Star Trek: Starticles

In The Boy Zone With The Witch Queen Cannibal Vampires

Britney Spears` album In The Zone (2003) relates to her role as a dancer in the pop videos she makes to promote her music and songs. Because of their physical fitness routines, dancers describe the state of mind reached, when the exercise seems effortless, and the body is running as a machine, where neither pain nor the pressures of time are present, as `the zone`. Timed alarms are used to tell the dancer when to stop their physical workout because, `in the zone`, all worldly concerns are forgotten and the mind goes with what Hungarian `positive` psychologist, Mihály Csíkszentmihályi, called `the flow`:

`It is a single-minded immersion and represents perhaps the ultimate experience in harnessing the emotions in the service of performing and learning. In flow, the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. To be caught in the ennui of depression or the agitation of anxiety is to be barred from flow. The hallmark of flow is a feeling of spontaneous joy, even rapture, while performing a task although flow is also described as a deep focus on nothing but the activity - not even oneself or one's emotions.`1

In young women `the flow` is manifest as feelings approaching vaginal ejaculation during intense physical activity, like horse riding, for example, as practised by the young film star, Elizabeth Taylor, in the Hollywood movie, National Velvet (1944), `I want it all quickly 'cause I don't want God to stop and think and wonder if I'm getting more than my share.` The 12 year old actress had to ride with her legs astride the back of the powerful animal, as if it were an extension of her own body, and not side saddle, which is how women were taught to ride, because the movie concerned the English steeplechase race, The Grand National, in which jockeys bestride their horses: `I wanna get in the zone, I wanna get in the zone. If you really wanna battle, saddle up and get your rhythm.`

As Britney Spears` lyric from `Me Against The Music`, featuring Madonna Ciccione from the album In The Zone reprises, riding side saddle was obligatory for young women, because of the sexual feelings aroused with a horse between their legs, which men didn`t want to encourage. Orgasmic ejaculation resulting from the woman`s `going with the flow` during a ride upon her horse might have reminded her of `woman`s seed`, which God tells Eve in the Bible will have `perpetual enmity` with the `serpent`s seed` after Adam and Eve accepted the `fruit of the tree of the knowledge of good and evil` from the parasite in Eden, rather than the `fruit of the tree of life` and immortality, because they`d have enslavement of their species as a reward: `You shall be as gods.` (Gen: 3. 4-5)

Because `woman`s seed` is `futanarian` woman with her own penis` semen she`s the enemy of the serpent and the `serpent`s seed` that wants to enslave her host womb for pederasty and war, which was the institutionalized mode of the Greeks before the Roman Empire and its occupation of Palestine during the time of Jesus of Nazareth, who was crucified as a `dissident` because he was born of his mother, the Virgin Mary, uncontaminated by male semen, and so born of the `futanarian` species of human woman with her own penis` `seed` God tells Eve will: `... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

Jesus` teachings are of Resurrection because `woman`s seed`, that is, women with their own penis` semen are in a 50/50 relationship with what could be her parasite emerging from her host womb, that is, men, while her own species of humanity with its penis` `seed` for sexually reproducing herself and her own brains` power is 100% of the human `futanarian` race if she looks in the mirror. Because two women together who can sexually reproduce with one another are 66.6% of the species in any given space where they are alone, men who can`t sexually reproduce together aren`t even 33% of the human race, so Jesus` advocation of Redemption through acceptance of the host in the Catholic Communion service, for example, is an aspect of `brain transformation` or metanoia (Mk: 1. 4) which is conversion from maleness to femaleness necessary if men are to have Redemption and Resurrection in heaven through the body of the `futanarian` woman with her own host womb and capacity for sexually reproducing with her own penis` `seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

In ancient Greece the giant wooden horse before the walls of the city of Troy was paradigmatic of the way that women`s host wombs are enslaved by pederasty for war and its contagions, which include viruses like the biblical `blood plague` (Rev: 16. 6) HIV/AIDS that`s a homosexual STD. In fact 21st century `geeks` have replaced Greeks in the picture because they produce `Trojan viruses` to infect the machine brains constructed by the spirit of God in the human to assist humanity`s functioning as it labours beneath the handicap of brain damage resulting from generations of breeding between the woman and her virus, men: `Beware Greeks bearing gifts.`2

At Troy the Greeks emerged from the hollow insides of the wooden horse to enslave the host wombs of the women for pederasty and its contagions. The Bible describes what happens when a woman is enslaved by homosexuality:`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood is often called `Babylon` in books and other media because of its homosexual attitude towards women. The production code of the 1930s, which lasted until 1968 and set the stamp of male homosexual misogyny on the movie industry, insisted that a woman`s foot should remain on the floor during bedroom scenes, to reinforce the taboo against the penis being seen in films, because men don`t want the `futanarian` foot of `woman`s seed` to rise from the Earth and leave in starships of her own human species` brain`s devising, because of her capacity to sexually reproduce it herself.

In the movie of Margaret Mitchell`s Gone With The Wind (1936), which details the fall of slavery in the Southern States of the United States of America (1661-5), Scarlett O` Hara is depicted as `liberated` because she rides bestride rather than side saddle, which is depicted as a delightful anachronism but the move was made in 1944 when the `Hays code` for production studios was in full force to prevent women`s `futanarian` foot from ever being seen in Hollywood, Babylon, three hundred years after the historical events depicted in the film Gone With The Wind (1939) and almost two thousand years since the tme of Jesus, Christ, who preached `woman`s seed` after God`s warning Eve of the `serpent`s seed` and its desire that her `futanarian` foot shouldn`t `crush` its head as she left Earth for the planets and stars of God`s promised heaven:

`There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow ... Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave ... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind...`3

Scarlett O Hara`s conflation of masters and slaves with knights and their ladies is fair, which is the tragedy of mankind. Gone With The Wind is about the flow of time and human progress within it, and the antebellum period of the United States of America had much in common with the rise of the Moslem faith of Islam in the Middle East. In the South women of the period wore long flowing dresses that concealed everything but their ankles and face, which left what lay beneath their corsets a secret, much as the Arabian women`s adherence to the teachings of modesty in the holy book of Islam, the Koran (610-30 CE), as dictated to the Prophet Mohammed by the angels of God, exhorts them to wear the black one-piece coverall of the burkha that leaves everything covered but their eyes. In the United States, Babylon Hollywood present nudity as the apex of sexual activity within the genre, but the penis is still invisible, and the females within the cinema-going audiences aren`t aware of their own `futanarian` human species` capacity for independent socio-economic production.through their own penis` `seed` and normal sexuality rather than the `schizophrenic` abnormality imposed upon their psyches by the movie industry`s defining of them as host wombs for its parasitism.

At the `Last Supper` before his crucifixion Jesus Christ gave the disciples `bread and wine` as symbols of his `body and blood` because he was the host. Betrayed by his follower, Judas Iscariot, who didn`t accept Jesus` teachings of Redemption, because he was a parasite, Christ, the Messiah, was sold by Judas to the Romans for `thirty pieces of silver`. Judas was a follower of Jesus as a psychopathic `stalker` rather than representing the disciplined acceptance of the disciples. Jesus represents the host body of the human race, that is, his `futanarian` mother, prefigured in the Virgin Mary, who is to receive Resurrection and Ascension to God`s heaven, as Jesus himself after his death. Jesus` teachings are quite explicit. The Messiah envisions nothing less than a heaven with a single family of God in a biunity that`s woman no longer enslaved by her knights but living as a species new born and resurrecting the human spirits through her host wombs amongst the planets and stars after she raises her foot from off the Earth by crushing the head of the Earth`s `serpent`s seed` with it: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

Because they`ll be the `futanarian` species of human woman with her own penis` semen and capacity for sexual reproduction and the race`s continuation after the Resurrection, which is essential, because she`s been killed by the `serpent`s seed` and, to conceal the crime, monolithic organizations like Hollywood, Babylon, have presented homosexual pederasty and war`s contagiousness as human behaviouralism, whereas it`s parasitical devourment of what woman is able to produce of civilization, culture and art from her host wombs despite her parasites` depredations in the ceaseless `perpetual enmity` of war that her enslavers can`t conceive her for. Although the HIV/AIDS `blood plague` seems a misfortune it functions as homosexual pederasty`s maintaining of women in fearful faithfulness to 50/50 monogamous relations with her jailers and so constitutes `biological warfare`: `Let he that has wisdom have understanding, the number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 18)

Because 66.6% is the percentage of human sexual reproductive capacity between women of the species who are `futanarian` with their own penis` semen, whereas men`s 33% of sterile incapacity without a female host womb for its paraistism to prey upon is actually capable of being bred out of the race in a very brief timespan if `woman`s seed` begins to be fertile. In Islam the notion of marriage is much more sensibly oriented towards the needs of women, because the ratio of males to females within a Moslem union can be 80% to 20%, that is, four women to one person with a penis. As`futanarian` women have penis` `seed` of their own, the ratio of penises withi n a Moslem marriage can be much higher, and so the possibility for raising the human level within the Islamic breeding program is greater. In fact the tradition of Islamic women is of the `devil` as `Iblis`, who has no power other than to whisper in their ears, which is true if women are perceived as the human species socio-economically independent of men, who`d then be definable as their parasites. Because women with their own `futanarian` penis` semen`s capacity for the sexual reproduction of their own brains` powers for technological development are truly free of slavery: `I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character. I have a dream today!`4

The `Nation of Islam` was the `Black September` terrorist organization that grew out of Martin Luther King`s speechifying on the nature of Civil Rights in the United States of America, which reached its apotheosis in the Al Qaeda terrorists` hijacking of `civil` aircraft to crash them into the Twin Towers of New York`s World Trade Centre on September, 11, 2001. The attack precipitated and reestablished, as the Earth`s paradigm, that global `rough trade` of `brutality and violence` in homosexual pederasty, which meant the spreading once again of those virulent abominations, war and plague, amongst the women based populations of humanity in the Gulf war (2001-11) against Saddam Hussein, the dictator of Iraq, who`d offered bases to Al Qaeda publically on national television after the events of 9/11, 2001. The Moslem peoples with their marital ratio of 80% women, that is, `four little children`, represent Martin Luther King`s `dream`: `I still have a dream, a dream deeply rooted in the American dream - one day this nation will rise up and live up to its creed, `We hold these truths to be self evident: that all men are created equal.' I have a dream . . .`

33% of nuthin` is still nuthin`. Before and after the first World War, Emmilene Pankhurst was a leader of the rights for votes for women campaign as a `suffragette` which , resulting in women`s being provisionally given the vote by men on February 6, 1918, perhaps not coincidentally preceded the end of the war with Kaiser Wilhelm II`s Imperial Germany on 11 November, 1918. If women are able to sexually reproduce through their own `futanarian` penis` `seed` and men can`t, women are the humans. The naturally enfranchised `civil` population, from whom men should ask forgiveness for their sins, as they`re parasites upon their host wombs, mightn`t have to accept any other amendment to their constitution:

`We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.`5

The manumitting movie Gone With The Wind represents `the flow` insofar as the history of peoples is a movement from stagnation and sterility towards progress and technological development, but that`s dependent on all things being equal and the absence of `woman`s seed` from the human stage is telling. The 20th century`s preoccupations were with feminist `political correctness`, which was more or less adopted by the United States of America as an amendment to the constitution. But `PC` had a virus because lesbians were perceived as abnormal homosexuals by feminist thinking, which deduced that women were equal to men because of that, whereas it was a schizophrenic acceptance of their own loss of sexual desirability towards their own `futanarian` human species of woman with her own penis` `seed` everytime they looked in the mirror: `At night I pray that soon your face will fade away.`

Britney Spears` lyric from `Everytime` and the album In The Zone tells the truth. When a dancer like her is `in the zone` of physical and spiritual `flow`, she feels free rather than determined, which is what the mirror and a man represent. The Irish band, Boyzone (1993-), represent the antithetical position to freedom, that is, father based determinism, where homosexual pederasty and its contagions of war and plague are congenitally present in the lyrics of a song like `Father and Son`: `You're still young, that's your fault; there's so much you have to know. Find a girl, settle down; if you want you can marry. Look at me, I am old, but I'm happy.`

The HIV/AIDS virus emerged at the end of the 20th century and remained incurable because of men`s preoccupations with war rather than medicine. If woman as a `futanarian` species with her own penis` `seed` and capacity for sexual reproduction and socio-economic independence from men lives as an ephemeral rather than an immortal she will never remember her own species penis` `seed` unless, as Jesus preaches, there`s Resurrection and she`ll have Ascension in heaven after her `futanarian` foot has crushed the `serpent`s seed` upon the Earth as she rises. It`s in the interests of the enslaver and devourer of her civilization, culture and art to keep her as an infant and an infantile without brains or knowledge of herself. As Britney Spears` lyric to `Toxic` from the album In The Zone observes, life-prolonging medicines are intrinsically anathema to the `killer disease` of men created in each others` anuses. By mixing blood, shit and semen there in mockery of human sexual reproduction between the `futanarian` human race of women with their own penis` semen that men have despised and killed before because they hate her, men can employ sexuality to spread their contagion further unless an antidote is found to the poison: `With a taste of your lips I'm on a ride. You're toxic I'm slipping under. With a taste of a poison paradise I'm addicted to you. Don't you know that you're toxic.`

