which are concerted efforts to exterminate a people or peoples. The most obvious being the extermination of the Jews in the 1930s. Usually commentators fail to observe the obvious point that only women are Jews because it is only possible to be born as a Jew from a woman. The world appears to have been constructed as a misogynist `joke` by someone who hates women. Arabian scientists define the human embryo as a `leech`, and women are placed inside black bags to make them appear more leech-like: `Then did he become a leech-like clot; then did (Allah) make and fashion (him) in due proportion.`1

In medical terms, `clots` prevent circulation: `...[a] blood clot ... can travel through the blood stream and block [an] important [artery] ... and ... cause death.`2 Effectively the main arterial road for the retreating army of Saddam Hussein`s failed invasion of Kuwait was where the `clot` occurred that caused his death but, as the `Bag Daddy` of women`s imprisonment, he had sacks of `hidden` treasure. Baghdad`s women are the bags that are dad`s, because Saddad`s expect to `leech` again from those caves of Paradise and so the `old bags` must remain: `A sunny pleasure-dome with caves of ice!`3

In Arabian tradition the Paradise of Jennah is `hidden` and all around, because the women of the `abiyah` are the caves wherein the `houri` is contained. In the psychology of Carl Gustav Jung (1875-1961) the `houri` corresponds to the animaor soul. If she were in heaven, the damned could not have her. So she`s kept here on Earth. In the New Testament, the Holy Spirit, or Paraclete, is ostensibly sent by God to teach mankind, whereas in fact she`s the rescuer of the immortal soul or anima, which is the representative of the female `Self` and not of the male.

Jung writes of `archetypes` that appear abstractly, or personified, in works of art, dreams, or the imagination, to impel development. Because woman with a penis of her own is the human species, male developmental archetypes do not in fact exist, but appear in the mind, or externally, as `Greek horse` images.

The ancient Greeks enslaved women`s `wombs` by means of homosexual pederasty and warfare. Against Troy the Greeks used the device of a huge wooden horse within which to hide themselves and capture the city when the Trojans accepted it as a `gift` left outside the walls. The supposed archetypes of the male ego, that is, the `heroes` of Jungian psychology, are a `Greek horse` for the devouring `red dragon` of homosexual pederasty`s enslaving of women`s minds and wombs to serve its promulgation of warfare against her and make extinct her `Self` and her Earth.

In English history there`s a tradition of `liege lord`, which is a person to whom faithfulness is owed. `Bag Daddy` Saddam Hussein was the `leech lord` of those Iraqi women of Baghdad whose hourii were contained within the `caves` of their abiyahs. In Christianity Jesus is described as `the son of Man`, and `the son of God`, because he`s not a `leech`, which is what men are who are damned. In Revelation the `hidden` woman of the Earth leaves, and she does not return because she has her own `seed`, which fights a war in heaven against the evil serpent`s `seed`, who`d rather be her `leeches` and keep her but are defeated and, while she receives a new heaven and Earth, the evil serpent`s `seed` receive unendurable eternal pain forever as their punishment for preferring to be `leeches`: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

In Japan there`s a practice of `foot binding`, which is another instance of the `sick` joke. The name for a woman who has her own penis is futanar, and the word is Japanese. If the `hidden` woman of Revelation escapes from the Earth it`s not because of the Japanese lack of trying to keep her here by `futanar binding` so she can`t run. In Hungarian, the word `fut` means `run`, whereas `tanar` means `teacher`. Teaching women not to `run out` on men is what the Japanese practice of `foot binding` means. Because the Bible tells us that she`ll leave the Earth for heaven.

The Japanese tradition of the `son of heaven` is similar to that of the Islamic terrorist martyr. In 1941 Japanese Mitsubishi `zero` airplane pilots were sent on `suicide missions` as flying missiles against the US fleet at Pearl Harbour; an act of treachery foremost in the annals of perfidy. The crews were told they`d be `sons of heaven` because, if the Japanese women`s feet were bound to prevent them from escaping, their equivalent of the Arabian`s `houris` would be imprisoned upon the Earth as Paradise. The flaw in the reasoning, of course, is that killers are killers, which is why much of Japanese Manga art features the torture and murder of beautiful girls. Because that`s what `sons of heaven` do.

Redemption is the recognition that women are a species with her own penis, but if men seek to keep her as `leech lords` they haven`t accepted Redemption and can`t have heaven above. Because, if a man can`t see Woman, as Woman, from Woman`s eyes, he`s not `Man`. Often it`s simply the memory of where you are as a woman. Jesus explains it in the New Testamentwhere `love your neighbor as you love yourself` is Jesus` distillation of the law of God, because it`s the first step to recognizing that you are your neighbor, and so the woman is you.

In Revelation the `hidden` woman`s leaving of the Earth effectively divorces herself from `Man`, because men are revealed by God as homosexual pederasty`s cancerous replicating parasitical alien viral life form that, in its final stages, produces HIV/AIDS, and other STDs, to attack the wombs of women as a species.

9/11 continued the paradigm of treachery`s tacit agreement with itself to masquerade as `conventional warfare` in order to wage `psychological and biological warfare` against women`s minds and wombs, so keeping her in doomed ignorance of her role as the `Greek whores` aimed at upstate Troy, New York, promulgating the `red dragon` of homosexual pederasty`s `blood plague` of war against herself: `And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.` (Rev: 17.5)

The `mystery` is how woman could allow herself to willingly serve the `red dragon` of homosexual pederasty`s war against her Earth. Because `evil` is the `father of lies`. During the Gulf War `insurgents` were called `Ali Baba` by the US Army, which is erroneous because the story of Ali Baba And The Forty Thieves from 1001 Nights is about a `good` man who discovers a horde of treasure inside a cave kept by thieves. In the Koran there is a similar tale: `Some number of young monotheistic men lived in a time where they were persecuted. They fled the city together, and took refuge in a cave where they fell asleep.`

They awake to find themselves in Paradise. The blackness of the `abiyah` suggests the darkness of a cave, and suicide bomb attacks by women were perceived as `Ali Baba` because, as in Vietnam and Korea, the US Army was deluded into ambushment by their falsely perceiving as `good men`, those who shouted, as if they were wounded comrades: `Help me!`

Women in Iraq and elsewhere were perceived as `non-combatant` prior to their suicidal attacks on Coalition security forces. According to tradition Islamic martyrs enter into Paradise, and so death is an `Open Sesame` to the `cave of treasure`. In Christianity the notion of the Resurrection and Ascension of Christ to heaven is associated with the cave where Jesus` body was placed after his crucifixion and death. In Islam Jesus is a Prophet second only to the Prophet Mohammed to whom God`s angels dictated the Moslem`s holy book of theKoran in which the `houri` are described: `... the ḥūr or ḥūrīyah (Arabic: حورية‎) are commonly translated as `(splendid) companions of equal age (well-matched)`, `lovely eyed`, of `modest gaze`, `pure beings` or `companions pure` of paradise, denoting humans and jinn who enterparadise after being recreated anew in the hereafter.`

Jesus was the `first martyr` of Christianity, and emerged from the cave to enter into heaven. The Cave, Sura 18 from the Koran, confirms that`s what persecuted men do. In Christianity, heaven is `above` whereas, in the Moslem tradition, heaven is all around but `hidden`. Because Paradise is heaven`s `gateway`, for men like Baghdad`s Saddam Hussein it`s theirs to keep. Because they know from the story of Jesus that men follow a `good man` in order to kill him, and so it`s what the followers of the `good man` would do in heaven, which is why `Ali Baba` is an `insurgent` to the US Army.

In Revelation the `hidden` woman gives birth while the `red dragon` waits in vain to devour her `New Redeemer`, who`ll protect her until she leaves. The name `Saddam` means `crusher`, and the `hidden` woman of the Earth is depicted in the Bible as `crushing` the `head` of the `evil serpent` before she leaves. One among many `cyphers` to appear in the picture painted inRevelation of Woman as a re-emerging species is Saddam Hussein`s.

Although the women of Islam are caves, technologically they`re `holos`. In the Middle Ages the correspondent device was the `Iron Maiden`, which is a sarcophagus resembling the darkness of the `abiyah` inside which a victim is placed. A `holo` of the tortured person appears outside the contraption, and often pairs of lovers are used to make `holos` for the persecutors. In terms of The Cave Sura, it`s a `Satanic` reversal in which the `hidden` are persecuted and tormented when they emerge from Jesus` tomb.

In Eden the evil `serpent` is often described as the `worm` in the apple of Eve, because the `fruit of the tree of the knowledge of good and evil` was given to Eve by the evil serpent to tempt Adam. God told the pair they could eat of the fruit of the `tree of life`, but not of the `fruit of the tree of the knowledge of good and evil`, which effectively means God`s apples weren`t `boy sons`. 

9/11`s attack upon New York`s World Trade Centre, where terrorist`s hijacked planes to crash them into the Twin Towers and `poison` the `Big Apple` was the serpent`s spreading its `boy sons` as it continued to penetrate Eve. 9/11 took place `live` on CNN and other TV news channels. In the West television is broadcast on a `TV set` and, in the Middle Eastern mythology of ancient Egypt, the evil Set dismembers Osiris, whose parts, collected and put together by the goddess Isis, correspond in Christianity to the wisdom garnered by Eve from the `fruit of the tree of the knowledge of good and evil` in Eden, and collected in the `Big Apple` of New York 2000 years after Christ.