Britney Spears` superheroine in the video promotion for the CD single `Toxic` breaks into a secret laboratory to obtain the serum, which is kept from humanity to ensure its extinction, while Boyzone`s emphasis upon blameworthiness for the young in `Father and Son` is a celebration of the `happy` parasite who is ancient, as God says the serpent will be after Eden, but its poisonous nature is reincarnated in the host wombs of women and so it shan`t die. Even if the human race is reduced to grubbing for worms under rocks, men have ensured that she can`t breed her own brains` power to develop liberating technologies to resurrect her `seed` and give her the longevity she needs to preserve the wisdom and knowledge of her own race`s destiny in her own memory, which is why the `killer disease` of homosexual pederasty`s enslaving terrorism of HIV/AIDS is preferable to a cure and war is the parasite`s means of spreading its collective contagions further: `Sexy as I wanna be. Got these fellas chasin' me. It's 'bout time I hit the streets. All my girls still feelin' me.`

Britney Spears` `Outrageous` lyrics from her album In The Zone represent her perception that the `boy zone` is different to the `zone` where she`s with `the flow` and indeterminate, that is, she feels a part of the collectivity of woman, who is human as the `futanarian` penis` `seed` of her own species` capacity for sexually reproducing her own brains` power, which she can feel in the orgasmic sensations experienced `in the zone` of her dancers` routine performed throughout the promotional video for the song. The chasin` fellas are the parasites. In The Zone was succeeded by Blackout (2007) which lamented her unconsciousness and blindness in the title because censorship and media blackout had prevented her from recognizing the possibility of sexual union with a member of her own species of `futanarian` woman with her own penis` semen and she`d married Kevin Federline on September 18, 2004, before producing two boy sons, Sean Preston and Jayden James, who may be perceived as `poisons` born from the host womb of the mother enslaved by men for that purpose:`She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)

For men to experience the metanoia (Mk: 15. 39) of repentance they would have to be reborn from the host wombs of women as `futanarian`, that is, as `woman`s seed`, which was Jesus` teachings as the `first` of the ` seed` born from his mother, the Virgin Mary, uncontaminated by male semen. The initial stage is forgiveness for the sin of enslaving and devouring her through men`s spreading of their contagions of war and plague by means of their homosexual pederasty of creating `boy sons`, that is, `poisons`, to produce the `abominable things and the filth of her adulteries`, which is Hollywood, Babylon: It's getting late to give you up. I took a sip from my devil's cup. Slowly it's taking over me.`

As Britney Spears` lyric in the song `Toxic` from the album In The Zone indicates, the film industry`s usage of woman`s `cup`, that is, her host womb, to promulgate racist `blood feud` and `mafia` vendetta is socio-historically understandable as propaganda posing as `action` movies. Hollywood Babylon`s `boy sons` are `poisons`, while Britney Spears` preoccupations are Christian rather than American because she seeks a solution to the problem of homosexual pederasty and HIV/AIDS which isn`t addressed by either her country`s spiritual guides nor its politicians: `I`m Miss American Dream since I was seventeen.`

Appearing on the cross, like Jesus Christ, for the cover of the CD single, `Piece Of Me`, Britney Spears represents the concept of `woman`s seed`; although her lower body is concealed by a sarong. Once again the theme is of the human `futanarian` species of `woman`s seed` with her own penis` semen as the collective biune family of humanity`s future since Jesus` death, Resurrection and Ascension to heaven two thousand years before. According to the Bible Jesus`s side was pierced by the spear of Longinus, the Roman guard upon the hill of Calvary outside the walls of the city of Jerusalem where Christ was killed upon the wooden cross that was raised thereupon for his torture and eventual death. Jesus` preachings said that the Holy Spirit would be the teacher after him and, because Christ was called the `Second Adam`, Longinus` perception was that the `Second Eve` must be by his side and so pierced the ribs of Jesus with his spear, where Christian tradition said that Eve was born from the side of the first Adam in Eden: `Surely, this was the son of God!` (Mk: 15, 39)

According to European tradition Adolf Hitler of the National Socialist Party, that is, the Nazis, had the spear of Longinus, which was called the `spear of destiny`, for his campaign to enslave {Eastern Europe and implement a pogrom of genocide against the `chosen people` who were the remnants of the Jewish state of Israel globally before the United Nations edict of 1948 restored Palestine to them after the Second World War (1939-45) to defeat German Imperialism. The United States` belief in `Manifest Destiny` makes the `spear of Longinus` a symbol of the `American Dream`, which is represented by the `statue of Liberty` in New York harbor, whose skirts conceal as much as Britney Spears` sarong on the cross for the cover of her CD single, `Piece Of Me`: `A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.` (Rev: 12. 1-3)

Christian tradition is that the `New Redeemer` is Jesus Christ in his `Second Coming` after Calvary, and `the sun` the `woman` of Revelation is `clothed with` can be interpreted as the red sun of the flag of Japan defeated by the United States of America after the `sneak attack` by the Japanese on the Pacific fleet at Hawaii`s Pearl Harbour on 7 December, 1941. WWII ended when the USA unleashed the power of the sun to destroy Japan`s cities of Hiroshima and Nagasaki in 1945. Because the flag of Al Qaeda was the moon, `Liberty` had it at her feet in her birth waters of New York harbor after 9/11, 2001, that is, she had borne a child who: `... will rule all the nations with an iron scepter.`` (Rev: 12. 6)

The concept of the betrayal of the host permeates the Christian tradition and the `sneak attacks` on Pearl Harbour and New York, where `the statue of Liberty` resides in New York harbor, represent the same basic truth, which is that the host is the woman because she`s the womb of humanity and treachery consists in attacking her under whatever circumstances. Although the Gulf war was perceived as a great American victory, the torture and betrayal of the Arabian Moslem women that took place at Cuba`s internment facility, Guantanamo Bay, betrayed the trust that Christianity placed upon the office of the President of the United States, whose seal under George W. Bush remained the eagle: `And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)

Although Navy Seal Team Six killed Osama Ben Ladan at his hideout in Pakistan within the shade of that nation`s Military Academy on May 2, 2011,, there`s no evidence that the hymen of the women of Arabia`s `futanarian` human penis` `seed` concealed beneath their own-piece coverall, the burkha, as women of the antebellum period of the Southern United States may once have kept theirs beneath their flowing skirts, were afforded protection by the skirts of `Liberty`, beneath which her eagles had been bred: `I'm Miss bad media karma. Another day another drama. Guess I can't see the harm in working and being a mama, and with a kid on my arm I'm still an exceptional earner and ... you want a piece of me?`

As a symbol of the women who have borne the eagles of the United States of America, Britney Spears upon the cross for the promotional cover of her CD, `Piece Of Me`, represents the spears of their destiny, that is, the `bad media karma` of the lyric, where `karma` in Hinduism is the cause of reincarnation, because `boy sons` are the `poisons` that force breed women`s host wombs to produce the parasites` contagions of war and pederasty, which became 9/11, 2001, `live on CNN`, and the Hollywood, Babylon `blockbuster` movie, World Trade Centre (2005), based on the terrorist attack by Al Qaeda on the World Trade Centre of New York, when the Arabian hijackers of `civil` aircraft betrayed their host to crash them into the Twin Towers of Manhattan island, New York state: `No wonder there's panic in this industry. I mean please... do you want a piece of me?`

The `Second Eve` from the side of the `Second Adam`, pierced by the Roman centurion Longinus in order to release her from the rib of the Messiah, is `futanarian` woman with her own penis` semen who is teaching mankind through the spirit of her future Resurrection and men`s need for Redemption by asking her for forgiveness through the worship of God rather than that they show support for Mars, god of war, or they will receive God`s punishment, which is perdition, that is, eternal unendurable pain, after the `serpent`s seed` is defeated in the `war in heaven` against God`s host of angels when the parasites attempt to re-enslave the host wombs of `futanarian` woman with her own penis` `seed` to maintain their slavers` system of homosexual pederasty and devouring warfare upon the Earth: `I'm Mrs 'You want a piece of me?'`

It has been Catholic dogma since 1950 that the Virgin Mary ascended to heaven like Jesus . All women are technically virgin insofar as they haven`t been able to use their own penis` semen to sexually reproduce their own brains` power without being interfered with by men, whether priests or otherwise. Britney Spears` `Piece Of Me` is a critique of her own role as a slave to the industry`s making of her a `piece`, which is a slang term for a gun in the United States and a woman who produces more for boy sons, that is, poisons, for their blood feuds and vendettas: `Tryin' and pissin' me off. Well get in line with the paparazzi who's flippin' me off. Hopin' I'll resort to some havoc [and] end up settlin' in court. Now are you sure you want a piece of me? `

The constitution of the United States of America is the supreme legal authority in the nation and Britney Spears` fortune was taken away from her to be put into the hands of a Conservator, her father, and a fiancée who didn`t even marry her, Jason Trawick, but was awarded Co-conservatorship of her property because he was `around`. If women are the human species, because she`s `futanarian` with her own penis` `seed` from God, men aren`t even enfranchised by the US Constitution, so Britney Spears` mother, Lyn Spears, ought to have been Conservator if it were proven she needed care after her divorce from Kevin Federline on 30 July, 2007. The decision by the courts was based on her leaving her child`s hat on the pavement while running for a car near New York`s Central Park, which was snapped by a paparazzi as evidence of her neglect: `I'm Mrs 'Most likely to get on the TV for strippin' on the streets' when getting the groceries, no, for real ... are you kidding me?`

Just as rules of engagement were applied to conventional war during the Gulf crisis, so rules of engagement apply to conventional marriage, but just as the rules of conventional war limit a nation`s capacity to construct defensive shields adequate to prevent aggression from being successful, that is, the shields have to be weaker than the spears, and so promote war rather than prevent it, so a woman`s conventionality is used against her to limit her defences in the case of an attempt to invade her privacy and take possession of her personal worth, which is the principle that the first Gulf war (1990-1) to evict Saddam Hussein`s invading army from Kuwait illustrated: `They're still gonna put pictures of my derriere in the magazine. You want a piece of me?`

A `piece of ass` is US slang for a woman, but it is also used as a term to describe an attack upon someone, which is why Saddam Hussein`s invasion of Kuwait was greeted with slang invective about getting a `piece` of his `ass`, where dismemberment and possession is the issue. In Egyptian mythology Ra, the sun god, is incarnated as the god Osiris who is dismembered by the god Set, as the United States was dismembered on the television set `live on CNN` and other channels on September 11, 2001, because television is TV, that is, transvestism, where the `futanarian` species of woman with her own penis` semen is sundered from her own selves, so the ghouls can watch women in men`s clothes killing themselves in the Gulf war, for example, which was precipitated by the Al Qaeda terrorists` crashing hijacked planes into the World Trade Centre of New York to reestablish the `rough trade` of homosexual pederasty`s `brutality of violence` in warfare. Because men represent the penis` `seed` of `futanarian` woman split off from herself in transvestite torment, Jesus` celibacy symbolizes the desire of `woman`s seed` to be reunited with herself outside of brain damaging contaminated male unions with women. Jesus Christ`s a `TV` from the ghouls` point of view, that is, a transvestite, because he`s sundered from the body of woman to which his penis should be affixed as hers. The older Egyptian story of Osiris` dismemberment by Set refers to the `schizophrenia` induced in the human race by its sundering and what the ghouls think of as its subsequent transvestism, the consequences of which are depicted on Hollywood Babylon`s `small screen` televisions every day as the women in men`s clothes commit suicide in the various global conflicts and are watched by the `serpent`s seed`` as TVs, that is, transvestites. In the Egyptian tale Osiris is remembered by the goddess, Isis, who refashions his penis because she can`t find the original and that`s representative of the new birth of Osiris as Horus, the `sky god`, who can never return to being his father, Ra, because he is now `futanarian`, like Jesus, with the penis of Isis, his mother, and so isn`t treacherously male like Judas, for example, or the Egyptian god, `television` Set.:

`Penis envy in Freudian psychoanalysis refers to the theorized reaction of a girl during her psychosexual development to the realization that she does not have a penis. Freud considered this realization a defining moment in the development of gender and sexual identity for women - the parallel reaction in boys to the realization that women do not have a penis being castration anxiety. In contemporary culture, the term sometimes refers inexactly or metaphorically to women who are presumed to wish they were men.`7

In Judaism women are the mothers and it isn`t possible to be born into Judaism unless born from a Jewess, which makes of women the `chosen people` and explains why Nazism was such a fascist misogyny planning her extermination in `concentration camp` pogroms during WWII. Sigmund Freud (1856-1939), the `father of psychoanalysis`, argued that women were envious of the male penis, but God`s exhortation to Eve that she should heed the warning that the `serpent`s seed` would prosecute a `perpetual enmity` against her own penis` `seed` refutes Sigmund Freud`s argument. Freud`s theory itself suggests boys` castration fears would disappear if their mother had a penis, because their own fathers` envy for the woman`s penis has resulted in her `futanarian` penis` `seed` almost being extinguished by them. Britney Spears` lyric to the song, `Break The Ice`, from the album Blackout, recognizes that a woman can`t wait forever for a man: `Can you rise to the occasion? I'm patiently waiting, cos' it's getting late, and I can't get enough, so let me get it up.`

A `futanarian` woman with her own penis` semen can sexually reproduce without a man and she`s tired of the male chauvinism that tells her she has to accept a man when she`s got her own penis` `seed`. If men don`t assist her to sexually reproduce it might be too `late` and she`ll be the extinct human species of `woman`s seed` because she couldn`t raise her `futanarian` foot up from the Earth and crush the `serpent`s seed` with it.

The other `foot` in the drama of humanity is Oedipus`, whose name means `swollen foot` because he`s lame, which in the United States means a poor excuse and probably derives from the central protagonist of Sophocles` ancient Greek drama, Oedipus Rex (c. 429 BC), having no real reason for blinding himself when he discovers he`s killed his father, Laius, and had children by his mother, Jocasta, inadvertently, because `futanarian` women are the human biune family and so men`s incest taboo is used to prevent her from having sexual intercourse that would produce children from her own penis` semen. Britney Spears` album, Blackout, relates to the problem of Oedipal blindness and unconsciousness due to censorship , taboo, and media blackout on the subject of woman`s true nature, for example, most classicist scholarship describes the `riddle` solved by Oedipus as `man` derivable from the question, `what walks on three legs in the evening?` The solution is that man uses a cane to walk with because he`s old, but the `foot` of Eve is described by God as rising from the Earth to crush the head of the serpent for `woman`s seed` , which suggests `futanarian` woman is the third `foot` of humanity which is triune in the evening of mankind`s Advent upon the Earth but only if men will allow her to walk beside them. If not, the answer is `man` because the blind old murdering beggar will have to go alone. The Bible makes this very plain in th story of Cain and Abel, where Cain may be understood as the cane of blindness and Abel the able man who is blindly murdered by Cain because his broither is able to cook and so he hinders the progress of the human species by `putting out` its intelligent eyes in murder. Cain is the lazy fool who doesn`t want to cook but to pick fruit because it`s easier, and so he`s the figure of the man wit the rifle walking alone in the evening because he`s killed his own race: `Wonder if he knows, he's on my radar. On my radar, on my radar, on my radar.`

Britney Spears` lyric to the song, `Radar`, from Blackout, relates to blindness but the central motif of the fountain with the polo player at its centre and footage of a polo match, which is a sport played by men on horseback using mallets to direct the ball into the goal, derives from the Persian Empire of the Sasanians (224-651 CE), who invented it. In card games of the region, polo games depicting men on horseback were the `clubs` of the modern `pack`. In `futanarian` terms the sexual union of women as a `race` with her own penis` `seed` is metaphorically a horse and rider, while men prefer horses and the `gay club` that they`ve murdered her with.

The phrase `swords beaten into ploughshares` is biblical but the idea of swords as spades in the `pack` relates to the concept of `futanarian` women being `spayed` so they can`t sexually reproduce, where `spayed` means to surgically remove testicles. Spades then refer to her burial as an extinct species. The other two `suits` are diamonds and hearts, which translate as cups and pentacles in the tarot deck of divinatory cards that are traditionally believed to be a portable Jewish Torah, that is, a version of the Judaic `book of the law`, saved from the burning of the library at Alexandria when the Roman Empire began to supercede that of the ancient Greeks.

In terms of the Arthurian myth cycle of ancient Britain, cups are symbolic of the Holy Grail, which was the bowl from which Christ ate and drank at the `Last Supper` before his crucifixion, while the pentacles signify coins or the money Judas Iscariot obtained as payment for his treachery. In simple terms, diamonds and hearts are food and drink at table prepared by a woman for pay, which is how the knights have enslaved her. The meaning is that men are blind to anything but their appetites because they`re animals: `Got you on my ... radar ... think I can't handle that animal in the sack.`

If the human species of `futanarian` woman with her own penis` `seed` can`t get out of the sacral sac of the scrotum, because the spermatozoa from the testicles of the woman is extinct due to the occluding homosexual black masses of sexual intercourse, without human reproduction between men and women, then that `animal` has been handled by the Satanists` husbanding in the sack, which is a metaphor for species` sexual exclusion and occlusion ending in the pogromed death of the human race by the `serpent`s seed` of men because nothing human can emerge from her host womb if only the alien parasite is breeding with her.

Games are revealing, The sack race is a children`s game in which a child is placed in a sack and has to compete with others by running inside the sack to the finish line, which is a metaphor for the `futanarian` human species of woman with her own penis` `seed` who can`t get out of her testicle sack because her `seed` is extinct. The three-legged race in which two children are tied together at one leg is a metaphor for the `futanarian` woman with her own penis` `seed` who can`t escape from the Earth to crush the `serpent`s seed` with her `foot` because she`s bound. In the egg and spoon race an egg has to be carried to the finishing line on a spoon, because women`s eggs are human and her husband isn`t: `Some species of snake are ovoviviparous and retain the eggs within their bodies until they are almost ready to hatch.`8

The characters used to frighten children into being controlled by supposed adults in homosexual pederasty are revealing. The witch riding her broomstick is a metaphor for the woman riding the penis` `seed` of her own `futanarian` woman`s species and that`s the reason why `wise women` were burned at the stake in places like Salem, Massachussetts, in the United States of America, between February 1692 and May 1693. The stake was a wooden representation of her penis to which she was tied during the conflagration because men didn`t want her `seed` to flourish.

The concept of the stake is translatable to Vlad III, `the impaler`, of Wallachia (1431-76), who similarly impaled his victims on wooden stakes. Vlad was the prototypical historical figure for the myth of the vampire who lived forever by drinking the blood of his victims, which is what men do who enslave women as ephemeral `blood bags` for the production of brain damaged `boy sons`, who are effectively `poisoned` from the host womb for use in propaganda and warfare against `woman`s seed` because it`s human.

The stake in the heart of the vampire to kill him is actually a transposition of the woman`s penis` semen, that is, the brains to rid herself of him through `woman`s seed`, which in the Bible is depicted as defeating the `red dragon` waiting in vain to devour Christ in his `Second Coming` by means of an `iron scepter` corresponding to the transposed woman`s penis as the stake in the heart of the draco. Vampire men don`t want women to have longevity, because it interferes with their parasitism upon the host of the human species, that is, the womb of the woman, who has her own penis` `seed` as `futanarian`, and so is a threat to the continuation of the draco, because he can be bred out of the human system.

The `killer disease` of HIV/AIDS` `blood plague` is spread by the male penis as their stake in homosexual pederasty, which infects by mixing blood, shit and semen in each others` anuses by means of a plague injector, their penis. Because HIV/AIDS is a metaphor for what men are, they`re the `killer disease` of the human race of woman with her own `futanarian` host womb and penis` `seed` that can breed out of her species the brain damage that the draco male has inflicted upon her. In the Bible God envisions `war in heaven` between humanity and the draco with its supporters, who receive perdition as a punishment, while the humans have heaven. Because behavior defines what is human, heaven is for those who behave well, and the host womb of humanity, that is, woman, is where the Resurrection of those who have behaved well can take place, or simply by Ascension, like Jesus and Mary, after an individual metanoia and so through Redemption.

Behaviouralism has been used in clinical psychology as a form of animal training, that is, individuals who behave are trained, but societally the training of animal men, which is identified as `the beast` in the Bible, is to perceive women as animals. Topless photographs of nubile nude women may be common in the United Kingdom, for example, and `adult` magazines` may contain photographs of naked women, which make plain the absence of the species` penis, and so the behavior pattern is of demonic possession, where the husband is the demon and the female is possessed, because neither are aware that the human species of `futanarian` woman with her own penis` semen isn`t a part of their relations. European `liberalism` presents transvestism and heterosexual pornography as variegated human activity whereas the human `seed` of women`s penis remains excluded from the picture. In the United States surgical procedures to remodel flesh in the desired form is technologically feasible as a richer version of the variegated activities of humanity purveyed by the pornographers, but the lie can`t conceal the truth, which is that women as the human species of `futanarian` woman with her own penis` `seed` can sexually reproduce independently of men, who can`t, and so woman is the enfranchised human on the planet by `God`s law`.

Clinical behaviouralist psychology may actually be understood as having been created by animal men for human women and children, because they`re not behaving slavishly enough. Bondage, domination, sadism and masochism, known as BDSM, is presented as a training program, but it`s teleology is to make animals from humans, while suggesting that sexual intercourse is central to the variegated activities, which is why `the beast` is depicted in the Bible as being `worshipped`. BDSM seems to be about power but it`s about powerlessness, because power is the ability to sexually reproduce humans, which is what `futanarian` women with their own penis` semen are for. Devotees of BDSM represent sex without power, because they represent sex without reproduction. BDSM is animal training, because the animals are not desired to be sexually reproductive, that is, it`s a torture club for animals, so no one would want them to reproduce humanly, and they can`t because they`re not humans, who are the `futanarian` women with their own penis` `seed` for the furtherance of the race.

Although clinical behaviouralist psychology may be interpreted as the basis for BDSM, human behavior is otherwise, because the presupposition isn`t that of the human woman and her children needing to be trained as slaves by animal men`s psychotherapy. In the US television series, Buffy The Vampire Slayer (1997-2003), actress Sarah Michelle Gellar has the role of Buffy Summers, who is trained to kill vampires. The metaphor is inaccurate because what her enemies represent are parasitism preventing her from developing as an individual through high school and college to grow into an adult human woman, which requires the presence upon the scene of a `futanarian` woman with penis` `seed` of her own so brainpower can be perceived as the aim of sexual reproduction for women ridding themselves of their vampires. Armed with her stake to drive it into the hearts of the parasites that have enslaved her human species of `futanarian` woman with her own penis` semen and capacity for self-reproducing her own brains` powers, Buffy Summers` penis` semen is transposed into the primitive tool she has to use in order to kill the vampire, that is, she has a sharp piece of wood, which illustrates men`s contempt for the brains of women, because it`s a grave plot device for her buried `futanarian` corpse. In technological terms, Buffy Summers has a sharpened twig while Captain Kirk of Star Trek (1965-), a television series about interstellar travel, had the starship USS Enterprise: `In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.`9

21st century perceptions of witchcraft were largely shaped by Buffy The Vampire Slayer and the television series Charmed (1998-2006), which starred three actresses in the first three seasons, Shannen Doherty, Holly Marie Combs and Alyssa Milano as the female witches, sisters Prue, Piper and Phoebe. Charmed was produced by Aaron Spelling, who`d produced Star Trek, but the basic imagery remained consistently `lesbian`, because women are defined by feminism as `politically correct` or PC if they don`t find themselves sexually attractive in the mirror. For actresses this is doubly difficult and induces clinically diagnosable schizophrenia because women are `futanarian` as a species with its own penis` semen for self-reproducing her own brains` powers, which is the unspoken message implied by the relevance for young girls of the three adult female witches in Charmed. Piper replies when asked by Phoebe what she`d wish for Prue: `If Prue would have sex with someone other than herself this year.`10

The death of Shannen Doherty`s Prue in the season three finale meant her replacing by the sibling the Halliwell sisters had thought they`d lost, Paige, played by actress, Rose McGowan. Shannen, who`d been the glamorous teenage star imported from the hugely successful television drama series for young adults, Beverly Hills 90210 (1990-2000), had dominated Charmed sexually because that`s what she was hired for, but Piper`s wish wasn`t related to masturbation. Because all of the `Charmed Ones` are sisters, they`re family, which means they`re representative of the human species of `futanarian` woman with her own penis` semen who`s told that it`s incest and taboo if she attempts to breed herself. If Prue were having sex, she could only be having sex with herself, because `futanarian` woman is her species` mirror. The loss of Prue and the arrival of Paige actually represent `lesbian` `schizophrenia`, because women are a `futanarian` slave race not allowed to find themselves sexually attracted to each other, which was an issue already explored in Beverley Hills 90210 between Shannen and the other sexy star on that show, Jenny Garth. In season eight of Charmed, actress Kaley Cuoco was introduced to as the character, Billie Jenkins, who has a sister that isn`t a Halliwell and eventually Billie has to kill her after she and some `demons` attempt to turn Billie against the `Charmed Ones`, who in psycho-physical terms are `spellbound` because they don`t have penis` `seed` of their own, which is their spellbinding `charm` in the homosexual circles of pederasty and parasitism that`s Hollywood, Babylon. Although the dialogues between the Halliwell sisters are `jokey` the theme is serious. When asked for a solution to their plight during an escapade, Paige writes in her notebook: `Kill Monkey`

If the human `futanarian` species of woman with her own penis` `seed` doesn`t rid herself of her simian ancestry, she`ll die from `sex starvation` and men`s jailing of her in technologically reducing circumstances that leave no possibility for escaping a lowering of intelligence that will result in her returning to the trees as a `monkey` herself. The TV shows Buffy The Vampire Slayer and Charmed were probably the two most influential series of the late 20thand early 21st century because they presented women as technologically inferior, but somehow powerful, which is what feminism was taught about itself.

Women are `normal` if `lesbian` and `homosexual` because that gives them equality with men, who are actually 33% of a sterile minority that prefers itself unless `futanarian` woman with her own penis` semen, that is, 66.6% of the human race, but 100% in the mirror of her own self-love for her species, is forced by her parasite to breed with him. This can only be achieved by starving the woman of technology and so preventing her from breeding her own brains` power with her own penis` `seed` is the method of starvation employed, that is, `sex starvation`.

TV series like Buffy The Vampire Slayer and Charmed, featuring nubile young women without a penis of their own, are effectively sex slaves to the Hollywood, Babylon, movie industry, because the attraction is of sexual fulfillment elided. The women don`t have sex with each other, but it`s obvious that they should, which makes Buffy The Vampire Slayer and Charmed perverse and that`s the aim. The women are presented as powerful without technology, which isn`t possible, so the focus is on the nubile body of the young woman, which functions as a cynosure, but that`s counterproductive in terms of the need for technological advancement by means of the development of woman`s human species through her own `futanarian` penis` `seed` and her capacity for sexually reproducing her own brainpower.