Because the `hidden` futanarian woman has her own `seed` to `sow`, the evil `seed` of the serpent doesn`t want her to leave because she represents a threat to their `TV set`. If woman has a penis, she`s a species, and men are `aliens` breeding her so they can watch `TV war` in the Gulf (1990-2011) as an `entertainment` for the `elite male alien`.

The `blood plague` of the `red dragon` is the aspect of Revelation that`s attributable to ancient Greece`s enslavement of women`s `wombs` by means of homosexual pederasty and warfare. Essentially the city of Troy is a `condom` protecting the Trojan women against the parasitical alien virus that, by the last decades of the 20th century, had become HIV/AIDS` `blood plague`, and further entertainment for the `TV set` of telephone numbered `beasts`. The `number of the beast` of Revelation is 666, which is 999 reversed, and so was 911 on 9/11. Because elite male aliens arm police with bullies` radio phones: `Watching the Earth being, over.`

Hate masquerading as love is what the `red dragon` practices as `psychological` and `biological` warfare, but the condom`s strength is enough. If the shield functions, the `virus` can`t penetrate. Military `rules of engagement` are about deciding how weak the shield should be. But the paradigm is friendship and love for the virgin innocence of the woman behind it, who`s taught penetration is desirable, not that it`s a `conventional war` against her.

In the TV series` Star Trek, starship`s shields are `complimented` by weapons, but it`s an extrapolation determined by `convention`. Shield penetration is a `flaw` built into the archetypal structure of male female relations that relates to the `Fall of Man`, because sexual penetration is the means whereby the `red dragon` of homosexual pederasty enslaves women as `host` wombs for its parasitical alien virus of devouring warfare. Because the concept of shield penetrability is a part of any and all human defence systems, Eve`s `Original Sin` was to accept the `evil` serpent`s programme of self-defeat, that is, a `snuff movie` mogul`s pogrom against her.

The 21st century began with the `Greek horse` in the form of `civil` aircraft hijacked by Arabian terrorists penetrating US` defences to crash into the Twin Towers of New York and spread its `virus` of war. The last quarter of the 20th century had been preparing homosexual pederasty`s devouring `red dragon`. The `blood plague` of HIV/AIDS employed the microcosmic device of `friendship` for the human immune system in order to kill it, which 9/11`s friendly ticket-buying `visitors` duplicated macrocosmically in renewal of the devouring `red dragon` of homosexual pederasty`s paradigmatic feigning of friendship in order to kill.

1 Koran, 75.38


3 Samuel Taylor Coleridge Kubla Khan, l. 36, 1816.

The Penis Is Woman`s Survival Tool

In the Bible Tamar is the wife of Er, who is murdered by God because he refuses to impregnate his wife, and Onan is his brother, whom God also kills for refusing to impregnate her. Both Er and Onan refuse because they want Tamar to remain beautiful, whereas God wants reproduction. Later, in the New Testament, Jesus preaches immortality and, after his crucifixion and death, he has Resurrection and Ascension to heaven. In Revelation the `hidden` woman of the Earth leaves to sow her own seed in heaven and, when she is attacked by the evil seed from Earth, she defeats them and receives a new heaven and Earth as her reward from God. Because she has her own seed, she is a woman with her own penis and so is futanarian woman.

According to Revelation, the enemies of the futanarian woman are the children of the `red dragon` that waited in vain to devour her male child, the `New Redeemer`, and her `protector` before she left Earth. This `male child` rules with a `rod of iron`, because he`s a male futanarian child, and reproduction is not what a futanarian child is for. The symbolism is similar to that of the `iron virgin` who doesn`t bear a child.

Jesus` birth from the Virgin Mary prefigures the woman who can bear a child without semen from a man, which doesn`t mean that the futanarian woman is for breeding a species with her own penis, but that immortal women might need to reproduce in an emergency. But men want to keep them as breeding slaves for homosexual pederasty`s `red dragon` of war and `plague games` rather than that they become `older and wiser` and leave.

Ancient Greece was founded on homosexual pederasty`s promulgation of war as plague, and the enslavement of the wombs of women in order to practice this is paradigmatically demonstrated before the walls of Troy where the Greeks left a huge wooden horse, ostensibly as a `friendship offering`, but inside which they hid and waited for the Trojans to take it into the city. Once inside the Greeks emerged to capture Troy and began the process of enslaving the women`s wombs for homosexual pederasty. In the Bible the `red dragon` waits in vain to devour the `New Redeemer` because women are not fooled by the `Greek horse` any longer.

As a symbol of homosexual pederasty, the `red dragon` is synonymous with the `blood plague` of Revelation because of the alien parasitical life form`s device of the `Greek horse`, that is, men, inside the wombs of women`s `citadels`. In the 20th century the device of the `Greek horse` became paradigmatically manifest biologically in the microcosm as the HIV/AIDS virus, which feigns `friendship` for the white cells of the body`s immune system in order to kill them so the body dies. At the beginning of the 21st century the `Greek horse` was the `civil` aircraft that impolitely demolished the Twin Towers and infected the `Big Apple` of wisdom grown since Eve in Eden with the poison of the `red dragon` that would tempt the Americans to spread the `disease` further.

God`s omniscience is evident from `poison`, which is pronounceable as `boy son`. The male futanarian child isn`t `poison` or `poisoned`, because sh/e isn`t interested in reproduction, save in an emergency, whereas for men`s god of homosexual pederasty and warfare, reproduction in women`s enslaved wombs is necessary for the spreading of their `blood plague` of `boy sons`. Because women`s sexual equipment is designed primarily for pleasure, that is, the clitoris is the only part of the body that is solely for pleasure, the suggestion has always been that the clitoris is for sexual intercourse. `Onanism` is the biblically derived word for masturbation, because Onan was killed by God for refusing to reproduce with his sister-in-law Tamar after his brother Er was killed by God for wanting her beauty to remain immortal. In refusing to impregnate Tamar, Er and Onan were wiser than the Old Testament God of Genesisbecause they perceived that boy sons were poisons.

Although `onanism` was subsequently viewed as a crime against God to be punished by death, the fact that futanarian women have a penis of their own, which they wouldn`t need to use if women were immortal, save in an emergency, suggests masturbation is what the clitoris is for. Because the futanarian penis of woman, as conceived as an immortal species, is only for reproduction in an emergency; for example, on a planet where a spaceship has crash landed and the only possibility of constructing a civilization and culture is through reproduction.

The scifi analogy takes men into account. They`re a parasitical alien life form that exists virally in order to spread its plague of war and further its dysfunctionality, which is recognizable from ancient Greece`s supposed civilizational and cultural valence of homosexual pederasty. In the Bible men are finally overcome by the futanarian `New Redeemer` of Revelation, who is no longer fooled macrocosmically by the `red dragon` of war, or microcosmically by the terroristical `psychological warfare` of what is also a mentally contaminatory `blood plague`. HIV/AIDS spreads fear and sexual hatred for women`s bodies, and wombs, but the `New Redeemer` is able to defend against men`s `biological warfare` of HIV/AIDS against women by maintaining an `iron rod`, a symbol of the immortal futanarian woman that, with her own penis, doesn`t need to reproduce, or be impregnated, with men whose boy sons are her death. Denying men, as prefigured in the Virgin Mary`s birthing of Jesus without a man`s semen, the `hidden` woman and her child, the `New Redeemer`, protect their wombs so they can leave Earth `uncontaminate`.

Without a good education you don`t have the right attitude, and so your perspective is wrong. You can`t believe, and have faith, because you aren`t educated in what`s good. If you`re taught the `devour ring` of homosexual pederasty`s marriage with the evil `red dragon` of `blood` is the Earth`s paradigm, then war and plague is what you have belief in, because you`ve accepted a false perspective based on a wrong attitude. If education doesn`t teach that women are a species and that men refuse Redemption because they want to keep her as a slave for their `red dragon` of homosexual pederasty, warfare, and `blood plague`, then you won`t have the right perspective because you`ll have the wrong attitude.

9/11 was the `Big Apple` of temptation for the `red dragon` to be a devouring `blood plague` across the Earth, which resulted in the fall of Saddam Hussein and the `Arabian Spring` in which many Arabian governments also fell. 9/11 was a `Greek horse` that captured New York. Just as Marshal Tito`s Yugoslavia fell apart after the withdrawal of Soviet Russia because of the red dragon`s tempting war by means of homosexual pederasty`s education system.

In the 21st century China`s `red dragon` emerged as an obvious valence for homosexual pederasty and the `blood plague`. Much of oriental Manga art is devoted to futanarian woman with her visibly erect `rod of iron`, but oriental attitudes to women in Manga art are almost entirely devoted to the rape and mutilation of innocent virgins.

The `red dragon` of homosexual pederasty has already declared war on women in the Orient. For one thing female children aren`t wanted at all and are exposed at birth in China. In Japan the ancient tradition of `foot binding` ensures she can`t escape, and depictions of her innocence in Manga movies like Final Fantasy are merely preludes to her torture in more `adult` media, where her big round eyes are a sign of the infantilist who doesn`t want women to grow `older and wiser` so that they`ll always be victims looking to escape from the evil parasitical viral alien that has masqueraded as a `kind man` throughout the generations of Mankind.