Perceptions that women are powerful because they`re `sex` ignore the fact that she lacks technological power in Buffy The Vampire Slayer and Charmed, which derives from the absence of her own penis` `seed` and its power for sexually reproducing her own brains, so the ostensibly powerful Phoebe in Charmed finds herself bemusedly asking the revealing question, `Since when do demons use bullets?` Guns are for men and spells are for women because it`s a feminist fantasy without substance. The TV shows Buffy The Vampire Slayer and Charmed are a picture of the future insofar as focus upon the nubile body of the young woman to the detriment of her real surroundings means that the future is less likely to transpire. Hollywood Babylon is observing the world through the wrong end of its telescope. As the world shrinks around her and everything else goes to hell, Phoebe still looks pretty:

`Flow has many of the same characteristics as ... hyperfocus ... spending `too much` time playing video games, or of getting side-tracked and pleasurably absorbed by one aspect of an assignment or task to the detriment of the assignment in general. In some cases, hyperfocus can `grab` a person, perhaps causing him to appear unfocused or to start several projects, but complete few.`11

Hollywood, Babylon, is hyperfocused on racial extinction, which is why young nubile women are placed in the forefront of the `action` movie, while the Arnold Schwarzenegger Terminator character destroys large swathes of the civilization, culture and art women have been able to produce from their host wombs despite her parasites depredations over the eons. The wiles of the `serpent`s seed` are legendary as well as biblical. Cannibalism is presented as a great evil perpetrated by humans, whereas humans aren`t parasites, which is what the term `cannibal` actually refers to, that is, the devouring of the human species of woman with her own `futanarian` penis` `seed`. The parasite has inveigled itself into woman`s host womb to steal her penis and devour her in its ceaseless wars of `perpetual enmity` against her. By replicating itself as her devourer, it`s an apparent `cannibal`, which makes of it an erring child to the woman, but actually it`s a parasitical non-human viral organism injecting itself into her system by means of her own now genetically impure penis` semen and so is representative of men`s stolen technology used to destroy woman in its making of war upon her Earth, which is what Hollywood, Babylon, documents and programs in its productions without the `futanarian` human woman with her penis` `seed` for saving her own brains` future:

`In the poison'd entrails throw -
Toad, that under cold stone,
Days and nights has thirty-one;
Swelter'd venom sleeping got,
Boil thou first i' the charmed pot!` (IV, i)

The witches from the Elizabethan dramatist William Shakespeare`s MacBeth (1603-7) are associated with poison, and the Bible exhortation `don`t suffer a witch to live` (Ex: 22. 18) is usually translated as `poisoner`, because a `boy`s owner` breeds `boy sons`, that is, `poisons`, in homosexual pederasty for the `boy zone` of war and, on the evidence of the late 20th century, for `biological war` in the shape of the HIV/AIDS virus. War is humanity`s devourer but the problem can be resolved if the `boy sons`, that is, the `poisons`, are symbolically devoured by breeding men out of the human system as `boy sons` to be replaced by `futanarian` woman with her own penis` semen and capacity for sexually reproducing women only. The witches` broomstick upon which she is depicted as riding is symbolic of her own `futanarian` penis` `seed`, and eugenics is why she`s persecuted by men because she wants to breed herself rather than be bred by the boys` owner.

The boys` owners are of course `the beast` and `the great whore of Babylon` who is depicted as riding it. The number of the `emergency services` in the United States of America is 911 and so the terrorist attack upon the Twin Towers of the World Trade Centre on 9/11 is a sign of `the beast`. `666` is the number of the beast and of the `emergency services` turned upside down in Saudi Arabia and most of the rest of the world on September 11, 2001, because 999 is the number of the `emergency services` almost everywhere but the United States due to the influence of the British Empire (1497-). The Twin Towers of the World Trade Centre was chosen by Al Qaeda to crash its two hijacked planes into because it was actually an attack on King Fahd of Saudi Arabia, who in 1986 had declared himself `Custodian of the Two Holy Mosques`, Al-Masjid al-Haram in Mecca and Al-Masjid al-Nabawi in Medina.

`Custodian of the Two Holy Mosques` is a traditional title of the Persian Emperors and assuming the mantle constituted an attempt by Fahd bin Abdulaziz Al Saud to unite the former Persian Empire under Moslem spiritual rulership. His rival was Saddam Hussein of Iraq and Osama Ben Ladan, the Saudi Arabian, was the leader of Al Qaeda, so the Twin Towers assault was a transposed assault on the `Custodian of the Two Holy Mosques`, Fahd, and Islamic spiritual guidance. The `beast` and the `whore` were those who wanted to reestablish the global `rough trade` of homosexual pederasty and war`s `brutality and violence`12 by an attack upon the Twin Towers of New York that would be seen as an attack by Islam upon the United States of America but was actually an assault upon Saudi Arabia and Fahd as the `Custodian of the Two Holy Mosques` and the Koran as spiritual guides for the Moslem peoples.

Saddam Hussein wasn`t the policeman, but policing was the problem because censorship and media blackout is a form of blinding to what is truth, which `the beast` and the `whore` don`t want humanity to be able to perceive. The security forces are used to keep people in ignorance and unconsciousness of their real situation with regard to global issues, which on 9/11, 2001, was the relationship between Judaeo-Christianity and Islam. Both are the people of Abraham by descent from his son, Ishmael, who was of the line of the Prophet Mohammed, and his son, Isaac, who was the patriarch of the tribes of Israel. Obfuscation prevents that truth from being realized and so occlusion is the tool of the `secret police` who`re working to blind the sighted: `Cameras are flashin while we're dirty dancin`. They keep watchin, keep watchin'.`

Britney Spears` song lyrics in `Gimme More` seem inconsequential, but the title of the album, Blackout, suggests George Orwell rather than George oil well, which is what the US President, George W. Bush, was accused of going after during the Gulf wars, that is, the `black gold` of the Kuwaiti and Iraqi oil wells to fuel the US economy founded on the Military Industrial Complex (MIC) for the foreseeable future. George Orwell wrote the novel 1984, which was a reversal of the actual date, 1948. George foresaw that reversals, which the Greeks termed enantiodromia, were what liars and blinders to the truth were about: `War is peace `

The US economy built on the MIC is exactly that. Another Orwellian enantiodromia from 1984 is `Freedom is slavery,` but the slogan of the totalitarian dictatorship of the novel wasn`t ridiculous in the 21st century when `futanarian` woman with her own penis` semen couldn`t be seen anywhere in mainstream culture and, as 66.6% of the potential starting population and 100% in her own mirror, as against 33.3% male population unable to sexually reproduce together, heterosexual women were expected to understand that the enslavement of their host wombs by men for the purpose of spreading their contagion of war and homosexual pederasty was `freedom`: `Ah, you gonna have to remove me, `cause I ain`t goin nowhere.`

Nate `Danja` Hills concludes Britney Spears` `Gimme More` with a speak-song line, and the words can be seen as protective, or as intimidation on the part of the `security guard`, who`s a parasitical `hanger on` refusing to be removed. Most people in the United States or anywhere else upon the Earth are used to being intimidated by the `generals` at the General Store where security guards seem to have nothing else to do other than frighten the customers into realizing that they`re being watched by George`s `Big Brother` cameras and surveillance equipment, ostensibly to protect the sugar and the eggs, but in reality to maintain women`s terrified existence as slaves blind to her devouring by her parasite in its wars of `perpetual enmity` against her human `seed`.

Because the policing surveillance organizations, posing as `national security` agencies, are `the beast` that doesn`t want to be seen riding their `great whore`, censorship and media blackout, constituting unconscious blindness for the woman, means brain damage in breeding with the parasites, and brain death through murder, to prevent her older eyes from seeing in knowledge and wisdom, while her body remains youthful, thanks to the advanced medical technology, which the evil deny her in the prosecution of their wars against her `futanarian` human penis` semen that is capable of sexually reproducing her own brains` power for liberation from men`s enslaving and devouring of her growth in the sciences of humanity: `It`s Britney bitch.`

Britney Spears` spoken introduction to `Gimme More` place her in the role of the female dog, because that`s what bitches are. Britney sits at the bar as a blonde while her dark haired `other` self dances around a pole as a bar dancer on a stage where she can be seen by herself. Because the pole is symbolic of the `futanarian` woman with her own penis` semen, her blonde self waiting for a drink represents the woman `tapping her foot`, patiently or otherwise, `If you're on a mission. You got my permission.` Although drinks are `on tap` at the bar, the possibility of fellatio with woman`s own species of `futanarian` woman remains tantalizingly unfocused because of the censor. Clearly Britney`s scantily clad pole dancer doesn`t have penis` `seed` of her own, but her blonde self with two blonde girlfriends might have. They`re `dogs` to her bitch, or they could be. The pop video conventions `police` the scene and Britney is depicted as a `lesbian`, but that`s a `schizophrenic program` for any daughter who may be watching, because the `bitch` on the podium is admired by herself and she`s with two other female `dogs`, if they`re women with a penis of their own and the video logic is followed: `I see you, and I just wanna dance with you.`

Young women who are taught that their image in the mirror is for a man are being lied to, because they`re sexually normal if they find themselves desirable, but schizophrenic in species terms if they`re attracted to the man sitting alone at a table in the `Gimme More` song promotion video. Because of the video censorship it`s a media `blackout` on the album Blackout from which the song `Gimme More` was released as a single, which means that the only penis` semen `on tap` is the man`s, which has `tapped` the penis` `seed` of woman by somehow inveigling its way into being born from her host womb as her invasive parasitical enslaver and devourer: `The center of attention, even when we're up against the wall.`

Britney Spears was accused of being a `drugaholic` when she reportedly shaved her head in a `schizophrenic` bout of fame rejecting insanity and went for rehabilitation to save her marriage to Kevin Federline and keep custody of her two sons. But `pole dancing` isn`t `tap dancing`, whereas for men a `tap dancer` is a TV, that is, a transvestite, because she`s a woman sundered from her own `futanarian` species with her own penis` semen, and so `tapped` because they watch while they booze and urinate from her own stolen penis in misogynistic release of their pent up feelings of hatred for her `tap water`: `... tell me have you seen her? 'Cause I'm so ... Oh, I can't get her off of my brain! I just want to go to the party she gonna go. Can somebody take me home? Ha ha, he he, ha ha ho.`

The single `If You Seek Amy`, which was interpreted for the media as F. U. C. K me, is `schizophrenic` because Britney talks about herself as if she`s a separate personality, which is defined in clinical psychology as `multiple personality` schizophrenia, where `split-off` aspects of a fragmenting personality take on life and identity of their own for the besieged mind of the individual. Just what is laying siege to the mind is difficult to say, but censorship and media blackout over the existence of `woman`s seed` is obviously a very serious problem. In the video promotion for the song, `If You Seek Amy`, Britney Spears is `Amy`, the `party girl`, and afterwards the `perfect homebody` with `mom`s apple pie` in her hands posing for the cameras as a `model housewife` with a `suitable husband` and two `regular` kids: ` Love me hate me, but can't you see what I see? All of the boys and all of the girls are begging to [fuck me] ...`

Because Britney Spears is wearing a wig after shaving her head, she`s actually bald, so `mom`s apple pie` signifies `piebald`, which was the name of the horse ridden by Elizabeth Taylor in National Velvet, her debut movie, that is, the film that began her sundering from the human race of `futanarian` woman with her own penis` `seed` to be ridden. Britney Spears and her female dancers celebrate the riding of Elizabeth Taylor as best they can under the `watchful eye of the censor` while they enthusiastically jounce upon the couch. Elizabeth died on March 23, 2011, but Jesus` promise is of the Resurrection of `woman`s seed` in heaven.

1 .

2 Virgil The Aeneid, Bk II, 19 BC.

3 Leigh, Vivienne Gone With The Wind, MGM, December 15, 1939.

4 .

5 Preamble to the Constitution of the United States of America, ratified March 4, 1789.

6 By Pope Pius XII`s exercising of the principle of `papal infallibility` during the Apostolic Constitution Munificentissimus Deus, November 1, 1950.

7 .

8 .

9 Head, Anthony Stewart as Buffy Summers` `mentor`, Rupert Giles, voice over in the opening sequence to each episode of the television series, Buffy The Vampire Slayer, 20thCentury Fox Television, March 10, 1997 to May 20, 2003.

10 Combs, Holly Marie as Piper Halliwell in `Something Wicca This Way Comes`, Episode 1, Series 1, Charmed, October 7, 1998.



Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again

Britney Spears` `Oops I Did It Again` (2000) video single features a traditional Apollo style astronaut on Mars. Although there`s no visible space vehicle, `Mission Control` can be seen in the video observing the scene on the red planet and addressing the spaceman as `Mars Lander`, which was an actual `unmanned` space vehicle landed on Mars by the North American Space Administration (NASA) to take soil samples and photographs, etc., while roving the Martian surface. The implication is that the spacesuited figure is `Mars Lander`, which carries the further suggestion that `Mission Control`, who are seen looking through round portholes at Britney Spears, wearing what seems to be a red pilot`s suit, are inside the spaceman, who is `Mars Lander`, because he`s their spaceship and the portholes are his eyes. Because the astronaut is the spaceship of `Mission Control` who are living inside his spacehelmet. The theme of the song, `Oops I Did It Again`, is the heart of Britney Spears, which echoes the heart theme of an earlier pop music video single by the dance troupe Hot Gossip, featuring Sarah Brightman as the singer:

Sarah singing: `I lost my heart to a starship trooper.`

The Hot Gossip song has references to well known figures from pop culture, such as the `comic strip` Flash Gordon (1937-), in which Ming The Merciless of the planet Mongo attacks the Earth with what at first impression seem meteorites and Flash travels by rocket ship to Mongo to face Ming. The `comic strip` was made as a series of matinee short films for cinema audiences series reflecting US xenophobia towards communist controlled China (1927-49), which had been developing before the Second World War (1939-45) and hadn`t been viewed as anything other than an alien rival to US global hegemony before the Axis powers of fascism, that is, Japan, Italy and Germany, began their campaign of warfare to control the Earth. That art imitates reality is borne out by continued antipathy between the United States and communist China into the 21st century fuelled by fictional extrapolations of alien invaders:

Sarah singing: `Flash Gordon's left me, he's gone to the stars; an evil Darth Vader has me banished to Mars.`

Dale Arden was Flash`s female partner and Melody Anderson was in the role in the Hollywood movie, Flash Gordon (1980), while in Star Wars the leader of the Federation against the evil Empire`s strongman, Darth Vader, is Princess Leia. If Britney Spears is referencing `Starship Trooper` (1978) by Hot Gossip and Sarah Brightman, she`s banished to Mars and is awaiting Flash Gordon who`d correspond to the figure in the Apollo spacesuit in `Oops I Did It Again`, but `possessed` by the `demons` directing him from within his spacehelmet:

Sarah singing: `Hey, Captain Strange, won't you be my lover?` You're the best thing that I've ever discovered.`

Like Sarah Brightman, Britney is a woman in need of `space` between herself and her partner, who is `Captain Strange`1 in the case of Sarah, that is, `the Brain devil` superhero with extra sensory perception (ESP) created by Donald Keyhoe, who was a ufologist. The idea Is that unidentified flying objects (UFOs) or `flying saucers`2 are the work of sorcery, which is definable by occult practitioners as `evil magic`. Captain Strange is perceived as a `devil` of the brain of Donald Keyhoe , according to the lyric of `Starship Trooper`, because Sarah is enamoured. Taught that attachments are `demonic` by a male dominated social structure that doesn`t want freedom in relationships between mothers and daughters with their own host wombs and penis` semen, the `game` in homosexual pederasty is to convince women that their love for another is a `brain devil` to be exorcised. The sundering of human `futanarian` woman with their own penis` semen from their own host wombs is the first stage and the concept of soul `ownership of the means of production`3 in monogamy is the second, that is, the woman has a `brain devil` if she represents the `soul` inspired by the `spirit of God` to have intelligence and work to free herself through the sexual reproduction of her own brains` power for invention and so she should be sundered fom her `brain devil`, that is, whoever her teacher is, because she has a `demon`, who may be her husband, a writer, guru, daughter, or whoever is leading her to liberation from `ownership`.

The sunderers don`t want women`s inventions because she`d be liberated by them and so the notion of the creative individual as having `brain devils` so that the `demonic` creative aspects of the psyche can be exorcised to prevent technological growth and socio-economic progress for humanity has arisen. It`s the paradigm foisted by the `serpent`s seed` upon humanity taught by God, according to the Bible, that the immortal soul should never be relinquished and the `spirit of God` should be accepted as the sole guide and teacher of `woman`s seed`. Any writer who attempts to free the mind has `brain devils` and anyone who accepts the writer`s point of view has `demons` to be exorcised by the sunderers who don`t want development. In the final analysis women are slaves to production and what comes from their wombs is a brain damaged infantilism that refuses to grow and reproduces itself in damned parasitism:

`Imagine a dying planet in some distant corner of the universe. Its natural resources exhausted. Its inhabitants sterile. Doomed to extinction. A situation we may one day find ourselves in, gentlemen. So they discover earth. Abundant, fertile. Able to satisfy their needs. They look upon us not with animosity, but callousness. As we look upon our animals that we depend on for food. Yes, it appears they are driven by circumstance across a billion miles of space, driven on by the greatest force in the universe - survival.`4

In the Independent Television (ITV) series UFO (1970-1), the premise is an Earth of humans `harvested` for their organs. The acronym of Supreme Headquarters, Alien Defence Organisation (SHADO) represents the hidden truth, which is women`s relationships with men are contaminated by an evil shadow she needs to deal with because the denial of life to the human species of `futanarian` woman with her own penis` semen and brains from her own host womb constitutes the theft of her organs by her parasitical aliens de facto if not in fact. As a ufologist, Donald Keyhoe documented many `close encounters` in which aliens abducted humans for body organs, whereas men`s actual socio-history is of their remving the human `futanarian` species of `woman`s seed` and the sexually reproductive organs of the human species` capacity to produce her own brains as her alien parasites: `Oops! ... I did it again. I played with your heart, got lost in the game. Oh baby, baby. Oops! ...You think I'm in love. That I'm sent from above. I'm not that innocent.`

As with `Starship Trooper` by Hot Gossip, the Britney Spears` theme in `Oops I Did It Again` is obsession or engrossment, while playing with someone`s emotional feelings. In the poem `Fire And Ice`, by American poet Robert Frost, there are two types of feeling at the end of a relationship, characterized by obsession, that is, `fire` as anger and `ice`, which idiomatically is revenge `served cold` and is `the game` that spurned women play because they`re the innocent partners in relationships, so long as the `demon` of possessiveness isn`t present, but if divorce looms because of unfaithfulness they`re as merciless as the Emperor Ming towards Earth and ethnic typecasting isn`t the issue: ``Some say the world will end in fire, some say in ice. `6

In the developmental psychology of Carl Gustav Jung (1875-1961) the shadow possesses individuals making them `demonic`, which is often mistaken for obsession, and is why the Calvin Klein perfume, Obsession, succeeded as a brand name because `possession` would fail as a marketer`s ploy. Swiss Arabian Faith perfume is another good example, because faith, or adherence to a belief in success, is equivalent to being obsessed with a goal rather than shadow-possession, which Carl Jung described as arising from feelings of hatred towards others who are better off. Women often feel their situation would improve if they left their partner, but that desire for improvement sometimes encounters acrimony and resistance leading to vengeful acts of possessiveness.

The success of the Christian Dior perfume brand name, Poison, favours `game` theory, and is a societal symptom equal to those directives to readers and viewers from fiction, movies, and song lyrics to perceive enemies where Jesus Christ preached acceptance of what was good and to avoid hatred based on prejudice. The minds of people are poisoned by ideas that poisons are good, or that other peoples are poisonous, because that`s argued by the propaganda, but vendetta embraces the reality of `the game` of constant divorce or `sundering`, whereby women are constantly looking to improve their situation with regard to partners who don`t measure up to ever increasingly higher expectations from the women or external pressures including other males:

Sarah singing: `Encounters one and two are not enough for me. What my body needs is close encounter three.`

The Hot Gossip `Starship Trooper` lyric is a play on the definition of alien encounters as a `close encounter of the third kind`, which became the title of the movie Close Encounters Of The Third Kind (1977) that detailed the arrival upon Earth of an alien ship aboard which a few humans were elected to travel away to the planets and stars. The `close encounter`5 is stereotypically male insofar as the humans are conceived as sundered, as the depiction of man and woman as representative humanity on the plaque attached to NASA`s Pioneer spacecraft sent out of the solar system as a postcard from Earth to other unknown sentient intelligences indicates. In ignoring woman`s `futanarian` independence as the host womb of the human race with her own penis` semen, the NASA Pioneer spacecraft postcard informs extraterrestrials, if they exist, that Earth is where the alien sunderers of humanity can be found: `There ain`t no such thing as a free lunch.`7

Robert A. Heinlein`s (1907-88) maxim of `TANSTAAFL!` from his science fiction novel, The Moon Is A Harsh Mistress (1966), which details a revolt sundering a Luna colony from Earth, is supposed to be the libertarian viewpoint that work produces rewards, but aliens inviting other aliens to Earth for sunderer`s lunch is what the Pioneer spacecraft represented, that is, civilization, culture and art, which is the enslaved product of women`s host wombs as the human species, can be eaten here; because it`s devoured in men`s ceaseless wars of `perpetual enmity` against her. In the movie Independence Day (1996) aliens invade the Earth and are ultimately defeated after great devastation on a global scale because that`s what aliens do. Alien invasions are extrapolations of men`s invasions because they`re the aliens` wars against the humans: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

Sundering the human host womb from her own penis` `seed` is how the Earth embraced being an alien meal. Because `futanarian` women have their own penis` `seed` and so are capable of sexual reproduction without men, it would be difficult to sunder them as a species without demonic possession by invisible agencies demanding that they prefer men who can`t sexually reproduce together and in fact had produced the biblical `blood plague` of the `killer disease`, HIV/AIDS, in the late 20th century, by mixing blood, shit and semen in each others` anuses during mockeries of the human act of sexual reproduction. The `blood plague` is sent by God, according to the Christian New Testament of the Bible, to convert men from their sin of rejecting women in preference for homosexuality and devouring her infant nascency as a species in wars more conventional than biological: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

Jesus Christ uncontaminated by male semen, because born from his mother, the Virgin Mary, advocates adherence to the Holy Spirit which will teach after him and help combat the demonic agencies of possession that would sunder woman from God, who tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` that tempted her to eat of the `fruit of the tree of good and evil` and give some also to the first man created by God, Adam, rather than remain faithful to the `fruit of the tree of life`, which was immortality. Expelled from paradise by God for being interested in the evil of sundering, God warned Eve she`d experience pain in childbirth, because her `futanarian` nature would be sundered although she would: `... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

Leaving Earth for the stars and planets in starships of her own devising, thanks to her sexually reproducing her own brains` powers after Jesus` promised Resurrection of `woman`s seed`, woman as a `futanarian` species with her own penis` semen would no longer be directed by men`s propaganda to promote enmity between peoples but fuelled by her own implacable hatred for the divorced, Jesus envisages `war in heaven`, before the `serpent`s seed` receive unendurable eternal pain as a punishment for preferring enslavement for woman`s host wombs in parasitism and death, rather than a `new heaven and Earth` for the `futanarian` human species of woman unsundered and with her own `seed` for the production of a new angelic host: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

In Robert Heinlein`s original novel, Starship Troopers (1959) a race of humanoids called `Skinnys` reflect the US` habit of defining other human cultures by a single epithet. During the period of the US` wars in Indo-China (1946-79) against the perceived threat of communism, Asians were `Gooks`, and the Japanese were `little yellow men`, because it was a traditional epithet applied to skin colour and perceived cowardliness amongst English speakers, which perhaps contributed to Japan`s militarism and its siding with Italy and Germany, the Axis powers during WWII, to compensate for their alleged diminutive stature and lack of heart amongst Western propogandists:

Sarah singing: `I lost my heart to a starship trooper; flashing lights in hyperspace: fighting for the Federation. Hand in hand we'll conquer space.`

The concept of `the Federation` is familiar from Star Wars but also from the movie made from Heinlein`s supposedly militaristic novel, Starship Troopers (1997), in which the `bug worlds` of arachnoid aliens are depicted as attacking Earth and the soldiers of the Federation drop aboard mother ships as 20th century paratroopers on parachutes, dropped like spiders to invade nations upon the planet Earth. The extrapolation reveals the connection between the alien and the human insofar as the host wombs of the human women are enslaved by the aliens upon the Earth to defend against the aliens from elsewhere, which is what wars are:

Sarah singing: `The scanners seem to indicate a small deviation. Static on the comm - it's Starfleet Command requesting your position: it's their final demand.`

The lyric from `(I Lost My Heart To A) Starship Trooper` by Hot Gossip employs the term `Starfleet`, which was created by the writers of the US` television series Star Trek (1965-) to describe the ships of the Federation and the fictional theme of a vast system of colonized planets patrolled by Earth`s starships and especially the crew of the USS Enterprise (NCC-1701) sometime in the 2260s. Starfleet Command`s requesting the position of the Enterprise in order to give instructions about where the ship was required next was a basic feature of the TV series devised by producer Aaron Spelling, while a `deviation` detected by ship`s `scanners` suggested an `anomaly`, which is something that isn`t expected. The starship needs to be in readiness for what might occur next. Reported `static` on the communication from `Starfleet Command` by black female Communications Officer, Lt. Uhura of the Enterprise, was common because sexual attractiveness heightened the `position` by expressing the possibility of miscegenation, which clouded women`s `opinions` within the framework of a United States embroiled in racism and the struggle for human rights throughout the 1960s when the original series (TOS) was made. The Hot Gossip dance troupe were known for their eroticism in which `sexual position` was an important aspect of their dance routines. In `gay` and heterosexual terms the `Starship Trooper` lyric `requesting position` demands information with regard not only to sexual orientation but also race, which the Pioneer spacecraft had already announced to unseen extraterrestrial intelligences. The human species of `futanarian` woman with her own penis` `seed` and capacity to sexually reproduce human brains independent of men had already been eaten and we were here to be consumed by parasites and not cannibals. Irrespective of `opinion` women`s `position` was subservient to men`s; black, white, or otherwise.

Carl Jung argued that the anima of a man was his soul which functioned as a psychopmp or guide with regard to women through projection, that is, the soul projected upon women said they were good because the projector was good, but the projection was often contaminated by feelings of inferiority towards the human by the alien and so hatred had to be overcome before sexual love could occur. According to Jung the animus was the male or contrasexual component of the woman, but he failed to grasp that women were an independent species and that the animus represented the woman`s penis` `seed`.