The goddess of Athens in ancient Greece was Athena, and the goddess of Troy was Pallas Athena, whose symbol was the horse. That`s why the Greeks employed the huge wooden horse to gain access to her city, and ironically the Trojans were `taken in` by them. In fact, `Greek` has consequently become a worldwide euphemism for homosexual pederasty whereas a `Trojan` is a condom and so `protective` of women`s wombs, or mouths and anuses. This is important because computers in the 21st century were defined as being threatened by `Trojan viruses` on account of the `Greek horse` being erroneously labeled `Trojan `. Because of internet pornography, lesbian women and women with a penis are visibly not homosexual pederasts but `normal`, and so the internet is the real `Trojan horse` of women` s refusal to accept anything but her own penis and species.

The distinction between worshipping the goddess as a reproducer of war and plague by means of `boy sons` (poisons), and worshipping the goddess as an immortal power, who doesn`t reproduce because her penis is only for emergencies, is the difference between espousing Liberty and a `breeding` license. In the ancient world Athena had a campaigner`s `brain`, while Ares was her brawn. As goddess of Athens and Troy, Athena`s name means `many`, which accords with biblical interpretations of the Paraclete, that is, the Holy Spirit`s multivalent aspect as `spirit of God`.

The concept of Athena as the `many` reappears in the Old Testament as the female Shekinah residing with the law in the Ark of the Covenant of God`s `Promise` and, in the New Testament, the death of the crucified Jesus is marked by his side`s piercing by the pagan Roman centurion Longinus` spear, which again results in the `strategic` emergence of Paraclete Athena as `teacher, guide, comforter and helpmeet`. The ancient wisdom of the Shekinah as the Holy Spirit, that is, the `Second Eve` from the `rib` of Jesus as the crucified `Second Adam`, prefigures the `campaign` inRevelation for the release of Womankind, and her escape from the alien parasitical viral life that she`s doomed to live upon men`s Earth.

In Britney Spears` video single Oops I Did It Again she appears on her own scifi Mars as a type of Athena who is `many`. Appearing in three guises, she`s the red suited figure descending inside the giant `devour ring` of the `red dragon` and, in a white bikini dress, she represents herself again as a white blood cell that her red suited `red cell` places below the `visiting` spaceman whom she hoists into position by means of a `hook` and `pulley`. Helpless to do anything but film her, by means of the camera attached to the side of his spacehelmet, Britney`s suspended spaceman is her conception of how to `play` with Mars, the god of war. If he`s interested in her, he`s not interested in `plague aims`.

In Greek mythology, Chronos is the `would be` devourer of Zeus, but Athena is born from Zeus` head with her `aegis`, that is, the authority of Zeus` protection. In Revelationthe `New Redeemer` has the `aegis` of God, that is, the authority to protect the `hidden` woman of the Earth from the devouring `red dragon` of homosexual pederasty`s `blood plague`.

In Oops I Did It Again Britney`s red suited `red dragon` hooks the spaceman`s pack, which corresponds to the `aegis` of the North American Space Administration, or NASA. From the perspective of the `red dragon` of the devouring boy sons (poisons) of homosexual pederasty (war, plague, and HIV/AIDS), NASA is for space wars. However, as the `prime directive` to `Federation Starfleet` in the television seriesStar Trek (1965-) indicates, NASA mightn`t agree:

`The Prime Directive, also known as Starfleet General Order 1, was one of Starfleet's most important binding principles about noninterference in another culture's internal affairs, natural development and progression. The Prime Directive forbade Starfleet officers from interfering with the social order of any planet. Violation of the Prime Directive was generally considered a court martial offense followed by severe punishment unless sufficient justification can be made for the violation. Even though there have been incidents where Starfleet personnel have decided on strong ethical grounds to ignore the Prime Directive, on the whole it was believed to do a lot more good than harm.`1

The concept of `war games` and `plague aims` is supposedly counteracted by the notion of PC and `play games`, that is, `Starfleet General Order 1` is a `PC` or `politically correct` position, but PC `plague games` is what the USA invited by not distinguishing homosexual pederasty as `Greek` but rather describing it as `Trojan`, whereas `to work like a Trojan` is highly prized. In short, the USA preferred PC to PG and the result was the emergence of the `beast` of Revelation: `The number of a man is the number of the beast and his number is six hundred three score and six.`

666 is 999 `reversed` because `Greek` is `the beast` and, while a worker from upstate New York`s city of Troy is a `Trojan`, 9/11 was similarly 911 `reversed`. Police, whether 999 or 911, are generally bullies, which the murders of Rodney King in the USA and Blair Peach in the UK revealed. Police are more interested in having PC `plague games` rather than providing `PG`, that is, `parental guidance` on what constitutes a `game`, rather than the careless observation that freely available `shoot `em ups` are `just a game`.

Hollywood`s instantaneous reaction to 9/11 was to make the movie in the style ofTowering Inferno and Die Hard, while the manufacturers of `plague games` for the `PC` was 9/11 in which the terrorists still crashed the planes into the Twin Towers of New York`s Ilium, but the firemen were mocked for their `political correctness` in `working like Trojans`.

In the New Testament Jesus works for Redemption but is tortured to death by those who are bored, which is what 9/11 says that PC `plague games` does with workers because the police have replaced themselves with bullies and 999 has become `the beast` 666 on 9/11, which is the number of the police in New York and the rest of the USA.

On the Oops I Did It Again soundtrack, the exhortation is heard `All aboard!` In hindsight it sounds like something similar to Tom Cruise`s starring movie Minority Reportin which `precognition` workers advise the `police` of the future where to be in order to prevent crimes from taking place. To the ears of those who would have prevented 9/11, `All aboard!` could either be perceived as mockery, or as an exhortation from someone in `precog`. Britney`s spaceman waits to give her a `gift`: `But I thought the old lady dropped it into the ocean in the end?`

The reference is to the `heart of the ocean`, which is the blue diamond pendant that Rose drops into the sea at the end of the movie Titanic as a memorial for her lost love who is drowned. Britney`s `All aboard!` implies `Man overboard!` because of the `precog` theme of `reversal`. The Greeks termed `reversal` enantiodromia because overemphasis on one valence turns into its opposite; for example, `PG` comes to stand for `plague games`. In even less romantic terms, it`s `Man over. Bored.` Britney`s aware that the `plague game` is the `ova board`. She somersaults to stand before the spaceman `chess style` in black skirt, boots and white blouse, but her lyric belies `head over heels in love`: `I played with your heart, got lost in the game.`

The `game` is the `blood plague` of homosexual pederasty`s war `plague aims`, and the `ova board` is where the `game` is played. If women remember men as their captors, the `game` is `ova`; because the births of boy sons are necessary for young girls to be fooled into fostering the alien parasitical viral life form, that is, men`s promulgation of war through the blood of women as the `boys & us` plague to which she perforce gives birth as the enslaved `host` womb of their poisons.

There`s a fork beside the spacehelmet of Britney`s spaceman as he films her in her white bikini dress. Her giant `devour ring`, and the `fork`, are symbols of the `red dragon` and HIV/AIDS, the `blood plague` ofRevelation, which in diverse ways consumes women and her Earth. Britney`s spaceman has `invaded` her Mars, so now she`s an alien `Martian`, which is what lesbians are taught, and Britney`s repeatedly stated she`s `bisexual`. In her red suit, white bikini dress, and black mini-skirted with white blouse in Oops I Did It Again, Britney`s `many` or `Athenai`. On her own `red planet` she`s futanarian Athena who`s won her campaign to have the `plague games` understood and doesn`t want renewal for the bullying cycle of the `red dragon` of homosexual pederasty`s devourment of herself and her daughters` species.


The Grim Reproduction and the Future of Production

The play by Greek dramatist, Sophocles,Oedipus Rex, is famous for the theories of human nature propounded by the developers of depth psychology in the early 20th century, which emerged first with Sigmund Freud (1856-1939), as an explanation for the psyche and, secondly, with Freud`s `pupil`, Carl Gustav Jung (1875-1961), as a `path for self-improvement`. In Freudian psychology, Oedipus` unwitting murder of his father, and unwitting marriage to his mother, represents the son`s desire to have sex with the mother, which is repressed in civilization because exogamous marriage, that is, marriage with a `stranger`, is enforced by making endogamous marriage, that is, incest, taboo. In Sophocles` drama about ancient Egypt, the city of Thebes is a dangerous place because of the Sphinx which, with the face and breasts of a woman, and with the wings of an eagle and the body of a lion, devours all those who cannot answer her `riddle`, which is: `What walks on four legs in the morning, two in the afternoon, and three in the evening?`

Oedipus doesn`t know the answer, but receives it as a `cheat`, and the solution is `Man` but, having unwittingly murdered his father, and unknowingly married his mother, Oedipus is metaphorically blind. When he discovers that he is `guilty`, in Freudian terms, of breaking the taboo of incest, he blinds himself. Freud argued that the self-inflicted punishment was a metaphor for the consequences of unreflecting action based on orders, which was what ensured the continuance of the death camps of the Nazis in World War II when almost everyone understood that it was `alien` to humanity. Freudians argue that the incest taboo is what produces the `id`, which in `scifi` movies, such as Forbidden Planet, is depicted as what happens when the imagination is out of control. In Forbidden Planet (1956) `monsters from the id` are described as having been the original inhabitants of the planet, but they increased the powers of their imaginations until they were devouring monsters. Most critics of science fiction view the movie as a critique of mankind`s preoccupation with the destructive capabilities of their intelligence rather than with human development.