Although Jung observed that the animus was `opinionated`, he failed to perceive that sexual `position` was what women opined over. For them `opinion` was a tool of species differentiation, which Jung called woman`s `sword of power` used against the `power of illusion` represented by a man`s anima-projections. The anima assured women he wasn`t an alien, but her contrasexual counterpart, whereas the anima functions as the `spirit of God` obsessing the individual man with sexual reproduction, but not technological development, because it`d result in woman`s escape from Earth. Sundered humanity is unable to escape because the anima belongs with the woman and the animus with the `futanarian` woman between whom there exists no delusion because they`re sexual counterparts and it`s the will of God she should sexually reproduce the independent brains of humanity from her own `futanarian` woman`s penis` `seed`:

Sarah singing: `You're intentions are known, they've found out at last. So if you're gonna take me, please make it fast. Touch me, feel me, do what you will. I want to feel that galactic thrill.`

The lyric from `Starship Trooper` by Hot Gossip is `gay` because it mocks `futanarian` women from its sunderers` perspective where everybody is homosexual because the human species is split. Women are abnormal because lesbian and so schizophrenically inclined away from their own race, while men are the aliens that have inveigled themselves into her host womb since God`s expulsion of Adam and Eve from paradise for disobeying the breeding program in favour of self-enslaving while `futanarian` humans would be killed as a threat to the socio-economic dictatorship of the `serpent`s seed` of men:

Speaker 1: `Arcaida. X-ray x-ray delta niner niner zero. This is Starfleet Control. You are clear to go hyperspace. Acknowledge.`

The `starship` featured in `Starship Trooper` by Hot Gossip is Arcadia, which is the pastoral idyll in Greek mythology most closely corresponding to Eden, but the name of the character Arcaida in `Starship Trooper` is homophonic and sounds like Al-Qaeda, while the line, `Listen, Captain Strange, what's our destination?` hints at psychic knowledge of 9/11, which was niner one one and is the number of the emergency services in the United states on September 11, 2001, when Al Qaeda terrorists crashed hijacked planes into the Twin Towers of the World Trade Centre in New York. Psychic awareness isn`t so unusual in literature. The prophetic verses of seer Michel Nostradamus (1503-66) read like `flash fiction`, much in vogue at the commencement of the 21st century, and similar to the lyrics of 20th century pop videos, but more authoritively prescient and predictive: `In the year 1999, in the seventh month, from the sky will come the great king of terror, bringing back to life the great king of the Moguls. Before and after, Mars to reign by good fortune.`8

Mars is a common euphemism for war derived from mythology because he`s the Roman god of war. Although September 11, 2001, wasn`t July 1999, in the Gregorian calendar September would have been July, according to the old Roman Julian calendar that has ten instead of twelve months, which isn`t so far out for a 16th century predictive seer. The ensuing war with Iraq and the dictator, Saddam Hussein, who`d supported Al Qaeda, was called the `TV war` and so the risen Mogul would be a Holllywood producer or director. Often called `Babylon`, which is the ancient capital of the Persian Empire in Iraq, Hollywood represents the restoration of woman`s enslavement as the producer of `TV war` from her host wombs, where `TV` is transvestism and the sundered legions of humanity fight for extinction in the Mogul`s entertainment spectacles arranged for public consumption courtesy of the movie studios in California, Los Angeles, `city of the angels`:

`Each man would jump fifteen seconds behind the other, simply to give each of them room to manouver on the ground. When they hit dirt their personal shields - force-fields to you and me - would be already active (switched-on in mid-air at one-and-a-half-klicks with a radius of 250 metres) and every one of them would rapidly become the epicentre of a circle of destructivity that no Trooper in his right mind would seek to overlap.`9

Formulaic literature descriptive of what Hollywood, Babylon, actually produces in a few frames of cinema film is valuable for that reason. The efforts of a writer to be published are nothing to a trillion dollar a year movie industry which reduces a novelist`s input to a moment or so of action and a few words of dialogue. Destruction has become the god in Hollywood, Babylon, because it`s spectacular, but the death of the ageing writer in the `concentration camp` of Hollywood`s devouring maw isn`t much reward for a life spent as an artist endeavouring to be heard over an explosion and a grunt or two from the `hero`.

Hollywood, Babylon, values life about as much as Al Qaeda `live on CNN` to up the viewing figures for `TV`. Those who work in special effects, for example, spend months and sometimes years of their lives constructing the equivalent of starships to be crashed on movie sets without a qualm. Hollywood`s pictures are of lives born to be destroyed, because they`re of little or no worth to the movie business once their frames in the movie are shown. The reduction of human endeavor to a flash of fire and the death of half a world is reflected in `TV wars` like the Gulf (2001-11), featuring the assassination of terrorist leader, Osama Ben Ladan in the shade of the Pakistan Military Academy, as a denouement on May 2, 2011, while a cure for HIV/AIDS `killer disease` had to wait because of the immense resources needed to wage war diverted to the Military Industrial Complex (MIC) and away from healthcare. The `movie` of an individual`s life goes on for 70+ years on average, but for `TV war` it`s frames of a film lasting moments and the value of people is diminishing to the point at which the callous dispatching of the murdered is no longer perceived as `anathema`, but actively encouraged by computer `games` and `action` films based on death and the vicarious enjoyment of others` unfulfilled lives.

Although Britney Spears` `Oops I Did It Again` seems simple, the presence of the astronaut suggests the MTV (Music Television Awards) statuette for pop music in its various categories as devised by Music Television, the cable and satellite `TV` broadcaster that, inaugurated as a channel on August 1, 1981, because the Viacom company saw an opportunity to showcase the new media of pop video singles being produced by pop recording artists. MTV later awarded the silver spacemean standing on one leg with the MTV logo on the flag as if he were Neil Armstrong, the first human to set foot on the moon, planting the flag of the United States there: `One small step for a man, one giant leap for mankind.`10

The first Video Music Award (VMA) was awarded in 1984 and, although `Oops! ... I Did It Again` was pitched to win an MTV spaceman and was nominated, Britney Spears had to wait until 2008`s `Piece Of Me` from her Blackout album before becoming a recipient of the `silver spaceman` for what was a protest song about the paparazzi`s role in her losing custody of her infant, Sean, after she was photographed `neglecting` the child by ignoring the loss of his cap while running to a car to avoid the media: `... with a kid on my arm, I'm still an exceptional earner. You want a piece of me?`

Idiomatic usage of `piece` is belligerence and so Britney won the MTV Award because the spacesuit was designed from pressure suits used in deep sea diving at the Aeronautical Materials Lab at the Philadelphia Navy Yard by science fiction luminary, Robert Heinlein, amongst others, during WWII. The VMA `silver spaceman` represents a retrospective look back at `Oops I Did It Again` from Britney`s point of view, because her red pilot`s suit in the video complements the astronaut`s appearance. The original plan of NASA`s was to fly to the moon by `spaceplane`, so Britney Spears `Oops I Did It Again` performance poses a question: how is humankind to reach Mars if the spacesuit and the pilot`s suit aren`t viable? Heinlein`s Starship Troopers treated of the possible future development of the spacesuit into a form of futuristic military armor.

Armor was worn by Medieval knights such as those of the legendary court of the English king Arthur, written of by Sir Thomas Mallory in his famous novel, Le Mort D`Arthur,11 dealing mainly with the search for the Holy Grail as the bowl drunk from by Jesus Christ at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. For pop music an MTV Award is the Holy Grail but `Oops I Did It Again` points out that the spacesuit and the pilot`s suit aren`t viable for interplanetary travel. The title of the Blackout album from which the VMA award winning single `Piece Of Me` was taken reflects on the blackouts experienced by prototypical X-15 `spaceplane` pilots, which resulted in the Apollo spacesuit program that had the `personal armour` of Starship Troopers and conquest as its teleology rather than space exploration and human colonization as the genuine Holy Grail:

Sarah singing: `Space suit is lying on control room floor; pulse rate increasing as the heat factor soars: take me, make me feel the force. Ignore the computers, we're locked on course.`

The Hot Gossip lyric from `(I Lost My Heart To A) Starship Trooper` describes the possibility of `blackout` as a hazard of spacesuit use. In the Star Wars series of movies, `the force` is a form of energy within the cells of the body that needs to be balanced before the power of God can be used. Darth Vader has embraced the `dark side` of `the force`, which means he`s shadow-possessed and so demoniacally evil:

`Midi-chlorians are microorganisms first mentioned in Star Wars Episode I: The Phantom Menace [1999]. They reside within the cells of all living things and communicate with the Force. They are symbionts within all other living things and without them life could not exist. The Jedi have learned how to listen to and coordinate the midi-chlorians. Every living being thus has a connection to the Force, but one must have a high enough concentration of midi-chlorians in one's cells in order to be a Jedi or a Sith.`12

The `Jedi` are the knights of the romance while the `Sith` are a race of humanoids that master the `dark side` of `the force` to seize power from humans. Although `the force` is available to anybody harmonized in balance with the midi-chlorians present within the system, shadow-possession is the consequence of turning away from the `light side` until there is only darkness, which is death and its worship in evil:

Sarah singing: `... are you like a droid, devoid of emotion?`

Because of the reference to Star Wars in Hot Gossip`s `Starship Trooper` lyric, the `droid is R2-D2, the indefatigable mechanoid that always succeeds. Stealing the plans for the `Death Star`, Princess Leia entrusts R2-D2 to deliver them to the Federation so they can destroy it before it`s deployed against Federation planets. R2-D2 represents human fallibility, because the machine makes no mistakes; it`s `locked on course`, as the Hot Gossip lyric in `Starship Trooper` has it: whereas the human who is `like a droid, devoid of emotion` is evil because inhuman. The misapprehension is that machines are evil, whereas humans who embrace the `dark side` are. R2-D2 is a better human because a better machine, which is what `labour-saving devices` such as washing machines or microwave ovens are. They free humans and so should be treasured, as R2-D2 is in the movie series, because the `droid` represents `Liberty` through intelligence and why despise the machine or an animal because it`s sentient enough to help you? Enslaving the host womb of the human species, or any other sentient creature, limits humans to inbuilt failure in their desire for freedom.

Appearing on the cross In the place of Jesus crucified for the cover of the CD single, `Piece Of Me`, Britney is idiomatically giving the Earth a `piece of her mind` on the subject of Arthur`s knights of la table ronde at which all were perceived equal, because none could be seen to be foremost. Arthur`s fate was to be betrayed by his half-brother, Mordred, detailed in the movie Excalibur (1981), while Jesus` traitor was Judas. Although the table of Arthur corresponds to that of the disciples` at the `Last Supper`, the Holy Grail is independence. If all men are interested in is `conquest`, and preoccupations with the evil devouring of humans through warfare rather than healthcare suggests they are, is the `futanarian` human species of woman with her own capacity to sexually reproduce her own brains` power for socio-economic independence from Earth through technology, just a `piece of cake` at the Rotary Club for men who don`t want her humanity to leave in starships, because they want to enslave and devour her sundered self here in `TV wars`?

In `Oops I Did It Again` Britney appears `twinned` as herself in a red suit and in a white bikini dress, because three humans are represented in her equation; the man, the woman, and the `futanarian` woman with her own penis` `seed`. If man doesn`t want her, she can leave for the stars and planets because he`s holding her back. At the `Last Supper` before his crucifixion, Jesus gave `bread and wine` as symbols of the `body and blood` that was to come during his torture and murder upon the cross, because the disciple Judas didn`t accept Christ as the host, but instead betrayed the human species of `futanarian` woman with her own human penis` semen and host womb represented by Jesus` mother, the Virgin Mary, who bore Jesus uncontaminated by male semen in the `spirit of God` as the true Holy Grail of Christianity`s preaching of the Resurrection and Redemption from the `original sin` of accepting slavery sundered `futanarian` humanity.

According to Jung the heart is the `Feeling` function associated with the mouth and the bowl, that is, the Holy Grail is `Feeling` because it represents a refusal to devour the human. Britney Spears` `Oops I Did It Again` is an exercise in `flash memory` rather than `flash fiction` insofar as it features a dialogue between herself and her spaceman about the contents of a `black box` which is usually inside a plane as the recorded information after a crash such as those experienced by X-15 pilots due to `blackouts`. Some pilots escaped by parachute but others died. Because the parachute is `spider technology`, Heinlein`s Starship Troopers` depiction of the evolution of the paratrooper comments on the teleology of the spider rather than the human, who`d prefer to ascend to the stars and planets by `spaceplane` rather than remain to be devoured in men`s wars of `perpetual enmity` because the spider prefers a hard shell rather than a soft body. In Heinlein`s `Future History` Britney Spears in `oops I Did It Again` corresponds to `Poddy` from his juvenile story for girls, Podkayne Of Mars (1963), who wants to learn to be a `rocketship pilot` because it`s a better chance for the human race:

Britney speaking: `But I thought the old lady dropped it into the ocean at the end?`

Britney Spears` video single is carefully scripted; as was Hot Gossip`s `Starship Trooper` in which there are speakers 1, 2, and 3. At one point, the director`s cue is, Sarah singing: `Oh, baby..,` which Britney echoes in `Oops I Did It Again` in homage to her pop music video predecessors in science fiction: `Oh baby. It might seem like a crush; but it doesn't mean that I'm serious. `Cause to lose all my senses; that is just so typically me. Oh baby, baby.`

In Jungian psychology, the senses of sight, hearing, taste and smell represent undifferentiated or unconscious awareness and so Britney`s lyric laments her emotionality. In the movie Titanic (1997) the `old lady` Rose drops the blue diamond pendant, `heart of the ocean`, into the sea as a `remembrance` at the place where the ship sank on April 15, 1912. The Titanic had been on its maiden voyage from Liverpool to New York after being struck by an iceberg, which suggests that the blue diamond is the uncrushed `ice` that contains only the cold clarity of memory to assist the salvage operation and reveal the secrets of the wreck:

Britney`s spaceman speaking: `Well, baby, I went down and got it for you.`

Not only is he an astronaut, Britney`s spaceman is a deep sea diver and represents the evolution of Heinlein`s `pressure suit`, that is, the `precious suit`, since the Philadelphia Navy Yard`s preparing for the X-15 spaceplane program, which indirectly paved the way for NASA`s succeeding Apollo space program. Descending onto the dance floor inside a giant`s ring at the opening of `Oops I Did It Again`, Britney`s `action` can again be seen to correspond with the lyrics of Hot Gossip`s `Starship Trooper` because she`s a child of her era and the other stars have communicated themselves to her:

Speaker 2: `Affirmative, Star Comm. We have situation gold.`

The golden `ring of power` at the centre of the `star` British fantasy, J. R. R. Tolkein`s The Lord Of The Rings (1954-55), is the `precious`, so the `precious suit` is the wedding suit of the bridegroom for the bride. What`s missing from the gold ring is the stone, which symbolically is in the `black box` given to Britney by the spaceman as the Holy Grail. On his way to destroy the ring of power in the volcano atop Mt Doom, Frodo has to fight the giant female spider, Shelob. The solution to the devouring spider teleology of the `precious suit`, as depicted in Heinlein`s Starship Troopers, is women`s technology from her own `futanarian` marriage and brains from her own host wombs with her own penis` semen for the sexual reproduction of better equipment for liberation from the conquest-destruction path in preference for the road to civilization-colonization : `Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it.` (Matt: 7. 13-14)

Tolkien`s novel is divided into three parts; The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King (2003). In 21st century terms the Twin Towers of New York destroyed by Al Qaeda on September 11, 2001, correspond to the citadel of the West threatened by the Dark Lord, Sauron, whose `ring of power` Frodo was entrusted to destroy. Frodo`s struggle to defeat Shelob in the Two Towers and relinquish the ring atop Mt Doom to liberate the good from the power of the `Dark Lord` contrasts with Anakin Skywalker`s capitulation to the `dark side` to become Darth Vader and lead the evil Empire against the Federation in the Star Wars epic. Although the Twin Towers of New York symbolized the `gateway to the West`, the power of the `Dark Lord` raised them to the ground, because the power of Sauron wasn`t broken in the `war of the ring` between Saddam Hussein`s Al Qaeda and the NATO alliance (North Atlantic Treaty Organization) and her allies in the Middle East and elsewhere. The demolishing of a wall that ringed the US Defense Department of the Pentagon by a further terrorist hijacked plane was an attempt to break a ring of power in the West and there are rings of freedom and slavery in Tolkien`s fantasy:

`Three rings for the elven-kings under the sky;

Seven for the dwarf-lords in their halls of stone;

Nine for mortal men doomed to die;

One for the Dark Lord on his dark throne:

In the land of Mordor where the shadows lie.

One ring to rule them all; one ring to find them;

One ring to bring them all and in the darkness bind them:

In the land of Mordor where the shadows lie.`13

The gate to heaven is the `futanarian` way of `woman`s seed`. In the Titanic movie Rose is betrayed by an ex-fiancée who puts the `heart of the ocean` into the pocket of her new boyfriend and accuses him of theft, just as Bilbo is accused of theft in the novel prequel, The Hobbit (1937), when he finds the ring of Sauron before Frodo becomes his heir and instrument of deliverance. Curiously, Bilbo could have lost the ring but wom a guessing game to retain it with the creature, Smeagol, who claimed he`d stolen it from him: `What have I got in my pocket?`14

Despite Smeagol`s objection, Bilbo keeps the ring, and he`s a murderer anyway so doesn`t deserve it and knows so, which works against his assumed role as someone whose life, which was `precious`, has been taken away by Bilbo, the `nasty thief`. Rose`s jewel is still in the pocket of the coat while she`s sitting in a lifeboat from the Titanic and she doesn`t guess it`s there but discovers it by chance as Bilbo had. Her lover drowns helping others, but the `heart of the ocean` diamond pendant represents the `Feeling` function of Jungian psychology, which is inferior in the ex- fiancée but differentiated or actualized in Rose`s relationship. According to Jung the differentiation of the four functions; `Sensation, Thinking, Feeling and Intuition` is necessary before the individual is self-aware enough to function as a human. The `Feeling` function is usually inferior in men because they`re treacherous. As Judas was when betraying Jesus, which is why the bowl Christ ate and drank from is Holy and the `bread and wine` he offered to the disciples, as his `body and blood`, is the `hand of friendship` rather than the infamous kiss upon the mouth of Jesus from the lips of Judas Iscariot, the devourer. In symbolic terms the Titanic`s iceberg is the tooth in the mouth of the traitor, whether the sinking was accidental or not. The `heart of the ocean` is the symbol of Jesus` heart, because those without `Feeling` are the devourers and the hearts of lovers are human:

Speaker 1: `This is Starfleet Control to all ships in sector five. Be advised Arcadia niner niner zero is off course. All ships [squawk!] ident ...`

Because of the iceberg and volcano references in Britney Spears` `Oops I Did It Again`, her theme echoes Robert Frost`s poem, `Fire and Ice`, but it`s about the mastering of emotions in order to function successfully rather than vengefully. In Hot Gossip `s lyric the starship Arcadia is a `Mary Celeste`, which was a ship legendarily discovered drifting crewless on December 5, 1872 in the Atlantic. Any mysterious empty space that should contain humans is now idiomatically described as `Mary Celeste`. Although Britney borrows from Hot Gossip`s `Starship Trooper` in referring to a lost ship, `Oops I Did It Again` is about the Titanic`s undeviating from its course and sinking, because of the belief it couldn`t ever lose:

Announcer: `All aboard!`

The Al Qaeda terrorists` hijacked planes on 9/11, 2001, didn`t know when to avoid the Twin Towers, because they weren`t sentient machines to decide for the humans, like R2-D2, the mechanoid in Star Wars does. R2-D2 saves the Federation by facilitating the destruction of the Empire`s `Death Star` before it can become operational as a planet killer, which is what the unbroken ring of homosexual pederasty and war`s preference for sundering and devouring through enslaving women`s `futanarian` host wombs for `TV` is. In The Lord Of The Rings Frodo wrestles with Smeagol atop Mt Doom, because Smeagol didn`t know when to relinquish the ring and falls to his death in fire.

There`s a scene in Britney Spears `Oops I Did It Again` where her red suited self puts a hook into his backpack and raises him by means of a pulley until he`s hanging above herself in a white bikini dress with what look like the tines of a giant fork beside his spacehelmet while she reclines on what appears to be a white fire blanket. Suspended, he can`t do anything other than film Britney with his camera eye attached to the side of his spacehelmet. Britney represents safety after a fall from the fork, symbolizing the devouring `serpent`s seed` that, grown in size to the `dragon` of Revelation, waits in vain to consume the `New Redeemer`, that is, although the sunderers believed they could never lose, Jesus Christ in his `Second Coming` will `rule the nations with an iron scepter`, which Britney`s protective fire blanket represents. The spaceman can`t fall to safety because she`s not sure he isn`t a devourer. `Oops I Did It Again` is Britney`s stage where the setting of the ring with the jewel will occur, and she`s a hot white diamond in a bikini, while her red suited self is a ruby, with the cold blue diamond `heart of the ocean` in the spaceman`s `black box` as the third jewel of her ring if he believes in freedom for the human species and so accepts her futanarian `sister`: `You see my problem is this; I'm dreaming away wishing that heroes, they truly exist. I cry, watching the days; can't you see I'm a fool in so many ways?`

The hero concept relates to women. At Troy the Greek heroes were there to ostensibly liberate the captured Helen from Prince Paris who had taken her to the city of his father, king Priam, from Greece and her husband, Menelaus, whose brother was king Agamemnon of Sparta. But the enslaving of the host wombs of the women of Troy after the Greek victory belies the title `hero`. Britney Spears` bikini dressed sister in white is the archetype of Helen beseeched by a besieger, who she rejects in his first assay, but the scene will be repeated ad nauseum, because the VCD will be replayed countless times by people all over the world ad infinitum unto futurity. Although Brintey appeals to be released from being a `fool` for `dreaming` of `heroes`, she`s possessed by the `brain devils` of the propogandists who want her to accept the `demons` as heroes despite the truth which belies the fact of war and her enslavement as its producer.

In ancient Greece women`s host wombs were institutionally enslaved by homosexuals in pederasty in order to spread war and its contagion. The global incurable `killer disease` of HIV/AIDS is a `biological weapon` keeping `futanarian` woman with her own penis` semen enslaved in fearful faithfulness to her jailors in misogyny. The indomitable Star Wars machine R2-D2 provides the best solution to fallible humanity`s belief in invincibility and the stoic `he who hesitates is lost`15 philosophy of the schizophrenic socio-path, but society wants human error rather than machine infallbility, so computer `geeks`, replacing the earlier form of `Greek` homosexuality, devise machine code to deliver viruses to computers much in the way that Troy was captured by the `Trojan horse` of the Greeks. Leaving behind a huge hollow wooden horse, the Greeks left their siege of the city of Troy and the Trojans took the `gift` into the city where the Greeks emerged like a 21st century `Trojan horse` computer virus to enslave the host wombs of the Trojan women for pederasty and to spread their contagion further: `Beware Greeks bearing gifts.`16

The Al Qaeda terrorists on 9/11, 2001, used their hijacked planes as visiting guests of the United States to crash them into the Twin Towers and virally precipitate global `rough trade`17 at the World Trade Centre, that is, the `brutality and violence` of homosexual pederasty at war with the world. Just as Judas betrayed Jesus so the Al Qaeda tourists and students were traitors to the welcome the United States gave them when they hijacked civil aircraft at Boston`s Logan airport to end the hopes of the 21st century in the same way that the lives of `runners` are snuffed out by `sandmen` in the science fiction movie, Logan`s Run (1976), because they want to live past their 21st birthdays. If funds were spent on healthcare, rather than war, humans could live forever, but ephemerality for women keeps the species unconscious and easy prey for alien intelligences, because `woman`s seed` can`t disseminate the `futanarian` truth to their daughters within censorship and media blackout that occludes from taboo knowledge of her own penis` semen: `I'm Mrs `Oh, my God! That Britney's Shameless (You want a piece of me?)!`

Britney Spears isn`t allowed to be shameless enough or the nude photograph of her on the cover of the CD single, `Piece Of Me`, on the cross of Jesus with her long brunette hair covering her breasts and wearing only a sarong would be entirely naked with a `futanarian` woman`s penis` erection visible so the younger generation can know more of the truth about Christ`s teachings of `woman`s seed`, its Resurrection, and mankind`s Redemption through acceptance of it.

That Britney Spears knew Hot Gossip`s work is evident from the golden bosses on the walls of the stage set for the video single, `Oops I Did It Again`, because silver bosses feature in the video for `Starship Trooper` and in the BBC TV series Doctor Who (1963-) on the casing of the Daleks of Skaro who were at war with the blonde Thal humans as the Kaleds before global holocaust forced the Kaleds to become Daleks and live in metal pepper-pot style vehicles as exterminators of the Thals. The Daleks become the enemies of the human race throughout the long-running TV series; metallically grating whenever they see a human: `Exterminate! Exterminate!`18

US audiences would associate the pepper-pot Daleks and Doctor Who with the fizzy soft drink, Dr Pepper, while Gwyneth Paltrow was the actress in the role of Pepper Potts alongside Robert Downey Jr as Tony Stark in the movie Iron Man (2008) , which similarly treats of the theme of the armoured flying suit. Although Daleks aren`t Iron Man, their outward appearance in the shape of the external bosses on their pepper-pot style casings, insofar as they feature in the pop music videos of Britney Spears` `Oops I Did It Again` and Hot Gossip`s `Starship Trooper`, reflect on Robert A. Heinlein`s Starship Troopers and Britney Spears` spaceman`s position with regard to the phenomenon of the `extermination camp`.

Internment camps for `aliens` arose in the 20th century as a means employed by the Germans during WWII to exterminate the `chosen people` of the Old Testament of the Bible, the Jews, and prevent the human `futanarian` species of unsundered woman with her own penis` `seed` for planetary colonization from leaving. It isn`t possible to be born a Jew unless born from a woman, so women are the `chosen people`. Because of the surrounding Dalek symbolism, both Britney Spears` Oops I Did It Again` and Hot Gossip`s `Starship Trooper` represent the idea that there`s no escape for the unsundered children of the human race of `futanarian` women with their own capacity for sexually reproducing their own brains` power to liberate themselves through technological advancement because the troopers are their imprisoners rather than their defenders.

Whether Hot Gossip and Britney Spears support the `death camp` theme in their dance videos is moot. Directors have their own ideas and `Starship Trooper` by Hot Gossip was choreographed by England`s Arlene Phillips while `Oops I Did It Again` was directed for Britney Spears by England`s Nigel Dick. It was the English that invented the `concentration camp` in South Africa, of course, to exterminate the Dutch settlers during the Boer wars (1880-1,1899-02) and the exterminating Daleks of Doctor Who were created by Terry Nation, who also devised Blake`s 7 (1978-81), the adventures of Roj Blake and the crew of the Liberator spaceship who conduct a campaign against the totalitarian Terran Federation, because it uses mass surveillance, brainwashing and drug pacification to control its citizens, for 52 episodes.

When Roj Blake is lost, Kerr Avon, an `electronics and computer expert`, commands until the Liberator is destroyed and the crew continue their campaign from the planet Xenon. In the final episode Avon finds Blake and kills him because he suspects Blake of being a traitor. The crew are killed by Federation guards who surround Avon in the final scene. The essence is of the South African actress, Glynis Barber, who had the role of Soolin in the fourth and last series along with Slave, the new ship Scorpio`s onboard computer, which telegraphed the `TV` program as a sunderer`s pogrom on behalf of transvestism, that is, the sundered human species of `futanarian` woman with her own penis` semen and host wombs for independence and freedom.

Glynis Barber as Soolin was a blonde South African Boer beauty who might appeal sexually to women viewers of Blake`s 7 and so she was exterminated in an English `death camp` scenario in keeping with the continuing theme of Doctor Who And The Daleks (1965) in which the blonde Thals are extrapolations of the Dutch Boers who declared an Orange Free State on February 25, 1854, which the English tried to exterminate. Of course, the Jews held still in Germany, and the rest of the world, before the fascist pogroms began before WWII during the dictatorial reigns of democratically elected Reichführer, Adolf Hitler in 1933, Benito Mussolini in Italy in 1922, and Emperor Hirohito (1901-1989) of Japan, who was best known for claiming not to know anything about the Japanese own `labour camps` created to waste lives in starvation and disease: `A word to you about escape. There is no barbed wire. No stockade. No watchtower. They are not necessary. We are an island in the jungle. Escape is impossible. You would die.`19

Colonel Sato in the movie of Japanese prisoner of war camps, Bridge Over The River Kwai (1957), announces the basic capitalist ethos of the 2oth century and beyond. The soul is to be enslaved for the spirit to work, but there`s no escape because technological development is forbidden. Science fiction is usually defined as extrapolation, that is, possible scientific advancement described in fictional terms, whereas the truth is that humans live in the propogandists` fiction that science is impossible in order to maintain slavery.