In Jungian psychology, the eyes are associated with the `Sensation` function, which is one of the four functions of consciousness; `Sensation` (eyes), `Thinking` (ears), `Feeling` (mouth) and `Intuition` (nose, or smell). The masculine ego is usually associated with either `Sensation`, that is, the eyes, or `Thinking`, which are the ears that allow the individual to process information received auditorily, because `Sensation` and `Thinking` are masculine, whereas `Feeling` and `Intuition` are feminine.

In the myth of Oedipus the superior function is `Sensation`, because it`s about the eyes, whereas the inferior or feminine function would be `Intuition`, because Oedipus has to be told the answer, can`t intuit. In simple terms, Oedipus represents the devouring monster of the `id`, which doesn`t want eyes, because eyes represent the egos , that is, the `I` of others.

The desire for endogamy, that is, marriage with the mother, is the desire not to be devoured by `alien eyes`. Because the incest taboo is male, the `alien eyes` are those of the father, who doesn`t want the mother to see with the eyes of her child. Although the answer to the riddle of the Sphinx is `Man`, the meaning is that `Man` is Cain, who slew his brother in the Biblestory, because Cain wasn`t Abel, that is Abel, could see how to cook, and so was more able, which was why Cain killed him.

`Man` walks on three legs in the evening because he`s Cain, that is, he has the stick of a blind man, which is either the gun of the murderer, or the cane of those who are humanity`s blinding by the murderers, and so are feeling (feminine `Feeling` function) their way by intuition (feminine `Intuition` function), and through acceptance of what Jesus` teachings describe as the Holy Spirit/Paraclete, that is, the `teacher guide, comforter and helpmeet,` which Jesus prophesied would teach mankind after his torture, death, Resurrection and Ascension to heaven.

Through the power of the spirit Freud was able to reveal that the repressed `id` was the result of mankind`s desire that others not see, which was defined as `alien`. Interestingly, Freud defined the `Woman` as a `victim of penis envy`, and any 21stcentury glance at internet pornography would tell you that `futanarian` woman, that is, woman with her own penis, is enviable.

Jung`s acceptance of the spirit of `Woman` allowed of his perceiving the feminine functions as associable with the soul oranima, which was female and so differentiation of the four functions of consciousness, that is, the development of a conscious, or actualized `Self`, was dependant on species` recognition. Because Jesus was born from the Virgin Mary, as a prefiguration of the `futanarian` woman with her own penis,he was the `woman`s seed`, which receives heaven from God inRevelation, while the evil `serpent`s seed` receive perdition as a punishment. In simple terms, Jesus` recognition of `Woman` was dependant on his `Intuition` and `Feeling` for the soul or anima as a tool allowing him to recognize his own species as different from men, who represented the devourer of Freudian psychology because they didn`t want `Woman` to see that she was a species.

Jung describes the Sphinx as the `Terrible Mother`, but the meaning is not that she`s against incest, but that she`s against blindness and taboo. Because `Man` is `Woman` if she has her own penis, and lifts her leg to deliver her child. Because she births alone. As the Virgin Mary did. Jesus is the `Son of Man` because he is able to recognize `woman`s seed`, but recognition without acceptance is devourment for `woman`s seed` instead of shadow-integration, which is what Jung terms the recognition of negative aspects of oneself, insofar as they had previously been perceived as residing within the other person. Jung terms this the negative `projection making factor`, which is theshadow or repressed and subconscious desire of the male to devour the female, which surfaced in the Japanese and Nazi death camps of in World War Two between (1939-45) and is indicative of the unnatural fact that `Woman` is a species and men are her parasite, which in its final stages becomes `viral` and kills her art, culture and civilization in its wars against her.

The story of Oedipus` mother Jocasta is of the `woman`s seed` that wants its own eyes to see her. It`s as if all of the eyes aboard the Starship Enterprise in the US `scifi` television series, Star Trek (1965-), were to be the same person, and the `pirates` were those who wanted to wrest control of the ship from her human species. The crew of the Earth`s `ship` would be replaced by what God tells Eve in the Bible is the `serpent`s seed` and its `perpetual enmity` for hers (Gen: 3. 15), which simply means that thieves are murderers because they don`t work for what they get.

The phrase `robbed blind` is the apposite description of what has happened to humanity. In works such as Eric Von Daniken`s Gold Of The Gods (1973) objects d`art from the age of the Incas in South America are found to be exact replicas in shape of the US space shuttles, for example, the Enterprise, and so the replica is the archetypal basis of the recreation of what the people of the Earth have constructed before. In Jungian psychology, the archetypes are facultas praeformandi, which exist in the collective unconscious of humanity in dreams, art and imagination, and represent the inventiveness of human creativity, which the `cargo cult` uses to enslave the spirit and reproduce what it already had but has wasted in blind contempt for itself and those who had originally produced it. In simple terms, if theEnterprise space shuttle exists in the mind of mankind as an archetype, it will be recreated by those who have seen it. Consequently, the `aliens` are those men who have enslaved the human species, which corresponds to `Woman`, that is, `futanarian` woman with her own penis, and so independent as a species from men, so that she will reproduce: but nothing original.

On the cover of her CD single, `Piece Of Me`, from the album Blackout (2007) which means `censorship`, or blindness through the sudden losing of consciousness, Britney Spears appears on the cross as Jesus crucified, which isn`t `original` insofar as it presents `woman`s seed`, but serves to reinforce the perception of the species of `Woman` as multiple, but one: `I`m Miss American Dream since I was seventeen.`

An earlier `sex symbol`, Raquel Welch, had also appeared upon the crucifix as a promotional image for her role as the `cave woman`, in One Million Years BC (1966), which represented the development of `Woman`, but not of `woman`s seed`. Britney Spears` own career lifted off into space with her video single Oops I Did It Again (2000) where she appears in a red plastic body suit and represents the furthering of `woman`s seed`. Visited on Mars by a spaceman in the `period costume` of a NASA astronaut, in her red suit she attaches a hook to his spacesuit and winches him above herself in a white bikini dress to film her with the camera attached to his spacehelmet. The meaning is of `woman`s seed`, as an independent species, because she can reproduce. Although Britney Spears` penis isn`t present beneath her red plastic body suit, herself in the white bikini dress might have a penis of her own, because it`s possible and so isn`t `scifi`.

In previous mass extinctions of `woman`s seed` upon the Earth men sought to replace the depleted stock by placing boys in plastic suits with their faces turned to the back of the suit so that they couldn`t see out of the face opening and, employing the boys` anuses for coitus, `made women of them`, until they grew eyes in the backs of their heads and their anuses became vaginas. Britney Spears` Oops I Did It Againrepresents Britney`s description of how `Woman` is enslaved in pederasty, which exists only to censor knowledge of her own penis and seed, and keep her a prisoner upon the Earth, so that she can`t escape from the `monster` of the idiot, `Man`, which is what `id` is.

In the movie Fantastic Voyage (1966) Raquel Welch is a `scifi babe` travelling through the body`s blood stream to perform brain surgery in a micro-submarine, which prefigures the threat of the `blood plague` of the HIV/AIDS virus that kills `woman`s seed` for homosexual pederasty so that the enslaver can reestablish its `cargo cult` of reproduction. In ancient Greece women`s `host` wombs were enslaved by pederasty to spread its contagion by means of war, which means that Britney on Mars is the `woman`s seed` that has triumphed over Mars, the war god of homosexual pederasty. In Revelation God warns men of their desire to infect: `Men cursed the God of heaven because of their sores but refused to repent of what they had done.` (Rev: 16.11)

Infection is the basis of modern civilization. The desire to infect computers with viruses is a symptom of homosexual pederasty`s `biological warfare` against `woman`s seed` and the desire of `Woman` to be bigger. The main method of pederasty has been betrayal. Jesus was betrayed by Judas to the torturers of the spirit and enslavement of `woman`s seed`, and the Greek pederasts` huge wooden horse before the walls of Troy was used to insert its virality of enslavement for the Trojans` `host` wombs.

Leaving the hollow horse outside the walls, the Greeks emerged when the Trojans accepted` the horse as a `gift` and took it into the city. Similarly, the 9/11, 2001 terrorists were welcome, but betrayed the USA by using `civil` aircraft as `Trojan horses` to crash themselves into the World Trade Centre`s Twin Towers of New York`s `Big Apple` of Eve`s garnered wisdom since Eden and precipitate the Earth into a global war of `rough trade`, which is a euphemism for pederasty. In terms of `computer hacking`, the Arabian terrorists were pederast viruses that `hacked` the US` Defence system in an attempt to reestablish the `perpetual enmity` of the `serpent`s seed` for `Woman` and her own seed.

The original dictionary definition of `paedophile` is of someone who `likes children`, and the reason is that adults want children to be bigger, and that`s parenting. Infantiles don`t want to grow, and so they don`t want what is `bigger`, which is why the terrorist attack on the `Big Apple` on 9/11 was infantilism. Pediatricians have been taught that paedophiles are adults that want sex with children, whereas they represent the knowledge that children are reincarnations of what has been produced before.

In a `cargo cult`, the children are abandoned to reproduce, which is effectively what happens in the movie sequels to thePlanet Of The Apes (1968)where the astronauts find themselves alone on a planet with simians who are mirroring human development. The stranded spacemen discover that the world is the future of their United States of America and that the apes are reconstructing it. In `parenting` terms, Planet Of The Apes is the pattern of the `cargo cultist` who returns to the `scene of the crime` to steal what the abandoned children have produced. By force and murder if coercion isn`t enough, and because the infantile thief doesn`t want to work. As God tells Eve, she will experience `pain in childbirth` after Eden (Gen: 3. 16), but Adam must live by the sweat of his brow. Because Adam and Eve were expelled from Paradise for accepting an `owner`, that is, the `serpent` and its `seed` of `perpetual enmity` for humans and desire to be their enslaver.

The `Big Apple` represents the possibility of freedom for the enslaved 2000 years after Jesus. But the infantile doesn`t want the `Big Apple` for `woman`s seed` because `futanarian` woman has her own penis and socio-economic valence, which would allow her to develop technology, and escape from the Earth as an independent species, which the infantilist `cargo cult` operator doesn`t want to happen. 9/11 was an attempt to reimplement the `cargo cult` and reproduce through the `rough trade` of pederasty. Although a new World Trade Centre wouldn`t be a reproduction, it represents `cargo cult` theory, which is that children should believe in freedom and independence, and shouldn`t see that they don`t have any.

The adult that is congratulated for having produced a work of art or inventiveness is a child if the plaudits of the individual congratulator are based on the perception that the producer has recreated what the congratulator has previously produced. Britney Spears` perception with the albumBlackout, and herself on the cover of the CD single `Piece Of Me` rather than Jesus, is that she doesn`t want to reproduce for men because she`s a species, that is, `woman`s seed`, who has her own penis, and soBlackout means `censorship` and `loss of consciousness`:

`Guess I can't see no harm
In working and being a mama
And with a kid on my arm
I'm still an exceptional earner
You want a piece of me...`

Britney Spears was snapped by photographers near Central Park in New York after her child`s hat had fallen off and she didn`t pick it up. Running for a car near her hotel she was labeled an unfit mother and lost her fortune to the courts.1 Declaring herself bisexual didn`t help her, but the knowledge that `Woman` has her own penis does help women. Not generally aware that `Woman` constitutes an independent species enslaved by their pederasts, Britney Spears` `lesbian` declaration helped Americans. The legend on the `Great Seal` of the USA, e pluribus unum, which is `the many and the one`, refers to the `hidden` woman of Revelation who, like Oedipus` Sphinx and `Terrible Mother`, has `wings of an eagle` to carry her to a `place of safety`, while the `New Redeemer`, to which she the `hidden` woman has given birth independently, `rules with an iron scepter`, to ensure the ultimate success of `woman`s seed`, while the evil receive eternal unendurable pain from God for preferring enslavement to a virus.

1 Alaska Report,, February 16, 2008.

Jesus` Genius

The healing powers of Jesus are legendary though recorded in the Bible as factual. Consequently, Jesus was a doctor, but what was the medicine? In the early parts of theBible, which are known as the Old Testament, the Torah and the Talmud, believed in by the people who descried themselves as God`s `chosen`, God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, because the `serpent` in the garden of paradise, that is, the `heaven on Earth` of Eden, tempted Eve to eat of the `fruit of the tree of good and evil` that it was death to taste, `You shall be as gods.` (Gen: 3. 5). Jesus` medicine would be the `elixir of immortality` that the doctors known as alchemists sought to concoct, as the earliest medical practitioners, before scientific advancement.

The developmental psychologist Carl Gustav Jung (1875-1961) argued that alchemy was the result of an individual`s unconsciously projecting their desire for a return to Eden that Eve and the first man, Adam, had lost when they accepted power from the `serpent` by eating the `fruit of the tree of the knowledge of good and evil` and rejecting God`s `fruit of the tree of life`, which was immortality. According to Jung the soul or anima of the individual man was a part of the unconscious `Self`, which received projection onto a woman as animago causing the individual to have sexual desire for reproduction. As a form of generational immortality, sexual reproduction is logically associable with the `tree of life`, but Jung`s description of a woman`s animus as her contrasexual male component projected by herself onto a man isn`t understandable as the desire for life. Jung perceived the woman`s animus as depicting her as surrounded by male admirers, whereas it`d be truer to see that she was `surrounded` by a male spirit causing her own soul to feel threatened.

Women had their own `seed` after Eden, which God expelled Eve and Adam from because they`d accepted they were slaves of the serpent. Telling Adam he`d have to work, and Eve would experience pain in childbirth, God was explaining their labor would be hard, because Eve`s womb would be the host to parasitism and the threat of death, which was what they`d accepted for power from womb slavery to male braining. Eve`s daughters, born after Eden, were `futanarian` women with their own penis` semen or ``seed`. Although God told Eve she would, `... crush the head of the serpent with her foot,` (Gen: 3. 15) because she`s `futanarian` woman, Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, reveals him to be the doctor. Often depicted in Christian iconography with her `foot` on the poisonous serpent`s head, Mary`s the woman who can give birth to humans uncontaminated by male semen, that is, she`s the `foot` or `futanarian` woman with her own penis` `seed` who can `crush the head of the serpent` because she can sexually reproduce her own female brains from her own penis` semen.

In Jungian terms, women see themselves surrounded by men because they`re her brain eater. Killed and culled since Eden, woman`s species with her own penis` semen has been awaiting Resurrection promised by the birth of Jesus as the fulfilment of Eve and Adam`s labors since Eden. Jesus` illustration is his being tortured to death by the `serpent`s seed` after being nailed to a wooden cross as a `dissident` during the period of the Roman Empire (27 B.C. - 1453 A.D). Afterwards Jesus had Resurrection and Ascension to heaven, because he was `woman`s seed` and prefigured the Resurrection of women with their own penis` semen. She`d been killed and culled as the daughters of Eve who were unwanted, because they interfered with men`s exclusive enslaving of women`s womb, which is why God told Eve she`d accepted death unless she and Adam worked for the Redemption that was fulfilled in the birth of Jesus, whose birth uncontaminated by male semen was what distinguished him as the Messiah.

Carl Jung observed that the alchemical procedure contained hermaphroditism, which he associated with the self`s desire for unity, although he didn`t perceive `futanarian` woman, that is, Jesus` solution, which was to give the human race a brain transplant by having women female brain the species with her own resurrected penis` semen. Alchemy was the early scientific gropings towards Resurrection through female braining, which would end death, because the male brain of the `serpent`s seed` would stop devouring her `seed`. Jesus` perception was that technology would liberate women from labor and science would make her physically youthful and immortal if her parasite would stop preying on her. Jesus was the host to the disciples at the `Last Supper` before his death and offered the disciples `bread and wine` as symbols of his `body and blood` because he was born uncontaminated by male semen and wanted to educate good men in species` protection. His disciple, Judas Iscariot, betrayed Jesus as a `dissident` to the Roman occupation of Jewish Palestine for `thirty pieces of silver` because he was a threat to male braining. In the Bible God destroyed Sodom and Gomorrah (Gen: 19. 15) because of sodomy and parasitism that had degenerated into cannibalism, that is, it was a meat factory, which is why Lot`s wife was turned into a pillar of salt as she looked back in yearning, because women shouldn`t yearn for womb slavery to a parasite that will devour her. To be preserved, meat has to be salted, which is why it is the fate of Lot`s backward looking wife to be depicted as a pillar of the cannibal community bred for the table upon which meat is placed and the salt never runs out: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

How the parasite inveigled its way into the womb of the human species that is `futanarian` women capable of sexually reproducing with her own penis` semen stolen from her by the parasite so it can reproduce itself to kill her is a mystery described in the Bible as Eve`s being tempted by the serpent. But the behavior of the parasite is well documented. By the late 20th century `Greek` homosexual pederasty in institutionalized enslavement of women`s host wombs to further the parasite`s contagion of war and death was understood when the mixing of blood, shit and semen in each others` anuses by homosexuals in sterile mockery of human sexual reproduction spread the parasite`s `biological weapon` of HIV/AIDS to keep women in fear and faithfulness to ring slavery. The parasite`s paradigm of virality attempted to kill the labor saving computer machines of the human species` peripheral brains as `bad machine code` devised by the Greeks` `geek` successors in the computer programing industry. Known as `Trojan horses` after the Greek siege of Troy in which a huge hollow wooden horse was deployed by the Greeks to be taken into the city by the Trojans as a supposed friendship gift, the computer viruses replicated the activity of the Greeks who enslaved the host wombs of the women of Troy in male braining to kill the mother`s brain. The parasite`s attacks functioned in the same way as HIV/AIDS that feigns friendship for the white leukocyte cells of the human body`s defense system, before killing the brain, which means that women have been engaged in a war with men against homosexuality in pederasty since Eden.