Caring about the car is different to the car caring about the individual who cares for the car, but the principle is liberating. Humans are kept at an artificially low level of technological advancement to prevent the machine from caring for them and liberating humanity from slavery. The individual with poor technology has to care for their technology more, for example, the person with scissors rather than an electric razor, which results in slavery to the technology rather than liberation of the individual through technology because scissors are more time-consuming than electric razors.

If the machine cares for the human better than the human can, the machine is more human than the human who is thenceforth liberated from care and can live. Men keep humans at a low level of technology so they can`t escape, but women with their own penis` semen and host womb are socio-economically independent to sexually reproduce their own brains and technologies and so men are her alien parasites seeking the extinction of her human species through `death camp` programs designed to foster the illusion that progress is desired whereas the teleology is of slavery and reincarnation to be enslaved in death and rebirth, whereas Jesus Christ taught Resurrection because it means the end of devourment of the human race in enslavement to the `serpent`s seed` preparing their `red dragon`, Satan, to consume the Earth in the fire of nihilistic holocaust followed by a permanent winter of deadly ice from which no living thing would ever emerge: `From what I've tasted of desire, I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate to say that for destruction ice Is also great and would suffice.`20

The `serpent`s seed` hates humanity and grows its dragons to devour it. Satan doesn`t care whether the world ends in fire or ice, as Robert Frost writes in his poem, `Fire And Ice`, just as long as it does. Although the poet`s metaphor for the ending of a relationship in acrimony is simple, the metaphor is genuine because the human species is split by its alien sunderers who seek the Earth`s destruction. It will happen if Jesus` teaching isn`t understood as encouragement to those who want to be pilot`s of their own individual spacelanes, rather than aliens masquerading as `starship troopers`, who`d hijack planes in order to destroy individuality and developmental human progress: `Starship Trooper, go sailing on by, catch my soul, catch the very night. Hide the moment from my eager eyes. Though you've seen them, please don't tell a soul. What you can't see, can't be very whole.`21

The lyric from `Starship Trooper` by the progressive rock group, Yes. describes people`s fear of German `stormtroopers`, that is, the Sturmabteilung (SA) Nazi paratroopers, and what they`ve been doing. That`s why many residents close to Nazi `death camps`, run by the Schutzstaffel (SS) `protective squadron`, during and before WWII, lived in self-delusion, because they didn`t want to be held in there and so feigned belief in the lies about `showers` and `holiday camps` where poison gas chambers and clusters of protected buildings for exterminators to exterminate humans were the truth. The Yes lyric describes starship troopers as a Nazi collective of like-minded people flying supersonic aircraft across the Earth to attack humans with weapons of mass destruction, while the retarded infants pedal their toy cars futilely seeking to progress on their rat race`s treadmill: `Mother life, hold firmly on to me. Catch my knowledge higher than the day. Release as much as only you can show. Though you've seen me, please don't say a word. What I don't know, I have never shared.`22

The Yes lyric is of belief in a maternal spirit in nature, who the singer-narrator wants to show enough of herself to assist human development and progress, but no more of her secrets, because the lyricist doesn`t want Nazism to have her. In the early 1950s, work began on supersonic transport (SST) and the first Concorde airplane was produced by the British Aircraft Corporation (BAC) and French Aérospatiale in 1969. Concorde could travel from Europe to New York in under 3 hrs and was decommissioned in 2003 after entering service in 1976 amidst criticism of its `sonic boom`, which some people in the UK didn`t want to hear overhead. Concorde`s flight time increased to minimize the supersonic attribute until those who wanted a mode of transportation that would take them to the United States in less than half a day were thwarted and flight technology for humans was once again made subordinate to the more spontaneous sonic booms of military aircraft that residents along the South coast of the UK couldn`t do anything about other than complain against those who actually kill people for being a nuisance. The pedal car drivers thought they were `starship troopers`, whereas what they really needed was a spaceplane program to get their feet off the military`s treadmill for the production of wheeled vehicles to smash with their jet airplanes` rocket bombs after receiving instructions from what the English are wont to describe euphemistically as `higher ups`:

`Loneliness is a pow'r that we possess to give or take away forever. All I know can be shown by your acceptance of the fact there shown before you. Take what I say in a diff'rent way and it's easy to see that this is all confusion. As I see a new day in me, I can also show if you and you may follow.`23

The concept of following a teacher is Christian, while the Holy Spirit that Jesus Christ promised God would send is the teacher. The idea that `higher ups` aren`t looking down upon the humans in lonely power to take away their lives forever so they can continue in power is naïve. The true teacher can show what`s acceptable, but not if the taught prefers `higher ups` other than God. The myth of the `starship trooper` is a theme in literature and music because of the genuineness of fears about aliens, but the human solution is individuality, rather than collective power. Those members of the British public who prevented Concorde from developing, so that cheaper faster transportation between continents couldn`t result in the sharing of good ideas and economic growth, stopped human progress, when the facility of the internet as a global system of information emerging in the 1980s would provide the knowledge and desire to work with others internationally, and for the betterment of humanity, as individualities concerned to grow into a human collective: Jesus, savior, pilot me, over life's tempestuous sea; unknown waves before me roll, hiding rock and treach'rous shoal; chart and compass came from thee: Jesus, savior, pilot me.`24

Jesus taught that the Holy Spirit would teach after him because of what Jung calls the `sex drive`, which is the libdic energy produced by an individual. In spiritual transformation sexual libido is transformed into intellectual capacity for work to create a better environment to live. The conversion from instinct to spirit is through metanoia, which is the transformation of the brain through acceptance of Jesus` teaching. The Holy Spirit is the result of a transformed brain, because Jesus doesn`t want to be somebody else`s `pilot` and, when the Holy Spirit has transformed the individual brain, the `sex drive` is no longer governed by instinctuality and the self-actualized ego has control in God or, as Jung has it, the individual is able to know the totality of the `Self`, which is as close to God as the human brain can be.

The analogy is the automobile, which requires a driver. The concept of drivers is archetypal and is built into computer concepts, where a driver is needed to run programs and software such as video players on the hardware. According to Jung archetypes exist in the collective unconscious of humankind and arise in dreams, art and the imagination as the brain`s natural impulse engines for the ship of the body and mind. The analogy of the car and the human operator of the vehicle doesn`t apply to the individual driven by a demon, because then the `demon driver` would have to be in the back seat holding a gun to the head of the human.

In Star Wars Princess Leia wears her hair wrapped about her ears like headphones, `ram style`, because she is with `the force` selecting from her `random access memory` of the `midi-chlorians` that live within her as minute creatures assisting her to live in harmony within `the force` of her personality. If she wasn`t able to hear her midi-chlorians, she`d be like a car driven by backseat drivers because she`s deaf, and in fact her `ram style` hair technology looks like that worn as earmuffs in the winter to keep cold ears warm, or by road menders using heavy drills on tarmac that would deafen the worker unless the earmuffs were worn.

The `force` is knowledge gleaned over medical lore eons of hair technology allowing Leia to understand through her mind and spirit. The minute creatures would become `demonic` if she deviated from adherence to `the force`, which corresponds to the Holy Spirit, because the midi-chloreans could drive the ship of the body and spirit, rather than the individual ego through acceptance of the Holy Spirit and God, which the Jedi knights of Star Wars, such as Alec Guinness in his role as Obi Wan Kenobi, teach to their disciples and the midi-chloreans through a combination of meditation, education, and prayer.

The Sony Walkman portable individual cassette player with headphones was a Japanese invention of the late 20th century as a generation attempted to understand what was going on inside them so they could self-actualize without distraction. According to Jungian psychology there are four functions of consciousness; `Sensation, Thinking, Feeling, and Intuition`. The `Thinking` function is associated with the ears or hearing, and it`s difficult to be demoniacally influenced if you`re deaf. The Sony Walkman offered inner peace and harmony whatever chaos manifested without and so allowed the individual ego to steer a course for a safer harbor; deaf to those voices that would force a change in course to drive the ship onto the rocks and sink it.

Although ships of the Star Wars movies are either for huge numbers of people and vast, or a few people and small, the ideal is for an individual to have a big ship, which that person runs alone, but Jesus` is the pilot to begin with before metanoia (Matt: 27. 3) and the Holy Spirit have occurred and the ego is capable. The problem in the 20th century was confusion between driver and driven because car drivers often have passengers who are driven by the driver to a destination. The human who is capable is driven by the backseat `demons`, and that`s the paradigm by which humans live. In science fiction the human is most often depicted as a member of a collective such as the crew of the starship Enterprise in Star Trek while the space rocket with a pilot sitting in it has a huge engine ruling out living space and that can only travel quickly to its destination like a missile.

In the Starship Troopers paradigm the collective devours itself like spiders after mating, while the rocket pilot streaks from place to place as a homeless person driven by `demons` that don`t want him to live as anything other than a missile that`ll one day find a home. The depiction of single occupant spaceships of a significant size in movies such as Alien (1979) are almost always treated with horror as the work of an alien intelligence, but that`s what Jesus` teaching is about. Christ leaves Earth for God and heaven without companions and the Holy Spirit is promised as a teacher to assist others who want a ship of their own.

Without depictions of large space vehicles for a single person, the human is trapped by backseat `demon drivers` in slavery to what Jung describes as the superior function associated with the ego, that is, either `Thinking`, which is the ears in undifferentiated form; ``Sensation`, the eyes; `Feeling`, the mouth (speech), and `Intuition; the spirit sensing through the nose or smell. In Jungian psychology there`s usually a superior, auxiliary, ancillary and inferior function. The Japanese Sony Walkman could help differentiate the `Thinking` function, but the other functions would need different approach work. A person with a computer and screen has differentiated eyes as the `Sensation` function, which requires some spirit sense or `Intuition`, while articulate speech requires differentiation of the `Feeling` function, so the internet`s an important tool of the 20th century for readers, writers and communicators, but driven cars and slow travel by passenger laden transport represent the rocket and pilot missile analogy, and that of the Starship Troopers waiting to be `dropped` on a world new and beautiful, but pre-judged by the individual, who`s been taught the `spider` paradigm, that it`s either territory to conquer and devour after the `drop zone` is reached, or that the spiders there`ll devour the visitor if they know a `drop` is about to occur.

Keeping one function superior and one function inferior, that is, the shadow, which is the inferior aspect of the perceiving personality that sees the other person as inferior, is how the `demons` maintain humans as `guided missiles` and self-devourers. Because the `red dragon` of Revelation is the `serpent`s seed` grown in size to devour `woman`s seed` but waits in vain, `futanarian` woman with her own penis` semen and capacity for sexually reproducing her own brains` power will succeed.

Because women`s technology is likely to be different to men`s history is the place to find clues, especially the ancient South American Mayan technology, which didn`t have the wheel, according to archaeologists, and Aztec technology. Although Britney Spears in her red pilot`s suit doesn`t appear to have a spaceship in the video `Oops I Did It Again` and the astronaut is called `Mars Lander`, there doesn`t appear to be any other spacecraft for the little people of `Mission Control` to direct other than him, which suggests Britney Spears` technology is different. The South American civilizations of Mayan untechnology, because there`s no wheel, and has technology, that is, Aztec technology, is how Britney Spears` `different` ship appears in the video `Oops I Did It Again`, where parts seem technological but how they function is a mystery, because she`s `woman`s seed` and not the `serpent`s seed`.

The most widely discussed representation of possible Mayan technology is a carving of an operator at the controls of some functioning structure that could only be understood through access to the technology which existence is recorded on the external stonework of its occupant. If a human body is but the `vehicle` of a single human occupant, the Mayan stonework depicts the activity of the operator who doesn`t need the wheel, because the human has arms, hands and legs for movement, dexterousness and industry. If the body dies and decays, the human operator emerges from the vessel. The picture on the side of the Mayan sarcophagus depicts the human soul and spirit applying technology after the flesh it has occupied has deteriorated. Britney`s `Mars Lander` in `Oops I Did It Again` is the spaceman containing `Mission Control` as more than a single occupant or `crew`, while Britney is the `operator` of her own ship outside the ship of the spacesuit occupants.

According to Jung there are male and female functions of human consciousness; `Thinking and Sensation` are male while `Feeling and Intuition` are female but, if women have their own male reproductive organs as `futanarian` humans, all of the functions of consciousness belong with them and the `serpent`s seed` of men are her alien parasites; unredeemable without repentance of their `original sin` of enslaving Eve`s daughters through metanoia. Even the soul belongs to women, because it`s female, according to Jung, and the animus or male spirit in woman represents her penis` sexual drive for socio-economic success and freedom. So woman can`t leave the ship of her Earth, the `serpent`s seed` of men have invaded her bodies` host wombs to enslave her soul and spirit for their devourers` wars. The animus corresponds to the Holy Spirit, but it can`t be heard as the inner voice of God if `futanarian` women aren`t sexually reproducing the human species of woman with her own brains` powers. The animus can only receive actuation within a human that has the four functions of consciosunsess, `Thinking, Sensation, Feeling and Intuition`, which are for `woman`s seed`. The `serpent`s seed` of men are her enslaving and devouring alien parasites, so if `futanarian` women are prevented from breeding sexually with their own human penis` semen and host wombs, the human race will never develop beyond guided missiles and invading paratroopers because that`s men`s paradigm; to penetrate the woman and eat her.

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12 .

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17 .

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