As the doctor, Jesus` prognosis is, `love your neighbor,` as the whole of the law of God, because women need to be able to sexually reproduce with the woman next door and men want to keep her a prisoner. The first astronaut on the moon, Neil Armstrong, declared: `One small step for a man, one giant leap for mankind.`1 But US President Ronald Reagan`s `Strategic Defense Initiative` of 23rd March, 1983, was a `ground and space based` missile system to ring the Earth so that humans would have to ask permission to leave. President Obama`s implementation of AEGIS in 2014 as a ship based missile system was more provocative. The `aegis` was the protective garment of the goddess Pallas Athene, who was the patron deity of the city of Troy, and whose symbol, the horse, was mocked by the Greeks when they deployed a huge hollow wooden horse to hide inside and capture the city for womb enslavement in pederasty and war. Consequently, the United States` President Obama nation`s AEGIS is a Babylonian abomination which could kill the human woman by provoking thermonuclear war before she can raise her own `futanarian` foot to the moon and colonize the planets amongst the stars of `heaven` above. The `serpent`s seed` plan to keep her here and kill her: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11)

What they`d done was sacrifice medicine and liberating technology for homosexual pederasty in war and death. To men women are talking animals. The analogy is of the animal that is a female who is a `talking animal`. Stories of wolves who`re human `shapeshifters` represent the male perspective that women are animals who talk, because male braining is how they maintain power over the human soul, which is what a female animal who talks represents. Women live in xenophobia, because the idea of the talking female alien is the same as the talking female animal, that is, women talk. Because men don`t want women to have their own brains, they male brain them, so they accept being eaten: `We'll meet the meat.`2

In Douglas Adams` science fiction satire,The Hitchikers` Guide To The Galaxy(1979), Zaphod Beeblebrox accedes to Milliways` restaurant`s request to be introduced to the `Dish of the Day`, an Ameglian Major Cow, which is a ruminant specifically bred to not only have the desire to be eaten, but to be capable of saying so. Women`s male braining is the human equivalent of Milliways` `Dish of the Day`. Popular culture is littered with Satanist metaphors. The Smash robots that appeared on ITV and throughout the world from 1974 as beloved characters were `Luddite` metaphors for those who wanted to prevent machine technology from saving women`s labor. The `Luddites` were 19thcentury artisans in the textile industry named for Ned Ludd, who broke two stocking frames in 1769, because they were men who feared to lose employment to machines. Advertising concentrated potato to which hot water was added to produce mashed potato, the Smash advertising satire mocked women`s labor, because they`d been used to having to peel potatoes before cooking and mashing them with a fork or other implement to produce mashed potato. The Smash robots laugh hysterically at the women`s labor, while looking like the parasites that eat heaven after the death of the body so that the individual experiences reincarnation in womb slavery and can`t escape the death guards who`re trained to imprison the humans for the brain eaters by the womb enslavers: `Earth people peeled their own potatoes with their metal knives, boiled them for twenty of their minutes, then smashed them all to bits.`

The `Luddite` metaphor is male because, if the woman escapes from the Earth through labor saving technologies, the male parasite will die for lack of a host womb. Consequently, men`s lack of technological progress explains their preference for waging war rather than finding a cure for HIV/AIDS. The car hasn`t changed in terms of its basic design since the first Model T Ford rolled off the production line in 1908 at Detroit, Michigan, because the `serpent`s seed` want the meat to pedal. In Saudi Arabia women aren`t allowed to drive at all because men want to trap woman as a species with her own `seed` upon the Earth in reincarnating male braining so she`ll produce war and death in homosexual pederasty. But the Satanists aim is to reestablish Satanism, which is the meat and salt of homosexuality in pederasty and cannibalism, where the parasite fertilizes the ova of the woman and encourages her to be a cannibal because she`s the human.

Although New York and Arlington, Virginia, where the terrorist hijacked planes crashed into the Twin Towers of the World Trade Centre on September 11, 2001, weren`t the `cities of the plains`, that is, Sodom and Gomorrah, they were the `cities of the planes` that reestablished parasitism and cannibalism. The World Trade Centre was targeted as the `rough trade` center, where `trade` is US slang for that `brutality and violence` which is associated with homosexuality in pederasty and womb slavery to war and death. If `futanarian` woman with her own penis` semen doesn`t sexually reproduce her own brains` powers for technological liberation from the `serpent`s seed`, she`ll be meat and salt. After the United States revenged themselves upon Japan for the `sneak attack` on the Pacific fleet at Pearl harbor on 7 December, 1941, all that was left of Hiroshima and Nagasaki was sodium (Na), which is the chemical name for `salt`.

Although Jesus` `Second Coming` to the Earth born from `the woman clothed with the sun and with the moon at her feet`, that is, victory over the red sun of Japan`s flag and the yellow moon of the flag of terrorism, announces the birth of he who `will rule over the nations with an iron scepter`, the US victories over Japan and the terrorist group, Al Qaeda, represent meat and salt, because it`s the reestablishing of homosexuality in pederasty and male braining`s womb slavery to death worship in parasitism and cannibalism, which is why God expelled Eve and Adam from Eden for preferring the `fruit of the tree of the knowledge of good and evil` to life. Only if men repent from their `original sin` of womb enslaving will they have Redemption, but the US` role of `global policeman` that has been theirs since the nations of the Earth agreed to act collectively as the United Nations (UN) organization isn`t credible any longer.

In the US cartoon made for television series, Top Cat (1961-2), Officer Dibble is a play on the word `edible`, that is, he`s the policeman who prevents the parasites and cannibals from eating the humans. However, if men are the parasites and the women are those who`ve been converted to war so they eat their own children as a part of each nations armed forces, the US is guilty of parasitism and cannibalism, that is, it`s only interested in being Top Cat not Jesus` ruled: `Yes he's a chief, he's a king, but above everything, he's the most tip top, Top Cat.`3

Top Cat is a talking animal and he`s the leader of an all male gang with a policeman to keep them under control because they`re parasites and cannibals in the image of gangsters. Because women are talking animals to men and they don`t want them to speak so they`ve male brained them with their own semen exclusively, the Top Cat metaphor is important. In cancer research a `sleeping policeman` is a replicating cell that kills the body because it`s a rogue cell that replicates itself, which is why policeman are associated with the `number of the beast` in the Bible, which is `the number of a man, six hundred three score and six` (666), because 999 is a healthily policed body politic while 666 is a political body consumed by rogues. The Bible describes those who could neither `buy or sell` unless they had the `mark of the beast` during a period of `beast` worship, which suggests the security forces are the Earth`s cancer.

By the late 20th century everything had `bar codes`, which had to be read by machines before transactions, communications or identifications involving transactions and communications could occur; for example, telephone numbers and bank accounts: the bar codes of humanity`s imprisonment. The machines were blamed for people`s imprisonment but machines are the key to labor saving. The `Second Coming` of Jesus is presaged by `signs in the sky`, while airports are the low level technology equivalent to the Forum Boarium (1 B.C.) in Rome through which animals were herded for slaughter, that is, technologies such as the science fiction `transporter beam` as seen on US television`s Star Trek (1965-) to transport people instantly to and from starships would produce escapees. If time travel were invented in which people are able to move backwards and forwards through time and space, the humans who were being treated as animals would know because the scenes would be repeated as they grew older in slavery before dying as herded swine. The idiom `pigs might fly` to describe incredulity would be the security forces` revenge for being described as `pigs` by those who don`t like being treated as animals. Consequently, the airports of the Earth are Imperial Rome`s Forum Boariumthrough which the human animals are herded like pigs in fear of flying: `My name is legion.` (Mk: 5. 9)

The words of the man demoniacally possessed reflect upon the presence of the Roman legions in Palestine during the time of Jesus when he was casting `demons` out of individuals who were possessed by the spirit of Empire which was parasitical and cannibalistic. Jesus` casting out of the demons from the man into swine who then run over a cliff and drown illustrates what human animals in the grip of Empire are made to do as they`re herded from airport to airport; seeing the same scenes repeated as they collapse and die from fear and exhaustion as forces spent.

The terrorist hijacked plane that crashed into the wall of the Pentagon Defense Department of the United States on 9/11, 2001, released a pent force. Magicians use pentagons for keeping powers pent, while animals are kept pent in pens; before slaughter at the Forum Boarium in Rome, for example. The hijack took place at Boston, Logan, while Logan`s Run (1976) was a Hollywood movie narrating the killing of humans who`d reached 21 years of age because the socio-economy of the science fiction dictated that the resources available couldn`t support an aged population, which is a metaphor for the `futanarian` human penis` `seed` of woman`s being pent and frustrated so she`s unable to escape from her animal`s death by sexually reproducing her own brains` powers for technological liberation. On April 15th, 2014, terrorists bombed the Boston Marathon to prevent the `futanarian` human footrace of women with their own penis` semen for sexually reproducing their own brains` powers from `running`, `he shall crush your head and you shall bruise his heel,` (Gen: 3. 15) in another metaphor borrowed from Logan`s Runwhere `sandmen` prevent the `runners`.

The analogy of humanity as a business to be run is familiar from US Grand Master of science fiction, Robert A. Heinlein (1907-88) who wrote the novel I Will Fear No Evil(1970) about Jesus` business proposition, which was that the human species needed a brain transplant. The title I Will Fear No Evilis taken from the 23rd Psalm, which is a reference to Jesus` future rulership, `Although I walk in the valley of the shadow of death, your rod and staff comfort me.` Born uncontaminated by male semen, Jesus is the model for the central protagonist of Heinlein`s novel, Johann, who has his brain transplanted into the body of Eunice, his beautiful secretary, whose mind remains, while their lawyer, Jake, becomes their lover. After Jake becomes one with the other two consciousnesses when he dies of a heart attack after a rigorous love-making session, all three migrate to the baby Joan-Eunice has borne from a sperm deposit Johann had made earlier. The economy of I Will Fear No Evil is run by huge corporations who`re perpetually warring against each other with private armies in fulfilment of God`s warning to Eve of the `perpetual enmity` the `serpent`s seed` has for her `seed` because her `seed` is almost non-existent. The `futanarian` concept of woman with her own penis` semen is embodied in the character of Joan-Eunice who is forever damned from having her own female brain, because she`s the product of male semen. If women were able to sexually reproduce their own brains together the socio-economy of the Earth would be on another footing, that is, it wouldn`t be Eunice`s business to have the human animals running from her through theForum Boarium of the Roman Empire after Jesus.

Although the analogy seems far fetched, the metaphor is deep. The flag of the Qaresh tribe of the Prophet Mohamed, who founded Islam more than six hundred years after the death of Jesus when, according to tradition, the angels of God dictated to him the Koran(610-30 C. E.), is associated with Al Qaeda, because of the `crash` of the planes into the Twin Towers of New York, whereas the Al Uqab is the flag of the Prophet without the eagle of the Qaresh, but the yellow cab of the New York taxi driver has a flag for the profit, because it`s a peddler for a meet taxer, that is, Western men don`t want women to meet each other, so the metaphor is that their penis has been removed with an axe, whereas in Islam four wives are permissible within a marriage because `futanarian` sexual reproduction between women with their own penis` semen and host wombs is encouraged in acceptance of the meaning of Jesus` birth uncontaminated by male semen. Taxiing is a metaphor for aeroplanes preparing to lift off from the airport runway, so `meat tax` is taxiing, that is, the meat has to pay the tax of losing its penis to the axe before she can raise her `foot` from the Earth: `The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

The Qaresh is the eagle of Islam while the eagle of the US is upon the Great Seal of the authority of the President, which means that the woman of the Earth is protected by the eagle and her hymen is her seal, which explains why Osama Ben Laden was symbolically killed as the leader of Al Qaeda by US Navy seals on 2 May, 2011. What isn`t explained is why women of the West are lied to. Moslem women know they`re the human `futanarian` penis` semen, because `Islam` means `accept` and Jesus` teaching is accepted, whereas nudity is common in Western nations, but women`s penis has been taxied off the runway in endless photo shoots of penisless women who`re a clothes` horse perpetuating the `Trojan horse` of men`s opinion about how women brained without their own human semen should look.

The term `packing` in English slang refers to divorce, that is, one or other of the marriage pair are giving up on the arrangement, whereas in the United States `packing` is used by someone to describe their carrying of a gun. The terms collide in the concept `meat packing`, which is used in the butcher`s trade to describe the salting of carcasses as preserved meat, and is why Lot`s lineage is Islam and not Christianity. In the Bible Abraham`s son Isaac is of the line of Judaism, whereas Ishmael is of the line of Islam. Consequently, Lot turned his back on the meat and salt of parasitism and cannibalism, while ring slavery in Christian monogamy perpetuates the penisless women of the meat packers who`ve `meat taxed` her penis` `seed` to prevent her from having the brains to save herself. Robert Heinlein`s metaphor in I Will Fear No Evil is organ replacement, because men are `whore guns` who`ve whored women until they haven`t brains of their own and kill and cull with their guns `futanarian` women who have their own penis` semen and host wombs to prevent them from sexually reproducing their own brains` powers for liberation.

The United States is perceived as sexually more liberated than the United Kingdom, because men carry guns openly in public, while guns aren`t carried openly in the UK. Hollywood`s `Hays code` (1930-67) established the `foot on the floor rule` for women in bedroom scenes, because men didn`t want the woman`s `foot` to rise from the floor of the Earth and so made her penis taboo; although God told Eve her `seed` would `crush the head of the serpent with her foot`, because her `futanarian` semen would fertilize her own ova. The prevalence of `gun culture` in the US means the woman`s penis is despised, because they`ve `outlawed` her, whereas in the less inhibited UK the male penis is `undercover` lest the women discover their guilty secret, which is that the British Empire killed her race after Jesus there.

In Islam Jesus is Isa and Mary is Miriam and, although Isa is born uncontaminated by male semen, he has Ascension without death because Islam, which means `accept`, accepts woman`s Resurrection from her own penis` semen for her own brains` powers from her own host womb. The Moslem belief in Jesus` Ascension without death is supported in Catholic dogma through Pope Pius XII`s doctrine of the Assumption of the Virgin Mary bodily into heaven, that is, the four wives of the Moslem marriage represent acceptance of Jesus` teaching of Redemption and Resurrection for `woman`s seed` without inflicting the imagery of heaven through death on their congregation`s lust for consumption by the dragon of the `serpent`s seed` depicted in the Bible as waiting in vain to devour Jesus in his `Second Coming`, because that`s what reprobate men are for. Having male brained women into accepting their virality, women have their brains and so are projections of themselves as what Carl Jung described as the collective shadow. As cowards men`s perception is that they`re performing the work of God by killing the woman, because she`s a projection of their evil nature after they`ve male brained Eve`s descendants as their whore. Only Christianity preaches death and Ascension as a method, whereas Jesus` birth uncontaminated by male semen indicates the truth, which is that heaven is attainable through the `seed` of women, because Resurrection is from her host womb. Consequently, if men kill the woman as theirshadow they`ll both go to hell, which is God`s punishment of perdition for the `serpent`s seed` who`re irredeemable.

Carl Jung`s description of the personalshadow was of subconscious instinct`s unrecognized power as a tool of individual development, because it`s the nature of men to see the other person as inferior and project themselves as superior. According to Jung sexual libido was the instinctual desire for sexual reproduction, but he hadn`t comprehended that men were women`s parasites and so their penis` desire for her was her desire for herself, which men of the `serpent`s seed` abhorred, because they were only interested in replicating like cancer, and that`s what HIV/AIDS` biblical `blood plague` (Rev: 11. 6) represents in homosexuality and pederasty`s war against the human species` own `seed`. Having removed her penis from the scene and being disgusted by sexual reproduction as the parasite that only wants to replicate, it wasted humanity`s life in sterile penile masturbations with her anus that spread the HIV/AIDS` incurable `killer disease` by mixing blood, shit and semen together, which is why God sentenced it to eternal unendurable pain without appeal. Despising woman`s penis from the scene and then despising their own from the scene so that all women are able to see is the bulge that isn`t their penis is what God condemned them for: `I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

God is telling Abraham that his `seed` will be fruitful, but like God`s angel, Satan, who refused to bow before Adam, according to the Koran and Jewish pseudepigrapha, for example, the Book of Enoch (300 B.C.), Abraham isn`t capable of recognizing that God is promising all of this through his wife Sarah`s potency. Hagar is a woman of her house and she offers her womb for fertilization. Consequently, Abraham`s `seed` presupposes woman`s, which is why Satan made a mistake by rejecting Adam`s `seed`, because `woman`s seed` would supercede Adam`s. Satan might have accepted Eve`s `seed`, but God transformed him into a serpent in Eden for rejecting Adam`s and that began the `perpetual enmity` God warned Eve her `seed` would have with Satan, who was reprobate because he tempted Eve with the power of womb slavery to war and death in homosexual pederasty, which is parasitism and cannibalism for the human species in the Forum Boarium of Earth beneath the moon.

In Judaism and Islam the pig is `haraam`, that is, forbidden, which in Christianity is attributable to Jesus` casting out demons from the man who told the Messiah he was `legion` in the likeness of the legions of the Roman Empire, because the demons asked Jesus to be cast into swine and then ran off a cliff and drowned in the river, because they wanted their spirits to reenter the bodies of men, which is what they had been as pagan men of Rome in irredeemable parasitism. The Forum Boarium was a meat and fish market, while the fish is a traditional Moslem and Christian symbol from `The Cave` (18) and the belief in Jesus as a `fisher of men` in terms of Salvation. According to the KoranMoses and Joshua lost a fish by the Red Sea, which preceded the appearance of Khidr who agreed to travel with the pair. Symbolically, Khidr is the fish and so prefigures Jesus` teaching. In `The Cave` narrative Khidr rebuilds a wall as there`s treasure he doesn`t want to be found too soon; then he kills a child because it would grow to be evil, and finally Khidr makes holes in boats lest pirates follow. Moses can`t bear Khidr`s teaching in patience because he can`t immediately understand and so he becomes the `law giver` of Judaism, who accepts the law of God for his people who need laws and not teaching. Jesus` role as the reappeared `fish`, in what Christianity calls the New Testament, is the human born uncontaminated by male semen, whose birth itself is the teaching, that is, the Resurrection of `woman`s seed`, because Jesus is what can be understood after patience and acceptance of God`s law. The pig is the forbidden meat, because it reminds women of Jesus` teaching, which is that men are legion and the reprobates eat her.

1 Armstrong, Neil UTC: 2. 56, 21 July, 1969.

2 Adams, Douglas The Hitchikers` Guide To The Galaxy, Episode 5, BBC 2, 2 February, 1981.

3 .

Britney in Green

Britney`s Oops I Did It Again video features herself in a red pilot`s suit on the red planet Mars and, as it`s `science fiction`, there are genre references. The first `Grand Master` of SF was the US writer Robert A. Heinelin (1907-88), who wrote Red Planet amongst other juvenile stories for boys. However, Britney`s red suited character corresponds closely to that of Heinlein`s `Poddy` in Podkayne Of Mars, the only novel length story Heinlein specifically wrote for teenage girls. The story has two endings; Poddy dies shielding a baby `fairy` from Venus in a bomb blast, or she`s injured shielding a baby Venusian `fairy` from a bomb blast. Britney`s red pilot`s suit in Oops I Did It Again is explainable: `Podkayne Fries, born and raised on Mars, has just one ambition: to earn her wings as a starship pilot and rise through the ranks to command deep-space explorations.`

When Britney, in her red pilot`s suit, raises above herself in a white bikini dress a space suited astronaut who`s landed on her Mars, the spaceman looks down upon her `babe`. Descending inside a giant ring, Britney`s one of the `little people`, and so the `Babe` in the white bikini dress must similarly be one of the `fairy folk`. Britney uses a hook and winch to raise the spaceman, until he`s above her `baby fairy` in a white bikini dress, rendering him helpless to do anything but film her with the camera that `Mission Control` has attached to the side of his space helmet. The spaceman`s ineffectual helplessness at the hands of Britney underscores her protective role as the `body shield` of her `Babe` of Venus; just as Heinlein`s girl character in Podkayne Of Mars is Poddy shielding her Venusian `baby fairy`.

In a white bikini dress, Britney`s `baby fairy` in Oops I Did It Again lies languidly upon what seems to be a white counterpane, while surrounding her bed are the eight points of a star. She`s the `baby fairy`; the `star` at the apex of the tree in traditional Christian celebrations of the nativity of Jesus Christ, which commemorate the appearance of the `star of Bethlehem` that announces the Advent of the infant Messiah in the New Testament. In Lucky Britney appears as the `star` herself, but she`s surrounded again by her avatars wearing red, which suggests that she`s continuing in her role of body `shield` to her `baby fairy`, that is, her Poddy`s shielding her `star`.

In Glory Road (1964) Robert A. Heinlein`s `star` character is the woman named `Star` who, as `Empress of the Twenty Universes`, advertises for a hero in a newspaper ad. Together, she and Oscar Gordon, subsequently embark on a fabulous adventure, and she becomes Oscar`s bride. In Lucky Britney`s `star` wins a Hollywood `Oscar`, that is, she`s the heroine that`s shielded her `star` qualities so she`s able to win her Oscar.

The very first episode of Star Trek (1965-) was The Cage, which featured a character called `Vina`. Britney`s conceit is that actress Susan Oliver`s `star quality` is the `baby fairy` of Vina`s, which `star quality, if properly shielded, will win her an Oscar: `... the landing party discovers a camp of survivors from a scientific expedition that has been missing for 18 years. Among the survivors is a beautiful young woman named Vina.`

The plot is that the alien race of Talosians keep Vina looking young and beautiful by means of their capacity to generate illusions through the power of their highly developed brains; although Vina is severely disfigured in reality. Captain Pike falls in love with her but leaves aboard the Starship Enterprise, so concluding the `pilot` episode: `She has an illusion, and you have reality. May you find your way as pleasant.`

The `pilot` episode of Star Trek was later remade as the two part The Menagerie in which Captain James T. Kirk takes now heavily disabled Pike back to the Talosians and Vina. The closing address to Kirk slightly adapts the original ending: `Captain Pike has an illusion, and you have reality. May you find your way as pleasant.`

Susan Oliver`s several roles in the Talosians` illusions required that, amongst other various guises, including that of the prototypical `Starfleet` blonde, she be seen as a green skinned `Orion` woman. Jestingly, she held up a placard at a Star Trek publicity event, enquiring of her `Oscar`.

Britney`s spaceman gives her a gift in Oops I Did It Again, of which she enquires: `But I thought the old lady dropped it into the ocean in the end.` It`s an allusion to the blue heart shaped diamond dropped into the ocean at the close of the movie the Titanic (1997) by Rose, who`s love was betrayed by someone planting the jewel in his pocket and calling him a thief. Rose`s lover drowns when the Titanic hits an iceberg and sinks. Because Oops I Did It Again is `scifi`, the `heart of the ocean` jewel, as it is known in the Titanic movie, refers to the Talosians of The Cage in which Vina`s `Keeper` is depicted wearing a blue jewel.

The Talosian roles were all acted by women; although they appear manlike. Britney`s subject is `illusion`. In the British `scifi` series Dr Who, in which the central protagonist is a time-traveller, a Thal is a member of a blonde race of humanoids on the planet Skaro which is devastated by a doomsday weapon developed by the other humanoid species on their world, the Dal, who become Daleks after the holocaust, creatures directing their hatred for the Thal from inside machines, and whose vocabulary seems to consist of one word: `Exterminate!'

The Talosians are women with the bodies of men, that is, men with the `souls` of women that, according to the psychology of Carl Gustav Jung (1875-1961), is a psychological truism; because a man`s soul, which Jung calls the anima, is female and feminine. The Talosians perceive the necessity of preserving illusions, which is why Jung associates the anima with Buddhism`s `Maya`, the `goddess of illusion`. If women had their own penis, and they do as `futanarian` women, they`d be the species on planet Earth and the danger would be that men would become Daleks attempting to prevent them from living. The Talosians of The Cage in the Star Trek `pilot` episode are women because they represent the illusion that men are a species, whereas what is female inside of men corresponds to the `soul`, or Jungian anima, which in Hinduism is a sepaprate living entity with its own relationship with God. The anima, or soul, spins the necessary illusion that men and women represent species` love, whereas men aren`t of the same species but, existing as a parasitical `leech`, represent that which feeds upon woman`s `host womb`. In the New Testament of the Bible Jesus` disciples receive the Holy Spirit as their `teacher` after Christ`s death, Resurrection, and Ascension to heaven following Christ Jesus` crucifixion by the murderous torturers. The truth is that, without `God`s spirit`, men are bereft of that which can redeem them; because woman, and her `soul`, are the species on the planet Earth: and men aren`t. Dr Who`s Daleks are the epitome of the `soulless machine`, which is what a man is without a `soul` and its woman: `Exterminate!`

In the Bible the `hidden` woman of Revelation is depicted as being protected by the New Redeemer before she leaves to spread her `seed` amongst the stars and, presumably as a futanar woman with her own penis and `seed`, ultimately fight a war in heaven against the evil serpent`s `seed`, that is, men, before God creates a new heaven and Earth for her to dwell in forever, while the evil `seed` receive perdition.

In accordance with Poddy`s ambition in Podkayne Of Mars, Britney wears her her red jump suit in Oops I Did It Again to indicate her readiness to pilot her `starship`. In Revelation `the woman clothed with the sun and with the moon at her feet` gives birth to the New Redeemer. On Mars, Britney has the moon beneath her and the sun behind her, which means that the New Redeemer is he who keeps her. The wisdom of the Earth is to know that man and woman are one, which means that the woman is the man. Consequently, the wise man is he who understands that the woman with the penis, that is, the `futanarian` woman, is him. Consequently, the New Redeemer would be he who keeps that secret.

In the New Testament Jesus preached `love your neighbor as you love yourself`, because you are your neighbor. The preaching of the New Redeemer would be `love woman as you love yourself`, because you are woman, and she is a species with her own penis, while men aren`t; because they can`t reproduce independently. If they do not wish to be perceived as a `parasitical organism` upon woman`s `host womb`, men must accept that they are woman, that is, redemptive love for oneself as another. In shielding herself as Venus` `baby fairy`, that is, herself in a white bikini dress, Britney`s demonstrating that love for another as oneself, and love for woman as a species, necessary for the female pilot of a `futanarian` woman`s starship who must know when to `cloak`, and put up her `shields`.

Britney`s Talosian `heart` is the blue heart shaped diamond jewel which is the Thal `ocean`, that is, the ocean of life in which the Thal are blonde, blue-eyed, beautiful, and a `blue movie`. That`s why Britney`s spaceman in Oops I Did It Again films her as a `Babe` in a white bikini dress. Sex is life. The false illusion is that there`s more to life than love. Britney`s observation is that machines help us to love; even a camera. That`s what they`re for.

The spaceman with the camera from `Mission Control` has a hook put into his backpack by Britney and, herself in a red pilot`s suit, winches him above herself in a white bikini dress to where he films her.

For `Mission Control`, he `s a camera, but the analogy is `possession`. Anything that helps a person is something that a system that depends on demonic possession doesn`t want for that individual. If the camera is helping the spaceman, he isn`t a possession and so isn`t possessed.

Britney employs the spaceman as her camera, which is analogous to being possessed, as he`s become a possession of hers. However, if she`s helpful she`s from God. A demon is whatever takes away what`s helpful, which is demonic possession. The demonic lie is that I am possessed by what is helpful, because those who are demons want to be helped by what it is that I have.

If my camera`s taken away from me by Christians, it`s not because I photograph Britney Spears and so I`m being rescued by Christians from possession by the `demon of the camera`. The demons, that is, Christian businessmen, want my camera to help them, which is what `Mission Control` is. I won`t give up my self, so they possess it. Through coercion and, inevitably, violence if I don`t give up my self to `demonic possession`.

Britney`s spaceman in Oops I Did It Again is a symbol of the struggle between the `demons` of `Mission Control`, and the destiny of Britney Spears` star. As the red suited `pilot` of `Starship` Oops I Did It Again, Britney wants `directorial control`. Anything taking control away from her is a `demon`, and is a manifestation of `demonic possession`. `Mission Control` is a `director` that wants control of Britney`s `movie`. To save her and her spaceman, Britney must stop `Mission Control` from possessing him, and using him as a possession to possess her `movie`.

Oops I Did It Again demonstrates the spaceman`s `camera` function. In her red pilot`s suit Britney raises her astronaut to where he looks down upon her in a white bikini dress; as if he were upon a `camera gantry` on her `film set`. As the `camera` given to Britney by `Mission Control`, the astronaut represents the `demonic` aspect of men through whom the demons of `Mission Control` seek to possess Britney. It`s an analogy of relationships. Anyone who wants her `image` is a `demon`. To protect herself from `demons`, she must `pilot` her own `Starship`; as the beautiful `Poddy` wants to do in Heinlein`s Podkayne Of Mars. Avoiding `possession`, Britney`s `Poddy` won`t be `possessed`.